With thunder, lightening, torrential rain, and a massive hail storm, April “showers” heralded the end of the dry season — in a most spectacular way!
The evening of April 14 the city of Oaxaca and surrounding villages were hit with a freak hailstorm. Needless to say, I closed my doors and windows, unplugged critical electronics, and hunkered down inside until the storm had passed — which seemed like at least two hours. When I eventually ventured out, I found the apartment complex patio five inches deep in water, hail piled outside my rooftop laundry room door, and a garden of plants with shredded leaves.
Then two nights ago another massive thunderstorm hovered over us for hours, turning streets into rivers and sending trees toppling all over the city.
The day before yesterday, there was water, water everywhere and lots of drops to drink! It was the fourth Friday of Lent, Día de la Samaritana, an “only in Oaxaca” celebration.
Xocote restaurant on Calle Antequera, Barrio de Jalatlaco.
The Day of the Good Samaritan was inspired by the Gospel of John story in the New Testament when a tired and thirsty Jesus, on his way to Galilee, asks a Samaritan woman at Jacob’s Well in Sychar for some water. The request was highly unusual because, according to the Old Testament, “Jews regarded the Samaritans as foreigners and their attitude was often hostile.” The woman complied with his request and the rest is history.
Laboratorio de Análisis Clínicos Qualis on 5 de mayo, Barrio de Jalatlaco.
Celebrating the Good Samaritan in Oaxaca began in the atria of churches at the end of the 19th century and is a popular and much-loved tradition. People of all ages, from small children to grandparents, line up at bougainvillea and palm decorated booths in front of churches, restaurants, businesses, and schools for the traditional Día de la Samaritana free flavored waters.
Santa Hierba restaurant, 5 de mayo, Barrio de Jalatlaco.
By noon, masses of people had gathered in the atrium of the local church, Templo de San Matías Jalatlaco, where two long rows of tables, under the shade of the tented atrium, were lined with massive bowls filled with colorful aguas on offer. However, I preferred to avoid the crowds and wander through the streets of my Jalatlaco neighborhood.
Miscelánea Tepeaca, 5 de mayo, Barrio de Jalatlaco.
By the way, we are not talking plain water, these are divinely flavored aguas frescas made with fresh fruits, herbs, flowers, and more — jamaica (hibiscus), horchata, chilacayote (squash), tamarindo, sandia (watermelon), and tejate.
Espacio Ermita Arte y Diseño, Calle Hidalgo, Barrio de Jalatlaco.
In the name of the environment, an appeal was made for people to bring their own cups. And, I think a majority complied!
Asador Bacanora, 5 de mayo, Barrio de Jalatlaco.
After almost two hours, three aguas, and being surrounded by smiling people enjoying this celebration of generosity, I returned home with my heart full of gratitude for this Oaxacan tradition. I love this day and the message it imparts and the way it brings neighbors together.
Why I love Oaxaca, reason number 2,022 — music is heard everywhere and seemingly all the time. November 22 is Día de Santa Cecilia who, among other things, is the patron saint of musicians.
July 4, 2022 – Convite for the Preciosa Sangre de Cristo patronal festival in Teotitlán del Valle
July 23, 2022 – Guelaguetza Desfile Magesterial in Barrio de Jalatlaco
July 9, 2022 – Calenda celebrating the anniversary of La Mano Magica Galería in Oaxaca de Juárez
September 16, 2022 – Independence Day parade in Oaxaca de Juárez
August 25, 2022 – 35th birthday celebration in Barrio de Jalatlaco
August 20, 2022 – Strolling Tuna Band from URSE in Barrio de Jalatlaco
And, since this post honors musicians, how about a little music…
Traditional teponaxtles and chirimía played outside the panteón of San Antonino Castillo Velasco on Palm Sunday 2022 and brass band in Barrio de Jalatlaco, Oaxaca de Juárez on the 6th Friday of Lent, Viernes de Dolores 2022.
A big muchisimas gracias to musicians all over the world who provide the soundtrack of our lives.
Every Día de Muertos, I love seeing the artistry of public ofrendas, feel honored being welcomed into the homes of friends and placing pan de muertos on their very personal ofrendas, and enjoy assembling my own ofrenda to departed loved ones. (Click on each image to see the details.)
Mitla – Ofrenda in the home of master weaver Arturo Hernandez Quero.
Mitla – Public ofrenda in the main plaza. Note the intricately decorated pan de muertos.
Teotitlán del Valle – Ofrenda of the weaver Pedro Montaño and cocinera Carina Santiago family in the Tierra Antigua restaurant and gallery.
Teotitlán del Valle – Ofrenda in the family home of weaver Zacarias Ruiz and Emilia Gonzalez.
Barrio de Jalatlaco – Private ofrenda open for public viewing at the corner of 5 de mayo and La Alianza.
Barrio de Jalatlaco – Family adding the finishing touches to their ofrenda. (They graciously gave me permission to take the photo.)
Casita Colibrí – My ofrenda in the daylight.
Casita Colibrí – My ofrenda at night awaiting the arrival of my departed.
I love the spicy and welcoming scents of cempasúchitl (marigolds), lacy flor de muerto from the Sierra Norte, pan de muertos, and incense of copal.
Barrio de Jalatlaco played host to an invasion of tunas a few weeks ago. No, not the smelly fish or succulent cactus fruit. These were of the 13th century strolling university musician variety. The tradition of Tuna bands originated in Spain and Portugal, spread to Latin American, and remains alive and well in Oaxaca. Thus, the Tunas from the Universidad Regional del Sureste (URSE), one of four groups participating in the Barrio’s first Callejoneada, gathered on my block.
They serenaded the neighborhood.
We followed these pied pipers.
How could we not, with exuberant ballads like this?
After four seasons of living with the blazing sun on the rooftop of the new Casita Colibrí, I decided the lone, albeit large, umbrella over the table was completely inadequate in making the terrace compatible with human occupation. Thus, a pergola project was begun. Much web surfing and consultation with friends with engineering and construction experience ensued — including Tom H. (thank you!) who designed and supervised the shade structure at the old Casita Colibrí.
August 1, 2022 – Construction of the pergola begins.
August 1, 2022 – With a crew of 5, the framing went up quickly.
August 1, 2022 – Lamina being attached to the framing.
August 1, 2022 – More welding of the frame (those are sparks in lower center of the photo).
August 2, 2022 – Installing the final lamina panels.
For those engineering folks, here is how the steel posts are bolted to the floor of the terrace.
August 4, 2022 – Tables, plants, and chiminea positioned and wind chimes finally hung.
A huge “muchisimas gracias” to Civil Engineer, Omar Rito and his crew of five for their wonderful work constructing a perfect rooftop pergola in two days!
After a two-year hiatus, La Guelaguetza is back. Papel (actually, plastic) picado, in the colors of the rainbow, is draped over the streets, Tiliches (iconic participants at Carnaval in Putla de Guerrero and this year’s chosen image to represent Guelaguetza) are hanging around on sidewalks, walls, and rooftops, and the streets are filled with tourists, both foreign and domestic.
Decorations hanging above Calle de Miguel Hidalgo in Barrio de Jalatlaco.
Tiliche hanging around Barrio de Jalatlaco.
Principal Guelaguetza 2022 events.
This morning, the dancing will begin at the Guelaguetza Auditorium on Cerro del Fortín. The list of delegations by date, time, and the dance they will be performing follows.
July 25, 2022, 9:00 AM delegations and dances.
July 25, 2022, 5:00 PM list of delegations and dances.
August 1, 2022, 9:00 AM list of delegations and dances.
August 1, 2022, 5:00 PM list of delegations and dances.
Please note, next Monday evening’s performance will include the previously mentioned Teotitlán del Valle, Danza de la Pluma Promesa 2022-2024. If you are not in Oaxaca or, like me, don’t have tickets, you can watch courtesy of CORTV via television, their website, and Facebook live.
Like doors everywhere, the doors of Barrio de Jalatlaco are doorways leading to comings and goings, the known and unknown, and the life stories we create from outside and in.
“In the universe, there are things that are known, and things that are unknown, and in between, there are doors.” -― William Blake
“Creativity means to push open the heavy, groaning doorway to life. — Daisaku Ikeda
“Every doorway, every intersection has a story.” — Katherine Dunn
While visiting el norte, one of my “musts” is taking advantage of the ethnically diverse dining options on the west and east coasts. To date, twice I’ve eaten Japanese at my younger son’s favorite restaurant, had Chinese twice, and dined on Indian twice. However, I’ve now been away from Oaxaca for a month and I’m dreaming Oaxaca dining dreams. Until my return next week, photos from three recent meals I’ve eaten in Oaxaca will have to suffice.
The walls of Oaxaca always have a lot to say. Now you can learn the abecedario a señas (sign language alphabet) from a wall on 5 de mayo in Barrio de Jalatlaco.
In mid April, this new mural was unveiled. Organized by Maestro Rolando Sigüenza, deaf artists Jonatan Martínez, Juan Antonio García, Moisés Antonio Orozco, María Soledad Aguilar, Blanca Flor Pineda, Miguel Eduardo Mancera, Jesús Ariel Castellanos, Mitzi Scheherazada, Rebeca Casas, Susana Hernánez, Marcial Pérez, Emmanuel Ignacio, Cristhian Yépez, and Ángel Iván Torres painted a mural of the alphabet in sign language and braille.
Benito Juárez signing.
The text below Benito Juárez explains, “On November 28, 1867, Benito Juárez founded the first school for deaf people in Mexico, which at that time was called the National School for the Deaf, despite the fact that the School was closed, the deaf continue to fight for our rights.”
Danza de la Pluma danzante signing.
The owner of the property, la señora Rosario Martínez, said she provided the space so these artists could show their work and to beautify the neighborhood.
China Oaxaqueña with canasta spelling AMOR (LOVE).
Does anyone know what Benito Juárez and the danzante are signing?
My plan is to learn a new letter each time I walk by.
An albeit belated return to Semana Santa (Holy Week). Viernes Santo (Good Friday) in Barrio de Jalatlaco began early in the morning with a Santo Viacrusis along the cobblestone streets — a recreation of the path Jesus walked to his crucifixion. Its purpose is to allow the faithful to contemplate the Passion of Christ. The images of Jesus and Mary Magdalene, accompanied by a band and neighbors, stopped at each of the fourteen Stations of the Cross, that had been created throughout the neighborhood, where prayers were recited.
Image of Jesus being carried by Penitents.
Image of Mary Magdalene.
1. Jesus is condemned to death.
2. Jesus takes up his Cross.
3. Jesus falls for the first time.
4. Jesus meets his Mother.
At the fourth station, set up across from the Templo de San Matías Jalatlaco, Mary and John the Baptist (referred to here as, Juan, el primo de Jesús/John, the cousin of Jesus) joined the procession for the farewell encounter between Jesus and his mother.
Mary, Mother of Jesus.
John, the Baptist.
5. Simon of Cyrene helps Jesus carry the Cross.
6. Veronica wipes the face of Jesus.
7. Jesus falls for the second time
8. Jesus meets the women of Jerusalem.
9. Jesus falls for the third time.
10. Jesus is stripped of his garments.
11. Jesus is nailed to the Cross.
12. Jesus dies on the Cross.
13. Jesus is taken down from the Cross.
14. Jesus is laid in the tomb.
Following the procession, neighbors gathered in front of Templo de San Matías Jalatlaco for food and beverages that were available for sale at stalls set up on Aldama and Hidalgo. I came home with yummy enchiladas.
Breaking news up here in el norte, relayed to me via email from friends in San Francisco and in a phone conversation with my BFF in Alaska: The most recent episode of House Hunters International took place in Oaxaca AND one of the houses featured was in my neighborhood, Barrio de Jalatlaco. My SF friends described the very distinctive building facade and I knew exactly where it was — and had taken several photographs of it.
According to the episode’s description, “A young couple decides to leave their home in Memphis and move sight unseen to Oaxaca, Mexico. They’re both fitness junkies who want a taste of the mountains and nature, and he wants a place on the outskirts, but she prefers to be near the city center.”
Sight unseen? In any case (spoiler alert), my friends informed me the young fitness junkies turned it down as it was too small and dark.
I haven’t seen the episode, but I have seen the show and it never ceases to amaze and dismay me that most of the time, the buyers and renters come to developing countries with highly developed expectations AND wanting it all for a fraction of the cost in their home countries.
The rent was $1100 (US) per month — low in most US cities but extremely high for most Oaxaqueños. Such is rental inflation wrought by, among other things, digital nomads willing to pay whatever their bank balances will bear, never mind the impact on the local economy, and the proliferation of apartments being turned into Airbnb rentals.
And many of the people that I know have become, you know, quote unquote “digital nomads.” So if they’re doing like lifestyle coaching or marketing or tech or whatever, they can basically do that from anywhere in the planet. And obviously because they’re wealthy and come with money to restaurants and buy goods, there’s desirability for them to make a second home someplace or whatever.
… I think that often we see in the world over the last decades kind of like homogenization, cultural homogenization.
… And so the tourism which ends up taking Western first world values and spreading them everywhere acts as kind of a larger imperialist, colonialist kind of project that can lead to the deterioration of the integrity of local cultures and very few countries and cultures have had the capacity to kind of build the defense structure, recognizing the danger of this.
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View From Casita Colibrí 