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Archive for the ‘Creativity’ Category

If you live in Oaxaca, the characters of Carnaval are coming to a village near you. And to get you in the mood and entice you to one of the wild and whacky celebrations, the citizens of the city were treated to a parade sampling the various traditions — no two villages are the same.

Villa de Zaachila, “Grupo Natividad”

Putla Villa de Guerrero

Ánimas Trujano

Macuilxóchitl de Artigas Carranza

Santa Catarina Minas

Santa María Coyotepec

San Juan Bautista La Raya

Cuilápam de Guerrero

And, last but not least, San Martín Tilcajete…

That’s where I will be tomorrow!

 

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There is a new mural in town. After five years, The gods are watching mural (my name for it) has been replaced by the watchful eyes of a goat and a sheep.

Together they stand outside La Madriguera taller on Tinoco y Palacios (between Morelos and Matamoros).

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I am, at long last, back in home sweet home Oaxaca. The weather is warm, the garden looks great, and the building at the end of the block that has looked to be on the verge of collapse since I first laid eyes on it thirteen years ago, has had a new paint job — announcing in a very creative way that, despite its dilapidated condition, it is not for sale.

And, don’t just take my word for its neglected and decrepit condition. There is a precaution notice from the city of Oaxaca warning passersby that the building is in a bad state.

All one has to do is peek through one of the broken windows to see there isn’t much there, there.

Located at the corner of Crespo and Matamoros, it is one of the more than five and a half thousand historic structures in the state of Oaxaca listed by the Instituto Nacional de Antropología y Historia (National Institute of Anthropology and History).

There is currently a building boom going on in the city, especially of upscale hotels, to meet the snowballing tourist demand. I suspect that restrictions and costs related to remodeling these cataloged buildings is why the much-needed renovation to this one hasn’t happened.

However, the owner of this building, whoever she or he may be, has let it be known, in a variety of designs, fonts, colors, and in no uncertain terms, that it is NOT FOR SALE!

The artwork covering the building is quite an improvement. However, I can’t help thinking of one of my grandmother’s sayings, “You can’t make a silk purse out of a sow’s ear.”

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I fell in love with Oaxaca the first time I saw her when visiting a friend in 2007.  The city was teeming with energy and color and I felt embraced by its welcoming warmth. The day after my arrival, the sounds of Trío Santo Domingo drew us down to the zócalo on a balmy August evening. I was captivated by the melodies, guitars, and harmonies of the boleros they played. I bought their CD  and discovered many of my favorites were written by beloved Mexican composer and Oaxaqueño, Álvaro Carrillo AlarcónSabor a Mí, El Andariego, Luz de Luna, Un Poco Más, Amor Mío, and so many more. His music captured my heart and continues to nourish my soul.

Bust of Álvaro Carrillo Alarcón in Oaxaca’s Jardín Carbajal includes lyrics from “Sabor a Mí”

Thus, two months ago, I jumped at the opportunity to attend a concert honoring the musical legacy and celebrating the 100th birthday of Álvaro Carrillo Alarcón. The performers paying tribute to him were among Mexico’s most loved and were accompanied by a full orchestra and the guitars and harmonies of Trío Los Panchos. They did not disappoint!

In addition to the above singers, Jean Venegas and Álvaro Carrillo’s sons, Mario Carrillo and Álvaro Carrillo Jr., also performed. Young and old, the audience sang along the entire night and more than a few tears were shed — for lost loves, fond memories, and pride in their native son. Álvaro Carrillo died tragically in a car accident at the age of 47 but new generations continue to rediscover and cover his songs and, thanks to the internet, we can hear from the man, himself.

Oaxaca, you had me at Sabor a Mí.

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The Jalatlaco neighborhood always yields artistic surprises…

November 13, 2019

November 13, 2019

November 13, 2019

October 22, 2019

October 22, 2019

Happiness is wandering the streets of Oaxaca.

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Not seeing sights like this up here in el norte…

Ahhh… finding one’s niche in Oaxaca!

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Looking in the rear view mirror at images from 2019. They bring fond memories of life in Oaxaca — ferias, festivals, food, and friends, not to mention exhibitions, random street scenes, and the unexpected at Casita Colibrí. They were also a reminder of many days and nights spent in Teotitlán del Valle this year.

January – San Juan Guelavía town hall.

February – Wall on Niños Heroes, remembering the Ayotzinapa 43.

March – Cactus flower on the Casita Colibrí terrace.

April – View from a gas station along Carretera Federal 175.

May – Construction assistance from the balcony of Casita Colibrí.

June – The tamales brigade at a 50th birthday fiesta in Teotitlán del Valle.

July – Newly made candles in Teotitlán del Valle.

August – Necklace from Monte Albán Tomb 7 exhibition at the Museo de las Culturas de Oaxaca.

September – Convite during the Fiesta a la Natividad de la Virgen María in Teotitlán del Valle.

October – Danza de la Pluma at Fiesta de La Virgen del Rosario in Teotitlán del Valle.

November – Día de Muertos tamales in Teotitlán del Valle.

December – Nacimiento (nativity scene) in the Plaza de la Danza.

Many thanks to all my wonderful blog readers — for reading, for commenting, for sharing, for the opportunity to meet some of you, and for inspiring me to continue blogging from my rooftop terrace in Oaxaca. Wishing you all the very best in 2020!!!

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Hidden behind community tables and surrounded by food stalls, produce, textiles, and artesania, is a wall of murals at the newest location of the Pochote Xochimilco Mercado Orgánico y Artesanal.

This incarnation of the Pochote Organic and Artisan Market is located in Colonia Reforma at Calle Almendros #417 (between Manuel Ruiz and Heroico Colegio Militar) and is open Friday through Sunday from 8:00 AM to 4:00 PM.

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It’s a quiet Nochebuena (Christmas Eve) in my childhood home here in el norte. There are no sparklers to wave, no nacimiento (nativity scene) stands in the town square, and no posadas have knocked on the front door. Instead, my younger son and I bought a Douglas Fir and decorated it with four generations of Christmas ornaments hauled down from the attic. Stockings hang from the mantle, gifts are piling up, and in our dreams we channel our inner child and await Santa’s arrival.

In Oaxaca, a Christmas tree and holiday lights went up in the zócalo, along with plantings of nochebuenas (poinsettias), at the beginning of December. A nacimiento was constructed in the Plaza de la Danza, and if one looks up a piñata or two might be spotted floating high above.

As has been my blog’s annual Christmas Eve tradition: “Pancho Claus” by the man known as the “father of Chicano music,” Eduardo “Lalo” Guerrero. This year’s version is the original from 1956. The song is a delightful parody of the Clement C. Moore classic, “‘Twas the Night Before Christmas” — and it has inspired real life Tex-Mex Santas.

‘Twas the night before Christmas and all through the casa
Mama she was busy preparing the masa
To make the tamales for the tamalada
And all the ingredients for the enchiladas

Papa in the front room with all the muchachas
Was dancing the mambo and doing the cha cha
My brothers and sisters were out in the hall
Listening to Elvis singing rock ‘n roll

When all of a sudden there came such a racket
I jumped out of bed and I put on my jacket
I looked out the window and in front of the house
Was my old uncle Pedro as drunk as a louse
He ran in the casa he grabbed the guitarra
He let out a yell – “Ay, Ay, Ay” and sang Guadalajara,
“Guadalajara Guadalajara, Guadalajara Guadalajara”

I was starting to wonder as I lay there alone
How old Santa Claus was to visit my home
With all of this noise they would scare him away
When all of a sudden I hear someone say
Hey Pablo, Chuchito Hey! Arriba! Gordito, Jose
Get up there you bums or you don’t get no hay

And then to my wondering eyes did appear
Eight cute little donkeys instead of reindeer
They pulled a carreta that was full of toys
For all of us good little girls and boys

The fat little driver waved his big sombrero
And said Merry Christmas! Feliz Año Nuevo!
That means “Happy New Year”
And then I hear him sing

I am Santa’s cousin from south of the border
My name’s Pancho Claus and I bring you your order
I hear him exclaim as he drove past the porches
“Merry Christmas to all and to all Buenas Noches”

As a gift to us all, this year “Pancho Claus” the book, with illustrations by Bob Mackie, was published, along with “Pancho Claus Volume 2” featuring the lyrics of another Lalo Guerrero Christmas song, “Mario from the Barrio.” (El Paso Herald Post, Dec. 22, 2019) I’ve put them both on my list!

Many thanks for reading my blog. I wish you ¡Felices Fiestas! and peace and joy through the new year.

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Noche de Rábanos is coming and, while I’m shivering in California, I’m dreaming warm Rábanos, Totomoxtle, and Flor Inmortal dreams. This year promises to be bigger than ever — so big, the exhibition and competition have been extended to two days. December 22, 2019 will be reserved for Flor Inmortal, Totomoxtle, and, in the morning, the children’s category of rábanos.

Category: Flor Inmortal (Dried flowers)…

“Delegación de las Chinas Oaxaqueñas” by Juliana Galicia Péerez (2017)

Category: Totomoxtle Natural (Corn husks, natural color)..

“Esplendidas artesanías de Oaxaca” by Esmeralda Chavez Miguel (2017)

Category: Totomoxle Decorado (Corn husks, colored)…

“Chinas Oaxaqueñas de la Guelaguetza” by Pedro Leobardo Díaz Márquez (2017)

And, as is customary, the carved radish exhibition and competition will be held December 23. Get there in the morning to watch the artisans setting up and putting the final touches on their creations or in the late afternoon/evening to see the finished works and award winners.

Category: Rábano Libre (Radishes, non-traditional and contemporary themes)…

“Mirada de la noche” by Concepción del Carmen López Guzmán (2017)

Category: Rábano Tradicional (Radishes, Biblical and traditional Oaxaca themes)…

“Regada de la vela 12 de mayo” by Rosa del Alba Miguel Morales (2017)

Category: Rábano Tradicional…

“Raíz de mi pueblo” by Roberto Geovani Aguilar (2017)

To all in Oaxaca, enjoy this year’s, “Oaxaca, Land of Cultivated Dreams!”

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In late October 2019, I stumbled on this installation on the Alcalá in front of Santo Domingo. The message on the heart to the left, in English read, “Knowledge of degradable and biodegradable garbage. I think and therefore recycle.” – Sandra Zárate Garcia

The message on the heart to the right declared, “Care of rivers and seas, ‘Caring for water with a heart.'” – Marcos Raúl Moreno Félix


And, it wasn’t just there. Hearts, enhanced by fifteen artists and waiting to be filled with recyclables, began cropping up in parks and public spaces throughout the city.

Yikes, could it be? Oaxaca is finally joining the world of recycling. ¡Qué milagro!

It is a project of the DIF, a governmental agency charged with strengthening and developing the welfare of the Mexican families

According to mayor Oswaldo García Jarquín, “this campaign is the beginning to truly become aware of the importance of caring for our environment; not because of a fashion, not because of a political vocation or sensitivity issue, but because it is an already indispensable issue and Oaxaca must be an example at the national level and worldwide.”

The President of the Consultative Council of the Municipal DIF, Patricia Benfield López, “recalled that, with this initiative, it helps reduce the amount of solid waste and encourage its use, since the resources obtained from the sale of waste will be invested in the manufacture and installation of more structures. While PET caps will be destined to associations dedicated to care for girls and boys with cancer.”

My favorite, by the painter, Noel Gómez Lorenzo, is in a very prominent spot on the zócalo. May the hearts of Oaxaca be filled each and every day!

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I’m in el norte and it is all quiet on the norther front on this day honoring Our Lady of Guadalupe. In fact, the sound of silence was one of the things that struck me as the taxi drove me and my luggage through the streets of my little hometown at the base of Mount Tamalpais. The Oaxaca I left a few days ago, was a cacophony of rocket booms and bangs, church bells ringing, processions with enthusiastic bands, and barking dog. From my terrace, yesterday and today, I would have been treated to sound on steroids honoring Guadalupe. Funny what one gets used to…

The above images of the Virgin of Guadalupe were created for an altar dedicated to Guadalupe at the Roses and Revelations textile exhibition and are by painter and sculptor, Demetrio Garcia Aguilar, a member of the talented Aguilar family of potters of Ocotlán de Morelos, Oaxaca. The indigenous symbols used pay homage to the pre-Hispanic fertility and earth goddess, Tonantzin (“Our Sacred Mother” in the Nahuatl language), whose temple at the top of Tepeyac Hill had been destroyed by the Spanish conquerors. Syncretically, this became the site where the apparition the Virgin Mary appeared to Juan Diego asking that a church be built on that site and thus the story of the Virgin of Guadalupe began — another step in the blending of the old and new religions and the original peoples and the Spanish newcomers.

By the way, the Roses and Revelations exhibition is on tour and is currently at the Museo Nacional de Culturas Popular in Coyoacán, in Mexico City. It will run to April 19, 2020.

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It began long before dawn this morning; the cohetes (rockets) announcing the celebrations of Oaxaca’s three virgins. First up is the Virgin of Juquila on December 8.

Image of la Virgen de Juquila at a palenque in Santa Catarina Minas.

Next up is the Virgin of Guadalupe on December 12.

Decorative image of la Virgen de Guadalupe at the Museo Belber.

And, to top the celebrations off, the feast day of the Queen of Oaxaca, the Virgin of Solitude on December 18.

La Virgen de la Soledad through the window of a store on Abasolo.

December may not be quiet, but the celebrations are amazing!

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Yesterday’s excursion south of the city brought an unexpected surprise.

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In San Martín Tilcajete…

I spotted a mural by my favorite mural colective.

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A tip of the hat to the Tlacolulokos of Tlacolula de Matamoros.

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A belated feliz Día de Santa Cecilia! November 22 commemorates the day Roman born Saint Cecilia was martyred at the hands of Turcius Almachius (sometime between 222 and 235 AD) and has been celebrated as her feast day since the fourth century.

According to legend, “despite her vow of virginity, she was forced by her parents to marry a pagan nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, and for that she was later declared the saint of musicians.[3] When the time came for her marriage to be consummated, Cecilia told Valerian that watching over her was an angel of the Lord, who would punish him if he sexually violated her but would love him if he respected her virginity. When Valerian asked to see the angel, Cecilia replied that he could if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilia’s advice, he saw the angel standing beside her, crowning her with a chaplet of roses and lilies.[3]

Santa Cecilia also sang during the torment of her martyrdom by decapitation, in which she was struck three times in the neck with a sword, and remained alive for three days. Pope Urban I consecrated her house in the Trastevere as a basilica. Her devotion and singing earned her the title of patron saint of musicians. Bands are named after her and she is honored with concerts and music festivals on her feast day.

Sculptures depicting musicians of the Mixe mountain village, Santa María Tlahuitoltepec, in the courtyard of Andares del Arte Popular. Sculptures by Sculptor Na’pë Jääy — an artist from Tlahuitoltepec.

 

And, for your listening pleasure, one of my favorite bands named La Santa Cecilia.

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