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Archive for the ‘Culture’ Category

The Guelaguetza Muy Especial, danced by Los Ángeles de Luz, gets bigger every year.

Convite – China Oaxaqueñas, City of Oaxaca

Early yesterday evening, all seating was filled and it was standing room only at the Plaza de la Danza — and that is a very good thing because Los Ángeles de Luz is group of 18 children and young people with Down’s Syndrome.

Jarabe – Ejutla de Crespo, Valles Centrales region

It was formed in 2003 with the purpose of facilitating the integration of people with Down’s syndrome and offering them creative experiences that exercise their motor skills, intelligence, language, and sensitivity in an environment of respect, trust, and love. (Ángeles le dan luz a las fiestas del Lunes del Cerro, 07/25/2016)

Jarabe – Tamazulapam Espiritu Santo, Mixe region

Their talents also extend to theatrical productions, including performances of “Snow White and the Seven Dwarfs” and “Romeo and Juliet.”  In addition, they have mounted an interdisciplinary spectacular, “Ellos le bailan a México, a un México muy especial.”

Wedding jarabe – Huautla de Jiménez, Cañada region

At the Guelaguetza Muy Especial, these young people make the requisite costume changes and perform traditional dances from the eight regions of Oaxaca.

Jarabe – San Melchor Betaza, Sierra Norte region

This year’s show brought Oaxaca’s dignitaries, including Diosa Centeotl, Rebeca Itahí Ortiz Santibañez — she looked incredibly moved when they performed dances from her town of San Melchor Betaza.

Rebeca Itahí Ortiz Santibañez – Diosa Centeotl 2017

As I have mentioned before, perhaps it is because I have a special needs nephew or that both my sister-in-law and daughter-in-law are special education teachers, that I am drawn to this event every year.

Jarabe – Pinotepa Nacional, Costa region

Tears always well up in my eyes as I share in the joy and pride exhibited by the dancers from Los Ángeles de Luz.

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To watch last week’s Desfile de Delegaciones (Parade of Delegations), Donají…La Leyenda, and both the morning and evening Guelaguetza performances at the Auditorio Guelaguetza on Cerro del Fortín:  http://www.viveoaxaca.org/2017/07/EnVivo2017.html.

This week, the same link should be live streaming tonight’s Desfile, tomorrow night’s Donají, and both Guelaguetza performances on Monday.  If not, check the CORTV TV en Vivo link:  http://www.cortv.oaxaca.gob.mx/tv-en-vivo/.

July 22, 2017 at 6:00 PM – Desfile de Delegaciones

July 23, 2017 at 8:00 PM – Donají… La Leyenda

July 24, 2017 at 10:00 AM – Guelaguetza 2017 morning performance

July 24, 2017 at 5:00 PM – Guelaguetza 2017 evening performance

(Times given are USA Central Daylight Savings Time)

This week’s list of delegations:

July 24 morning

July 24 evening

¡Desfruta!  (Enjoy!)

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Another day, another parade.  Today, the Gran Calenda del Mercado de Abastos (parade of the markets) passed within a block and a half of Casita Colibrí.  I couldn’t miss it — the cacophony of multiple bands, cohetes (rockets), and honking horns announced its arrival in my ‘hood!  In the words of Octavio Paz, from The Labyrinth of Solitude…

“The solitary Mexican loves fiestas and public gatherings.”

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“The art of the fiesta has been debased almost everywhere else, but not in Mexico.”

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“Our poverty can be measured by the frequency and luxuriousness of our holidays.”

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“Do they forget themselves and show their true faces?  Nobody knows.  The important thing is to go out, open a way, get drunk on noise, people, colors.”

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“In the confusion that it generates, society is dissolved, is drowned, insofar as it is an organism ruled according to certain laws and principles.”

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“Everything is united: good and evil, day and night, the sacred and the profane.  Everything merges, loses shape and individuality and returns to the primordial mass.”

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“The fiesta is a cosmic experiment, an experiment in disorder, reuniting contradictory elements and principles in order to bring about a renascence of life.”

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The dancers get most of the press, but the musicians are some of the unsung heroes of all the Guelaguetza performances.  And, I have to say, yesterday the Banda Oro Blanco at the Guelaguetza at “Las Peñitas” in Reyes Etla played a leading role.  And the view wasn’t bad either!

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What can I say about this clarinet player?  At one point he played off a fake book on a smart phone and he was on fire!!!

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On Friday, Diosa Centéotl was selected to reign over the Guelaguetza festivities.  The eight regions of the state of Oaxaca were all represented by the 33 contestants competing for the honor.  (My photos of each of the contestants are from the morning phase of the competition.)

First a little history…  According to the pamphlet that was distributed to the hundreds of locals, family and friends of contestants, and tourists attending the competition at Jardín el Pañuelito, the little “pocket” garden along the side of Santo Domingo de Guzmán:

“In the pre-Hispanic worldview, Goddess Centéotl possessed the divine power to germinate corn and all the plants of the milpa:  tomato, squash, chile, quelites, beans, and other vegetables that constituted the Mesoamerican diet….”

“For that reason, prayers, dances, music and flowers were offered in each planting cycle…”

“[Later] the relationship between peoples, nature and the gods was manifested through a liturgical calendar carried out with much scrupulousness by both priests and the common people, for the survival of all was at stake, since a failed crop condemned them to famine, disease and moral suffering.”

“By contrast, an abundant harvest filled the people with happiness and they understood that the Goddess of Fertility – Centéotl – had listened to their requests.”  — my translation from the Spanish

The competition to be Diosa Centéotl is not a Miss Universe/Miss America style beauty pageant.  Dressed in the typical costumes of their villages or neighborhoods, these young women had to communicate their knowledge of their communities. They were required to give two 4-minute oral presentations in front of five judges:  Jorge Bueno Sánchez (city chronicler), Celia Florián (chef/owner of Las Quince Letras), María Concepción Villalobos (coauthor of Centéotl en los Lunes del Cerro), María Concepción Guzmán Concha (textile expert), and Claudio Sánchez Islas (writer and journalist).

In the morning session of the competition, each was required to speak about their traditional cuisine, crafts, festivals, customs, myths and legends, or tourist attractions. During the afternoon stage, each had to discuss the history, composition, elaboration, and utility of their costumes.  In addition, as Oaxaca has sixteen distinct ethnolinguistic groups, contestants from the various indigenous communities spoke several lines in their materna lengua (mother tongue).

It is in the dignity, pride, and poise expressed by each of the contestants where we see the essence of their beauty expressed.  And the winner is…

Rebeca Itahí Ortiz Santibañez, San Melchor Betaza

Rebeca Itahí Ortiz Santibañez, from San Melchor Betaza in the Sierra Norte region of the state.  At being selected she exclaimed, “Doxhkenho dazhan” —  Muchas gracias in Zapoteco.

(ps)  If anyone has or can find a list of all the contestants, I would really love to add their names and communities to each photo.  I think they all deserve to be recognized.

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This evening, the rain began falling as the delegations for the first Saturday Guelaguetza desfile began gathering.  Are we having fun, yet?

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However, just like last year, the show must go on and the dancing must be done.

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Some even looked like they were having fun.  Of course, they were well covered!

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I wasn’t, so this wimpy gringa headed back to her casa and a glass of wine (insert smiley face).  By the way, to add insult to injury, tonight’s press is reporting that the route was changed — and it wasn’t just me who was clueless.  Ahhh… Oaxaca!!!

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While there have been pre-Guelaguetza calendas for the past couple of weeks, for me, the festivities really begin tomorrow — with the Festival de los Moles.  Last year, at least 20+ moles were presented at the “all you can eat” buffet in the Jardín Etnobotánico.  Ticket in hand, I’m ready!

P1200532 (1)In addition, tomorrow Diosa Centéotl (Corn Goddess) will be selected to preside over La Guelaguetza.  Beginning at 10:00 AM, contestants from the eight regions of the state of Oaxaca will showcase and explain the costumes and traditions of their communities, both in Spanish and their materna lengua (mother tongue).

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The schedule of activities during these next two weeks is always jam-packed, entertaining, and exhausting.  If you don’t believe me, take a look at the official schedule below.

Calendario Guelaguetza2017

That’s not all, folks!  There are additional Guelaguetza dance performances, expo-ventas, and fairs in the surrounding villages.  And, best of all, residents and visitors will not be navigating along sidewalks piled with garbage.  A temporary Guelaguetza truce to the almost two-week dispute that has prevented garbage from being delivered to dump, was agreed to last night.

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This afternoon, this guy’s garbage cart was SO full, he was having a hard time pulling it over the cobblestones.  He is my hero of the day!

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Many thanks to Surviving Mexico for considering “View from Casita Colibrí” a blog about Mexico worth reading! The feeling is mutual, as I continue to enjoy reading about their “adventures and disasters” living in Mexico. 😉

C.E. Flores's avatarSurviving Mexico

Shannon writes at Casita Colibrí, another long-time favorite of mine.

IMG_5418_2What brought you to Mexico?

Even though I grew up in California, my first trip to Mexico was in 2007, when I came to Oaxaca to visit a friend. I immediately fell in love with Oaxaca, returned a couple more times, and considered eventually retiring there. The privately funded library where I’d been the director for almost 13 years lost its funding and closed in spring 2009.Full-time jobs for librarian/archivists in the San Francisco Bay Area were almost non-existent. Faced with the choice of working multiple part-time and substitute jobs to barely keep my head above water, versus renting my house and moving to Oaxaca to live a downsized and simplified life, in a culturally rich, full of life city, I opted for the latter.

What was the inspiration behind the name of your blog?

Casita Colibrí is…

View original post 871 more words

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The Guelaguetza 2017 delegations were announced late this morning.  While there will be four presentations of the Danza de la Pluma, this year Teotitlán del Valle will not be one of them and I’m disappointed —  this group of danzantes de promesa are SO good, they were such a hit last year, and I don’t know how much more “traditional” you can get.  In addition, social media tweets and comments in Oaxaca are flying fast and furious regarding the absence of Santiago Pinotepa Nacional and Juchitán de Zaragoza.  However, the good news is that there are some new groups this year, including Santiago Niltepec, Santo Domingo Chihuitán, Santa Catarina Ticua, and Santa María Huatulco — and their supporters are thrilled.

July 17 morning

July 17 evening

July 24 morning

July 24 evening

Reserved seat tickets have been sold out for weeks.  However, if you don’t mind standing in line for hours, tickets for the “free” sections in the upper level of the Guelaguetza Auditorium are available before each of the four performances.  In addition, it will, no doubt, be shown on local TV and live-streamed on the internet.  I will post the link, when it becomes available.

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One of the great things about having friends come to visit, is going places and doing things not on the usual agenda.  Thus, last week, while accompanying my friend B on a private tour of sights outside Oaxaca city, the guide asked if we knew about the Muertos murals in Villa de Zaachila and would we like to see them.  Absolutely, we said!

In late October, prior to Día de Muertos, young artists are invited to paint Day of the Dead related murals on the walls of Calle Coquiza, the street that connects the church, Santa María Natividad, to the municipal cemetery.  Customs, beliefs, and legends provide the inspiration, as well as day-to-day activities.

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Flor de Piña dancers welcome residents and visitors to step through the doorway to the land beyond.

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Where electric meters serve as faces.

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And, telephone poles add a third dimension to the design.

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Painted pitchers and candles nestle in vegetation escaping from under a portón.

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And, a dancer frolics in sand waiting to be mixed into concrete for construction next door.

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Skeletons use an electric meter to get a leg up in climbing the conduit.

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Trees provide shade, as Pan de Muertos is baked in an outdoor oven.

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Leaves flutter above, as Bu’pu del Valle (chocolate atole) is frothed with a molinillo before being served in traditional hand-painted jicaras.

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Flowers tumble over the wall to adorn a catrina portrait’s hat.

The murals along the walls of Calle Coquiza remain throughout the year — until replaced by the next Día de Muertos artists’ offerings.  In addition, during Day of the Dead, this Calzada de los Muertos (Road of the Dead) is paved with sand paintings.  It is definitely going on my Muertos “must see” itinerary.

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Fathers of Oaxaca playing a leading role in introducing the next generation to the music, dance, and respect for the traditions of Oaxaca…

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Learning to carry a marmota in La Guelaguetza parade of delegations in Oaxaca city – July 2016

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Following La Guelaguetza parade of delegations in Oaxaca city – July 2016

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Watching masked dancers at the mock wedding during Carnaval in San Martín Tilcajete – February 2017

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Giving angels a lift during the Lunes Santo procession in Teotitlán del Valle – April 2017

Happy Father’s Day to all the loving fathers (biological and adoptive), stepfathers, grandfathers, godfathers, and father figures everywhere, may you continue to do what you do.

¡Feliz Día del Padre!

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Walking along the sidewalks of Oaxaca…

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I get the feeling I’m being watched… by Oaxaca’s revolutionary street art.

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Along with much-needed rain and sparkling green cantera, tropical storm Beatriz also brought the one-day-a-year appearance of chicatanas (aka, tzicatana, tzicatl).

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What, you might ask are chicatanas?  They are giant flying ants that emerge with the first rains of the season — and by giant, I mean about 4 cm from the head to the tip of the wings for the females.  (As in much of the insect world, males are smaller.)  Known by the Nahuatl long before the arrival of the Spanish, they were mentioned in the 16th-century Florentine Codex which talked about the tzicatana living below ground and cultivating fungus to eat.

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By this morning, the rain had stopped and when I returned from an early errand, I found chicatanas — queens (wings) and soldiers (wingless with vicious front pincers) — crawling around on my terrace and balcony.  There were probably many more earlier, but I had been in a hurry and hadn’t noticed.  By 10:30 AM they were gone.

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Oh, and have I mentioned that they are a delicacy and a great source of protein?  I’ve had chicatana salsa and chicatana mole several times.  Below is Mole de Chicatanas I sampled during the Mole Festival in 2014.  It’s from the Sierra Sur region of Oaxaca and made with chicatanas, pork ribs or loin, chile costeño, peanuts, and much more.  It was yummy (and I was a picky eater as a child!), so I had it again at last year’s festival.

If you won’t take my word, check out this Bizarre Foods episode set in Oaxaca.  (Chicatanas start at 1 min. 40 sec.)  By the way, these are the dreaded leaf-cutter ants.  However, it is the much smaller workers who can strip a tree overnight and are the bane of gardeners here.  At least their queens and soldiers are good for something!

Post script:  On a somber note, tropical storm Beatriz also brought flooding, mudslides, more downed trees, collapsed roads, and a current death toll of three.

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We live in perilous times…P1250005

The signs are everywhere…P1260098

This guy can’t be the only one riding to the rescue.P1250841

We all must do our part.

Save

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Tomorrow, May 18, museums worldwide will be celebrating International Museum Day with special events around this year’s theme, “Museums and contested histories: Saying the unspeakable in museums.”  According to the IMD website, The objective of International Museum Day is to raise awareness of the fact that, “Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” 

While Oaxaca has many wonderful museums, textile lover that I am, I would like to honor the day by looking back at several exhibitions I had the pleasure of viewing at the Museo Textil de Oaxaca — and a current one, too!

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“Tormentos y suenos” (Storms and dreams) by Carolyn Kallenborn – August 3, 2012

Exhibitions ranged from works by individual textile artists to themed shows displaying textiles from the museum’s permanent collection and those on loan.

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“Transcomunalidad. interventions and collaborations with stilt communities and craftsmen” exhibition by Laura Anderson Barbata – March 1, 2013

Item labels and detailed descriptive booklets have been extremely helpful and, in the case of collections by individual collectors, their field notes were fascinating.

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“Irmgard Weitlaner Johnson: a life dedicated to textiles” – Costal (bag) was acquired by Irmgard in 1949, is said to be one of the most well preserved examples from the Valle del Mezquital, Hidalgo and, given the design, is thought to have been a wedding gift. – Nov. 21, 2014

The museum not only collects, preserves, and exhibits, it also holds workshops, lectures, expo-ventas (exposition and sales), and has provided a platform for issues of importance to textile artists, especially from the indigenous communities of the state of Oaxaca.

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El Delirio del color Oaxaca en los años 1960″ – Huipil mazatecas from the Tuxtepec district – Apr. 19, 2015

Exhibition openings often have included receptions, with an occasional performance art presentation thrown in.

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“Hilo Rojo 3047” an autobiographical installation by Ornilla Ridone – May 21, 2016

Museums can be a place to help shape community identity and bring different community groups together, a catalyst for regeneration through the creation of new venues and civic spaces, and a resource for developing the skills and confidence of members of those communities.  — Museums Association

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“Tekstil” current exhibition by textile artist Trine Ellitsgaard – Piece titled “Serpiente y abanicos” (Serpent and fans) – May 6, 2017

In observance of this year’s International Museum Day, the Museo Textil de Oaxaca invites textile artists and designers, academics, students, and the general public to participate in a conversation exploring the questions, “What is plagiarism? What is a copy? What is collaborating? Is ‘to collaborate’ synonymous with ‘to employ’? What has been the role of the copy in the development of craft goods?”   May 18, 10:00 AM to 2:00 PM in the Claustro of the Centro Cultural San Pablo — next door to the Textile Museum.

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