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Posts Tagged ‘street art’

Thursday is market day in Villa de Zaachila. Thus, once we turned off the carretera, we crawled our way into town joining scores of other cars, trucks, tuk tuks, motorcycles, bicycles, pedestrians, dogs, and the occasional goat. The scenes were pure country village. Once parked, we meandered our way along the street stalls, stopping to examine their wares and chat with vendors.

However, our stomachs were grumbling and our trajectory was set — Zaachila’s mouthwatering barbacoa de chivo (goat) beckoned!

Once sated, we went in search of Zaachila’s beautifully decorated pan de muerto (Day of the Dead bread). It was still a little early in the season but, zigzagging up and down the bread aisles, we eventually found a couple of vendors and bought a few to be placed on our ofrendas.

Being members of the “clean plate club” and needing to walk off our very filling lunch, we walked toward the Templo de Santa Maria de la Natividad to begin the Muertos mural walk to the Panteón. However, before even reaching the church, we were stopped in our tracks by this massive and incredibly moving mural dedicated to the victims of Covid-19.

New Day of the Dead murals had been painted along calle Coquiza since I was last in Zaachila two years ago and I will post pictures later. In the meantime, next stop — a mezcal palenque in Zimatlán de Álvarez.

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Opposite Santo Domingo, a bolero (shoeshiner) walks up Macedonio Alcalá to work…

As the faces on the wall cry out, “Because we people of Oaxaca have memory and dignity, we demand justice” for the missing Ayotzinapa 43 normalistas (student teachers).

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Sometime last night, the recently inaugurated mural by the Tlacolulokos was defaced. And we are left asking, why?

The message, purportedly by anarchists (given the presence of their symbol) is calling the artists “Oaxaca indigenous traitors.” Due to their collaboration on the mural with the Canadian government??? I don’t know. But what I do know is that I am sad and angry at this attack on the right of artists to create without censorship or intimidation.

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Under the shade of the 361 year old Coquito de la Iglesia de Jalatlaco tree, onlookers (and bloggers like yours truly), dignitaries, media, and the artists of the Tlacolulokos collective gathered for the inauguration of the previously mentioned new mural in Jalatlaco.

“Nuestro sol se ha ido” mural in Barrio de Jalatlaco.

The mural, “Nuestro sol se ha ido” (Our sun has gone) is a collaboration between Rolande Souliere of the “Anishinaabe” people in Canada and the Zapotec Tlacolulokos urban art collective from Oaxaca’s central valley.

Indigenous Encounter Canada/Mexico, “Our sun has gone” by Tlacolulokos and Rolande Souliere.

The mural’s inauguration was live streamed on Facebook on the Secretaría de las Culturas y Artes de Oaxaca page.

Media and dignitaries gathered in the atrium of the Templo de San Matías Jalatlaco.

Unfortunately, Rolande Souliere could not travel to Oaxaca. However she described some of the symbolism of the mural: “We decided to portray the mythological beings of the Canadian thunderbird and the Zapotec deity of the Cosijo throne, these fantastic beings are responsible for the thunder and rain that the world experiences and that come together thanks to the clouds…. symbolic imageries such as Zapotec patterns, the route of thunder and the four directions of the first nations represented by the colors red, black, yellow and white… important signifiers in both communities since they represent the continuation of indigenous culture in contemporary society.”

Inaugural ribbon cutting (Canadian Ambassador wearing white shirt in center and artist Dario Canul on the far right) for the “Nuestro sol se ha ido” mural.

Dario Canul, representative of the Tlacolulokos colective further explained, “The mural, ‘Our sun has gone,’ is a representation of celebration, life, rain, thunder, and tears that all indigenous peoples have shed over time.”

Drone filming the inauguration of the “Nuestro sol se ha ido” mural.

The inauguration launched the 2-1/2 week long Encuentros indígenas: Canadá-Oaxaca 2021 (Indigenous encounters: Canada-Oaxaca 2021) — a series of activities in Oaxaca city and surrounding villages — that runs from September 20 to October 8, 2021.

Tlacolulokos artists in front of the mural, “Nuestro sol se ha ido” mural.. Dario Canul (center).

In remarks by Graeme C. Clark, the Canadian Ambassador, at the inaugural event and reports from this article, the collaboration seems to be an expression of the mea culpa by the Canadian government with regard to their historic treatment of the first peoples of the territory that is now called Canada. Better late than never. The indigenous peoples of the USA are still waiting.

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Today, I decided to change up what has become my Friday shopping routine. Instead of walking north to the fruit and veggie vendor, I headed south to explore the Friday tianguis — relocated from Llano Park a couple of years ago and now residing near the Polideportivo.

And, what an excellent decision it was! Only blocks from home, I came across a massive mural in progress on Calle de la Noche Triste at the corner of Calle Ignacio Aldama.

With scaffolding and tools of the trade in place, men were at work.

The style looked familiar, so I stopped to ask, and discovered they were the Tlacolulokos – my favorite artist collective from Tlacolula de Matamoros!

I think the guy I spoke to was a bit taken aback to find that this gringa was quite familiar with their work — including the murals for the Downtown Central Library in Los Angeles, California. Stay tuned…

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In the first chapter of The Labyrinth of Solitude, Octavio Paz reflects on the face of an old man… “features are seen as a face, and later as a mask, a meaning, a history.”

Mural seen on Calle de Narciso Mendoza in Barrio de Jalatlaco.

And John Dalberg-Acton wrote, “History is not a burden on the memory but an illumination of the soul.”

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Unsurprisingly, on Monday Oaxaca went back to Covid-19 Semáforo Naranja (orange traffic light) — meaning there is a high risk of contagion of the virus. On Wednesday, it was reported there were 479 new COVID-19 patients, the highest figure of the year.

Unfortunately, having had to run a few errands over the past few days, I haven’t seen any changes in people’s behavior, business/government/museum closings, nor enforcement of the mask wearing mandate — only an announcement by the archbishop that churches would be limited to 25% capacity.

It is demoralizing and infuriating and all I can do is continue to wear a cubreboca (face mask) whenever I’m out and about, practice social distancing, and try to stay sane. As for the latter, I’m choosing to concentrate on and appreciate my favorite things.

People, real and imagined, waiting for the bus on Av. Benito Juárez.
Ensalada de pulpo (Octopus salad) at Barrio de Jalatlaco Restaurante.
A turquoise building, meters, and mural on Calle La Alianza in Barrio de Jalatlaco.
Water lily in the pond of Museo de Filatelia de Oaxaca (Stamp Museum).

We are all tired. However, unless people take this extremely seriously, get vaccinated, and continue to mask up and practice social distancing, “normal” will not return and our fellow humans (including loved ones) will needlessly continue to suffer and die. As a current meme suggests, let us all practice humility, kindness, and community.

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It feels so good to be back in this walkable city where simple errands offer the opportunity for exercising one’s body and mind.

“Free Palestine! Colombia lives!”

Connections are made and internationalism lives.

Reading the walls of Oaxaca is like reading the news.

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In Oaxaca, murals, stencils, and other forms of street art are ubiquitous — and often with cultural and political themes.

The same is true for San Francisco and her neighboring cities of Oakland and San Jose — primarily thanks to significant populations of color and the cultural expressions they bring.

However, in my white-bread hometown of Mill Valley, it’s only in the past several years that murals have begun popping up and they have seldom addressed social and political issues — until now.

In response to the killing of George Floyd and a controversy in the town regarding the tone-deaf attitude toward the Black Lives Matter movement and its own issues of racial discrimination and profiling, artist Wesley Cabral painted these two murals which now adorn a prominent wall in downtown Mill Valley.

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March 8 is International Women’s Day. In the words of a recent article by Nancy Rosenstock, a woman I knew back in the day, “In these challenging times, all women — from those of us who were involved in second-wave feminism to those just entering the struggle — need to come together as equal fighters and chart a course forward.”

We may have come a long way, but the struggle for equal rights, respect, freedom from violence, and control of our own bodies continues and the women of the walls of Oaxaca are not silent.

Many of the images also carry a written messages. Below, Nuestros sueños no caben en sus urnas / Our dreams do not fit in their ballot boxes carries an indictment against the capitalist political parties.

The next one lets the symbols of the ancestors speak.

From a women’s graphic campaign that seeks to express “what our bodies go through every day and what we are seeking when we scream: Vivas Nos Queremos / We Want Ourselves Alive.

And, a promise that women will not be silenced and will march forward Sin miedo / Without fear.

Then there is the mural, La Patria / The Homeland, which adorns the wall of a school in Barrio de Jalatlaco. La Patria, originally a painting by Jorge González Camarena of an indigenous woman surrounded by patriotic imagery, graced the covers of textbooks from the 1960s into the 1970s.

To honor and celebrate International Women’s Day, on March 8, La Mano Magica Gallery/Galería inaugurates an exhibit of women artists, Exposición de Arte Colectiva Mujeres Artistas, curated by Mary Jane Gagnier, at their gallery in Oaxaca and online on their Facebook page.

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Returning from an errand in the Jalatlaco neighborhood, I was stopped in my tracks by this massive mural on Calzada de la República. It is titled, “No Discriminación e Inclusión” (No Discrimination and Inclusion), and was unveiled in October 2020 as part of the Movimiento Vecinal — a program created by the Sistema Estatal de Seguridad Pública de Oaxaca (State Public Security System of Oaxaca) to involve youth, through cultural, athletic, community, and educational activities, in the recovery, appropriation and rescue of public spaces. Importantly, a collaboration has also been established with the civil association Conquistando Corazones to eradicate violence towards the community of sexual diversity.

(Unfortunately, trees and other foliage prevented a clear photo of the entire mural and so I offer you the full mural in six parts — moving from left to right facing the mural.)

According to José Manuel Vera, Executive Secretary of Sistema Estatal de Seguridad Pública de Oaxaca, “We work to achieve equality and dignity for people based on their sexual orientation or gender identity and we continue to create spaces for youth that represent freedom of action and thought. In a just and egalitarian society, everyone has the right to their individuality, to be who they are, to do so in peace, without fear of rejection, hatred or violence, but rather enriched by diversity” (my translation).

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February 14th isn’t just a day for lovers. In Mexico, Valentine’s Day is known as the Día del Amor y la Amistad — Day of Love and Friendship.

By the artist known as ARCH

Decorations have gone up and I have no doubt kilos of chocolate, bouquets of flowers, and heart shaped balloons with confessions of amor will be purchased.

Unfortunately, with the virus continuing to rapidly spread and Oaxaca still under semáforo naranja/orange traffic light (though many think it should be rojo/red), I’m not sure restaurants will or should be filled to capacity with friends, sweethearts, and families.

By the artist known as Efedefroy

Given the trauma and uncertainty the world has experienced over the past year, I hope we have learned to cherish our friends and family and to let them know how much they mean to us every day. Let us celebrate days of love and friendship and not just limit it to one day a year.

And, if you would like to say I love you (te amo) in 7 of the 69 indigenous languages spoken in Mexico — including several spoken in the state of Oaxaca — click HERE.

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Four years ago today, we were marching in the streets of Oaxaca — part of a worldwide post inauguration day response to the dark days we could see coming following the results of the US election. Alas, it was far worse than our imaginations could take us. What a difference four years makes! At yesterday’s inauguration we watched as a young woman in a dazzling yellow coat, with her brilliant words and luminous spirit, captured the dark and replaced it with trust in our power to bring light to an imperfect country. Thank you Amanda Gorman for your inspiring words and presence.

When day comes, we ask ourselves, where can we find light in this never ending shade?

And so we lift our gaze, not to what stands between us, but what stands before us

For there was always light.
If only we’re brave enough to see it.
If only we’re brave enough to be it.

Quotations from The Hill We Climb, a poem written and read by Amanda Gorman at the inauguration of President Joe Biden and Vice President Kamela Harris.

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The second Sunday in 2021 walk took us to Xochimilco (“X” pronounced like “S”).

We never know where our feet will take us and who we will meet along the way.

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Last Sunday’s first Sunday of 2021 walk…

Going to and from Barrio de Jalatlaco, there is always something old and new to see.

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