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Posts Tagged ‘Easter’

An albeit belated return to Semana Santa (Holy Week). Viernes Santo (Good Friday) in Barrio de Jalatlaco began early in the morning with a Santo Viacrusis along the cobblestone streets — a recreation of the path Jesus walked to his crucifixion. Its purpose is to allow the faithful to contemplate the Passion of Christ. The images of Jesus and Mary Magdalene, accompanied by a band and neighbors, stopped at each of the fourteen Stations of the Cross, that had been created throughout the neighborhood, where prayers were recited.

Image of Jesus being carried by Penitents.
Image of Mary Magdalene.
1. Jesus is condemned to death.
2. Jesus takes up his Cross.
3. Jesus falls for the first time.
4. Jesus meets his Mother.

At the fourth station, set up across from the Templo de San Matías Jalatlaco, Mary and John the Baptist (referred to here as, Juan, el primo de Jesús/John, the cousin of Jesus) joined the procession for the farewell encounter between Jesus and his mother.

Mary, Mother of Jesus.
John, the Baptist.
5. Simon of Cyrene helps Jesus carry the Cross.
6. Veronica wipes the face of Jesus.
7. Jesus falls for the second time
8. Jesus meets the women of Jerusalem.
9. Jesus falls for the third time.
10. Jesus is stripped of his garments.
11. Jesus is nailed to the Cross.
12. Jesus dies on the Cross.
13. Jesus is taken down from the Cross.
14. Jesus is laid in the tomb.

Following the procession, neighbors gathered in front of Templo de San Matías Jalatlaco for food and beverages that were available for sale at stalls set up on Aldama and Hidalgo. I came home with yummy enchiladas.

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The sights and sounds of Good Friday in Oaxaca have gone missing. Weeks ago, the archbishop canceled all public Semana Santa (Holy Week) celebrations. Jesús, María, San Pedro, Penitents, religious banners, and devotees are not processing through the streets to the rhythmic beat of a tambor, high-pitched tones of a chirimía, and the sputtering sounds of a rachet. While not religious, I miss it and this year last year’s photos will have to suffice.

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The streets are empty, as Viernes Santo has gone silent.

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Late afternoon on Viernes Santo (Good Friday), images of Jesús and María gathered, blessings were offered, and all began to assemble on the Alcalá for the Procession of Silence.

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Inside Templo de la Preciosa Sangre de Cristo, as the Archbishop called upon the people to reflect on the day and improve as people.

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Nuestra Señora de la Soledad (Our Lady of Solitude) arrives to take her place on the procession route.

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Standard bearers line the Alcalá to honor the arrival of the images of María and Jesús.

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San Pedro (Saint Peter), the only apostle to arrive.

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Jesús waiting in the Templo del Carmen Alto before he ventures out to take his place in the procession.

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Another Jesús image emerges from the Templo del Carmen Alto to take his place on the Alcalá for the procession.

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El Señor de Esquipulas ventures out onto Calle García Vigil, from the atrium of Templo del Carmen Alto, for his journey to join the procession on the Alcalá.

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And now, please keep silent, the procession is approaching.

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The sounds of this morning’s Santo Viacrusis (Stations of the Cross) moving closer, brought me into the mostly deserted streets before 9:00 AM.

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A block away, I found Jesús, La Virgen María, a priest, acolytes, the faithful, and a loudspeaker on the back of a pickup truck.

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Led by the children, images of María and Jesús from churches throughout the city had taken to the streets.

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Stopping along the way to pray and sing, the solemn throng made their way to the Cathedral for a farewell encounter between Mary and Jesus.

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It will be a long day for all concerned.  Following the encuentro, they will process back to their churches for a bit of a rest before this evening’s grand Procession of Silence.

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As darkness fell and a hush stilled the spectators, the Procession of Silence proceeded along the prescribed route.

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Blindfolded Jesus and banner

Image of Señor de La Columna

Purple hooded penitents carrying crosses

Jesus image carrying cross

Virgen de los Dolores standing above prone Jesus images

Virgen de la Soledad image carried by women

Good Friday in Oaxaca.

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Though it threatened to rain on the parade, hours before the Procession of Silence was scheduled to start, crowds began lining the Macedonio Alcalá to watch as procession participants prepared for the sixteen block silent journey through some of Oaxaca’s main streets.

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As Chris mentioned, in his blog post, there seemed to be many more women taking part.

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Please keep silent, the procession is about to begin…

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Tomorrow is Domingo de Ramos (Palm Sunday) and the start of Semana Santa (Holy Week).  In preparation, the palm weavers from the pueblitos of the Mixteca have come down to the city to work their magic and sell their wares under the watchful eye of the Catedral de Nuestra Señora de la Asunción.

Ladders have been hauled out onto the sidewalks, so windows and doorways can be decorated in purple and white.  Why those colors? You might well ask.

According to The Color Symbolism of Lent and Easter, purple “is a deep, almost night-like color that focuses our attention on the fasting and repentance associated with the Lenten season…. As an act of derision toward Our Lord, Pilate placed a purple robe on Jesus, whom he called “‘King of the Jews’” and white “symbolizes both the bright light of the moment of Resurrection and the purity of God’s love for His People.”

However, the above mentioned website also states that the color of Palm Sunday, itself, is red, “even though this Mass commemorates Christ entering Jerusalem in triumph, this color foreshadows His death on the cross on Friday.”  I will take note tomorrow when I return to San Antonino Castillo Velasco for their very special way of celebrating Palm Sunday.

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Late afternoon on Good Friday (Viernes Santo), the people began gathering along the sidewalks of the Andador Turístico (aka, the Alcalá), Allende, and Garcia Vigil, staking out a favored spot to watch the Procession of Silence.  Not to worry, the Girl and Boy Scouts were there to keep everything and everybody in order and to remind one and all to “please, keep silent.”

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And, lest you misbehave, there were a couple of drones hovering above the fray to record the action, both good and bad, and offering an interesting juxtaposition against Templo de Santo Domingo de Guzmán’s colonial architecture — the old and new of Oaxaca.IMG_1083

Daylight Savings Time hasn’t yet begun in Mexico and the setting sun offered dramatic light as Señor de La Columna emerged from Santo Domingo to take his place in the procession.IMG_1074

However, the light was fading fast as the high-pitched tones of the chirimía and the rhythmic beat of the tambor at last heralded the start of the procession and Señor de la Humildad y Paciencia made his way from Templo de la Preciosa Sangre de Cristo.IMG_1110

As darkness fell, the street lights proved challenging and my photos of the 50+ religious banners, as they slowly passed my vantage point on Allende, left a lot to be desired, except for this littlest of standard bearers.IMG_1156

This year the faces of Jesús and María seemed to be lit from underneath and that helped a bit.IMG_1172

However, perhaps the darkness was whispering to me to stop making photos and just “be” with the experience.IMG_1189

This was the thirtieth year of Oaxaca’s Procesión del Silencio and so I suspect there will many more to come.

 

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Jesus and Mary up close and in color from their Viernes Santo (Good Friday) morning meeting in front of Oaxaca’s Cathedral.

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I know, some photos just beg for a caption.  Once all the Marys and Jesuses had gathered, prayers had been recited, and rituals performed, they all processed back to their home churches to rest up for the evening’s Procession of Silence.

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… including Soledad.  Since she was going my way, I walked her home.

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And, yes, she made it back to the Basilica safe and sound.

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A few Viernes Santo (Good Friday) favorites from the morning’s encounter between Jesús and María in front of the Cathedral.

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Faces that have become familiar.

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Lunes Santo (Holy Monday), at least here in Oaxaca, brings the Festividad del Señor del Rescate (Festival of the Lord of the Redemption).  I was clueless, until I ran into my neighbor Juan as he was returning from work.  He recommended that I and my camera check out the action in the vicinity of the Basílica de la Soledad.  I grabbed my keys and little Lumix and off I went.

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I heard the rhythmic beat of the tambor and chanted prayers before I saw El Señor and his followers paused in front of the bunker at the entrance to the Comisión de Seguridad Pública, Vialidad y Protección Civil headquarters on Av. Morelos.  An ironic or fitting (?) site for the handcuffed Jesus to stop on the Víacrucis por la Reconciliación y la Paz (Way of the Cross for Reconciliation and Peace).

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On this Lunes Santo, the (almost) full moon watched standard bearers navigate the maze of overhead wires as the procession continued to wind its way through the city’s streets.  As for me, I returned home to eat dinner — there is so much going on, one has to pace oneself.

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It’s Carnaval time in Teotitlán del Valle.  Yes, I know, Easter was last Sunday and Lent is over.  However, like many other things (e.g., not going on Daylight Saving Time), this Zapotec village does things their own way.  Thus, instead of celebrating Carnaval the day before Lent begins, they celebrate for the five days following Easter!  As I’ve written about previously, Carnaval in Teotitlán is a major production that indeed takes a village; young and old, female and male all have parts to play in the festivities that include music, masked men, mezcal, and mouthwatering mole.

Yesterday, rather than sitting with the men and scattering of male and female extranjeros, gal pal J and I hung out with the women and children in the outdoor kitchen that had been set up in the back of the large earthen courtyard.  There the women prepared enough chicken, mole amarillo, and tortillas to feed one hundred!

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The seemingly always well-behaved kids played and took care of the babies while their mamas and abuelas worked.

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Muchisimas gracias to the women and children of Teotitlán del Valle’s Segunda Sección for being so gracious and welcoming.

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I wasn’t brought up in the Virgin and crucified Christ tradition.  No baggage, no boredom — perhaps that is why I find the multiplicity of María and Jesús images so fascinating.  Thus, I can’t resist a little “up close and personal” at the Procession of Silence.

Señor de Esquipulas

Señor de Esquipulas – Parroquia de Nuestra Señora del Carmen Alto

Nuestra Señora de Los Dolores - Parroquia de Santo Tomas Xochimilco

Nuestra Señora de Los Dolores – Parroquia de Santo Tomas Xochimilco

Señor de Las Tres Caídas - Parroquia de Santo Tomás Xochimilco

Señor de Las Tres Caídas – Parroquia de Santo Tomás Xochimilco

La Piedad

La Piedad

Jesús con la Cruz a Cuestas - Capellanía de Nuestra Señora del Patracinio

Jesús con la Cruz a Cuestas – Capellanía de Nuestra Señora del Patracinio

Nuestra Señora de los Dolores -  Capellanía de Nuestra Señora del Patrocinio

Nuestra Señora de los Dolores – Capellanía de Nuestra Señora del Patrocinio

Señor de La Columna - Templo de Santo Domingo de Guzmán

Señor de La Columna (front) – Templo de Santo Domingo de Guzmán

Señor de La Columna (back) - Templo de Santo Domingo de Guzmán

Señor de La Columna (back) – Templo de Santo Domingo de Guzmán

The rituals and images continue to remain alien to me, but I can’t help but appreciate them as cultural expressions.

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As far as I’m concerned, Señor de la Humildad y Paciencia was the patron saint of Friday’s, Procession of Silence.  He waited for hours inside the Templo de la Preciosa Sangre de Cristo, while we waited for hours outside, for the procession to begin.

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At least he was sitting down.  For the penitents, their lot was a lot of standing around.

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Some of the participants passed the time joking around (and occasionally teasing this gringa blogger), others looked incredibly bored, but all remained patiently stationed in place.  After all, in the words of one guy’s t-shirt, “don’t panic,”  it will eventually start.

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Then, there is always one’s cell phone to provide a bit of distraction.

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The 6 PM start time for the procession came and went, as did the daylight and my hope for taking any decent photographs of the actual procession.  (One of these days, I will master night photography of moving objects, she says, hopefully!)  It looked like even San Pedro was looking to the heavens for divine intervention to get the show on the road.

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About 6:45 PM, with lights flashing, a small phalanx of motorcycle police signaled our prayers had been answered and a hush fell over the multitudes lining the sidewalks, streets, and balconies — the Procesión del Silencío had finally begun.

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Good Friday morning, the streets of Oaxaca are quiet, and solitude seems to be the order of the day.  The only sounds that could be heard coming from the streets in my ‘hood were prayers being sung as Our Lady of Solitude left her eponymous home at the Basílica de Nuestra Señora de la Soledad.

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As you can see, alone, Oaxaca’s patron saint was not; acolytes carried and accompanied her on her morning stroll.

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A crystal clear, brilliant blue sky provided a backdrop for her sojourn.

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Slowly she made her way down Independencia en-route to the Cathedral.

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She was one of the first to arrive at this ritual Viernes Santo gathering.

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The guys took over and maneuvered her into position at the side of the Cathedral, as the faithful awaited.

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There, she would soon be joined by other images of the Santísima Virgen and Jesús from many of the numerous churches in the Historic District.

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After at least two hours of prayers and songs and more prayers, Soledad returned to the Basilica, perhaps to rest (like me) before again taking to the streets for this evening’s Procession of Silence.

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