Posted in Creativity, Culture, Exhibitions, Holidays, Travel & Tourism, tagged "Sangre y herencia" exhibition, art exhibitions, CasAntica, Día de las Madres, Mexico, Mother's Day, Oaxaca, photos, popular travel destinations, tapetes, wall hanging on May 9, 2021| 2 Comments »
Happy Mother’s Day to all the mothers and mother figures out there!
The above wall hanging (photographed in February 2021) was part of the art exhibition, “Sangre y Herencia” (Blood and Heritage) at Hotel CasAntica. By the way, Día de las Madres is celebrated in Mexico on May 10.
Posted in Celebrations, Creativity, Culture, Exhibitions, Travel & Tourism, tagged altars, ceramic sculptures, Day of the Dead, Día de los Muertos, Día de Muertos, Estudio Dinamo, Mexico, Oaxaca, ofrendas, photos, Three Wise Monkeys, Voces de Copal Galeria on December 15, 2020| Leave a Comment »
The Three Wise Monkeys…
Well, maybe not monkeys! From the Día de Muertos altar “Transitions” by Estudio Dinamo at Voces de Copal Galeria.
Posted in Celebrations, Creativity, Culture, Exhibitions, Holidays, Travel & Tourism, tagged art, artisans, calaveras, Day of the Dead, Día de los Muertos, Día de Muertos, exhibitions, Mexico, Oaxaca, photos, skulls on November 5, 2020| 31 Comments »
In my effort to “step away” from the US election news, I went in search of the fourteen chairs of the “Silla Calavera” project scattered throughout restaurants and hotels in the city — a creative and calorie-burning distraction!
The project arose as an idea to spread the traditions of Oaxaca through artistic creations using an object of daily life — a comforting and comfortable seat, where each artist, through their creativity and respect for the dead, exposes the face of a skull.
Unfortunately, this next chair had been disassembled by the time I arrived, but here, in two parts, the back and the seat.
The artisans, I think with great success, sought to capture and share their roots, customs, and traditions.
Yesterday, the chairs were removed from the restaurants and hotels. Tonight, with an inaugural celebration, they went on display at ARIPO until November 15, 2020. For purchase after that date, contact Matlacihua Arte or individual artists.
Posted in Celebrations, Creativity, Culture, Exhibitions, Holidays, Travel & Tourism, tagged dried corn husks, dried flowers, flor inmortal, Land of Cultivated Dreams, Mexico, Night of the Radishes, Noche de Rabanos, Oaxaca, photos, popular travel destinations, radishes, Totomoxtle on December 21, 2019| 1 Comment »
Noche de Rábanos is coming and, while I’m shivering in California, I’m dreaming warm Rábanos, Totomoxtle, and Flor Inmortal dreams. This year promises to be bigger than ever — so big, the exhibition and competition have been extended to two days. December 22, 2019 will be reserved for Flor Inmortal, Totomoxtle, and, in the morning, the children’s category of rábanos.
Category: Flor Inmortal (Dried flowers)…
“Delegación de las Chinas Oaxaqueñas” by Juliana Galicia Péerez (2017)
Category: Totomoxtle Natural (Corn husks, natural color)..
“Esplendidas artesanías de Oaxaca” by Esmeralda Chavez Miguel (2017)
Category: Totomoxle Decorado (Corn husks, colored)…
“Chinas Oaxaqueñas de la Guelaguetza” by Pedro Leobardo Díaz Márquez (2017)
And, as is customary, the carved radish exhibition and competition will be held December 23. Get there in the morning to watch the artisans setting up and putting the final touches on their creations or in the late afternoon/evening to see the finished works and award winners.
Category: Rábano Libre (Radishes, non-traditional and contemporary themes)…
“Mirada de la noche” by Concepción del Carmen López Guzmán (2017)
Category: Rábano Tradicional (Radishes, Biblical and traditional Oaxaca themes)…
“Regada de la vela 12 de mayo” by Rosa del Alba Miguel Morales (2017)
Category: Rábano Tradicional…
“Raíz de mi pueblo” by Roberto Geovani Aguilar (2017)
To all in Oaxaca, enjoy this year’s, “Oaxaca, Land of Cultivated Dreams!”
Posted in Celebrations, Creativity, Culture, Exhibitions, Museums, People, Religion, Travel & Tourism, tagged Día de la Virgen de Guadalupe, Demetrio García Aguilar, exhibitions, Mexico, myths and legends, Oaxaca, photos, Rosas y Revelaciones, Roses and Revelations, sculptures, Tonantzin, Virgen de Guadalupe, Virgin of Guadalupe on December 12, 2019| 6 Comments »
I’m in el norte and it is all quiet on the norther front on this day honoring Our Lady of Guadalupe. In fact, the sound of silence was one of the things that struck me as the taxi drove me and my luggage through the streets of my little hometown at the base of Mount Tamalpais. The Oaxaca I left a few days ago, was a cacophony of rocket booms and bangs, church bells ringing, processions with enthusiastic bands, and barking dog. From my terrace, yesterday and today, I would have been treated to sound on steroids honoring Guadalupe. Funny what one gets used to…
The above images of the Virgin of Guadalupe were created for an altar dedicated to Guadalupe at the Roses and Revelations textile exhibition and are by painter and sculptor, Demetrio Garcia Aguilar, a member of the talented Aguilar family of potters of Ocotlán de Morelos, Oaxaca. The indigenous symbols used pay homage to the pre-Hispanic fertility and earth goddess, Tonantzin (“Our Sacred Mother” in the Nahuatl language), whose temple at the top of Tepeyac Hill had been destroyed by the Spanish conquerors. Syncretically, this became the site where the apparition the Virgin Mary appeared to Juan Diego asking that a church be built on that site and thus the story of the Virgin of Guadalupe began — another step in the blending of the old and new religions and the original peoples and the Spanish newcomers.
By the way, the Roses and Revelations exhibition is on tour and is currently at the Museo Nacional de Culturas Popular in Coyoacán, in Mexico City. It will run to April 19, 2020.
Posted in Celebrations, Creativity, Culture, Economics, Exhibitions, Food, Travel & Tourism, tagged festivals, Fiesta de la Diversidad Indígena, Indigenous healers, indigenous textiles, INPI, Instituto Nacional de los Pueblos Indígenas, International Day of the World's Indigenous Peoples, Mexico, mezcal, Oaxaca, photos, popular travel destinations, tejate on August 31, 2019| 4 Comments »
In commemoration of International Day of the World’s Indigenous Peoples, Mexico’s Instituto Nacional de los Pueblos Indígenas (INPI) is hosting a Fiesta de la Diversidad Indígena de Oaxaca.
It is a four-day festival honoring and promoting the state of Oaxaca’s indigenous peoples and their communities with artesania, textiles and other products for sale, cultural performances and workshops, food booths, and even healing treatments — and it’s happening a block from Casita Colibrí in the Plaza de la Danza!
Yawi Naka – Triqui – La Laguna Guadalupe, Putla Villa de Guerrero
INPI has an excellent online atlas of the indigenous peoples of Mexico and it, along with the statistics I previously posted regarding poverty, discrimination, and the results thereof affecting Mexico’s indigenous and Afro-Mexican peoples are abysmal.
Na Jacinta Charis – Zapoteco – Juchitán de Zaragoza
According to this article (in Spanish), the charge of the INPI is to advocate for indigenous and Afro-Mexican rights and to recognize that in order for these peoples and their communities to survive, institutional efforts must be taken to guarantee their full exercise of social, political, cultural, and economic rights.
Productores de Maguey y Mezcal Lucas 2010 SPR de Ri – Zapoteco – San Isidro Guishe, San Luis Amatlán
The INPI is also attempting to advance an understanding that the family/community economy of these communities has a different production logic than the commercial market economy and that their economic model must be respected.
Organización de Medicos Indigenas Tradicionales de laCañada – Cuicateco – San Juan Bautista Cuicatlán
This festival provides a space to promote the various community projects and to showcase the artistic and cultural expressions in the city.
Chenteñas Hazme Si Puedes – Zapoteco – San Vicente Coatlán
I’ve aready been twice to the event — talking with various vendors, buying the blouse above (along with cheese, sal de chicatanas, and olive oil with fresh organic herbs), and sitting at one of the long tables enjoying a tamal, empanada, and a jícara of tejate
The Fiesta de la Diversidad Indígena runs through late afternoon tomorrow (Sept. 1, 2019). If you are in Oaxaca city, be sure to check it out (schedule below).
Posted in Creativity, Culture, Exhibitions, Travel & Tourism, tagged art exhibitions, Building bridges in the age of walls, Chicano art, Construyendo Puentes en Épocas de Muros, Julian Burmudez quotes, Mexico, MUPO, Museo de los Pintores Oaxaqueños, Museum of Oaxacan Painters, museums, Oaxaca, painters, photos on August 12, 2019| 8 Comments »
For someone who grew up in California and now lives in Mexico, the new exhibition at the Museo de los Pintores Oaxaqueños (MUPO), “Construyendo Puentes en Épocas de Muros Arte chicano/mexicano de Los Ángeles a México” (Building Bridges in the Epoch of Walls Chicano/Mexican art from Los Angeles to Mexico), was a must see.
America is for Dreamers by Patrick Martínez
The 53 works, by a multigenerational group of twenty-nine artists of Mexican ancestry from Southern California, explore the themes, “Rebel Diamonds from the Sun,” “Imagining Paradise,” “Outsiders in their Own Home,” “Mapping Identity,” and “Cruising the Hyphenate.”
Cartonlandia by Ana Serrano
According to the introductory essay by the exhibition’s curator, Julian Bermudez, “In over 50 years of existence, the ever-evolving Chicano art has shaped itself into one of the main currents of the American creative canon.”
A Lunchtime Conversation by Ramiro Gómez
“Sitting among four cultures – the Pre-Columbian, the invasive Hispanic, Mexico itself, and the United States of America – Chicano art draws on all four and evolves out of both its roots and the decades of oppression its practitioners and their families have sustained.”
Paleta Cart by Gary Garay
“These artists have expanded their creative expression, demonstrating an agility to develop and refine their own mythologies, methodologies and philosophies. They have introduced a remarkable, original school of art into the history of art itself.”
The Closing of Whittier Boulevard by Frank Romero
If you are in Oaxaca, I highly recommend checking out, “Construyendo Puentes en Épocas de Muros.” The exhibition will run until November 10, after which it will travel to the Museo de las Artes de la Universidad de Guadalajara (Musa) and conclude its tour at the Centro Cultural Tijuana (CECUT).
Posted in Celebrations, Creativity, Culture, Exhibitions, Holidays, Travel & Tourism, tagged Carnaval, Carnival, exhibition, Hemoeroteca Néstor Sanchez, library, Los viejos, photos, Putla Villa de Guerrero, recycled plastic, Tiliches on August 6, 2019| 10 Comments »
Remember these guys from my Everyone loves a parade post? They are known as Tiliches (aka, Los viejos, old ones) are a staple in the 3-day celebration of Carnaval in Putla de Guerrero, and a colorful part of the delegation from Putla during La Guelaguetza. Seeing them, it should come as no surprise that “tiliche” can be translated into English to mean junk, stuff, or rag.
Entering this year’s Festival de los Moles at the Jardín Etnobotánico de Oaxaca (Oaxaca Ethnobotanic Garden), guests were greeted by an exhibition of Tiliches — hosted by the newspaper archive, Hemoeroteca Néstor Sanchez.
Viejo de Tiliches – wearing the traditional costume of the Viejos/Tiliches during Carnaval in Putla.
Made of cloth, palm, and gourd with a mask of animal skin, suede gloves, and leather boots. It took one person a week to make.
Viejo Tapitas
Made from plastic water and soda bottle caps and hat of rafia. It took two people 45 days to make for a Carnaval 2018 costume contest in Putla and it weighs 30 kg. (66 lbs.)
Viejo Mecatero
Designed by Ángel Álvarez de Jesús and made from plastic rope, plastic thread, cardboard and silicone. It took seven people 45 days to make for the 2019 costume contest in Putla. It weighs 60 kg. (132 lbs.)
Viejo Azteca
Designed by Amando Herrera Villa and made of palm. It took him two months to make and weighs 15 kg. (33 lbs.)
The creativity here never ceases to amaze me. Unfortunately, the exhibition only ran from July 15 to 30, 2019. What fun it would be to go to Putla for their three day Carnaval celebration — where one can see hundreds of Tiliches dancing though the streets!
Posted in Celebrations, Culture, Exhibitions, food festival, Music, Textiles, Travel & Tourism, tagged calendar of events, costumes, dance, Desfile de Delegaciones, folklorico, Guelaguetza, List of delegations, Live streaming, Mexico, Oaxaca, Parade of Delegations, photos, popular travel destinations, traje on July 8, 2019| 2 Comments »
Oaxaca is filling with tourists as “Julio, Mes de la Guelaguetza” (July, month of the Guelaguetza) is upon us — a time when Oaxaca recognizes and celebrates the sixteen indigenous groups whose languages, traditions, and rich cultures long predate the arrival of the Spanish conquistadors (both military and religious) and permeate the character of the state.
San Francisco Sola delegation – Guelaguetza July 28, 2018 desfile
Every year more parades, food and artisan fairs, concerts, and regional Guelaguetzas are added. Drawing both foreigners and nationals, it has become THE major tourist attraction for Oaxaca. [Click on images to enlarge]
While the streets are filled with a party atmosphere and those who can afford the high-priced tickets are treated to a true spectacle — fabulous views, colorful costumes, music and dance — people question how the indigenous communities (over 50% of the state’s population and some of its poorest) actually benefit.
San Juan Bautista Tuxtepec delegation – Guelaguetza July 21, 2018 desfile
The dancers are not professional dancers, are not paid to perform, and most must travel from villages hours and hours away.
July 22, 2018 morning
July 22, 2018 evening
They do it for the love of their villages, pride in their heritage, and to share a little of their traditions with the world outside their communities — and I can’t help but be swept along in the joy and moved by their dedication.
Chinas Oaxaqueñas Genoveva Medina delegation – Guelaguetza July 28, 2018 desfile
To support their communities, I strongly recommend you do your shopping at the craft fairs in the city and visit the indigenous villages — buy directly from the artisans or shops that can show provenance.
July 29, 2019 morning
July 29, 2019 evening
The above four Guelaguetza performances, along with Donají, La Leyenda (tragic legend of the love between a Zapotec princess and a Mixtec prince — it doesn’t end well, but her face graces the official shield of the city of Oaxaca de Juárez) are usually shown live on CORTV — both on their television station and their YouTube channel.
Putla Villa de Guerrero delegation – Guelaguetza July 28, 2018 desfile
Friends are arriving and my calendar is rapidly filling. Perhaps I’ll run into you at a regional Guelaguetza, at one of the desfiles in the city, the Festival de los Moles, the Feria de Hongos Silvestres in Cuajimoloyas, the Expo Feria Artesanal, the Feria del Tejate y Tamal, or at any one of the scores of other events happening here in July!
Posted in Celebrations, Creativity, Culture, Exhibitions, Travel & Tourism, tagged batik, color blue, Día Internacional de los Museos, exhibitions, indigo, International Council of Museums (ICOM), International Museum Day, Intervención Índigo, Mexico, Museo Textil de Oaxaca, Oaxaca, photos, Textile Museum of Oaxaca on May 17, 2019| 2 Comments »
May 18 is Día Internacional de los Museos (International Museum Day). Instituted in 1977 by the International Council of Museums (ICOM), the goal is to raise awareness of the role museums play in “cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” Traditionally, the primary mission of museums has been collecting, conservation, communication, research, and exhibition. However, according to the ICOM:
Museums have transformed their practices to remain closer to the communities they serve. Today they look for innovative ways to tackle contemporary social issues and conflict. By acting locally, museums can also advocate and mitigate global problems, striving to meet the challenges of today’s society proactively. As institutions at the heart of society, museums have the power to establish dialogue between cultures, to build bridges for a peaceful world and to define a sustainable future.
The museums of Oaxaca seem to have embraced this expanding and dynamic role — exemplified by this past winter’s exhibition at the Museo Textil de Oaxaca, Intervención Índigo, created by Laura Anderson Barbata, in collaboration with The Brooklyn Jumbies, Chris Walker, and Jarana Beat.
Performance and textiles meld the Zancudos (stilt walkers) of Zaachila, Oaxaca with the Afromexicano devil dance of Guerrero, the color indigo (a natural dye important to indigenous cultures in both Mexico and Africa), batik and beading techniques of Africa, with political commentary about the realpolitik of the African diaspora in North America.
Indigo is one of the oldest natural plant based dyes, used all over the world and ritually embedded with symbolism and spirituality; power and nobility…. Barbata employs textiles hand woven and dyed in Burkina Faso,Guatemala and the United States. The color historically represents absolute truth, wisdom, justice, and responsibility.
So, get thee to a museum near you — you will, no doubt, be enriched, enlightened, and maybe even empowered.
Posted in Creativity, Culture, Exhibitions, Museums, People, Textiles, Travel & Tourism, tagged Chachahuantla blusa, Linda Hanna, Mexico, Museo Estatal de Arte Popular Oaxaca (MEAPO), Oaxaca, photos, Rosas y Revelaciones, San Antonino Castillo Velasco dress, San Miguel del Valle mandil, San Pedro Zipiajo blusa, Tenancingo rebozo, Teotitlán del Valle ruana, Virgen de Guadalupe, Virgin of Guadalupe, Zinacatán tunic on February 16, 2019| 6 Comments »
The devotion to the Virgin of Guadalupe captured the imagination of fiber artist Linda Hanna when, as an early teen, she visited Mexico with her family and saw believers crawling on their knees up to the Basilica of Our Lady of Guadalupe.
Blouse by Teresa Silvia Tzintzun, San Pedro Zipiajo, Michoacán (Purepecha).
Detail of blouse by Teresa Silvia Tzintzun, San Pedro Zipiajo, Michoacán (Purepecha).
The Virgin’s appeal continued to deepen when Linda moved to Oaxaca in 1997. Thus the seeds/threads of the exhibition, “Rosas y Revelaciones: Homage to the Virgin of Guadalupe by Mexican Textile Artists” were sown/sewn.
Blouse by Marcolina Salvador Hidalgo, Chachahuantla, Puebla (Nahua).
Detail of blouse by Marcolina Salvador Hidalgo, Chachahuantla, Puebla (Nahua).
The legend of La Virgen de Guadalupe is known to every Mexican, every person of Mexican descent, and probably every foreigner who calls Mexico home. The image of this dark-skinned Virgin who spoke Náhuatl is as imprinted on the national consciousness as she was on Juan Diego’s legendary tilma (cloak).
Dress by María Guadalupe Santiago Sánchez, San Antonino Castillo Velazco, Oaxaca (Zapoteco).
Detail of dress by María Guadalupe Santiago Sánchez, San Antonino Castillo Velazco, Oaxaca (Zapoteco).
Her image has continued to appear on cloth, albeit with human, not divine, intervention. Both Father Miguel Hidalgo in the Mexican War of Independence and Emiliano Zapata, one hundred years later, during the Mexican Revolution, led their troops under the banner of Our Lady of Guadalupe.
Man’s tunic by Pascuala Vásquez Hernández, Zinacatán, Chiapas (Tzotzil, Maya).
Shawl by Adolfo García Díaz & Delvina Salinas Cruz, Tenancingo, Estado de México.
The Rosas y Revelaciones textile exhibition presents work from 52 communities in ten states in Mexico (Chiapas, Colima, Guerrero, Jalisco, Mexico, Michoacán, Oaxaca, Puebla, Tlaxacala, and Yucatán) — with the majority being from Oaxaca.
Apron by Valeria García Hernández, San Miguel del Valle, Oaxaca (Zapoteco).
Detail of apron by Valeria García Hernández, San Miguel del Valle, Oaxaca (Zapoteco).
Linda explained that she gave the artists free rein to let their imagination and expertise be their guide. I suspect these words by Guadalupe Ángela, from her poem, “Virgen de la Creación” (Madonna of Creation) composed for the exhibition, echo their prayers for inspiration and guidance:
Madonna of Creation
pull the image from me, the beauty.
Make it cedar, make it textile, make it
a landscape. May the needle and thread be touched
by you.
Ruana by Erasto (Tito) Mendoza Ruiz, Teotitlán del Valle, Oaxaca (Zapoteco).
When you go, be sure to take the time to watch the video interviews with some of the artisans — the seriousness, devotion, and honor they felt at being selected to participate in this incredibly special project is extremely moving. The show is currently at the Museo Estatal de Arte Popular Oaxaca (MEAPO) (closed on Mondays) in San Bartolo Coyotepec, Oaxaca and runs through March 17, 2019 (extended until April 28, 2019) — after which it will be prepared to tour. Its first stop will be at the Museo Nacional de Culturas Populares in Coyoacán, Mexico City — in time for Día de la Virgen de Guadalupe on December 12, 2019.
(ps) Linda is hoping the exhibition will develop wings and fly throughout Mexico and eventually to the USA. If you have contacts in the museum world who might be interested in hosting this exhibition, please be sure to contact Linda Hanna at Casa Linda.
Posted in Creativity, Culture, Exhibitions, People, Travel & Tourism, tagged Antonio Lazo Hernández, art exhibitions, Biliee, Cat's Cradle, Danza de la Pluma, danzantes, exhibits, Javier Lazo Gutiérrez, Juana Gutiérrez, La cuna del gato, MACO, Mexico, Museo de Arte Contemporáneo de Oaxaca, museums, Oaxaca, Peter Liashkov, photos, plantón, Porfirio Gutiérrez Contreras, Teotitlán del Valle on January 11, 2019| 2 Comments »
On November 30, I went to the opening of the Bajo la bóveda azul cobalto/Under the Cobalt Blue Sky exhibition at the Museo de Arte Contemporáneo de Oaxaca (MACO) — an innovative collaboration that paired thirteen visual artists from the USA and France with thirteen local artisan families. It was a fabulous and jam-packed event infused with the energy of conversation and creativity. Unfortunately, with so many people in attendance, seeing the art was challenging and I vowed to return.
Running into weaver Antonio Lazo Hernández, brother-in-law of Porfirio Gutiérrez Contreras, when I was in Teotitlán del Valle for the first day of the Virgen de Guadalupe festivities, gave me the nudge I needed to make time to actually see the show before leaving for my el norte trip. At the opening, I hadn’t even realized that Porfirio and his family (Antonio, Juana Gutiérrez Contreras, and Javier Lazo Gutiérrez) had been paired with Peter Liashkov to create a piece for the exhibition.
“The ability to leap freely about our imagery without any constraints” — Peter Liashkov
Their collaboration explored the story of the Danza de la Pluma — linking images of the Danza de la Pluma Promesa 2016-2018 danzantes to symbols used in the dance. They even incorporated the well-worn sandals of the dancers.
I couldn’t help thinking of the poem, Judge Softly, urging us all to,
Just walk a mile in his moccasins
Before you abuse, criticize and accuse.
If just for one hour, you could find a way
To see through his eyes, instead of your own muse.
“From the dialogue between our two cultures, we were able to make the references to diversification and syncretism visible, where there is always a cultural responsibility joined with a tragic story… something tragic for some and good for others… it produces new dialogues” — Porfirio Gutiérrez Contreras
Bajo la bóveda azul cobalto/Under the Cobalt Blue Sky runs through the end of February. There are twelve other amazing collaborations that demonstrate “what can happen when we accept our differences and our similarities; it is an example of coexistence under the same blanket of stars.” If you are in town, it is a show not to be missed.
Posted in Celebrations, Creativity, Culture, Exhibitions, Holidays, Travel & Tourism, tagged dried corn husks, dried flowers, flor inmortal, Mexico, Night of the Radishes, Noche de Rabanos, Oaxaca, photos, popular travel destinations, Totomoxtle on December 22, 2018| 4 Comments »
It’s December 22 and in Oaxaca that means it’s Noche de Rábanos eve. Despite the name, it’s not just about radishes. Tomorrow morning, on tables lining the Zócalo, radishes will be carved and arranged, totomoxtle (corn husk) figures will be staged, and flor inmortal (dried flowers) scenes will be set. Beginning in the early afternoon and lasting late into the night, residents and visitors will parade along elevated walkways to view the detailed and fantastical creations on display in this only-in-Oaxaca holiday event.
These aren’t your grandparents radishes; they are a variety that is specially cultivated for their starring role — sometimes growing to 20 inches long and weighing in at 7 pounds. Alas, I’m in el norte spending the holidays with my family. So, I will just have to look back through previous Noche de Rábanos blog posts to get into the radishy spirit.
FYI: Blogger buddy Chris will be there to record this year’s action, so be sure to check out Oaxaca- The Year After in the next couple of days.
Posted in Celebrations, Creativity, Culture, Exhibitions, Holidays, Museums, People, Travel & Tourism, tagged art, artists, Día de los Trabajadores, Día del Trabajo, Día Internacional de los Trabajadores, Diego Rivera, International Workers' Day, labor, May Day, Mexico, Mexico City, murals, paintings, photographs, photos, Secretaría de Educación Pública, Secretariat of Public Education, workers on May 1, 2018| 2 Comments »
Today is International Workers’ Day, also known as May Day, and in cities and towns all over the world (except the USA, but that’s another story), workers and the dignity of the work they do is being celebrated. It’s a federal holiday in Mexico and as I write, I can hear loudspeakers from the various marches taking place in Oaxaca city. Given that non-citizens are forbidden by the Mexican Constitution from participating in political activity, I’m staying home. However, to honor the workers of the world, I’m looking back to my visit to the Secretaría de Educación Pública (Secretariat of Public Education) building in Mexico City and the murals of Diego Rivera.
…Let the winds lift your banners from far lands
With a message of strife and of hope:
Raise the Maypole aloft with its garlands
That gathers your cause in its scope….
…Stand fast, then, Oh Workers, your ground,
Together pull, strong and united:
Link your hands like a chain the world round,
If you will that your hopes be requited.
When the World’s Workers, sisters and brothers,
Shall build, in the new coming years,
A lair house of life—not for others,
For the earth and its fulness is theirs.
Walter Crane, The Workers’ Maypole, 1894
¡Feliz Día del Trabajo a tod@s! Happy International Workers’ Day to all!
Posted in Children, Creativity, Culture, Exhibitions, Museums, Textiles, Travel & Tourism, tagged children's clothing, clothing, costumes, exhibits, Mexico, Museo Textil de Oaxaca, Oaxaca, Oaxaca Textile Museum, photographs, photos, popular travel destinations, Textile Museum of Oaxaca, traje on April 18, 2018| 7 Comments »
It’s been all about boys in my family — two sons, a stepson, and a grandson. That is, until eleven months ago when finally a girl — my granddaughter — made her much welcomed entrance into the world. Of course she is adorable, but so were her brother, dad, and uncles. However, I must admit that clothes shopping for a little girl is so much more fun, especially here in Oaxaca.
Naturally, I had to go to the current Museo Textil de Oaxaca exhibition, Vestir hijos con amor (Dressing children with love) — very timely for the upcoming Día del Niño on April 30
Cotton baby hat – probably Santiago Mexquititlán, Querétaro, Mexico (c. 1960) Otomí village.
Woven baby hat – San Lucas Tolimán, Guatemala (c. 1990s) Tz’utuoil community.
The curator’s note explains that the textiles shown “are not the sumptuous accoutrements of an ancient aristocracy, but children’s clothing of the poorest people in Mexico and Guatemala… made of cotton and wool.”
Girl’s huipil from Palín, Guatemala (c. 1980s). Community speaks Pokomam, a Mayan language.
Girl’s huipil from San Bartolomé Ayautla, Oaxaca, Mexico. (c. 1950s) Mazateco community.
“In setting up this exhibit, we have tried to show how textiles intended for children make visible the love felt for them by the first nations of this land.”
Girl’s clothing from Pátzcuaro, Michoacán, Mexico. (c. 1940s) Purépecha village.
Costume of baptism – Chachahuantla, Puebla, Mexico (1999-2017) Community speaks Náhuatl.
Venustiano Carranza, Chiapas, Mexico (c. 1950s). Tsotsil village.
Huipil of black velvet with cotton embroidery from districts of Juchitán and Tehuantepec, Oaxaca, Mexico. (c. 1950-1960) Zapotec communities.
Villa Hidalgo Yalálag, Oaxaca, Mexico (c. 1990). Zapotec village.
Villa Hidalgo Yalálag, Oaxaca, Mexico (c. 1990). Zapotec village. Embroidery detail using rayon threads.
It isn’t just the girls who are dressed with love in these indigenous communities. The clothing of the boys is also just as lovingly detailed and decorated.
Boy’s clothing from San Andrés Tzicuilan, Puebla, Mexico. (c. 1988-1993) Community speaks Náhuatl.
Boy’s clothing from Santiago Ixtayutla, Oaxaca, Mexico. (c. 1990s) Mixtec village.
(R) Boy’s clothing from Venustiano Carranza, Chiapas, Mexico. (c. 1950s). Tsotsil village. (L) Teen boy’s clothing from Sierra Madre Occidental to the north of Jalisco and east of Nayarit. (c. 1930s) Wixárika (Huichol) community.
Detail from teen boy’s clothing from Sierra Madre Occidental to the north of Jalisco and east of Nayarit. (c. 1930s) Wixárika (Huichol) community.
There are so many more pieces to see and there is even an interactive component for children — a play area where they can assemble and decorate textile pieces. The Museo Textil de Oaxaca is located at Hidalgo 917, at the corner of Fiallo and the exhibition, in the Caracol room, runs until July 1, 2018.
Mexican Peso Converter
