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Now that the Cocineras event is over (yes, I went back for day two), I am returning, as promised, to Semana Santa spent in Teotitlán del Valle.  When I left off, I had spent Holy Thursday in the kitchen with Juana and we had just sat down to eat.  However the day did not end there.  Following our comida, we cleared the plates, while Antoño went out into the courtyard to vigorously scrub his feet.  He soon left and Juana disappeared.

After about twenty minutes, she and her 3 1/2 year old granddaughter emerged dressed in what appeared to be their “Sunday best.”  She quickly piled fruit (at least a foot high) onto a platter, covered her creation with cellophane and tied it with a bow — it was to be an offering.  A flower arrangement was also picked up from a table by the door and then our little procession of three set off to navigate the steep dirt street down to the atrium of the church, where an altar and hundreds of chairs had been placed.  I guess I was going to mass!

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Later on in the mass, it became clear why Antoño had scrubbed his feet so diligently — the ritual of washing the Disciples’ feet.  Antoño was portraying Andrés el Apóstol (those are the Apostles with the laurel wreaths, above) and the Apostle to his left washed his feet and he, in turn, washed the feet of the Apostle to his right.  After the mass, a procession around the church courtyard began.

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The Apostles preceded the priest, who was sheltered under a golden canopy.  Yes, that’s Antoño, below.

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This was the procession of the Holy Monstrance — the shiny sunburst-shaped item carried by the priest containing a consecrated Host (below).

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Everyone followed at a slow solemn pace.

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Once a full circumnavigation of the courtyard had been completed, the procession led into the church and up to the altar.

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According to the book, Oaxaca Celebration: Family, Food, and Fiestas in Teotitlán, this is the only time the monstrance is set out and the church doors are left open atl night.  A vigil is kept all night by designated villagers and parishioners are encouraged to visit.

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This week the city of Oaxaca celebrates her 485 birthday.  Yes, we know she is older…  However, we are talking the colonial city, here.  And, despite her age, this birthday girl began the festivities by inviting the best cocineras from the eight regions of the state to cook for her citizens and visitors — from 1 PM until 9 PM — under the shade of a giant tent covering the Plaza de la Danza.  (Not free, but quite reasonable.)

The food was riquísima (beyond delicious) and, while we were there, the guys from Santiago Juxtlahuaca in the Mixtec region of Oaxaca, performed the Danza de los Rubios.

I returned home satisfied and sleepy, but the day wasn’t over.  There was a calenda (parade) scheduled for 5 PM and a procession of “Gigantes” at 7 PM — route for the latter was unclear.  I was hot, tired, and torn.  To go, or not to go?  That was the question.  Thunder began rumbling and I figured my answer was to stay in for the evening.  However, at 7:30 PM, when a the sounds of a procession came practically to my doorstep and not a drop of rain had fallen, I had to run out to join it.

The “Gigantes” were supposed to represent the giants of all time that Oaxaca has given to the world.  Most were a mystery to me, though I think I saw Benito Juárez and maybe Porfirio Díaz (both Oaxaqueños) and I’m guessing the bunny is a nod to the alebrije wood carving and decorating tradition.  In any case, it was great fun!

Just as the calenda reached the Plaza de la Danza, it began raining on this parade and everyone made a beeline for the cover of the Cocineras tent.  I’m sure they will eat well!  And the rain?  It was probably the best birthday gift Mother Nature could bestow on Oaxaca’s parched earth and dusty sidewalks.

This was just day one of the anniversary festivities.  Tomorrow (Tuesday) is Oaxaca’s actual birthday and the church bells will begin chiming at 6:45 AM.  So I’d better get to bed!  By the way, the Encuentro de Cocineras Tradicionales de Oaxaca opens again at 1 PM tomorrow and lasts until 8 PM or whenever the food runs out.  For a complete schedule of events, click HERE.

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Well, actually, they came, they saw, and they set the village straight.

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Stay tuned…

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After spending Holy Monday in Teotitlán del Valle, I returned on Jueves Santo (Holy Thursday, Maundy Thursday) to spend the day with Juana Gutiérrez Contreras in the home she shares with her husband, Antoño Lazo Hernandez, and their family.  She and her husband are members of a talented family of Zapotec weavers.  I’ve previously blogged about her brother Porfirio and am helping in a small way with a big project he is working on — and that is how I found myself spending several days during Semana Santa in Teotitlán.

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Juana Gutiérrez Contreras and Antoño Lazo Hernandez – July 2016

However, this day, I wasn’t there for the weaving — as wonderful as it is.  As with much of life in Teoti, there are culinary customs to be followed on Holy Thursday.  After insisting I sit down for desayuno (my second of the day — I’d eaten breakfast before leaving home), we set to work preparing the traditional Jueves Santo comida of white beans.

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Juana separating dried white beans.

I was tasked with grinding garlic and herbs used to season the beans.

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Crushing garlic and herbs using a stone pestle in a clay bowl.

Halved tomatoes (another of my jobs), whole onions and whole jalapeños were added to the beans.

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Yes, this watched pot did boil — or at least, simmer!

Our attention then turned to making chiles rellenos de queso, using Oaxaca’s own chile de agua.  For this, we moved to the outside kitchen set up under the shade of fruit trees.

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Chiles roasting roasting directly on top of wood coal.

Juana used her fingers to turn the the chiles.  However, after one attempt on my part, she pointed to the tongs.  Those coals were really hot!

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Modern wire whisk meets traditional clay cazuela.

While Juana whipped egg whites to a stiff peek, before adding the yolks, I peeled and slit the chiles.

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Epazote leaves and chiles await the quesillo.

I was also entrusted with stuffing the chiles — first a leaf of epazote, followed by a heaping helping of shredded quesillo (Oaxaca string cheese).  Then Juana commenced to frying the chiles rellenos in another cazuela — gently laying each on top of a bed of egg batter and spooning more batter on top.

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Cazuela and chiles rellenos amidst the flames.

She was masterful in her ability to withstand the heat of the fire while carefully turning the chiles.

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Chiles rellenos about to be transferred to a waiting platter.

In timing known only to Juana and Antoño, comida was ready just as Antoño walked in the door from attending a reenactment of La Última Cena at the church — a Last Supper that featured the flavors of Teotitlán.  During this Semana Santa, he portrayed Andrés el Apóstol (Apostle Andrew).  So, only a few hours after we had all last eaten, we were again sitting down at the table.  Alas, the food was SO delicious and I was having so much fun, I forgot to take pictures of our bowls of delicately flavored white beans and plates of chiles rellenos.  Sometimes you just have to be “in the moment.”

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As the last couple of posts hinted, this year, instead of the city, I spent much of Semana Santa (Holy Week) in one of my favorite places — Teotitlán del Valle.

This was only the beginning.  It was a colorful, moving, and delicious experience!

 

 

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Well, actually not coats.  These are the “casitas” (temporary homes) to house Jesús and María as they make their way through the streets of Teotitlán del Valle on Lunes Santo (Holy Monday).

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The aforementioned streets include several blocks of Av. Juárez — the main street into town.  Thus, I found myself being “let off” the Teoti bus by the panteón (cemetery), instead of the mercado.

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How could I complain, when these guys (above) were so welcoming and offered this weary traveler a cup of agua de guanábana, a refreshing fresh fruit drink.

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As I mentioned in Monday’s post, there are twelve casitas in all — each with “walls” of the colorful tapetes woven in this village known for the story-telling designs and striking colors of their rugs.  Apparently, up until forty years ago, the casita walls were made of petates, the traditional woven palm mats that play a role from birth to death.  But, times change, the tapetes are more colorful, and it’s good PR for this community of weavers.

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As Jesús and María near, the ground is sprinkled with water and bougainvillea blossoms are scattered on the casita floor, copal incense is lit, and platters of food and drink await to feed the faithful and quench their thirst.  More about that to come…

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Today, Lunes Santo (Holy Monday), found me in Teotitlán del Valle, as Jesús and María were carried on palanquins in a slow moving procession through town, from one temporary tapete (rug) adorned casita to another.  They will make twelve stops in all.

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This casita was erected by the family of the Vice President of the village Church Committee, Amado Gutiérrez, father of Porfirio Gutiérrez, of whom I have previously written.

There was food and drink and so much more to this solemn expression of faith, so please stay tuned…

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Una muestra (a sample) from another sublime Domingo de Ramos (Palm Sunday) in San Antonino Castillo Velasco.

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Under the lavender canopy of jacaranda, Jesús (wearing his red cape) and his burro enter the church courtyard laden with the rich bounty of the village.

More to come…

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Tomorrow is Domingo de Ramos (Palm Sunday) and the start of Semana Santa (Holy Week).  In preparation, the palm weavers from the pueblitos of the Mixteca have come down to the city to work their magic and sell their wares under the watchful eye of the Catedral de Nuestra Señora de la Asunción.

Ladders have been hauled out onto the sidewalks, so windows and doorways can be decorated in purple and white.  Why those colors? You might well ask.

According to The Color Symbolism of Lent and Easter, purple “is a deep, almost night-like color that focuses our attention on the fasting and repentance associated with the Lenten season…. As an act of derision toward Our Lord, Pilate placed a purple robe on Jesus, whom he called “‘King of the Jews’” and white “symbolizes both the bright light of the moment of Resurrection and the purity of God’s love for His People.”

However, the above mentioned website also states that the color of Palm Sunday, itself, is red, “even though this Mass commemorates Christ entering Jerusalem in triumph, this color foreshadows His death on the cross on Friday.”  I will take note tomorrow when I return to San Antonino Castillo Velasco for their very special way of celebrating Palm Sunday.

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I had put off making the trek down to Soriana long enough.  Supermarkets, even in Mexico, are not one of my favorite destinations and this is one of the smaller and less pleasing stores in the chain.  However, I do enjoy the quiet of the streets on Sunday mornings and besides, I was curious about the drum and bugle corps I could hear practicing.

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Stop number 2:  Noticing a newly installed cross in the atrium of the Basílica de la Soledad.P1250298

Stop number 3:  Feeling like a queen strolling under a canopy of Royal Poinciana trees (Arbol de flamboyán) on calle Independencia.P1250311_port

A seven minute walk that took twenty seven — that’s how it is in Oaxaca.

 

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It’s good to be back in Oaxaca — land of mezcal.  Even the walls sing its praises.

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And, they are not alone — so does National Geographic, with their article, A Mezcal Boom Spurs Creativity.

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Besides a mock wedding with men dressed as women, mentioned in my previous post, Carnaval (Carnival, Mardi Gras, Fat Tuesday, Shrove Tuesday) in San Martín Tilcajete also means young men covered in motor oil (yuck!) and paint running through the village with belts of cowbells ringing.

And, it means muchas máscaras de madera — in this village famous for its fantastical hand-painted alebrije woodcarvings and masks.

Some of my favorite masks and body paint were done by Jesus Sosa Calvo, his talented wife, Juana Vicente Ortega Fuente, and their gifted children.  (See the mask I gave to my son, carved by Apolinar, one of their sons.)  If you are in San Martín Tilcajete, be sure to see their work at Matlacihua Arte (right across from the zócalo on the main street).

The Spanish brought this pre-Lenten tradition to Mexico and, like many other seasonal celebrations, it conveniently coincided with indigenous festivals celebrating the “lost days” of the Mesoamerican calendar, “when faces were covered to repel or confuse evil.”  Apparently, it caught on “because it was one time when normal rules could be broken especially with the use of masks to hide identities from the authorities.”

Masks, motor oil, face and body paint, you name it, disguised and anonymous was the order of the day!

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Among other highlights, Carnaval/Carnival in San Martín Tilcajete features a mock wedding, quinceañera, and beautiful fabulously dressed and accessorized “women.”

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The day before Lent in San Martín Tilcajete 2017.  As they say in New Orleans, “Laissez les bons temps rouler!”

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Slowly the cars began to move.  Slowly they climbed the steep hill.  As they climbed, each little steam engine began to sing:  “I-think-I-can!  I-think-I-can!  I-think-I-can!  I-think-I-can!  I-think-I-can!  I-think-I-can!  I think I can – I think I can – I think I can I think I can–”  (The Little Engine That Could)

In this case, the little engines that could are Volkswagen Beetles, known in Mexico as vochos.  These indomitable VW Bugs are ubiquitous on the streets of Oaxaca — in a rainbow of colors and in every stage of repair and disrepair imaginable.

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They can even be spotted traveling along the walls…

“Vocho art” isn’t limited to murals on street corners.  Check out this Huichol beadwork “Vochol” I saw on exhibit at the Museo de Arte Popular in Mexico City last October.  It is the work of Francisco Bautista, Kena Bautista, Roberto Bautista, Diego Díaz González, Emilio González Carrillo, Víctor González Carrillo, Alvaro Ortiz, and Herminio Ramírez.

And, that isn’t all…  Mexican artist, Héctor Garnelo Navarro has covered a 1994 VW Beetle  with “19,800 semi-precious stones (e.g., obsidian, jade) that form images of pyramids, animals, ancient deities (Quetzalcóatl [Feathered Serpent, Creator God] and the Mictlantecuhtli [God of the Underworld]).”  It is known as the Vocho Teotihuacano (Teotihuacán Beetle) and according to this article, he is finishing a Vocho Maya and is considering a Vocho Alebrije — the latter inspired by the wood carvers and painters of Oaxaca.  So, keep your eyes open!

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For years, I’ve gazed at the bell towers of Templo de la Preciosa Sangre de Cristo in Teotitlán del Valle and wanted to go up there.  I mused that the views must be spectacular.

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I struck it rich a couple of weeks ago when visiting gal pals and I were wandering around the church and were asked if (for a small donation) we wanted to go up to the top.  We didn’t have to be asked twice.

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It was well worth the climb up the narrow, winding, and steep stone staircase.

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There I was, up close and personal with features I’d never before noticed.

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Overcoming a moderate case of acrophobia, I even ventured out between the towers and the dome.

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Despite a dry season haze that hung over the valley, the views in every direction were spectacular.

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A bird’s-eye view!

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It was great fun trying to pick out the homes of friends.

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The icing on the cake:  The bell-ringer emerged, grabbed a couple of ropes, and the bells began to chime.

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It was really loud (bordering on deafening) and lasted a long time!!!  But, we wouldn’t have traded the experience for anything.

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