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Posts Tagged ‘street art’

From the land of Zaachila yoo (house of Zaachila)…

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Villa de Zaachila pride in black and white by YNKL/Sanez.

 

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Within a few blocks from home…

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Miscellaneous messaging brought to you by the streets of Oaxaca.

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Dorothy and Pedro spotted on Calle Murguia, Oaxaca.

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Another mashup by Efedefroy.

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Since I went to the market today and we are on the topic of murals in Oaxaca…    

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The Calle Porfirio Díaz entrance to my “go to” Mercado Sánchez Pascuas has undergone a make-over to commemorate the 487th anniversary of the elevation of Oaxaca de Juárez to the status of city.

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On April 25 (Oaxaca’s official birthday) city officials, market Board of Directors, and the artists gathered for the mural’s inauguration and ceremonial ribbon cutting.

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Javier Santos, professor of sculpture at the Taller de Artes Plásticas Rufino Tamayo, explained that the mural represents a collection of symbolic images, contextualizing life in the city and market.  How many of these symbols (many Prehispanic) do you recognize?

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Javier Santos continued, “It is important that there is availability and openness on the part of the Municipal Government to bring people the great talent of Oaxacan artists through the exhibition of works in public spaces, because in them people have the opportunity to visualize the graphic quality of our state.” (Google translation)

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Here is to the artists!  May the magic of their creativity continue to illuminate the past, find truth in the present, and inspire the future. 

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And, let us hope the city of Oaxaca will see more mural construction and less mural destruction.

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Even if you’re dreaming of sitting on a beach with a book and glass of wine in hand, there are reminders that one hundred years ago, on April 10, 1919, Mexican revolutionary hero Emiliano Zapata was assassinated.

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In southern Mexico, in the words of Lila Downs, Zapata Se Queda (Zapata Stays) and remains a beloved martyr who continues to inspire.

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And, to remind all to never forget, and continue the struggle.  The cry of “not one more” echos from the streets.

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Mural on the wall of Taller-Galeria Siqueiros on Calle Porfirio Díaz.

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There is magic on the walls of Oaxaca.

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You  never know what you will see when you take another route home.

 

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Yesterday, Mexico celebrated el Día del Artesano (Day of the Artisan).  Alas, I’m a day late in recognizing the men and women whose artistry in carrying on traditions and renewing and enriching them with their own creative spirit contributes to Oaxaca’s vibrant cultural life and economy.  However, the entire month of March has been designated “month of the artisan,” so here are several of the artesanas and artesanos who I have had the honor and joy of knowing and visiting over the past year.

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Emilia Gonzalez, wool spinning and dying in Teotitlán del Valle

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Juan Manuel García Esperanza, silver filigree, Ciudad de Oaxaca

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Carrizo basket maker from San Juan Guelavía

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Barro rojo (red clay) potters from San Marcos Tlapazola

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Mural painters in San Martín Tilcajete

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Weaver from Santo Tomás Jalieza

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Eligio Zárate, potter, Santa María Atzompa

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Jesús Sosa Calvo, wood carver and painter, San Martín Tilcaje

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Seamstress, embroiderer, crocheter, Sra. Gutiérrez from Teotitlán del Valle

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Don Luís, weaver, Ciudad de Oaxaca

A very special thank you to Don Luís, whose weaving studio shares a wall with my apartment and I have the pleasure of seeing and hearing most every day.  The rhythmic sounds of his loom are one of the songs on the soundtrack of my Oaxaca life.

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Armed with their art, the women of Armarte OAX have taken to the streets to raise their voices in struggle.

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And, they aren’t alone in Oaxaca…

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In the early evening of International Women’s Day, thousands of women “reclaimed” some of the most dangerous streets of the city demanding an end to street harassment, punishment for rapists, the cessation of violence against women, and safe abortion.

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Struggle, the other “women’s work.”

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Another building in mal estado…

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Another example of hope amidst decay.

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Not all the Día de los Muertos murals in Villa de Zaachila were finished, some were still works in progress…

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with ladders and paints standing by…

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waiting for their artists to pick up the brush…

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or spray can, as the case may be.

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I first saw many of the murals in the summer of 2017 and was happy to see they are still intact, albeit some are a little faded.  Celebrated by the community, the new murals join the old and become a part of the landscape of the village.

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A regalito (little gift) to my calaca and calavera loving grandson from today’s visit to Villa de Zaachila for their first Feria del Pan de Muerto, Mole, Chocolate y Espuma.

From murals along the outer side of the panteón (cemetery) in Villa de Zaachila.  Click to enlarge images.

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This morning, on the way to my Oaxaca Lending Library cataloging shift (once a librarian, always a librarian), I made a detour through Jalatlaco, where the murals always give one pause.

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I was on my way to Clinica Hospital Florencia to check on my 92 year old neighbor who had a pacemaker installed yesterday afternoon (once a nurse, always a nurse).

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Like Oaxaca, she is strong…

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She is proud…

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And, she is back home after only 24 hours and feeling GREAT!!!

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It’s been fifty years since two African American US Olympic medalists, Tommie Smith and John Carlos, cast their eyes downward and raised clenched fists on the medals’ stand during the playing of the “Star Spangled Banner” (national anthem of the USA) at the 1968 Olympics in Mexico City.  Boos and racial epithets were hurled from the stands, both were kicked off the US team, ordered to leave the Olympic Village, and, upon returning to the USA, they received hate mail, death threats and experienced harassment.  However, their gesture became iconic and their stance against racial injustice is celebrated the world over, including Oaxaca.

Taller de Gráfica Experimental de Oaxaca, Calle La Noria at Melchor Ocampo, Oaxaca de Juárez

“I don’t have any misgivings about it being frozen in time. It’s a beacon for a lot of people around the world. So many people find inspiration in that portrait. That’s what I was born for.” –John Carlos (The man who raised a black power salute at the 1968 Olympic Games)

What most of the world didn’t see or hear about — because it was conspicuously absent from the covers of the country’s major newspapers — was that two weeks before, in what came to be known as the Tlatelolco Massacre, somewhere between 300 and 2,000 peacefully protesting students in Mexico City were murdered by Mexican military and police forces.

The echos from 1968 continue today…  Colin Kaepernick continues to be castigated and denied employment as an NFL football player for taking a knee during the playing of the “Star Spangled Banner” and 43 student teachers from Escuela Normal Rural Raúl Isidro Burgos in Ayotzinapa, whose bus was ambushed in Iguala, Guerrero four years ago, continue to be missing.

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While the caption says, “Welcome to Oaxaca,” those clenched fists raised in protest illustrate how the overwhelming majority of women in the United States feel today.

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New mural at the corner of Allende and Tinoco y Palacios by Gran OM, Chauiztle Stencil, and Kloer Kloerk.

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Four years and two days ago, 43 student teachers from Escuela Normal Rural Raúl Isidro Burgos in Ayotzinapa, Guerrero were disappeared in a violent attack on their bus in Iguala.  They still haven’t been found, their families still grieve, and anger surrounding the lack of truth, transparency, and justice continues.

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“For mothers who mourn empty graves for children who never returned”

In June of this year, a federal court ordered the creation of a truth and justice commission to undertake a new investigation but the current government has appealed the order.  However, two days ago, on the anniversary of their disappearance, Mexico’s new president-elect, Andrés Manuel López Obrador (AMLO), met with relatives and representatives of the missing students and vowed to discover the truth and implement the court order.  Expectations are high, but skepticism remains.

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