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Posts Tagged ‘convite’

A BFF since age twelve (don’t ask how long ago that was) and her husband are visiting. I took them to the weaving village of Teotitlán del Valle for the Santísima Virgen del Rosario festival — three days of witnessing the weft of Spanish conquistador Catholicism woven onto the warp of indigenous Zapotec culture. The public festivities began with Friday evening’s convite — a formal 45 minute procession, through the streets of the village, that serves as an invitation to the festival.

Canastas, with images of Mary and Jesus, waiting to be carried on the heads of unmarried young women and girls.
Young boys waiting with marmotas on tall carrizo poles.
Band #1 leads off the convite with a giant Viva la Virgen marmota.
At least 100 young unmarried women and girls, in traditional festival dress, carry canastas on their heads through the cobblestone streets.
Band #2 provides the music for the danzantes who follow.
Danza de la Pluma danzantes, with rattles shaking, march and dance their way through the streets.

I think my friends were impressed!

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The annual convite at the beginning of July in Teotitlán del Valle has not only been an invitation to the village’s patronal festival honoring Preciosa Sangre de Cristo. For me, it has also served as an invitation to a month of non-stop celebrations and events — an excuse to set aside my daily routines and chores and, instead, revel in the color and culture on display in the streets of the city and the small towns dotting the valley of Oaxaca.

The church, Preciosa Sangre de Nuestro Señor Jesucristo, ready and waiting for the convite to begin.
Picacho, the sacred mountain envelops the community in its protective arms, as the canastas and unmarried young women and girls of the village take their place in line for the convite.
Boys clutching their mini marmotas patiently wait for the deafening sound of the cohetes (rockets) signaling the convite’s start.
Boys and their mini marmotas at the head of the convite — accompanied by a few dads, big brothers, uncles, and officials to keep them in line.
Two monos (new addition this year) and one of several gigantic marmotas follow close on the heels of the young boys.
Of course there is a band to set the tempo.
Arms raised, contingents of unmarried women and girls carry canastas decorated with religious imagery.
Most are dressed in the valley’s traditional enredos (wool wrap skirts) and colorfully embroidered white blusas from Oaxaca and Chiapas.
In this Zapotec villlage, the beauty of the faces and strength of their arms are a sight to behold — especially Beatriz (foreground), who is very dear to my heart.
A second band marks the approach of the danzantes.
Danzantes of the Danza de la Pluma Promesa 2022-2024 alternately march and dance their way along the cobblestone streets.
Picacho watches as the danzantes wend their way along the meandering streets of Teotitlán del Valle.
Villagers watch as danzantes Moctezuma, Malinche and Doña Marina, followed by another marmota, and town officials mark the last of the convite’s participants.

After almost an hour, the convite and its contingents returned to the church atrium. Their work, of extending an invitation to the festival, is finished — until next time!

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Yikes, I realized it’s been nine days since my last blog post. Time does, indeed, fly when you’re having fun. And, fun is what I’ve been having, especially during the last four days.

July 4, 2022 – Convite in Teotitlán del Valle for their patronal festival honoring Preciosa Sangre de Nuestro Señor Jesucristo.
July 5, 2022 – Morning hike in the hills of Teotitlán del Valle.
July 5, 2022 – Afternoon presentation of the Danza de la Pluma in honor of Preciosa Sangre de Nuestro Señor Jesucristo in Teotitlán del Valle.
July 6, 2022 – Full day of Danza de la Pluma honoring Preciosa Sangre de Nuestro Señor Jesucristo in Teotitlán del Valle.
July 7, 2022 – Calenda celebrating the 35th anniversary of the Galería La Mano Mágica in Oaxaca city.

More on the convite, Danza de la Pluma, hike, and calenda to follow. But, first, a return to Teotitlán del Valle today for the final Danza de la Pluma presentation for this festival.

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A much needed pause in nesting at the new Casita Colibrí was in order. Teotitán del Valle’s patronal festival of the Preciosa Sangre de Cristo beckoned. The pandemic had closed the village for many months and precluded attending any of the 2020 fiestas. However, with mask on, I returned to spend three days. First on the schedule was Monday evening’s convite (procession) inviting the community to the fiesta.

Lining up in front of Iglesia Preciosa Sangre de Cristo for the convite.
Canastas ground level before being lifted onto the heads of the young unmarried women chosen to participate.
Cohetero (aka, rocket man) mugging before lighting the fuse.
Anticipating the big bang!
Tambor player who has walked many miles.
Young percussion player with many miles yet to walk.
As the shadows lengthened, the convite wound its way through the streets of Teotitlán del Valle.
Doña Marina, Moctezuma, and La Malinche bringing up the rear.
Villagers gather at their favorite location to watch the passage of the convite.
Convite taking over the main street in Teotitlán del Valle.
Danzantes under the watchful gaze of El Picacho.
Subalterno keeping on keeping up.
The return trip to the iglesia.
After almost an hour, the convite re-entered the atrium of the iglesia.
Watching and contemplating — the end.

The last festival in Teotitlán that I attended, before Covid-19 turned the world sideways, was the Fiesta de La Virgen del Rosario in October 2019. The warm welcome I received at the convite on Monday was incredibly touching and I admit to tearing up a little as it began.

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Looking in the rear view mirror at images from 2019. They bring fond memories of life in Oaxaca — ferias, festivals, food, and friends, not to mention exhibitions, random street scenes, and the unexpected at Casita Colibrí. They were also a reminder of many days and nights spent in Teotitlán del Valle this year.

January – San Juan Guelavía town hall.

February – Wall on Niños Heroes, remembering the Ayotzinapa 43.

March – Cactus flower on the Casita Colibrí terrace.

April – View from a gas station along Carretera Federal 175.

May – Construction assistance from the balcony of Casita Colibrí.

June – The tamales brigade at a 50th birthday fiesta in Teotitlán del Valle.

July – Newly made candles in Teotitlán del Valle.

August – Necklace from Monte Albán Tomb 7 exhibition at the Museo de las Culturas de Oaxaca.

September – Convite during the Fiesta a la Natividad de la Virgen María in Teotitlán del Valle.

October – Danza de la Pluma at Fiesta de La Virgen del Rosario in Teotitlán del Valle.

November – Día de Muertos tamales in Teotitlán del Valle.

December – Nacimiento (nativity scene) in the Plaza de la Danza.

Many thanks to all my wonderful blog readers — for reading, for commenting, for sharing, for the opportunity to meet some of you, and for inspiring me to continue blogging from my rooftop terrace in Oaxaca. Wishing you all the very best in 2020!!!

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I returned to Teotitlán del Valle late Friday afternoon to view the convite of of unmarried women of the village and Grupo de la Danza de la Pluma 2019-2021 danzantes (dancers) process through town — an invitation to further festivities honoring La Preciosa Sangre de Nuestro Señor Jesucristo. Though that wasn’t the only activity on my agenda; I would be spending the weekend with my amiga K, who was house-sitting for another amiga N. It would be a weekend in the countryside for this city gal!

I arrived late afternoon on Friday…

Canastas (baskets) lined up in front awaiting the procession under the gaze of the sacred mountain, El Picacho.

Grupo de Promesa de la Danza de Pluma 2019-21 arriving in front of the church, waiting to process.

Guys who launch the cohetes (all bang, no bling rockets) announcing the procession.

The convite begins — unmarried women of Teotitlán del Valle carrying the aforementioned canastas (baskets).

After the convite, an early evening encounter with a burro as mi amiga K and I walked to Restaurante y Galería Tierra Antigua .

Saturday…

Early morning view of the campo in Teotitlán del Valle.

Breakfast gathering of cocineras (cooks) and friends in the cocina de humo at Restaurante y Galería Tierra Antigua.

Encounter with a bull while walking back to the house.

Returning to the church to watch the late afternoon performance of the Danza de la Pluma.

Following the Danza de la Pluma, late night watching the toritos, castillo, and fireworks in front of the church.

Sunday…

During mass, shopping baskets parked in the church atrium.

Off to market day in Tlacolula de Matamoros. The upside down St. Peter encountered in the Señor de Tlacolula chapel.

Taekwondo competition in front of the municipal buildings in Tlacolula de Matamoros.

Returning to Teotitlán del Valle, still life in front of the sacred mountain, El Picacho, seen while walking back to the church in the afternoon.

Final Danza de la Pluma performance in the church atrium at the 2019 Fiesta de la Preciosa Sangre de Cristo.

It was a lively, delicious, and exhausting weekend. Did I mention, I walked an average of 4.5 miles per day?  Wouldn’t have missed it for the world! Muchisimas gracias to all who made it an unforgettable weekend!

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Late yesterday afternoon in Teotitlán del Valle — along with village officials, church committee members, 200 unmarried young women, Danza de la Pluma Promesa 2016-2018 dancers, players of the traditional teponaxtle (drum) and the chirimía (small oboe), pyrotechnicians, and two bands — children gathered.

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Boys came holding carrizo poles topped with mini marmotas (fabric globes), sheep, turkeys, giraffes, airplanes, and other images whose significance escapes me — though this year Quetzalcoatl made an appearance.

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Little girls came wearing miniature versions of the traditional red wool enredo (wrap skirt) and embroidered or crochet blouses.

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They assembled in the atrium of the church for the start of the *convite (special kind of procession) honoring the Preciosa Sangre de Nuestro Señor Jesucristo, the patron saint of the village and whose image, attributed to Oaxacan painter Miguel Cabrera, resides in Teotitlán’s church.

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The procession wound its way from the atrium, through the principal streets (mostly cobblestone) of the village, and back to the atrium — approximately two miles (3.2 km)!

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Giving a group of boys long poles has the potential for high jinx, but most was limited to clever ways to evade overhanging tree limbs.

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The littlest girls were beginning their years long conditioning in order to develop the arm strength needed to hold a canasta (basket) above their head for over an hour — SO much harder than it looks!

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And, there were boys in the band — some already affecting a cool “Blues Brothers” look.

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This was just the beginning of the festival — there will be the danzantes performing the Danza de la Pluma, fireworks (including toritos and castillos), and another convite.  So, stay tuned for more to come.

*Convite:  According to Harrap’s Spanish and English Pocket Dictionary, convite means reception.  Larousse Standard Diccionario translates convite to “invitation” or “banquet.”  And, if one turns to Google or Bing translation programs, a convite is a “treat.”

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What can I say?  Lately, I have been having way too much fun to blog.  A Gran Convite on Tuesday evening kicked off the festivities celebrating Oaxaca’s 486 birthday and inviting one and all to the previously mentioned, 2nd Encuentro de Cocineras Tradicionales de Oaxaca opening the following day.  Beginning at the Cruz de la Piedra, the parade came to a sparkling climax in front of the Cathedral.

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Wednesday began with an early morning ringing of the Cathedral’s bells (and several other churches, I’m pretty sure) and the booms and bangs of cohetes announcing Oaxaca’s official birthday.  Then the event that I had been hungrily awaiting — the opening of the four-day gathering of Oaxaca’s traditional cooks at the Plaza de la Danza.  It was worth the wait!

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Mixtec ritual of Aromas y Sabores del Alma using basil and rosemary to open Encuentro de Cocineras Tradicionales de Oaxaca.

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Machacado mixe, Caldo mixe from Santa María Tlahuitoltepec in the Sierra Norte.

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Chileajo amarillo from Huayuapan de León in the Mixteca.

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Ingredients on display by Carina Santiago of Tierra Antigua restaurant in Teotitlán del Valle, in Oaxaca’s Valles Centrales.

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Cochino a la cubana from the Papaloapan region of Oaxaca being served by cocinera Rosario Cruz Cobos.

There is also an expo-venta of Oaxacan artesanía at the Palacio Municipal adjacent to the Plaza de la Danza.

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Some of the best red clay pottery from San Marcos Tlapazola for sale.

I took yesterday off to do my volunteer gig at the Oaxaca Lending Library, but I’m returning to the Encuentro today, right after I post this.  My stomach is already rumbling!

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In Teotitlán del Valle, waiting for last Sunday’s convite, honoring the Virgen de Guadalupe, to begin.

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Watching and waiting from the best seat in the house!

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Waiting to process in the traditional red wool skirt and embroidered blouse.

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Little boys waiting to lead off the procession.

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Even a couple of little Juan Diego’s were ready and waiting.

The patience of the people of Oaxaca, even the kids, never ceases to amaze me.

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While waiting for yesterday’s convite to begin, the Danza de la Pluma subalternos, Florentino Martínez Ruiz and Juan Bautista Ruiz, knew how to keep young, old, all those in between, and the photographers entertained.

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A little “splendor in the grass” for Juan?

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And, the fun didn’t stop there, once the convite began, Florentino snatched a marmota from one of the little boys to give it a try.

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And, everyone laughed, especially the boy!  That’s entertainment, Teotitlán del Valle style!

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Late yesterday afternoon, under a dark and threatening sky, we gathered in front of Teotitlán del Valle’s church for the first *convite of the Fiesta Titular a la Preciosa Sangre de Nuestro Señor Jesucristo, the village’s patron saint festival.

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Templo de la Preciosa Sangre de Cristo

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Peeking out from the canastas

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Danzante and daughter

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Subalterno entertaining the crowd

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Kids in the ‘hood patiently waiting and posing

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Leaving the church

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Through the streets with one of several marmotas

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Hundreds of unmarried girls and women parade through the streets

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Balancing canastas with dignity and pride

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The debut of the new Grupo de Danza de Pluma Promesa (2016-18)

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The rain held off, as the procession returned to the church

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And, the banda played on…

Major festivities of the Fiesta Titular a la Preciosa Sangre de Nuestro Señor Jesucristo continue through Sunday.  We shall return!

* Convite:  According to Harrap’s Spanish and English Pocket Dictionary, convite means reception.  However, if I drag my weighty Larousse Standard Diccionario down from the shelf, convite translates to “invitation” or “banquet.”  And, if one turns to Google or Bing translation programs, a convite is a “treat.”  To me, it is all of the above!

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When last I posted, much-needed rains had come to Teotitlán del Valle, sending La Santísima Virgen María de la Natividad (the Sainted Virgin Mary of the Nativity) convite participants, spectators, and photographers dashing for cover and yours truly, home.  However, prior to the deluge, little boys patiently waited.P1130813 P1130772

The band led the Danzantes into the plaza in front of the Templo de la Preciosa Sangre de Jesucristo, where they, too, waited.P1130801 (1) P1130804 P1130815P1130819The unmarried women and girls, wearing their traditional red woolen faldas (skirts) and elaborately embroidered blusas (blouses), posed for friends, family, and strangers while waiting for the procession to begin.P1130825 P1130786 P1130791

And, Beatriz got her shot!

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Today, in Santa Catarina Juquila, about 200 km southwest of the city of Oaxaca, la Virgen de Juquila, is receiving a papal coronation.  Roads leading to this remote mountain village have been repaired and repaved and extra emergency services have been in place since Monday, all in anticipation of the thousands of pilgrims who were expected to descend on Juquila.

However, for those who chose to stay closer to the city, celebrations in honor of the Virgen del Rosario (Virgin of the Rosary) have been occurring for the past week throughout the valley of Oaxaca.

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Thus, blogger buddy Chris and I headed to Tlacolula de Matamoros on Friday for their annual procession.

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Beginning on the street in front of the panteón, young women wearing traditional red wool skirts and beautifully crocheted white cotton blouses…

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…danced their way through the streets balancing towering canastas (baskets) on their heads — the letters spelling out “Virgen del Rosario.”

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The arm and neck strength it takes to carry the canastas is phenomenal and can only come from years of practice.  As you can see, they begin early…

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Rockets announced the procession’s arrival.

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Bandas provided the music.

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And, “boys to men” carrying marmotas two-stepped and twirled their way along the route.

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Years of practice is required to do this, too!

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Participants stop at altars throughout the village, where prayers are recited, rest breaks are taken, and tamales, sweets, and beverages (yes, including mezcal) are consumed.

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This goes on until 1:00 or 2:00 AM.  We arrived at 4:00 PM, stayed for a couple of hours, carried nothing heavier than our cameras and daypacks, and were ready to call it a day!

However, this is a bittersweet post.  While we were reveling in the festivities, a family in Tlacolula de Matamoros was in agony.  It was reported last night that 18-year old, Cristian Tomás Colón Garnica, from Tlacolula de Matamoros, is one of the 43 students at Normal Rural ‘Raúl Isidro Burgos’ in Ayotzinapa who went missing on September 26 in Iguala, Guerrero after police opened fire on the students, who were soliciting funds for an Oct. 2 demonstration protesting funding cuts to their state-financed school.

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During the aforementioned convites, you will find the boys of Teotitlán del Valle, Standing On the Corner watching all the girls go by.  Not much has changed since The Four Lads had a hit with that song!

From my friend Samuel Bautista Lazo, who grew up in Teotitlán del Valle, “It’s funny to see boys with their cameras taking pictures and videos of the girls they like, often they watch the procession at one corner once they have seen everything, they run (or bike) as fast as they can to the other good spot to see all the girls again.”  And, he knows from personal experience!

Like Sam, I wonder how many couples have gotten together???  Perhaps meeting at the fireworks a night later…

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Defining the terms…

According to Harrap’s Spanish and English Pocket Dictionary, convite means reception.  However, if I drag my weighty Larousse Standard Diccionario down from the shelf, convite translates to “invitation” or “banquet.”  And, if one turns to Google or Bing translation programs, a convite is a “treat.”

All pretty much agree, the English translation for cochinilla is cochineal.  As Wikipedia explains, “Cochineal is probably from French cochenille, Spanish cochinilla, Latin coccinus, meaning ‘scarlet-colored,’ and Latin coccum, meaning ‘berry (actually an insect) yielding scarlet dye.'”  It has been called, A Perfect Red and was much sought after by Europeans.  Home to said insect is the nopal cactus and guess who and where it was probably first cultivated?  In the valley of Oaxaca by her indigenous people, long before the Spanish set foot on the continent.

Which brings us to last Saturday (September 6) in Teotitlán del Valle, under the watchful eye of el Picacho, the sacred brother/sister mountain, for the convite that precedes the Virgen de la Natividad (Nativity of Mary) festival day, held annually on September 8…

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It is the custom in this Zapotec village for the unmarried women of the village to process through the streets two days before this (and a couple of other) important religious festivals, elegantly balancing handmade canastas (baskets), decorated with Catholic and Zapotec imagery, on their heads.  They wear brightly embroidered blusas (blouses) and, in this village known worldwide for its weaving, enredos, hand-woven red wool wrap skirts — the yarn dyed red with cochinilla.  They are accompanied by bands, men carrying enormous (and heavy!) marmotas (cloth globes), little boys carrying poles topped with miniature marmotas, sheep, and airplanes (the significance of the latter is a mystery to me), fearless pirotécnicas announcing the convite’s progress by shooting thunderous rockets into the air, and the dancers who will be performing the Danza de la Pluma in the church courtyard during the following two days’ of festivities.

Borrowing from the definitions above of convite, I would like to think of these processions as a lovely treat, an invitation to the impending fiestas/feast (banquet) days for the saints venerated by the village.  The beauty of the welcoming faces of the young, old, male, and female in the convite provide a warm reception to villagers, visitors, Catholic saints, and Zapotec ancestors, alike.

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