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Posts Tagged ‘Carolyn Kallenborn’

In June, I finally had a chance to meet fiber artist, Carolyn Smythe Kallenborn.  In 2012, I’d been captivated by and wrote a small blog post about her “Tormentos y Sueños” exhibition at the Museo Textil de Oaxaca.  So, I was thrilled to meet her at the Weave a Real Peace (WARP) annual meeting held this year in Oaxaca.  We chatted a couple of times during the conference, but it was the final evening, as many of us were standing in the lobby of the hotel waiting for the business meeting to begin, that Carolyn provided us with a real treat — renown weaver Erasto “Tito” Mendoza, from Teotitlán del Valle, delivered a tapete that was to be used in a collaborative work with Carolyn.

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We were all in awe as he unrolled his creation for us to behold.  ¡Espectacular! was the response from all.  Then Carolyn began describing how she would use mixed media to embellish this woven illustration of the balance of Mother Earth.  However, aside from a hazy picture in my mind, I really had no idea what the finished work would look like.  Then synchronicity came to pass… an announcement that the fruit of their collaboration, Equilibrio/Balance, had won the Surface Design Association, Award of Excellence at the International Fiber Arts VIII exhibition at the San Francisco Bay Area’s Sebastopol Center for the Arts.  And, best of all for me, the show coincided with my Bay Area visit.  Without much difficulty, I managed to persuade B (of Week in Oaxaca fame), who had fallen in love with the tapetes of Teotitlán AND lives in Sebastopol, to accompany me to the exhibition a few days ago.

 

Equilibrio/Balance traces cycles of nature: water through earth and sky; elements of previous life, feeding new growth; and the conversation between the mountains and the universe above.  — object label

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This is one of seventy pieces in this International Fiber Arts show.  Like Equilibrio/Balance, most of the works are not only visually stunning, but also have much to say about our world and contemporary life.  If you are in the Bay Area and love textiles, I highly recommend making your way to the Sebastopol Arts Center by September 3, when the show closes.

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Tomorrow, May 18, museums worldwide will be celebrating International Museum Day with special events around this year’s theme, “Museums and contested histories: Saying the unspeakable in museums.”  According to the IMD website, The objective of International Museum Day is to raise awareness of the fact that, “Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” 

While Oaxaca has many wonderful museums, textile lover that I am, I would like to honor the day by looking back at several exhibitions I had the pleasure of viewing at the Museo Textil de Oaxaca — and a current one, too!

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Tormentos y suenos” (Storms and dreams) by Carolyn Kallenborn – August 3, 2012

Exhibitions ranged from works by individual textile artists to themed shows displaying textiles from the museum’s permanent collection and those on loan.

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“Transcomunalidad. interventions and collaborations with stilt communities and craftsmen” exhibition by Laura Anderson Barbata – March 1, 2013

Item labels and detailed descriptive booklets have been extremely helpful and, in the case of collections by individual collectors, their field notes were fascinating.

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“Irmgard Weitlaner Johnson: a life dedicated to textiles” – Costal (bag) was acquired by Irmgard in 1949, is said to be one of the most well preserved examples from the Valle del Mezquital, Hidalgo and, given the design, is thought to have been a wedding gift. – Nov. 21, 2014

The museum not only collects, preserves, and exhibits, it also holds workshops, lectures, expo-ventas (exposition and sales), and has provided a platform for issues of importance to textile artists, especially from the indigenous communities of the state of Oaxaca.

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El Delirio del color Oaxaca en los años 1960″ – Huipil mazatecas from the Tuxtepec district – Apr. 19, 2015

Exhibition openings often have included receptions, with an occasional performance art presentation thrown in.

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“Hilo Rojo 3047” an autobiographical installation by Ornilla Ridone – May 21, 2016

Museums can be a place to help shape community identity and bring different community groups together, a catalyst for regeneration through the creation of new venues and civic spaces, and a resource for developing the skills and confidence of members of those communities.  — Museums Association

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“Tekstil” current exhibition by textile artist Trine Ellitsgaard – Piece titled “Serpiente y abanicos” (Serpent and fans) – May 6, 2017

In observance of this year’s International Museum Day, the Museo Textil de Oaxaca invites textile artists and designers, academics, students, and the general public to participate in a conversation exploring the questions, “What is plagiarism? What is a copy? What is collaborating? Is ‘to collaborate’ synonymous with ‘to employ’? What has been the role of the copy in the development of craft goods?”   May 18, 10:00 AM to 2:00 PM in the Claustro of the Centro Cultural San Pablo — next door to the Textile Museum.

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Even though the Guelaguetza is over, textiles continue to be on my mind — actually I can never get enough of them!  So, a few days ago I walked down to the Museo Textil de Oaxaca to see the current exhibition, “Tormentos y Sueños” by Carolyn Kallenborn.  While not a Oaxaqueña, the respect she has for and inspiration she draws from the weavers and textile traditions of Oaxaca are obvious.

Kallenborn explains, “The pieces in this exhibit speak to the beauty and interaction between opposites.” (my translation)  The works are at once, complex and simple, using detail and negative space — much like storms and dreams.  Photographing a whole piece proved too much for my novice skills, thus I hope close-ups of these four pieces will whet your appetite.

If you are, or will be, in Oaxaca, I encourage you to see the whole!  The exhibit runs through November 9, 2012.

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