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Posts Tagged ‘photographs’

As yesterday’s post reported, fireworks late Monday night heralded the feast day of La Virgen de la Soledad, the patron saint of Oaxaca. P1030476

However, that was far from the end of the nocturnal tale.  At the stroke of midnight, only an hour after the snaps, crackles, and pops had ended, and when I had finally drifted off to sleep, the bells of the Basilica began a frenzied pealing.  They were immediately joined by repeated rocket explosions, and the unmistakable sounds of a tuna band; at 2 AM bells, rockets, and mariachis; at 4 AM more bells, rockets, music, AND a procession winding its way through the streets of the city; its sounds ebbing and flowing for  almost two hours.

At 6 AM, I gave up attempting sleep, threw on jeans, shoes, and a sweatshirt (didn’t even bother to wash my face or brush my teeth — don’t tell anybody), grabbed my camera, and headed over to the Basilica.  What a sight!!!

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The Plaza de la Danza was covered with food stalls offering barbacoa, molotes, empanadas, tacos, buñuelas, hot chocolate, breads, and pastries — the best of Oaxaca street food.  And, they were all open!

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On the Basilica’s plaza, the Banda Auténticos (from San Andrés Huayapam) was playing…

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Dancers were dancing…

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People were just waking up…

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Vendors were selling roses and bouquets of herbs…

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And, ubiquitous twig brooms (escobas de otate) waited to sweep-up the detritus from Soledad and friends pulling an all-nighter.

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After a breakfast of barbacoa (chivo) and hot chocolate, I walked back home.  Sleep deprived or not, it was a great morning!

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Today, Oaxaca’s patron saint, Nuestra Señora de la Soledad, is having her day.  Well, that’s not quite accurate, as she has been enjoying ten days of celebrations.  However, December 18 is THE Día de la Festividad.  So, no surprise, last night around 10:30, from the plaza of the Basílica de la Soledad, the booms and bangs of fireworks and crackles and hisses of a castillo, sounded to herald the upcoming day.

Only a block (as the crow flies) from the action, how lucky am I to have a ringside seat??!!!

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Yesterday was just what the doctor ordered.  On a long walk with best friend:  a quinceañera, Christmas piñatas, a wedding, chickens roasting, and fanciful graffiti under the fútbol (soccer) stadium… these with a decidedly feminine touch.  Love the incongruity!

An interview with one of Oaxaca’s female graffiti artists, PINK, can be found here (in English and Spanish).

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On this day honoring one of the most revered icons of Mexico, the Virgin of Guadalupe

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The city of Oaxaca’s children are dressed as little Juan Diegos and their peasant sisters.

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They are brought to the Templo de Nuestra Señora de Guadalupe at the north end of Llano Park.

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Here they and their parents wait patiently in a line that rings the church.

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They are waiting to enter (via the door with a large banner marked, “entrada”) the church and be blessed.

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Once they exit (via the door marked “salida”), there are photographers waiting, with burros and panoramic scenes, to take commemorative photographs — for a fee.

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The sun is hot, the lines are long, and sometimes it’s long past nap time.  By the way, there is also a carnival (with rides and games) and puestos upon puestos of food; the religious and secular meet.

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Walking home today…

Besides walls of street art (which will no doubt appear here when inspiration hits or I can’t think of anything else to post), I came across this view.

Looking down street, red domed church mid ground, mountains in distance

Looking over rooftops at red domed church in mid distance and mountains in background

Looking over rooftops at red domed church in mid distance and mountains in background

Red dome of church in foreground with mountains in background

View of Templo del Carmen Alto from Crespo, near the Escaleras del Fortín.

There is beauty out there…

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On Saturday, thanks to MexicoRetold, I stepped through the doorway and entered El Sueño de Elpis (the dream of Elpis), an art installation by Mauricio Cervantes in one of the many abandoned buildings in the city center.

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In Greek mythology, Elpis was usually depicted carrying flowers and was the spirit of hope.  She alone chose to remain when Pandora opened the lid of her infamous box.

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I arrived a little after 10 AM.  The glow of morning light on the colors and textures of this crumbling beauty and her furnishings was captivating — and I was reluctant to leave.

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Elpis and her dream will continue to offer hope for another 3-1/2 weeks at Murguía 103 (between Macedonio Alcalá and 5 de mayo).  There were candles — and according to the docent, it is especially magical at dusk.

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I will return.  Keep dreaming…

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The Y-shaped valley of Oaxaca is about 700 square kilometers, not all that big when compared to California’s Sacramento Valley, which is approximately 2,570 square kilometers.  Yet, unlike the “sameness” one encounters in Sacramento Valley towns (sorry, CA), one can’t help but be struck by the unique identity of each of the Zapotec villages that are only kilometers apart.  One specializes in red clay pots, another in black pottery, and another in green glazed ceramics.  There are villages of woodcarvers near weavers of cotton and others of wool, never mind the fashion trends!

Thus, it should come as no surprise that Day of the Dead celebrations and cemeteries differ, often dramatically, from village to village.  And so, from the whitewashed graves of Santiago Apóstol and the candlelight of Santa María Atzompa (today’s earlier post), we came to the carved wooden crosses in the Panteón Municipal of the Villa de Zaachila.

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Along with livestock, produce, and household goods, wood gathered from the hills surrounding Zaachila is a major part of Zaachila’s weekly Thursday tianguis (open air market).  It’s one of my favorites!

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With only a couple of days left in November and the Christmas holiday season already making its presence known, it’s now or never to finish sorting through this year’s Día de los Muertos photos — my thoughts and impressions will take the remains of this lifetime, and then some, to process.

To an outsider, especially one whose worldview was shaped by a Judeo-Christian culture, Day of the Dead is often seen through the lens of juxtaposition.

The “unbearable lightness of being” in Santiago Apóstol…

Whitewashed graves covered with multicolored fresh flowers

Whitewashed graves covered with multicolored fresh flowers

Whitewashed graves covered with multicolored fresh flowers

Whitewashed graves covered with multicolored fresh flowers

The blurred otherworldly darkness of Santa María Atzompa…

Night shot of tall lighted candles perched around and on graves.

Night shot of tall lighted candles perched around and on graves.

Night shot of tall lighted candles perched around and on graves.

Night shot of two lighted votive candles casting halos on the ground

However, light becomes dark becomes light becomes dark, as day becomes night becomes day becomes night, as life becomes death becomes life becomes death…  dualism beginning to vanish.

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Today, the truck arrived, the wheelbarrows were loaded, and the gardening crew began filling the flower beds of Oaxaca’s zócalo…

Truck filled with poinsettias

Workers with wheelbarrows filled with poinsettias

Worker digging up flower bed, with poinsettias in pots in background

Mass of red and one white poinsettias in flower bed.

Navidad is coming to Oaxaca!

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November 25, 2012 marks the sixth anniversary of the bloody attack by the Federal Preventive Police on the teachers and members of the Popular Assembly of the Peoples of Oaxaca (APPO) in the zócalo of the city of Oaxaca.  I wasn’t here during the 5-month long struggle, but its repercussions continue to reverberate.

Plaque "Plaza de los pueblos en lucha." "por la verdad y la justicia" Oaxaca, 25 - noviembre - 2011

Last year a plaque was unveiled by organizations representing victims, survivors, human rights, and social activists.  Located where the Alameda de León meets the zócalo, it symbolically renames the zócalo, “Plaza of the peoples in struggle; for truth and justice.”

Man with cap looking at photos

Truth and justice have not been attained, assassins go unpunished, many of the same issues remain, and Oaxaca’s economy still hasn’t rebounded.  Today, the Survivors and Former Political Prisoners of Oaxaca in Defense of Human Rights (SEPODDH) mounted a photo exhibition across from the Government Palace.

Women looking at photos, with a basket of sliced bread on her head.

Adults, children, and even vendors stopped to look and, for many, remember those days and nights six years ago.

Crowd of people looking at photos

Somber and unsmiling, they stood silently, gazed at the photos, and read the captions.  The only hint of levity was SEPODDH’s mascota, who sat beside a collection bucket.

Plush monkey wearing bandana across his face.

Section 22 of the teachers’ union held another march and rallied in the zócalo, but today these photos spoke much louder than the words coming from the loud-speakers.

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After 6+ months of being Under construction,

today, the waiting is over!

This morning, Oaxaca’s governor, the city’s mayor, and the head of the Ministry of Tourism and Economic Development opened the newly constructed entrance on Independencia…

and welcomed vendors and shoppers to the newly renovated Mercado IV Centenario.

New stalls, with improved electrical and sanitation systems are part of this renovation project.

Vendors, including one of my favorite vegetable sellers, began moving their goods from the temporary site in Jardín Morelos to their new stalls.

After only a few hours, my vendedora de frutas already looked happily ensconced in her new digs!

There are still a few stalls waiting to be filled…

Any takers???

 

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They say, “politics makes strange bedfellow.”  Rivers do too, as US, Mexico reach pact on Colorado River water sale.  Hopefully, Mexico isn’t getting the short end of the stick, like Southern California’s Imperial Irrigation District is accusing its SoCal neighbor, the Metropolitan Water District, of handing it.

Having grown up and spending most of my life in Northern California and suffering through a couple of major droughts that included water rationing, while water flowed south to fill LA’s swimming pools and water its lawns, the only answer to stave off the upcoming worldwide “water wars,” is the recognition that water is a precious resource that must be conserved and not wasted.

Hmmm… I wonder how these neighbors on the 500 block of Avenida Morelos get along?

Front of Iglesia Evangelica Bautista

Outside of vegetariano Flor de Loto restaurant

Sign on building, Mezcalería In Situ Torrentera

The mezcalería is the newest addition to the ‘hood and for some reason it tickled me that the vegetarian restaurant is the only thing standing between it and the Baptist church.

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Zapata and Villa live!  Their iconic bigotes (mustaches) have taken on a life of their own on the streets of Oaxaca…

Wall art - Pancho Villa

Wall art tapete with Zapata's face in middle

Black and white skeleton face with mustache

Colorful wall mural of skeleton with mustache with female skeleton

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View from Casita Colibrí yesterday morning.  Ahhh…

Blue sky, African tulip trees in foreground, churches in mid-ground, mountains in distance.

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You might well ask, “What is a muerteada?”  It is a comparsa (parade) that is part of traditional Día de los Muertos celebrations particular to the state of Oaxaca.  According to the book, Day of the Dead: When Two Worlds Meet in Oaxaca, the muerteada allows the dead “to ‘occupy’ a living body, either a muerteada participant or an audience member, for a time, and therefore enjoy the entertainment directly rather than vicariously.”

Like Commedia dell’Arte, there are stock characters — in this case, the happy widow, the dying or dead husband, the father of the widow, a doctor, a priest, a shaman, people dressed like death, devils, and las lloronas (weeping women).  However, unlike Commedia dell’Arte, in the muerteada men play all the roles.

Last year we joined the Vista Hermosa, Etla murteado.  However, this year blogger buddy Chris decided I was ready for the big time — the “battle of the bands” when the muerteadas of San Agustín Etla and Barrio San José meet — Banda Tromba Sinaloense for San Agustín and MonteVerde Banda for San José.  FYI:  This is after participants and their bands have danced their way up and down the hills of their respective neighborhoods all night long, stopping at designated houses for food and drink — mezcal and cervesas seemed to be the beverage of choice, especially among the men!

So, early on the Nov. 2, we went in search of the San Agustín contingent, we found them, joined in the merriment, were offered food and drink along the way, and eventually came to the crossroad where mania turned to mayhem, albeit organized mayhem — courtesy of the white-shirted security for San Agustín and red-shirted security for San José.  They kept the dancers and supporters from each side apart, leaving the face-off to the two bands.  It was wild!!!  After 20+ minutes of battling bands, it was over and we and the San Agustín contingent trudged back up the hill.

You may have spotted a tall silver-haired gringo right in the middle of the action in one or two of the photos, that would be Chris.  Be sure to check out the video he put together of all the madness.

According to Organizing Committee President, Alfredo Erick Pérez, the muerteada in San Agustín Etla dates back to the 1800s, possibly to the days of Mexican President Porfirio Díaz.

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