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Posts Tagged ‘San Antonino Castillo Velasco’

Words of wisdom from the hands that see.

Magic happens when you love what you do.
To live is to be brave.
Effort! Perseverance!

Seen in the garden of Don José García Antonio (aka, the blind potter) at his workshop, Taller Manos Que Ven, in San Antonino Castillo Velasco.

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On November 3rd, K and I headed to San Antonino Castillo Velasco — a Zapotec community 24 miles south of Oaxaca city. It is a village known for growing flowers and for the floral embroidery decorating its traditional blouses and dresses. 

Their difuntos (departed souls) understand their families are busy providing flowers for altars and tombs in the surrounding villages in the valley and wait until November 3-4 to return and spend time with their living loved ones. Because floral design plays such an important role in the traditions and commerce of the village, it is carried over to the elaborate decorating of the tombs in the panteón (cemetery).

One of the flowers grown is the “flor inmortal” (immortal flower), so named because, even when dried, it retains its brilliant colors. Artisans in the village use these flowers to create intricately designed figures on display December 23 in the city of Oaxaca during Noche de Rábanos and to decorate the graves of loved ones during Día de Muertos.

In the cemetery villagers mix the area’s very fine dirt with water, cover the graves with this damp mud, and use a trowel to smooth it. Once dry, they outline designs and religious imagery into this mud canvas and use flowers (fresh and dried) to paint the scene. Entire families are involved — male and female, young and old. It is a labor of love and incredibly moving to behold.

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Tomorrow, I return to the land where the handwriting is on the wall.

Expressing pride in the traditional floral embroidery (toninera) of San Antonino Castillo Velasco and their recycling efforts.
In San Pablo Villa de Mitla, “together we achieve a better town.”
In Oaxaca de Juárez, the handwriting doesn’t need translation.

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How wonderful it was to return to San Antonino Castillo Velasco on Domingo de Ramos and once again see and experience San Salvador atop his burro being piled high with the best and most beautiful bounty.

Covid precautions had caused the 2020 and 2021 Palm Sunday celebrations to be canceled. But, at long last, this year villagers, young and old, on bikes and on foot, in carts and in trucks, once again were allowed to return to the street outside the panteón (cemetery) bearing fruit, vegetables, herbs, breads, flowers…

… and farm animals! Their offerings were received and priced by a committee — to be sold later in the day to benefit a local project. By the way, the price tag for the colt read $4000 pesos.

Once the burro was “filled to the brim,” with only his face peeking out, the priest arrived to bless the offerings and faithful with holy water. Dare I confess, it was hot under the noonday sun and the sprinkling of cold water felt good! The palm fronds, having been blessed, were distributed to all. Fireworks began exploding and the rhythmic sounds of the teponaxtles (drums) and chirimía (small oboe) began playing — announcing the start of the procession. Led by smoke from burning copal and a trail of bougainvillea bracts, the litter carrying San Salvador atop his burro set off on the kilometer long journey to the atrium of the church. They were accompanied by villagers and visitors clutching palm fronds and carrying the remainder of the goods collected.

This is a reenactment of the Biblical story of Jesus entering Jerusalem to celebrate the Passover. A few spectators chose to watch from balconies, but mostly the route teemed with a growing mass of followers as 30+ hardy men bore the litter along the “hazardous” street — ducking wires above and navigating topes (speed bumps) below.

Once inside the church atrium, San Salvador and his burro were carefully maneuvered onto a stage where the priest joined them to say mass. At this point, blogger buddy Chris and I swam against the crowd and made our way to the food stalls set up just outside the atrium — San Antonino’s mouthwatering empanadas de amarillo beckoned.

(ps) Chris made a video of the procession which you can view HERE.

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Last Thursday my BFF took me on an out-of-the-city birthday excursion. She hired a by-the-hour driver, picked me up a little after 9:00 AM, and off we went. Our first stop was Ocotlán de Morelos and besides wandering through the mercado, we stopped at the Municipal Palace to take in the magnificent murals painted by Rodolfo Morales in 1955 celebrating the four hundredth anniversary of the founding of Ocotlán. The murals, which honor its beauty, bounty, and people take up the entire room, including the ceiling.

Main entrance to the mercado in Ocotlán de Morelos.
Doorway murals by Rodolfo Morales in the Ex-Sala del Cabildo, Ocotlán de Morelos.
Murals by Rodolfo Morales in the Ex-Sala del Cabildo, Ocotlán de Morelos.

Next on the day’s agenda was San Antonino Castillo Velasco. As its murals remind one, this is a town famous for its floral embroidery and empanadas de amarillo. I should add, it is also known for Taller Manos Que Ven, the home and workshop of clay sculpture Don José Garcia Antonio (aka, the Blind Potter) and his lovely wife and inspiration, Doña Teresita de Jesús. We did a little clothes shopping (thank you, Miriam Campos), ate empanadas, and stopped in to say “hola” to the aforementioned, Don José and Doña Teresita — where we also made a couple of purchases.

Empanadas de amarillo, San Antonino Castillo Velasco.
Mural in San Antonino Castillo Velasco.
Mural in San Antonino Castillo Velasco.

Our final stop of the day was for comida at the new open air restaurant and vivero (nursery), Almú, set in a reforestation campo (field) in San Martín Tilcajete. Murals throughout the town reflect a village celebrated for its woodcarving and colorful painting of masks and alebrije and where moto taxis (tuk-tuks) are a common form of transportation for locals.

Dining area of Almú restaurant in San Martín Tilcajete.
Mural in San Martín Tilcajete.
Mural in San Martín Tilcajete.

It was a delightful, delicious, and art filled day!

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It’s Domingo de Ramos and in pre-COVID-19 times, from my terrace I would hear an outdoor morning mass being said in the atrium of the Basilica de Nuestra Señora de la Soledad. And then, for the past eight years, blogger buddy Chris and I would drive to San Antonino Castillo Velasco for one of the most magical days of the year. However, all was silent this Palm Sunday. So, donning my mask, I went for early Sunday morning walk with my neighbor K. Lonely and poignant scenes met us everywhere our wanderings took us.

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Lonely palm fronds in window of Hospital Ángel Vasconcelos on Av. José María Morelos

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Doors of Catedral de Nuestra Señora de la Asunción were shuttered.

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The doors of Templo de Santo Domingo de Guzmán were open, but nary a soul was in sight.

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A mass was being said at Templo de San Matías Jalatlaco, but the doors were shut tight.

However, no sight we saw this morning was as moving as this one posted to the San Antonino Castillo Velasco Facebook page.

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San Salvador bereft of his usual bounty stands alone in the atrium of the church in San Antonino Castillo Velasco.

To see San Salvador in his usual Domingo de Ramos splendor and the village procession that takes him, laden with donated fruits, vegetables, herbs, and bread, from the panteón to the church, click HERE.

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An hour south of Oaxaca city, the Zapotec village of San Antonino Castillo Velasco has much to recommend it. Besides the fields of flowers raised to decorate graves and altars throughout the valley and inspire elaborate floral designs on its blouses and dresses, the cocineras (cooks) of San Antonino serve a distinctive and delicious Empanada de Amarillo — a dish I never miss and one that has earned the village the (perhaps self-proclaimed) title, “world capital of the empanada.”

The main ingredients of the filling are pork broth, chile guajillo, masa, manteca, and cilantro. However, undoubtedly each cook adds her own secret seasoning(s).

Hot off the (tortilla) press, tortillas are placed on the comal to cook.

Once they reach the correct texture, the filling is spooned onto the tortilla and it is folded in half to be cooked, flipped, cooked, and flipped again until ready to serve.

The empanadas are traditionally served on a bed of lettuce and garnished with radishes and lime wedges and there is usually a small dish of pickled onion slices to further enhance the flavor. Yes, I ate the whole thing and it was riquisima!

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Today, November 3, blogger buddy Chris and I made our annual pilgrimage to experience the flowers and families of the panteón in San Antonino Castillo Velasco. We have been doing this for many years and are always surprised and delighted by the creativity of the living, as they decorate the graves of their departed. This year was no exception — especially the sculptures on two of the graves. (Click on image to enlarge.)

Below, the plaque on the simple wooden cross read, 1994 – 2018 Fernando Moctezuma Valencia García “Tachuma” Te amoremos por siempre, tu familia (We love you forever, your family). A little internet research revealed that the young Fernando was already a talented ceramicist.

The hands of a loved one honoring Fernando by creating this exceptional sculpture on his grave, moved me to tears.

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It takes 30+ men, doing some heavy lifting, to carry San Salvador, his burro, and Palm Sunday bounty the kilometer between San Antonino Castillo Velasco’s cemetery and village church.

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The strength of their devotion.

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Yesterday was another special Domingo de Ramos (Palm Sunday) in San Antonino Castillo Velasco.  This is a Zapotec village famous for the cultivation of flowers and exquisitely embroidered blouses and dresses, inspired by said flowers.  Returning year-after-year, I never cease to be uplifted by the warmth of the people and the bounty they bring to the image of San Salvador sitting atop his little burro outside the panteón.  The best of their fruits, vegetables, herbs, livestock, clothing, flowers, and much more are gratefully received by a committee, priced, and later-in-the-day, sold to raise money for a designated project.

A little after noon, San Salvador (his burro now filled to the brim), offerings, and the faithful were blessed by the priest.  Fireworks exploded, rhythmic sounds of the traditional teponaxtles (drums) and chirimía (small oboe) sounded, and led by a trail of bougainvillea bracts and the smoke of copal, the litter of San Salvador atop the burro and carried by 30+ men, set off on a journey to the atrium of the church.  They were followed by villagers and visitors carrying the remainder of the goods collected — a ritual reenactment of the Biblical story of Jesus entering Jerusalem to celebrate the Passover.

The procession successfully navigated overhead wires above and heeded warnings of “topes” (speed bumps) below.  A kilometer down this perilous route, San Salvador and the faithful, young and old, approached the atrium of the church, San Salvador was set on the stage where an outdoor mass was to be said, and on the opposite side, the hand-and-head-carried offerings were to be sold.  I cannot begin to express how warm and welcoming the people of San Antonino Castillo Velasco were.  Wearing a blusa from San Antonino, that I purchased several years ago, I was smiled upon and, as I was taking photos, officials and other villagers ushered me to the front.  Again, I ask, how many magical moments can one person have?

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How lucky can a gal get?

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On day five back in Oaxaca, a last-minute invitation found me venturing behind an unassuming red iron door at Libertad 24, San Antonino Castillo Velasco and being greeted by welcoming figures of all shapes and sizes gathered throughout a large earthen courtyard.

This is the home and workshop of Grand Maestro, José García Antonio, also known as the blind potter.

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Losing his sight to glaucoma, he continues to sculpt sensual and evocative figures from the local barro (clay).

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He was married to his beloved wife, Santa Teresita Mendoza Reyna Sanchez, in 1987.

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Her face and body are etched in his memory and continue to provide a model for many of his female figures.

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The twinkle in those all-seeing sightless eyes and the artistry in those gifted hands give form and life to his creations in clay.

“It would seem that the hearts of the potters of Oaxaca are made of clay. Their emotions, intuitions, joys, fears and fantasies flow through their bloodstream until arriving at the hands which knead the clay and, as if by magic, transform it into exquisite ceramic sculptures.” (quoted from “The Great Masters of Mexican Folk Art.”)

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Ya got your herbs, ya got your spices, ya got your smoker — smoked turkey, Oaxaca style!

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San Antonino Castillo Velasco delegation, Guelaguetza desfile, July 21, 2018

In addition to my fabulous family, friends, blog readers, and indigenous peoples who survived genocide, colonization, and other inconvenient turkey day truths, I’m also feeling grateful for guajolotes.  ¡Feliz Día de Acción de Gracias!

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If it’s Domingo de Ramos (Palm Sunday), I must be in San Antonino Castillo Velasco.  I know there must be other villages that have colorful and moving celebrations, but the magic of San Antonino compels me to return year after year.  Who can resist the spectacle outside the village panteón of watching el Señor del Burro be piled high with a cornucopia of fruits and vegetables and festooned with garlands of peppers and pan (bread)?

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And, besides, each year there is always something a little new and different.  To wit, in previous years parishioners presented their offerings with great pride to a committee of three or four women who formally received the donations, thanked the benefactors, and priced the items (for sale later in the day to benefit the work of the church).  However, this year, in addition to offering blessings, it was the priest who interceded between the donors and the pricing committee to receive and express gratitude to each person for their contribution — be they grand or humble.

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Once the young priest finished receiving the goods, he donned his ceremonial robes, offered prayers, and blessed everything (including my camera!) and everyone with holy water.  This was the cue for palm fronds to be distributed to all and the altar boys and girls and disciples to assemble.

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With the burro fully loaded, a team of 20+ extremely strong men hoisted the litter carrying the image of San Salvador atop the burro and, followed by villagers and visitors carrying the remainder of the goods collected, the journey to the church set off — a ritual reenactment of the Biblical story of Jesus entering Jerusalem to celebrate the Passover.  As the procession made its way to the church, the rhythmic sounds of the drum and horn leading the way were occasionally overpowered by shouts warning the men of topes (speed bumps) and low hanging telephone wires that must be navigated.

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The route is at least a kilometer from the panteón to San Antonino Obispo church and yesterday the sun was blazing, with not a cloud in the sky.  It is a grueling act of faith for the men who bear this massive burden.  The final hurtle was making their way up the steps and under the arch leading to the church atrium, where a platform to place el Señor del Burro awaited.

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By 1:00 PM, the bounty to be sold had been hand (head) carried or trucked to the display area set up on the opposite side of the church atrium and it was time for the outdoor mass to commence.  Thus, it was also time for us to duck out to browse the accompanying expo-venta of fabulous San Antonino embroidered blouses and dresses, flor inmortal artisan creations, the amazing and ongoing work of José García Antonio, the blind potter, and lastly find our favorite empanada vendor in the maze of food and artisan stalls set up outside the atrium walls.  Yummm…

You should also check out the Oaxaca-The Year After blog– rumor has it that Chris will be posting a video of the procession in the next day or two (or three).

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For anyone who still wonders why in the world I have chosen to live in and thrive in Oaxaca, go see the latest Pixar movie, Coco.

Entrance to the Panteón de Xochimilco, Oaxaca – Oct. 31, 2017

The filmmakers “based the Rivera family — a multigenerational matriarchy headed by Miguel’s formidable abuelita, or grandmother — on real-world families with whom they embedded while visiting the Mexican states of Oaxaca and Guanajuato between 2011 and 2013.”  (How Pixar Made Sure ‘Coco’ Was Culturally Conscious)

Panteón in San Antonino Castillo Velasco, Oaxaca – Nov. 4, 2017

From the elaborately embroidered blouses and animated fantastical alebrije to the cemeteries and “life” of Día de los Muertos, Oaxaca provided an inspiration for the film.  (Coco, la nueva película de Disney-Pixar inspirada en Oaxaca)

Panteón San Antonino Castillo Velasco, Oaxaca – Nov. 4, 2017

It is the music and messiness, color and cacophony, and finding joy in just being.

Panteón San Antonino Castillo Velasco, Oaxaca – Nov. 4, 2017

“We absorbed details in every place that we visited, but the most valuable thing was the time we spent with Mexican families.”  (How Coco’s Directors Celebrated the Film’s Mexican Heritage)

Ofrenda display in the Biblioteca Pública Central de Oaxaca Margarita Maza de Juárez – Oct. 31, 2017

It is the Oaxaca of fiestas, street dogs, and papel picado.

Papel picado projected on the Basilica de Nuestra Señora de la Soledad, Oaxaca – Oct. 30, 2017

Above all, it is about the importance of family, living and dead…

Public ofrenda in the atrium of the Catedral de Nuestra Señora de la Asunción, Oaxaca – Oct. 31, 2017

“With all of its music and folklore and artwork, and the story itself, audiences so far feel Coco respects their families, living and remembered.”   (Mexico, Music And Family Take Center Stage In ‘Coco’)

Panteón Municipal de Tlacolula de Matamoros, Oaxaca – Nov. 1, 2017

And, respect for one’s heritage and traditions.

Panteón San Antonino Castillo Velasco, Oaxaca – Nov. 4, 2017

This is the Oaxaca I fell in love with and treasure.

Panteón San Antonino Castillo Velasco, Oaxaca – Nov. 4, 2017

This is the Oaxaca that captured by heart, daily enriches my life, and I call home.

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Una muestra (a sample) from another sublime Domingo de Ramos (Palm Sunday) in San Antonino Castillo Velasco.

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Under the lavender canopy of jacaranda, Jesús (wearing his red cape) and his burro enter the church courtyard laden with the rich bounty of the village.

More to come…

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