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Posts Tagged ‘wall art’

Passing Erika Santiago‘s haunting mural along the wall outside Almacén Mexicano on Calle Valentín Gómez Farías, Sad-Eyed Lady Of the Lowlands began playing in my head.

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Sometimes art brings a song.  And, maybe we are all a little sad these days.

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Protest art continues to paper the streets of Oaxaca.

It’s there in black and white against walls of texture and color — greeting the morning’s light and disappearing as shadows fall.

Today, the faces of rage, resistance, and anguish are not only looking down from walls, they are seen at eye level in Oaxaca’s zócalo and streets.  They’re back…  The annual occupation and blockades by Sección 22 of the CNTE (teachers’ union) has begun.

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Even if it looks like the world is crumbling around you…

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On Reforma, at the corner of Constitucion in Oaxaca — courtesy of The Positive Affect project.

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From boys to men, there are fierce faces watching from the walls in my neighborhood.

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Color from La Unión Revolucionaria de Trabajadores del Arte (URTARTE).

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Faces at Manuel Sabino Crespo and Mariano Matamoros…

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Man in a green hat – Crespo at Matamoros

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Man in a red hat – Matamoros at Crespo

The art of standing on the corner in Oaxaca.

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On Calle de Ignacio Allende at the corner of Tinoco y Palacios, a new mural is ready to take you on a magic carpet ride.

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Well, you don’t know what we can find
Why don’t you come with me little girl
On a magic carpet ride
You don’t know what we can see
Why don’t you tell your dreams to me
Fantasy will set you free
Close your eyes girl
Look inside girl
Let the sound take you away

Magic Carpet Ride, written by Normal Cook, Robert Manuel Clivilles, and David Bryon Cole; performed by Steppenwolf.

 

Hopefully, this mural won’t be slapped with “pintura no autorizada” signs like its predecessor.

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Mural on Calle Berriozábal by young Welsh artist, Harry Hambley — aka, Ketnipz.

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As we say in Mexico, Feliz día del amor y la amistad — Happy day of love and friendship!

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A day late, but not a dollar short, I finally made my way to the San Francisco Bay Area a week and a half ago.  The days have been filled with family, friends, and appointments. However, today there was nothing on the agenda, I was worn out from all the activities, and baby it was cold outside.  Thus, time to look back through photos earmarked for blog posts that had gone unwritten.

Leaving San Pablo Villa de Mitla after shopping for Pan de Muertos during Day of the Dead, we took a different route out of town and discovered a gymnasium with murals on the walls, both outside…

… and inside.  Traditional, political, and colorful imagery to inspire playing your best!

You just never know what you will find when you take the road less traveled.

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How many times do I have to tell you?

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Put your trash in the bin!!!

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Walls of murals may be welcomed and encouraged in Tlacolula de Matamoros and Villa de Zaachila but, alas, such is not the case in the city of Oaxaca.  Remember the image on my Surfin’ safari post in September?

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Calle de Ignacio Allende at the corner of Tinoco y Palacios

And it wasn’t even finished — it is even more impressive now!

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However, do you see the two sheets of paper defacing the mural?

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Here we go again…  Like Color and culture, unwelcome and Lapiztola’s incredibly moving mural on the side of Museo Belber Jimenez, the authorities have declared this wonderful piece of art did not have their permission and will, most probably, be painted over.  Don’t they have more pressing problems to deal with?  Hint:  The multiple buildings “en mal estado” scattered throughout the Historic District that are in danger of collapsing onto pedestrians and drivers.

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Last week in Tlacolula, as friends and I were studying the “¡Solo Dios perdona!” mural by the Tlacolulokos collective, the storekeeper next door advised us that if we liked that one, we should check out another spectacular Tlacolulokos mural a few blocks away.  So we did.

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He was right — it was indeed stunning in SO many ways!  We came face-to-face with three strong, proud, and beautiful Zapotec women of Tlacolula wearing their stories.

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There was the traditional white blouse with its crocheted yolk, the black and white rebozo twisted into a head covering, and there were the prized gold and pearl earrings.

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But, so too were the tattoos of iconic Catholic imagery of Virgen María and Jésus wearing his crown of thorns juxtaposed with pre-Conquest grecas of Mitla, a Spanish galleon, and the heart-dagger of betrayal.  This is one powerful mural!  And, the story doesn’t end here in Oaxaca.

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It is estimated that 250,000 Zapotecs live in the greater Los Angeles area — “making it the largest concentration of Oaxacans outside of Oaxaca thus earning its unofficial title among Oaxacan in the United States as Oaxacalifornia.”  (The Voice of Indigenous Resistance in Oaxacalifornia)  Thus it was appropriate that Cosijoesa Cernas and Dario Canul of the Tlacolulokos collective were invited to create eight massive murals, “Visualizing Language: Oaxaca in L.A” for an exhibition at the Los Angeles Public Library.  They hang “below murals by Dean Cornwell, whose depictions of California’s history, completed in 1933, ignore Native Californian cultures and ‘fail to recognize the suffering of native peoples during the European conquest, as well as their exclusion from society…'” (New Murals Celebrate the Culture of Oaxaca in L.A.)

The murals at the Downtown Central Library in Los Angeles will be on exhibit in the library’s rotunda until January 31, 2018.

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The transportation workers of the CTM (Confederación de Trabajadores de México) pretty much shut down main roads into and out of the city on Tuesday (just ask blogger buddy Chris) and Sección XXII of the teachers’ union yesterday blocked streets, today picketed government offices, and are now moving full force into the zócalo and surrounding streets.

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Sigh, but don’t cry for Oaxaca.  Ten thousand years of history, this valley and her people will survive.  Listen and watch Lila Downs sing La Martiniana and remember its words

Porque si lloras yo peno,
en cambio si tú me cantas, mi vida,
yo siempre vivo, yo nunca muero.
~~~
Because if you cry, I’ll be filled with sorrow
Instead, if you sing to me
I will live forever, I’ll never die.

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URTARTE — La Unión Revolucionaria de Trabajadores del Arte (the Revolutionary Union of Art Workers).  You have no doubt seen their work around the city of Oaxaca.

The black and white lines of resistance defending heritage corn from an invasion by the moneyed interests of el norte.

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Demanding justice for the 43 student teachers from Escuela Normal Rural Raúl Isidro Burgos in Ayotzinapa, Guerrero — still disappeared after three years.

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And yesterday I discovered this masterpiece…

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Celebrating the creativity, hard work, and dignity of the women and men living in the villages of Oaxaca.

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A reminder of the people whose roots run deep into the soil and who make Oaxaca such an exceptional place.

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Día de Muertos is coming…

That means the departed will soon return to eat, drink, and be merry with their living loved ones.

Due to earthquake damage the Panteón General in the city is closed, but the traditional evening of the dead will take place at the Panteón Xochimilco.

As the schedule of over 100 cultural activities (between October 28 and November 4) states, despite earthquakes and hurricanes, “Oaxaca is more alive than ever!”

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In Oaxaca city, while nerves remain on edge, life is going on as usual with only a few signs of the recent earthquakes:  Buildings years ago labeled “inmueble en mal estado” (property in a bad state) now sport yellow caution tape, as does Templo De La Virgen De Las Nieves, which has a huge crack along one of the bell towers.  And, on my block, a plywood retaining wall has been erected to contain a wall that collapsed back in 2012.

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Those atrapada (trapped) by the September 7th and September 19th earthquakes have mostly been rescued, though réplicas (aftershocks) continue daily, especially in the Isthmus of Tehuantepec region — still in the 4 to 4.5 on the Richter Scale (though not felt in Oaxaca city).   Damnificados (victims) and escombros (debris) are all that remain in the hardest hit areas but tens of thousands of people are being forced to live in the streets.  To add insult to injury, they must cope with torrential downpours and flooding from this very long and destructive rainy season.

Fundraising events are being held and centros de acopio (collection centers) have been set up to gather donations, with countless volunteers traversing damaged and dangerous mountain roads to deliver supplies.  The need is massive!

HOW YOU CAN HELP:

Como Ayudar – A large international list of information and links regarding assistance and distribution of goods to help those affected by the most recent earthquakes in Mexico.

How To Help The Earthquake Victims In Mexico City, Morelos, Puebla & Oaxaca – List of organizations collecting monetary donations, compiled by Mexico City based food writer, Nicholas Gilman

In addition, a couple of friends have asked me to publicize small organizations they are working with:

Help to San Mateo del Mar, Oaxaca, Earthquake Victims – Norma Schaefer, of Oaxaca Cultural Navigator, is getting the word out on the earthquake relief efforts of cultural anthropologist Denise Lechner and medical doctor Anja Widman.

SER Mixe – An indigenous organization serving the Mixe people in the Mixe region of Oaxaca; recommended by Margaret Macsems, general manager of Khadi Oaxaca.

*** Words in red type have become hardwired in my brain — new Spanish vocabulary I wish I didn’t have to learn under these circumstances.

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