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Posts Tagged ‘street art’

Now that the Zócalo has been cleared of street vendors

A not so wretched refuse bin stands out.

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The artistry and message of my favorite mural painting collective, the Tlacolulokos, continues to be revealed on the walls of Tlacolula de Matamoros. Today, on a brief visit, blogger buddy Chris and I stumbled on three of their masterpieces. The first one I’d previously seen and blogged about in 2017 under the title, Who tells your story. However, the second mural was new to both of us.

A blouse divided.

A broken heart — not your usual randa de aguja (needlework technique) blouse detail.

Their message, not mine.

The third mural was a couple of houses down and presents a more historic and celebratory entrance.

Spanish swords and Mitla grecas provide driveway decoration.

A headless woman woman in traditional Tlacolula costume walks toward the entrance.

Thoughts of an upcoming festival castillo, agains the backdrop of the valley’s mountains, dance in her missing head.

Her carrizo shopping basket is filled with purchases for the festival.

From the first Tlacolulokos mural I saw in 2014 to their Tokiolula mural through today, their art continues to speak to me, teach me, and inspire me to really see the people and culture around me.

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Art imitating life?

Wall in Oaxaca on Plazuela del Carmen Alto. (Art by Tupac Emiliano)

Or, life imitating art?

On Avenida Benito Juárez, Teotitlán del Valle

You decide!

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A mural celebrating the life and music of composer and violinist Macedonio Alcalá has joined a bust of fellow Oaxaqueño composer Álvaro Carillo in the Jardín Carbajal (Macedonio Alcalá at Cosijopi).  The mural by Uriel Barragán Bouler was unveiled August 22, 2019 in commemoration of the 150th anniversary of the death Macedonio Alcalá. The composer is best known for his piece, “Dios nunca muere” (God Never Dies) — a song that has become Oaxaca’s unofficial anthem and provided the artist with the theme of the mural.

Mural of composer Macedonio Alcalá

According to one legend: While Macedonio Alcalá was convalescing from a serious illness, he was visited by a group of indigenous people from Tlacolula de Matamoros, who asked him to compose a waltz for their festival of the Virgen de la Asunción. Subsequently, the flutist José Maqueo went to see him, and noticing the poverty stricken situation of Macedonio Alcalá, without him noticing Maqueo left twelve pesos under the pillow. The next day the composer found the money and told his wife: “Look, God never dies, always comforts the afflicted,” and he immediately began writing “Dios nunca muere.”

Whether it’s true or not, it’s a lovely story to accompany a lovely waltz.

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Walking to the market, it was the light and color and composition that caught my eye — a sidewalk still life.

I zeroed in on the skill of the artist(s) and the imagery.

In one, a man in the baseball cap looking back to his ancestors and the bounty of the land. In the other, what is that in the mouth of “he who shall not be named?” And, what of the quote?

“Homeland: your mutilated territory dresses in calico and glass beads.” What does it mean? What is it from? Who is R. L. Velarde?

I found the answers in the article, The Dissonant Legacy of Modernismo. Ramón López Velarde by Gwen Kirkpatrick. The quote is from the poem, “Suave Patria” (Gentle Homeland) by Ramón López Velarde, a poet of the Mexican Revolution — a poem that “celebrates the grandeur of Mexico’s simple, rustic life, as well as its glorious indigenous past.”

The daily education of the streets — more than meets the eye!

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Face the facts…

she’s turned her back on you.

The walls of Oaxaca tell all.

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Ahhh… While in el norte, along with Sunday scenes in Tlacolula, I missed sights like this.

Seen on Matamoros between Crespo and Tinoco y Palacios in Oaxaca.  Signed by @Mortales333

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From the land of Zaachila yoo (house of Zaachila)…

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Villa de Zaachila pride in black and white by YNKL/Sanez.

 

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Within a few blocks from home…

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Miscellaneous messaging brought to you by the streets of Oaxaca.

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Dorothy and Pedro spotted on Calle Murguia, Oaxaca.

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Another mashup by Efedefroy.

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Since I went to the market today and we are on the topic of murals in Oaxaca…    

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The Calle Porfirio Díaz entrance to my “go to” Mercado Sánchez Pascuas has undergone a make-over to commemorate the 487th anniversary of the elevation of Oaxaca de Juárez to the status of city.

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On April 25 (Oaxaca’s official birthday) city officials, market Board of Directors, and the artists gathered for the mural’s inauguration and ceremonial ribbon cutting.

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Javier Santos, professor of sculpture at the Taller de Artes Plásticas Rufino Tamayo, explained that the mural represents a collection of symbolic images, contextualizing life in the city and market.  How many of these symbols (many Prehispanic) do you recognize?

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Javier Santos continued, “It is important that there is availability and openness on the part of the Municipal Government to bring people the great talent of Oaxacan artists through the exhibition of works in public spaces, because in them people have the opportunity to visualize the graphic quality of our state.” (Google translation)

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Here is to the artists!  May the magic of their creativity continue to illuminate the past, find truth in the present, and inspire the future. 

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And, let us hope the city of Oaxaca will see more mural construction and less mural destruction.

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Even if you’re dreaming of sitting on a beach with a book and glass of wine in hand, there are reminders that one hundred years ago, on April 10, 1919, Mexican revolutionary hero Emiliano Zapata was assassinated.

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In southern Mexico, in the words of Lila Downs, Zapata Se Queda (Zapata Stays) and remains a beloved martyr who continues to inspire.

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And, to remind all to never forget, and continue the struggle.  The cry of “not one more” echos from the streets.

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Mural on the wall of Taller-Galeria Siqueiros on Calle Porfirio Díaz.

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There is magic on the walls of Oaxaca.

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You  never know what you will see when you take another route home.

 

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Yesterday, Mexico celebrated el Día del Artesano (Day of the Artisan).  Alas, I’m a day late in recognizing the men and women whose artistry in carrying on traditions and renewing and enriching them with their own creative spirit contributes to Oaxaca’s vibrant cultural life and economy.  However, the entire month of March has been designated “month of the artisan,” so here are several of the artesanas and artesanos who I have had the honor and joy of knowing and visiting over the past year.

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Emilia Gonzalez, wool spinning and dying in Teotitlán del Valle

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Juan Manuel García Esperanza, silver filigree, Ciudad de Oaxaca

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Carrizo basket maker from San Juan Guelavía

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Barro rojo (red clay) potters from San Marcos Tlapazola

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Mural painters in San Martín Tilcajete

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Weaver from Santo Tomás Jalieza

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Eligio Zárate, potter, Santa María Atzompa

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Jesús Sosa Calvo, wood carver and painter, San Martín Tilcaje

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Seamstress, embroiderer, crocheter, Sra. Gutiérrez from Teotitlán del Valle

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Don Luís, weaver, Ciudad de Oaxaca

A very special thank you to Don Luís, whose weaving studio shares a wall with my apartment and I have the pleasure of seeing and hearing most every day.  The rhythmic sounds of his loom are one of the songs on the soundtrack of my Oaxaca life.

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Armed with their art, the women of Armarte OAX have taken to the streets to raise their voices in struggle.

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And, they aren’t alone in Oaxaca…

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In the early evening of International Women’s Day, thousands of women “reclaimed” some of the most dangerous streets of the city demanding an end to street harassment, punishment for rapists, the cessation of violence against women, and safe abortion.

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Struggle, the other “women’s work.”

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