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Archive for the ‘Creativity’ Category

I’m looking at the beautiful faces of the children from Wednesday’s The kids are all right post and my heart is breaking for the children of Connecticut and the world — that they are the innocent victims of a planet consumed with violence.

Candle surrounded by wax flowers.

A candle in the Templo de la Preciosa Sangre de Cristo, Teotitlán del Valle.

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Where are the clowns?
Quick, send in the clowns.
Don’t bother, they’re here.*

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Plaza de la Danza, Oaxaca, December 10 — Día Internacional del Payaso (International Day of the Clown).  Gracias, Universidad José Vasconcelos.

If, like me, you suffer from coulrophobia (fear of clowns), Oaxaca is a great place for a little immersion therapy.  Clowns are seen everywhere and everyday; waiting for the bus, walking their kids to school, as well as performing in parks and plazas.  Not so scary anymore!

* Send in the Clowns by Stephen Sondheim

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Riotous clanging from Soledad’s bell towers at 4:45 AM yesterday rudely interrupted a peaceful sleep.  Explosions of cohetes and other church bells soon joined the morning’s 2-hour long Virgen de Juquila soundtrack.  Chimes, rockets, loudspeakers announcing the presence of the water and gas vendors, fried plantain wagon steam-whistles, horns honking, bus gears grinding, and booming base emanating from open car windows; it’s all part of the cacophony one comes to know and love when living in Mexico.

And, then there is the music…  Looking for signs of Juquila yesterday (with all that noise, I figured there must be something going on), I stumbled upon the Sexto Festival Low-Fi 2012.  (Fyi:  sexto = 6th, in case you were wondering.)

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There were vendors…

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This definitely didn’t have anything to do with virgins!

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This was a music festival that almost didn’t happen.  According to event promoter, Thorvalo Pazos Hoga, they were initially denied a permit, “on the grounds of religious and traditional festivals that are celebrated in the month of December in the city.”  A silly argument, was his response.

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I arrived in the early afternoon and fanaticos (love that word for fans!) were just beginning to gather at the Plaza del Carmen Alto.  Ska, hip hop, heavy metal, rock, electronic music, and more would be adding to Oaxaca’s soundtrack until 11 PM.

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Yes, we have no marimbas; the music was not your grandparents’ sones and jarabes.  The bands had names like:  K-OS Party, Cayune, Pichancha, Rekto de Cerdo, Dr. Jekill y Mr. Hyde, Herpes, Coito Violento, Forever, and Survival.  Probably not even your parents’ music!

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Oaxacan graphic artists designed the stage set.  Love how they re-imagined the traditional Navidad piñata.

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For the first time since I began nesting in my cozy little rooftop casita, I’m not heading north for Christmas.  I admit to having decidedly mixed feelings; my family and most of my closest friends are up in El Norte and I’m already missing them and the traditions we have created.  However, this year I get to share the holidays with new friends, create new traditions, and experience festivities heretofore unimagined — Noche de Rabanos (Night of the Radishes)?  I can’t wait!

In the meantime, to bring a little of the familiar into the mix, I bought a Christmas tree.  Not a real one (sad face) and not one of those seen below that my local supermarket has had for sale for several weeks.  Mine is decidedly smaller, measuring exactly two feet, and…

Three decorated Christmas trees with 30% discount signs

too small to hang my favorite Mexican ornaments on its un-scented, wiry but green(!) boughs.  These colorful and wonderfully bouncy decorations will be purchased and a place for them in and around Casita Colibrí will be found.

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Trimming my tree will present some challenges.  No cartons of ornaments, lovingly collected and stored by four generations of the family, to bring down from the attic.  And, as I’ve said, the tree is tiny.  I’m thinking… digging into my earring collection might be a good place to start.

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However, these earrings will have to wait to adorn the tree until after I wear them tomorrow.  December 8 is the celebration of the Virgen de Juquila — the first of three Vírgenes honored by Oaxaqueños in December.  There will be parades.  There will be fireworks.  There will be wildly clanging church bells.  And, there will be an abundance of magic this month, of this I have no doubt!

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On Saturday, thanks to MexicoRetold, I stepped through the doorway and entered El Sueño de Elpis (the dream of Elpis), an art installation by Mauricio Cervantes in one of the many abandoned buildings in the city center.

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In Greek mythology, Elpis was usually depicted carrying flowers and was the spirit of hope.  She alone chose to remain when Pandora opened the lid of her infamous box.

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I arrived a little after 10 AM.  The glow of morning light on the colors and textures of this crumbling beauty and her furnishings was captivating — and I was reluctant to leave.

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Elpis and her dream will continue to offer hope for another 3-1/2 weeks at Murguía 103 (between Macedonio Alcalá and 5 de mayo).  There were candles — and according to the docent, it is especially magical at dusk.

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I will return.  Keep dreaming…

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Felicitaciones to Oaxaca’s favorite daughter, Lila Downs!  Her CD, Pecados y Milagros, won Best Folkloric album at the Latin Grammys on Thursday night.  When the album first came out, her promotional tour brought her to the Guelaguetza Auditorium, just up the hill, and we got to experience the spectacular show she put on in front of the hometown crowd.

And, at the Latin Grammys, she pulled out all the “spectacle” stops when she, Celso Piña, and Totó la Momposina performed, “Zapata Se Queda” from the album.  (Yes, THAT Zapata!)

The thank you by Lila Downs, posted on her website:

¡GRACIAS por creer en el folklor! Gracias por darnos ánimos cuando andamos tristes, por hacer con su cariño y palabras de buena fe que sigamos creyendo en Zapata, en México, en la tradición, en nuestros pueblos… ¡En la magia y la fe interminable de Latinoamérica!

(Thank you for believing in the folklore!  Thank you for giving us courage when we’re sad, to make with love and words of good faith that continue to believe in Zapata, in Mexico, in tradition, in our towns …In magic and the endless faith of Latin America!)

I strongly encourage you to check out the CD, Pecados y Milagros.  It really conveys the life, the love, the history, and the reverence that is the essence of Oaxaca.

Also, there’s a terrific review of her Latin Grammy performance at Examiner.com.

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Zapata and Villa live!  Their iconic bigotes (mustaches) have taken on a life of their own on the streets of Oaxaca…

Wall art - Pancho Villa

Wall art tapete with Zapata's face in middle

Black and white skeleton face with mustache

Colorful wall mural of skeleton with mustache with female skeleton

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You might well ask, “What is a muerteada?”  It is a comparsa (parade) that is part of traditional Día de los Muertos celebrations particular to the state of Oaxaca.  According to the book, Day of the Dead: When Two Worlds Meet in Oaxaca, the muerteada allows the dead “to ‘occupy’ a living body, either a muerteada participant or an audience member, for a time, and therefore enjoy the entertainment directly rather than vicariously.”

Like Commedia dell’Arte, there are stock characters — in this case, the happy widow, the dying or dead husband, the father of the widow, a doctor, a priest, a shaman, people dressed like death, devils, and las lloronas (weeping women).  However, unlike Commedia dell’Arte, in the muerteada men play all the roles.

Last year we joined the Vista Hermosa, Etla murteado.  However, this year blogger buddy Chris decided I was ready for the big time — the “battle of the bands” when the muerteadas of San Agustín Etla and Barrio San José meet — Banda Tromba Sinaloense for San Agustín and MonteVerde Banda for San José.  FYI:  This is after participants and their bands have danced their way up and down the hills of their respective neighborhoods all night long, stopping at designated houses for food and drink — mezcal and cervesas seemed to be the beverage of choice, especially among the men!

So, early on the Nov. 2, we went in search of the San Agustín contingent, we found them, joined in the merriment, were offered food and drink along the way, and eventually came to the crossroad where mania turned to mayhem, albeit organized mayhem — courtesy of the white-shirted security for San Agustín and red-shirted security for San José.  They kept the dancers and supporters from each side apart, leaving the face-off to the two bands.  It was wild!!!  After 20+ minutes of battling bands, it was over and we and the San Agustín contingent trudged back up the hill.

You may have spotted a tall silver-haired gringo right in the middle of the action in one or two of the photos, that would be Chris.  Be sure to check out the video he put together of all the madness.

According to Organizing Committee President, Alfredo Erick Pérez, the muerteada in San Agustín Etla dates back to the 1800s, possibly to the days of Mexican President Porfirio Díaz.

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Still recovering from last week’s Día de los Muertos celebrations, another marathon of activities is upon us — last night the third Oaxaca FilmFest opened.  With 10 days, 25 venues, 300 films, 5 days of academic programs, among many other events, I can see it’s going to be no rest for the weary!

FilmFest3 logo projected on screen

So, with Golden Key passes (approx. US$11.50) hanging from our necks, last night my indomitable 86-year old neighbor and I walked down to the festival’s headquarters at Plaza San Jerónimo on the Alcalá for the opening night cocktail party.  Gringos and international filmmakers mingled with a predominantly young and hip Oaxaqueño crowd.  Needless to say, cervesas, mezcal, and horchata flowed freely, accompanied by yummy (though less plentiful) botanas.

We eventually wound our way over to Teatro Juárez to hear founder and artistic director, Ramiz Adeeb Azar, welcome an almost full house, open the festival, and introduce the three opening night films:  shorts, Postmodern Times from Austria and The Game from Poland and feature length film, Tilt from Bulgaria and Germany.  All three were gripping, thought provoking, and held the audience’s attention.  (Chris, they all passed the Low Cough Principle test.)  It was a good start!

Ramiz Adeeb Azar standing at podium

Ramiz Adeeb Azar

During the course of the evening, we spoke with two American screenwriters, who each have scripts entered in a Script Competition, and American filmmaker Matt Dunnerstick, whose film, The Custom Mary, will be screened tonight and again later in the festival.  It’s truly an international festival and (at least last night) all the films were subtitled in both Spanish and English, as is all the program material.

I can’t believe how much bigger and more professional this festival has gotten in only three years.  I attended in 2010, the first year, and coming off eight years of volunteering at the Mill Valley Film Festival and attending for many more, I was underwhelmed and thus ignored last year’s Oaxaca FilmFest.  All I can say is, you’ve come a long way, baby!  I’m glad I’ve got my Golden Key pass and, like these folks, I will be intently studying my program booklet and scheduling grid.

Man and woman sitting reading program

I’ll see you at the movies!!!

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In addition to graveside gatherings and decoration, altars, parades, sugar skulls, sand paintings, marigolds, and Day of the Dead bread, painted faces are another distinctive feature of Día de Muertos celebrations.  They are most likely seen hanging around cemeteries and dancing through the streets but, like everything else here, you just never know…

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From Meaning of Dia de los Muertos Face Painting:

The day of the dead in Mexico is a fascinating mixture of Spanish Catholic and native Aztec traditions and beliefs. Skulls and skeletons were an important part of All Saints Day festivals in medieval Europe, especially since the Black Death ravaged the population of Europe in the 1300s. Across Europe artists, playwrights and poets mused on the theme of ‘memento mori’ (remember death) and the ‘dance of the dead’. Many artworks and books from the time depict dancing skeletons, or portraits with a skull to ‘remember death’.

At the same time, in Mexico, the Aztec culture believed life on earth to be something of an illusion – death was a positive step forward into a higher level of conscience. For the Aztecs skulls were a positive symbol, not only of death but also of rebirth.

Read full article here.

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an offering.

Apples, corn, beans, pinecone turkeys, marigolds

an integral part of the Day(s) of the Dead celebration.

Sand painting surrounded with apples

filled with meaning.

Carved owl and garlands

a beacon to the departed.

fruits, photos, flowers

an ephemeral work of art.

Marigolds, photos, fruit, vegetables, skulls, drum, baskets of nuts

the sum of its lovingly chosen parts.

Day of the Dead altarThis is another ofrenda from the previously mentioned “altar decorating” competition on the plaza in front of Santo Tomás in Oaxaca’s Xochimilco barrio.

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Living and being in Oaxaca during the Días de los Muertos is hard to put into words.  There is so much to experience and to think about.  Sensory overload challenges the limits of heart and mind and my emotions are running the gamut from extreme exhilaration to a quiet joy to being moved to tears.

The latter occurred a few days ago, when I walked up to the Templo de Santo Tomás in Oaxaca’s Xochimilco barrio (neighborhood) where an “altar decorating” contest was in progress.  Altars were to be judged on authenticity, originality, and creativity.  When I arrived, friends and relatives were in the midst of putting the final touches on their altars.  Some were elaborate and some exhibited real artistry, but one really touched my heart.

He was alone — no one to help, no playful banter.  When I first arrived, he was carefully etching a cross with a piece of charred wood on a stone.

He worked silently and with purpose, pulling items out of a well-worn sugar bag and carefully placing them on his altar.

When the bag was empty, he walked over to a cart and pulled out another one.

Slowly, his vision emerged, with symbology I have only a cursory grasp of and won’t presume to explain.

I don’t know who won the 5000 peso first prize or second or third place purses, and I don’t know if he was doing it for the money (he certainly looked like he could use it).

All I do know is he and his ofrenda moved me deeply.

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Lighting, costumes, music, and dance combined to envelop last night’s audience at the Teatro Macedonio Alcalá in an other worldly experience.  Catrina is a magical tale where the world of the living converges with the world of the dead and the central theme is the pain of a mother losing her daughter.

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The show is a celebration of the pre-Columbian traditions and culture of Oaxaca, especially the ritual and meaning surrounding Día de los Muertos.  Much of the music was traditional Oaxacan and most performers were Oaxaqueños, including Alejandra Robles, singing the title role.

At 48% (that’s over 1.6 million people), the state of Oaxaca has the second highest indigenous population in Mexico.  Perhaps that is why the belief systems of the ancient Mexicans Octavio Paz, cites in The Labyrinth of Solitude, remain strong today.  He writes, “Life extended into death, and vice-versa.  Death was not the natural end of life but one phase of an infinite cycle.”  Healthier, more realistic, and more comforting, I think…

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This Catrina arrived styling and ready to party.

Stylish Catrina posing in front of stone wall

Manicured fingers and toes, flower in her hair, and umbrella drink in hand, all she needs is a guy (or gal).

Seated Catrina in Tehuana traje holding cocktail glass with umbrellas.

Young man beware — she has her eye on you!

Ghoulish Catrina standing next to head shot of handsome young man

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And, guess who’s coming to dinner?  Catrinas, pinkies up!

Catrina in lavender dress sitting at table

Dahling, don’t start the party without me!

Close-up of face of a Catrina with lavender hat

Lo siento mis amigas, sending regrets from Juchitán.

Close-up of Tehuana Catrina with hand raised

Decisions, decisions, decisions… Shall I take the Jetta, Crossfox, Suburban, or Express Van???

Close-up of face of Catrina standing next to a sign with a list of autos

As for these two…

Male calavera and female calavera facing each other in a doorway

I’m not sure they are coming.

Male calavera and female calavera facing away from each other in a doorway

Hmmm… a lover’s quarrel?  Sheesh, even in the afterlife??!!!

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