In Mexico, the hummingbird (colibrí) is known as the protector of warriors and messenger of the gods — two of the most revered roles in indigenous cosmology. How lucky I am that several of the varieties seen on the poster below continue to capture my attention and fill my heart with joy as they flit from tree to fence to fountain for a bath and zigzag across my terrace playing their version of tag and king of the hill.
Hummingbirds of Mexico and North America poster
Muchisimas gracias to my friend K for the link to this poster from CONABIO (National Commission for Biodiversity). In addition, if these tiny creatures also captivate you, a PDF of the CONABIO book, Colibríes de México y Norte América / Hummingbirds of México and North America is available online with text in both Spanish and English (click title link).
Today Mexico is celebrating el Día de los Reyes Magos. Traditionally, it is the Three Kings — Gaspar, Melchor, and Baltazar — who bring gifts to children on Epiphany (aka, Twelfth Night — yes, that Twelfth Night).
Tres Reyes in totomoxtle (corn husks) – Noche de Rabanos 2012
According to Oaxaca Día a Día, over 5,000 toys have been donated by individuals, companies, public servants, the media, and the governmental DIF Oaxaca. 1.2 kilometers of dolls, balls, games, stuffed animals, and other toys line the Plaza de la Danza to be distributed today to disadvantaged school children.
Looking in the rear view mirror at images from 2019. They bring fond memories of life in Oaxaca — ferias, festivals, food, and friends, not to mention exhibitions, random street scenes, and the unexpected at Casita Colibrí. They were also a reminder of many days and nights spent in Teotitlán del Valle this year.
January – San Juan Guelavía town hall.
February – Wall on Niños Heroes, remembering the Ayotzinapa 43.
March – Cactus flower on the Casita Colibrí terrace.
April – View from a gas station along Carretera Federal 175.
May – Construction assistance from the balcony of Casita Colibrí.
June – The tamales brigade at a 50th birthday fiesta in Teotitlán del Valle.
July – Newly made candles in Teotitlán del Valle.
August – Necklace from Monte Albán Tomb 7 exhibition at the Museo de las Culturas de Oaxaca.
September – Convite during the Fiesta a la Natividad de la Virgen María in Teotitlán del Valle.
October – Danza de la Pluma at Fiesta de La Virgen del Rosario in Teotitlán del Valle.
November – Día de Muertos tamales in Teotitlán del Valle.
December – Nacimiento (nativity scene) in the Plaza de la Danza.
Many thanks to all my wonderful blog readers — for reading, for commenting, for sharing, for the opportunity to meet some of you, and for inspiring me to continue blogging from my rooftop terrace in Oaxaca. Wishing you all the very best in 2020!!!
Hidden behind community tables and surrounded by food stalls, produce, textiles, and artesania, is a wall of murals at the newest location of the Pochote Xochimilco Mercado Orgánico y Artesanal.
This incarnation of the Pochote Organic and Artisan Market is located in Colonia Reforma at Calle Almendros #417 (between Manuel Ruiz and Heroico Colegio Militar) and is open Friday through Sunday from 8:00 AM to 4:00 PM.
It’s a quiet Nochebuena (Christmas Eve) in my childhood home here in el norte. There are no sparklers to wave, no nacimiento (nativity scene) stands in the town square, and no posadas have knocked on the front door. Instead, my younger son and I bought a Douglas Fir and decorated it with four generations of Christmas ornaments hauled down from the attic. Stockings hang from the mantle, gifts are piling up, and in our dreams we channel our inner child and await Santa’s arrival.
In Oaxaca, a Christmas tree and holiday lights went up in the zócalo, along with plantings of nochebuenas (poinsettias), at the beginning of December. A nacimiento was constructed in the Plaza de la Danza, and if one looks up a piñata or two might be spotted floating high above.
As has been my blog’s annual Christmas Eve tradition: “Pancho Claus” by the man known as the “father of Chicano music,” Eduardo “Lalo” Guerrero. This year’s version is the original from 1956. The song is a delightful parody of the Clement C. Moore classic, “‘Twas the Night Before Christmas” — and it has inspired real life Tex-Mex Santas.
‘Twas the night before Christmas and all through the casa
Mama she was busy preparing the masa
To make the tamales for the tamalada
And all the ingredients for the enchiladas
Papa in the front room with all the muchachas
Was dancing the mambo and doing the cha cha
My brothers and sisters were out in the hall
Listening to Elvis singing rock ‘n roll
When all of a sudden there came such a racket
I jumped out of bed and I put on my jacket
I looked out the window and in front of the house
Was my old uncle Pedro as drunk as a louse
He ran in the casa he grabbed the guitarra
He let out a yell – “Ay, Ay, Ay” and sang Guadalajara,
“Guadalajara Guadalajara, Guadalajara Guadalajara”
I was starting to wonder as I lay there alone
How old Santa Claus was to visit my home
With all of this noise they would scare him away
When all of a sudden I hear someone say
Hey Pablo, Chuchito Hey! Arriba! Gordito, Jose
Get up there you bums or you don’t get no hay
And then to my wondering eyes did appear
Eight cute little donkeys instead of reindeer
They pulled a carreta that was full of toys
For all of us good little girls and boys
The fat little driver waved his big sombrero
And said Merry Christmas! Feliz Año Nuevo!
That means “Happy New Year”
And then I hear him sing
I am Santa’s cousin from south of the border
My name’s Pancho Claus and I bring you your order
I hear him exclaim as he drove past the porches
“Merry Christmas to all and to all Buenas Noches”
As a gift to us all, this year “Pancho Claus” the book, with illustrations by Bob Mackie, was published, along with “Pancho Claus Volume 2” featuring the lyrics of another Lalo Guerrero Christmas song, “Mario from the Barrio.” (El Paso Herald Post, Dec. 22, 2019) I’ve put them both on my list!
Many thanks for reading my blog. I wish you ¡Felices Fiestas! and peace and joy through the new year.
Noche de Rábanos is coming and, while I’m shivering in California, I’m dreaming warm Rábanos, Totomoxtle, and Flor Inmortal dreams. This year promises to be bigger than ever — so big, the exhibition and competition have been extended to two days. December 22, 2019 will be reserved for Flor Inmortal, Totomoxtle, and, in the morning, the children’s category of rábanos.
Category: Flor Inmortal (Dried flowers)…
“Delegación de las Chinas Oaxaqueñas” by Juliana Galicia Péerez (2017)
“Chinas Oaxaqueñas de la Guelaguetza” by Pedro Leobardo Díaz Márquez (2017)
And, as is customary, the carved radish exhibition and competition will be held December 23. Get there in the morning to watch the artisans setting up and putting the final touches on their creations or in the late afternoon/evening to see the finished works and award winners.
Category: Rábano Libre (Radishes, non-traditional and contemporary themes)…
“Mirada de la noche” by Concepción del Carmen López Guzmán (2017)
Category: Rábano Tradicional (Radishes, Biblical and traditional Oaxaca themes)…
“Regada de la vela 12 de mayo” by Rosa del Alba Miguel Morales (2017)
Category: Rábano Tradicional…
“Raíz de mi pueblo” by Roberto Geovani Aguilar (2017)
To all in Oaxaca, enjoy this year’s, “Oaxaca, Land of Cultivated Dreams!”
I’m in el norte and it is all quiet on the norther front on this day honoring Our Lady of Guadalupe. In fact, the sound of silence was one of the things that struck me as the taxi drove me and my luggage through the streets of my little hometown at the base of Mount Tamalpais. The Oaxaca I left a few days ago, was a cacophony of rocket booms and bangs, church bells ringing, processions with enthusiastic bands, and barking dog. From my terrace, yesterday and today, I would have been treated to sound on steroids honoring Guadalupe. Funny what one gets used to…
The above images of the Virgin of Guadalupe were created for an altar dedicated to Guadalupe at the Roses and Revelations textile exhibition and are by painter and sculptor, Demetrio Garcia Aguilar, a member of the talented Aguilar family of potters of Ocotlán de Morelos, Oaxaca. The indigenous symbols used pay homage to the pre-Hispanic fertility and earth goddess, Tonantzin (“Our Sacred Mother” in the Nahuatl language), whose temple at the top of Tepeyac Hill had been destroyed by the Spanish conquerors. Syncretically, this became the site where the apparition the Virgin Mary appeared to Juan Diego asking that a church be built on that site and thus the story of the Virgin of Guadalupe began — another step in the blending of the old and new religions and the original peoples and the Spanish newcomers.
It began long before dawn this morning; the cohetes (rockets) announcing the celebrations of Oaxaca’s three virgins. First up is the Virgin of Juquila on December 8.
Image of la Virgen de Juquila at a palenque in Santa Catarina Minas.
What can I say? The poster for the 4th Annual Mezcal Fair in Santa Catarina Minas came across my Facebook page and I said, let’s go! Thus, friends and neighbors rented a van (with non-drinking driver) to head an hour south of Oaxaca city for day two of the 2-day fair.
A barro for distilling mezcal enhancing the basketball hoop.
Naturally, it was held in the municipal basketball court, adjacent to the church!
Food vendor and family member setting up.
Of course, being gringos, we were early, so we headed for the food stalls (all the better to absorb the mezcal to come) — including empanadas from San Antonino Castillo Velasco. Though, in all honesty, they weren’t nearly as good as the gal we usually go to in San Antonino.
Maestro mezcalero, Don Pablo Arellanes Ramírez.
The mezcal stalls hadn’t quite begun to be staffed.
Luis Arellanes Cruz atop the outdoor oven pit used to cook the agave piñas.
However, thanks to mi amiga K, who went in search of cervesa (beer) to wash down our empanadas, we were introduced to Luis Arellanes Cruz, who then took us to the Los Arellanes palenque, explained the process of turning agave piñas into mezcal to the new initiates among us, and introduced us to maestro mezcalero, Rufino Felipe Martinez.
Félix Ángeles Arellanes
Returning to the feria, several of us were delighted to renew our acquaintance with Félix from Mezcal El Minerito where, the last time I was there, friends and I watched the process of layering agave piñas, bagaso, and a tarp to begin the cooking process.
Folkloric dancers from Sección XXII of the teachers’ union of the City of Oaxaca.
Of course, no feria would be complete without entertainment. According to the schedule, there were bands and presentations and parades and dancers and…
The road out of town.
After three hours of wandering, eating, tasting, and enjoying, it was time to head back to the city. As they say, a great time was had by all!
A belated feliz Día de Santa Cecilia! November 22 commemorates the day Roman born Saint Cecilia was martyred at the hands of Turcius Almachius (sometime between 222 and 235 AD) and has been celebrated as her feast day since the fourth century.
According to legend, “despite her vow of virginity, she was forced by her parents to marry a pagan nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, and for that she was later declared the saint of musicians.[3] When the time came for her marriage to be consummated, Cecilia told Valerian that watching over her was an angel of the Lord, who would punish him if he sexually violated her but would love him if he respected her virginity. When Valerian asked to see the angel, Cecilia replied that he could if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilia’s advice, he saw the angel standing beside her, crowning her with a chaplet of roses and lilies.[3]”
Santa Cecilia also sang during the torment of her martyrdom by decapitation, in which she was struck three times in the neck with a sword, and remained alive for three days. Pope Urban I consecrated her house in the Trastevere as a basilica. Her devotion and singing earned her the title of patron saint of musicians. Bands are named after her and she is honored with concerts and music festivals on her feast day.
Sculptures depicting musicians of the Mixe mountain village, Santa María Tlahuitoltepec, in the courtyard of Andares del Arte Popular. Sculptures by Sculptor Na’pë Jääy — an artist from Tlahuitoltepec.
And, for your listening pleasure, one of my favorite bands named La Santa Cecilia.
I always look forward to the arrival of the folks from El Camino de los Altos — the non-profit textile design organization created in 1996 that brings French designers together with Mayan weavers from the highlands of Chiapas. (Click images to enlarge)
Today was the first day of a 3-day expo-venta showcasing their collection that “conserves traditional techniques and motifs while offering fresh designs and a range of refined colors on colorfast cotton.” — El Camino de los Altos brochure
While the 150 weavers use traditional prehispanic backstrap looms, their designs and color palette are contemporary and sophisticated. Their work is of the highest quality — be they tablecloths, pillow shams, bags, rebozos (shawls) that can double as table runners, or coin purses.
If you are nearby and love textiles, I would strongly urge you to make your way over to Niños Heroes 213, Barrio Jalatlaco, Oaxaca city before the show and sale ends on Monday, November 18. The hours are: 11:00 AM to 8:00 PM (Sat. and Sun.) and 11:00 AM to 6:00 PM (Mon.). By the way, the expo-venta space is large, light and airy — all the better to see these beautiful pieces.
Mexican Peso Converter
