Feeds:
Posts
Comments

Archive for the ‘Culture’ Category

Another day, another parade.  Today, the Gran Calenda del Mercado de Abastos (parade of the markets) passed within a block and a half of Casita Colibrí.  I couldn’t miss it — the cacophony of multiple bands, cohetes (rockets), and honking horns announced its arrival in my ‘hood!  In the words of Octavio Paz, from The Labyrinth of Solitude

“The solitary Mexican loves fiestas and public gatherings.”

IMG_3690

“The art of the fiesta has been debased almost everywhere else, but not in Mexico.”

IMG_3707

“Our poverty can be measured by the frequency and luxuriousness of our holidays.”

IMG_3761

“Do they forget themselves and show their true faces?  Nobody knows.  The important thing is to go out, open a way, get drunk on noise, people, colors.”

IMG_3726

“In the confusion that it generates, society is dissolved, is drowned, insofar as it is an organism ruled according to certain laws and principles.”

IMG_3785

“Everything is united: good and evil, day and night, the sacred and the profane.  Everything merges, loses shape and individuality and returns to the primordial mass.”

IMG_3738

“The fiesta is a cosmic experiment, an experiment in disorder, reuniting contradictory elements and principles in order to bring about a renascence of life.”

Read Full Post »

The dancers get most of the press, but the musicians are some of the unsung heroes of all the Guelaguetza performances.  And, I have to say, yesterday the Banda Oro Blanco at the Guelaguetza at “Las Peñitas” in Reyes Etla played a leading role.  And the view wasn’t bad either!

P1270889 

P1270890

P1270891

P1280140

What can I say about this clarinet player?  At one point he played off a fake book on a smart phone and he was on fire!!!

Read Full Post »

On Friday, Diosa Centéotl was selected to reign over the Guelaguetza festivities.  The eight regions of the state of Oaxaca were all represented by the 33 contestants competing for the honor.  (My photos of each of the contestants are from the morning phase of the competition.)

First a little history…  According to the pamphlet that was distributed to the hundreds of locals, family and friends of contestants, and tourists attending the competition at Jardín el Pañuelito, the little “pocket” garden along the side of Santo Domingo de Guzmán:

“In the pre-Hispanic worldview, Goddess Centéotl possessed the divine power to germinate corn and all the plants of the milpa:  tomato, squash, chile, quelites, beans, and other vegetables that constituted the Mesoamerican diet….”

“For that reason, prayers, dances, music and flowers were offered in each planting cycle…”

“[Later] the relationship between peoples, nature and the gods was manifested through a liturgical calendar carried out with much scrupulousness by both priests and the common people, for the survival of all was at stake, since a failed crop condemned them to famine, disease and moral suffering.”

“By contrast, an abundant harvest filled the people with happiness and they understood that the Goddess of Fertility – Centéotl – had listened to their requests.”  — my translation from the Spanish

The competition to be Diosa Centéotl is not a Miss Universe/Miss America style beauty pageant.  Dressed in the typical costumes of their villages or neighborhoods, these young women had to communicate their knowledge of their communities. They were required to give two 4-minute oral presentations in front of five judges:  Jorge Bueno Sánchez (city chronicler), Celia Florián (chef/owner of Las Quince Letras), María Concepción Villalobos (coauthor of Centéotl en los Lunes del Cerro), María Concepción Guzmán Concha (textile expert), and Claudio Sánchez Islas (writer and journalist).

In the morning session of the competition, each was required to speak about their traditional cuisine, crafts, festivals, customs, myths and legends, or tourist attractions. During the afternoon stage, each had to discuss the history, composition, elaboration, and utility of their costumes.  In addition, as Oaxaca has sixteen distinct ethnolinguistic groups, contestants from the various indigenous communities spoke several lines in their materna lengua (mother tongue).

It is in the dignity, pride, and poise expressed by each of the contestants where we see the essence of their beauty expressed.  And the winner is…

Rebeca Itahí Ortiz Santibañez, San Melchor Betaza

Rebeca Itahí Ortiz Santibañez, from San Melchor Betaza in the Sierra Norte region of the state.  At being selected she exclaimed, “Doxhkenho dazhan” —  Muchas gracias in Zapoteco.

(ps)  If anyone has or can find a list of all the contestants, I would really love to add their names and communities to each photo.  I think they all deserve to be recognized.

Read Full Post »

This evening, the rain began falling as the delegations for the first Saturday Guelaguetza desfile began gathering.  Are we having fun, yet?

P1270863

However, just like last year, the show must go on and the dancing must be done.

P1270869

Some even looked like they were having fun.  Of course, they were well covered!

P1270861

I wasn’t, so this wimpy gringa headed back to her casa and a glass of wine (insert smiley face).  By the way, to add insult to injury, tonight’s press is reporting that the route was changed — and it wasn’t just me who was clueless.  Ahhh… Oaxaca!!!

Read Full Post »

While there have been pre-Guelaguetza calendas for the past couple of weeks, for me, the festivities really begin tomorrow — with the Festival de los Moles.  Last year, at least 20+ moles were presented at the “all you can eat” buffet in the Jardín Etnobotánico.  Ticket in hand, I’m ready!

P1200532 (1)In addition, tomorrow Diosa Centéotl (Corn Goddess) will be selected to preside over La Guelaguetza.  Beginning at 10:00 AM, contestants from the eight regions of the state of Oaxaca will showcase and explain the costumes and traditions of their communities, both in Spanish and their materna lengua (mother tongue).

P1200562

The schedule of activities during these next two weeks is always jam-packed, entertaining, and exhausting.  If you don’t believe me, take a look at the official schedule below.

Calendario Guelaguetza2017

That’s not all, folks!  There are additional Guelaguetza dance performances, expo-ventas, and fairs in the surrounding villages.  And, best of all, residents and visitors will not be navigating along sidewalks piled with garbage.  A temporary Guelaguetza truce to the almost two-week dispute that has prevented garbage from being delivered to dump, was agreed to last night.

P1270416

This afternoon, this guy’s garbage cart was SO full, he was having a hard time pulling it over the cobblestones.  He is my hero of the day!

Read Full Post »

Many thanks to Surviving Mexico for considering “View from Casita Colibrí” a blog about Mexico worth reading! The feeling is mutual, as I continue to enjoy reading about their “adventures and disasters” living in Mexico. 😉

C.E. Flores's avatarSurviving Mexico

Shannon writes at Casita Colibrí, another long-time favorite of mine.

IMG_5418_2What brought you to Mexico?

Even though I grew up in California, my first trip to Mexico was in 2007, when I came to Oaxaca to visit a friend. I immediately fell in love with Oaxaca, returned a couple more times, and considered eventually retiring there. The privately funded library where I’d been the director for almost 13 years lost its funding and closed in spring 2009.Full-time jobs for librarian/archivists in the San Francisco Bay Area were almost non-existent. Faced with the choice of working multiple part-time and substitute jobs to barely keep my head above water, versus renting my house and moving to Oaxaca to live a downsized and simplified life, in a culturally rich, full of life city, I opted for the latter.

What was the inspiration behind the name of your blog?

Casita Colibrí is…

View original post 871 more words

Read Full Post »

The Guelaguetza 2017 delegations were announced late this morning.  While there will be four presentations of the Danza de la Pluma, this year Teotitlán del Valle will not be one of them and I’m disappointed —  this group of danzantes de promesa are SO good, they were such a hit last year, and I don’t know how much more “traditional” you can get.  In addition, social media tweets and comments in Oaxaca are flying fast and furious regarding the absence of Santiago Pinotepa Nacional and Juchitán de Zaragoza.  However, the good news is that there are some new groups this year, including Santiago Niltepec, Santo Domingo Chihuitán, Santa Catarina Ticua, and Santa María Huatulco — and their supporters are thrilled.

July 17 morning

July 17 evening

July 24 morning

July 24 evening

Reserved seat tickets have been sold out for weeks.  However, if you don’t mind standing in line for hours, tickets for the “free” sections in the upper level of the Guelaguetza Auditorium are available before each of the four performances.  In addition, it will, no doubt, be shown on local TV and live-streamed on the internet.  I will post the link, when it becomes available.

Read Full Post »

One of the great things about having friends come to visit, is going places and doing things not on the usual agenda.  Thus, last week, while accompanying my friend B on a private tour of sights outside Oaxaca city, the guide asked if we knew about the Muertos murals in Villa de Zaachila and would we like to see them.  Absolutely, we said!

In late October, prior to Día de Muertos, young artists are invited to paint Day of the Dead related murals on the walls of Calle Coquiza, the street that connects the church, Santa María Natividad, to the municipal cemetery.  Customs, beliefs, and legends provide the inspiration, as well as day-to-day activities.

P1260838

Flor de Piña dancers welcome residents and visitors to step through the doorway to the land beyond.

P1260849

Where electric meters serve as faces.

P1260844

And, telephone poles add a third dimension to the design.

P1260850

Painted pitchers and candles nestle in vegetation escaping from under a portón.

P1260874

And, a dancer frolics in sand waiting to be mixed into concrete for construction next door.

P1260853

Skeletons use an electric meter to get a leg up in climbing the conduit.

P1260857

Trees provide shade, as Pan de Muertos is baked in an outdoor oven.

P1260878

Leaves flutter above, as Bu’pu del Valle (chocolate atole) is frothed with a molinillo before being served in traditional hand-painted jicaras.

P1260862

Flowers tumble over the wall to adorn a catrina portrait’s hat.

The murals along the walls of Calle Coquiza remain throughout the year — until replaced by the next Día de Muertos artists’ offerings.  In addition, during Day of the Dead, this Calzada de los Muertos (Road of the Dead) is paved with sand paintings.  It is definitely going on my Muertos “must see” itinerary.

Read Full Post »

Fathers of Oaxaca playing a leading role in introducing the next generation to the music, dance, and respect for the traditions of Oaxaca…

IMG_1929 (1)

Learning to carry a marmota in La Guelaguetza parade of delegations in Oaxaca city – July 2016

IMG_1950

Following La Guelaguetza parade of delegations in Oaxaca city – July 2016

IMG_2912

Watching masked dancers at the mock wedding during Carnaval in San Martín Tilcajete – February 2017

IMG_3197

Giving angels a lift during the Lunes Santo procession in Teotitlán del Valle – April 2017

Happy Father’s Day to all the loving fathers (biological and adoptive), stepfathers, grandfathers, godfathers, and father figures everywhere, may you continue to do what you do.

¡Feliz Día del Padre!

Read Full Post »

Walking along the sidewalks of Oaxaca…

P1260601

P1260602

P1260698

P1260188

I get the feeling I’m being watched… by Oaxaca’s revolutionary street art.

Read Full Post »

Along with much-needed rain and sparkling green cantera, tropical storm Beatriz also brought the one-day-a-year appearance of chicatanas (aka, tzicatana, tzicatl).

P1260204

What, you might ask are chicatanas?  They are giant flying ants that emerge with the first rains of the season — and by giant, I mean about 4 cm from the head to the tip of the wings for the females.  (As in much of the insect world, males are smaller.)  Known by the Nahuatl long before the arrival of the Spanish, they were mentioned in the 16th-century Florentine Codex which talked about the tzicatana living below ground and cultivating fungus to eat.

P1260212

By this morning, the rain had stopped and when I returned from an early errand, I found chicatanas — queens (wings) and soldiers (wingless with vicious front pincers) — crawling around on my terrace and balcony.  There were probably many more earlier, but I had been in a hurry and hadn’t noticed.  By 10:30 AM they were gone.

P1260194

Oh, and have I mentioned that they are a delicacy and a great source of protein?  I’ve had chicatana salsa and chicatana mole several times.  Below is Mole de Chicatanas I sampled during the Mole Festival in 2014.  It’s from the Sierra Sur region of Oaxaca and made with chicatanas, pork ribs or loin, chile costeño, peanuts, and much more.  It was yummy (and I was a picky eater as a child!), so I had it again at last year’s festival.

If you won’t take my word, check out this Bizarre Foods episode set in Oaxaca.  (Chicatanas start at 1 min. 40 sec.)  By the way, these are the dreaded leaf-cutter ants.  However, it is the much smaller workers who can strip a tree overnight and are the bane of gardeners here.  At least their queens and soldiers are good for something!

Post script:  On a somber note, tropical storm Beatriz also brought flooding, mudslides, more downed trees, collapsed roads, and a current death toll of three.

Read Full Post »

We live in perilous times…P1250005

The signs are everywhere…P1260098

This guy can’t be the only one riding to the rescue.P1250841

We all must do our part.

Save

Save

Read Full Post »

Tomorrow, May 18, museums worldwide will be celebrating International Museum Day with special events around this year’s theme, “Museums and contested histories: Saying the unspeakable in museums.”  According to the IMD website, The objective of International Museum Day is to raise awareness of the fact that, “Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” 

While Oaxaca has many wonderful museums, textile lover that I am, I would like to honor the day by looking back at several exhibitions I had the pleasure of viewing at the Museo Textil de Oaxaca — and a current one, too!

IMG_9302

Tormentos y suenos” (Storms and dreams) by Carolyn Kallenborn – August 3, 2012

Exhibitions ranged from works by individual textile artists to themed shows displaying textiles from the museum’s permanent collection and those on loan.

P1050404

“Transcomunalidad. interventions and collaborations with stilt communities and craftsmen” exhibition by Laura Anderson Barbata – March 1, 2013

Item labels and detailed descriptive booklets have been extremely helpful and, in the case of collections by individual collectors, their field notes were fascinating.

P1050633

“Irmgard Weitlaner Johnson: a life dedicated to textiles” – Costal (bag) was acquired by Irmgard in 1949, is said to be one of the most well preserved examples from the Valle del Mezquital, Hidalgo and, given the design, is thought to have been a wedding gift. – Nov. 21, 2014

The museum not only collects, preserves, and exhibits, it also holds workshops, lectures, expo-ventas (exposition and sales), and has provided a platform for issues of importance to textile artists, especially from the indigenous communities of the state of Oaxaca.

P1080922

El Delirio del color Oaxaca en los años 1960″ – Huipil mazatecas from the Tuxtepec district – Apr. 19, 2015

Exhibition openings often have included receptions, with an occasional performance art presentation thrown in.

P1190533

“Hilo Rojo 3047” an autobiographical installation by Ornilla Ridone – May 21, 2016

Museums can be a place to help shape community identity and bring different community groups together, a catalyst for regeneration through the creation of new venues and civic spaces, and a resource for developing the skills and confidence of members of those communities.  — Museums Association

P1260051

“Tekstil” current exhibition by textile artist Trine Ellitsgaard – Piece titled “Serpiente y abanicos” (Serpent and fans) – May 6, 2017

In observance of this year’s International Museum Day, the Museo Textil de Oaxaca invites textile artists and designers, academics, students, and the general public to participate in a conversation exploring the questions, “What is plagiarism? What is a copy? What is collaborating? Is ‘to collaborate’ synonymous with ‘to employ’? What has been the role of the copy in the development of craft goods?”   May 18, 10:00 AM to 2:00 PM in the Claustro of the Centro Cultural San Pablo — next door to the Textile Museum.

Read Full Post »

Thinking of all the sign painters I used to know back in the day, up in el norte.

At a time ruled by the industry and advanced technologies of all kinds, it’s easy to forget that once many things were done by hand. One of these things would be sign painting…. However, like many crafts and trades, hand-made sign painting was taken over by computers and printers, which promised cheaper and quicker solutions to its curious customers hungry for the wonders of the new era. As a result, these creatives lost their jobs, like many of their fellow draughtsmen and handymen.The Nostalgia of the Sign Painting

But, here in Oaxaca…

P1260079

We’ve got the ladder, the brush, and the artist.

P1260080_land

The hand-painted artistry continues and leads to…

P1260089

The creation of a beautiful and unique sign on Av. José María Morelos in Col. Centro.

P1260088

¡Vive los artesanos!

Update:  The sign painter (rotulista), Arturo, can be reached at:  951-201-3527

Save

Save

Save

Read Full Post »

“What’s your name,” Coraline asked the cat. “Look, I’m Coraline. Okay?”
“Cats don’t have names,” it said.
“No?” said Coraline.
“No,” said the cat. “Now you people have names. That’s because you don’t know who you are. We know who we are, so we don’t need names.”Neil Gaiman, Coraline

P1250132

The problem with cats is that they get the exact same look on their face whether they see a moth or an axe-murderer.Paula Poundstone
P1250353
“Curiosity killed the cat,” Fesgao remarked, his dark eyes unreadable.
Aly rolled her eyes. Why did everyone say that to her? “People always forget the rest of the saying,” she complained. “‘And satisfaction brought it back.”Tamora Pierce, Trickster’s Choice

Read Full Post »

« Newer Posts - Older Posts »