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Because last year’s fair was so much fun and I’m still loving my lampshades, blogger buddy Chris and I returned to San Juan Guelavia yesterday for the 5th Feria del Carrizo.  Upon arriving, our first surprise was being directed to a dirt estacionamiento (one of my favorite words, means parking lot) next to, what looked to be, a rodeo arena.  It was quickly followed by surprise number two:  The plaza crowded with people — at least ten times the number as last year!  Aside from two friends who were leaving (arms filled with purchases), we didn’t see many extranjeros.  However, we ran into several friends from Teotitlán del Valle and Tlacolula and at lunch sat across from some visitors from Mexico City.

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We arrived just in time for the official ribbon cutting that signaled the opening of the fair.  We didn’t recognize any of the dignitaries, though most everyone else did and masses of cell phones rose high in the air to record the event.  Once the ceremonial duties were done, chairs were pushed back and a children’s folkloric dance group marched in to the familiar music of the China Oaxaqueña delegation heard during La Guelaguetza.  There was even a mini-torito (toritito?) wired with fireworks that was lit, though one of the little girls didn’t appear too thrilled.  And, as we wandered around, we could hear music that we recognized from some of the other regions of Oaxaca and we caught glimpses of more of the kids dancing.

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Unfortunately, woven plastic baskets have become a more common sight at the markets in the valley of Oaxaca.  So, the growing popularity of the fair is good news for a community that has seen a decline in the demand for their beautiful handcrafted baskets made from carrizo (aka, Arundo donax, Spanish cane, Giant cane, Wild Cane, and Colorado River weed) — a tall perennial cane that grows along river banks in Oaxaca.  Besides traditional baskets and bird cages, the artisans have branched out to making lamps and shades, weaving decorative bottle covers for your mezcal, fashioning toys, and much more.  Naturally, I again couldn’t resist and happily came away with a new hamper.

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The Feria del Carrizo is also happening next Sunday, February 7.  SO, if you are in the neighborhood (San Juan Guelavia is only about 40 minutes east of the city), I highly recommend a visit and be sure to also stop at the tiendas on road into town — that’s actually where I bought my new hamper (above).

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Drones have arrived in Oaxaca; their hummy-buzzy sound is unmistakable.  My first “close encounter” of the drone kind down here was 2+ years ago at the Estadio Eduardo Vasconcelos (baseball stadium) when a drone made an appearance at the Lluvia de Estrellas charity home run derby and softball game.

However, two weeks ago as I walked onto the Alameda, that telltale sound caught my ear and a low flying drone caught my eye.  Apparently, it was being used by the Pasión por Oaxaca to draw attention to their (political) organization’s booth.  “Smile, you’re on Candid Camera!”

Then early yesterday morning, there was that sound again.  Looking out the window I could see a drone in the distance.  Of course, I grabbed my camera and went out to investigate.  I guess the operator/pilot saw me, because soon the drone was flying toward my terrace, then stopped to pose for several seconds, before flying off.

Sheesh, Señor DeMille, I was still in my pajamas and definitely NOT ready for my close-up!

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Ahhh… a return visit to Centro de las Artes de San Agustín in early December still resonates.  The CASA, a former spinning and weaving factory, was re-imagined by artist Francisco Toledo and architect Claudina Morales Lopez.  Now it is one of the most aesthetically pleasing spaces I’ve ever experienced.  But, why have I never before noticied this?

Inside and outside, seen in black and white or color, wherever one looks, the attention to detail and design strikes, delights, and often surprises.

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Have I mentioned most of the potting soil here leaves much to be desired?  As a result, over the past 6+ years, I’ve been experimenting with ways to enhance the soil I’ve been dealt to help my rooftop garden grow.  Besides, freezing (to speed up the fiber break down) and then adding green kitchen scraps, augmenting the soil with sawdust and sand, I’ve added worm farming to my arsenal.

Back in early August, blogger buddy and gardening guru Chris and I, armed with our new red bins, headed out to Sikanda (just outside Santa María del Tule) to purchase and be schooled in earthworm (lombriz, en español) farming.  P1130268

Our goal was to provide a nurturing environment for earthworms to go forth and multiply and to produce worm casting (aka: vermicompost, worm humus, worm manure) to enrich our soil.  Since then, I’ve spent the last five months keeping their home moist and feeding my worms more green kitchen waste, coffee grounds and tea leaves, and garden clippings.  Saturday, I finally harvested my first castings.

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There are several ways to separate the worms from their castings.  I chose the photosensitivity filter method — laying cheesecloth over another bin filled with compost and placing it in the sun, I transferred a thin layer of my worms and their castings onto the cheesecloth.

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Earthworms hate the sun and most quickly started burrowing down through the cheesecloth in search of cool moist darkness..  Once the worms had made their way into the moist compost of their new home (stragglers received hand-picked assistance), I removed the cheesecloth, now filled with worm-free castings, and dumped it onto my sifter, where I sifted the nutrient rich castings into my soil bin.

P1160372It’s rather time-consuming, but what else did I have to do on a Saturday?  It was well worth it and I get to do it all again in three to five months!

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In Oaxaca city…

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In Tlacolula de Matamoros…

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They are seen and they are watching.

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As with all of life, there are changes going on in Teotitlán del Valle.  A large new Cultural Center is nearing completion.  It’s courtesy of the federal government and, according to the sign at the construction site, not a peso is coming from the state or village.  From what I’ve been told, it will house the museum, a library, and a performance space.

And, with their final Danza de la Pluma performance on Día de Guadalupe (Dec. 12), the three-year commitment of the last Danzantes de Promesa group was at close.  The new group has already begun the demanding work of learning the steps of the 40+ dances that make up the Danza de la Pluma.

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Under the watchful eye of El Picacho, Moctezuma, Malinche, Doña Marina, Teotitles, Capitánes, Reyes, and Vasallos practice from 7:00 AM to 1:00 PM, Saturday through Monday to be ready for their debut the first Wednesday in July 2016 during the festival of the Preciosa Sangre de Cristo.  A major and meaningful commitment, it is.

Strange fascination, fascinating me
Changes are taking the pace
I’m going through

Ch-ch-ch-ch-Changes

Changes by David Bowie (descansa en paz)

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If you drive in Oaxaca, you might want to take a stroll down the Alcalá today.  In front of MACO, there is an exhibition of rules of the road for the municipality of Oaxaca.

Who knew Oaxaca has an actual motor vehicle code???

 

If you have ever walked, biked, driven, or ridden, this comes as a pleasant surprise — *surprise* being the operative word!

However, I’m not sure how many drivers stroll the Alcalá…  Something tells me that those who need these lessons the most, probably don’t spend their Saturdays promenading along the capital city’s Andador Turístico.

Just so you know…  Licensing drivers is up to each state in Mexico and, according to Alvin Starkman, Oaxaca “has done away with virtually all licensing requirements relating to safety: no written test, no road test, no eye test.”  Consider yourself forewarned. 😉

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Back in Oaxaca and it’s scenes like this that make me smile…

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At the Tinoco y Palacios entrance to the Mercado Sanchez Pascuas.  Otate waiting to be made into escobas (brooms)?

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Basketball is big right now in the San Francisco Bay Area; as I write the Golden State Warriors are 35 and 2 and a new, albeit controversial, 18,000 seat arena is in the works.  But, I’ll bet it won’t have views like these…

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Unlike in wider mestizo Mexico, where soccer reigns supreme, in the Sierra basketball is king. The sport was introduced in the 1930s by president Lazaro Cardenas as a way to bring Oaxaca’s disparate and historically rebellious indigenous groups into the national fold.

Cardenas’ dream of a unified national identity didn’t take root in the Sierra, which has historically been isolated and impoverished, but basketball soon became tied to the region’s most significan traditions, and to indigenous identity itself.  — Jorge Santiago

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One of several canchas de baloncesto (basketball courts) in Teotitlán del Valle, Oaxaca.

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A friend (who shall remain anonymous) was persuaded to model the mask I gave one of my sons for Christmas.

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It is the work of Apolinar Sosa, the son of distinguished carver Jesus Sosa Calvo and Juana Vicente Ortega Fuentes of San Martín Tilcajete.

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This mask won a prize and had actually been worn during the unique Carnaval celebration in the village.

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Don’t you love the tongue of dried chiles?

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I’m still in el norte, now on the west coast in the San Francisco Bay Area and it’s grey, raining, and cold.  The rain is a much needed gift in drought stricken California, but the ground has rapidly become supersaturated and this morning’s news reported a giant ficus falling across Mission St. in San Francisco, taking down streetcar lines.  I immediately flashed on Oaxaca’s ubiquitous, often topiaried, ficus trees.

However, I headed out into the storm and tuned into a Spanish language music station (I must be missing the soundtrack of my Mexican life) and was reminded today, January 6, is El Día De Los Reyes Magos (aka, Epiphany), when the Three Kings bring gifts to the children of Mexico.

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My (grown) children received their gifts on December 25, not January 6, and last year each received a tapete woven by the talented Sergio Ruiz Gonzalez — brother of Antonio, who wove my new rug.  In the photo, that’s Sergio, his beautiful wife Virginia, and his lovely mother Emilia (of Lila Downs’ El Palomo del Comalito video fame).

However, I did receive an (unexpected) gift today — my former piano teacher (and forever friend) Greg Johnson stopped by to catch up.  And, besides his always upbeat and delightful company, he brought me his new CD, Crystalline Thrilled.  The guys of Glass Brick Boulevard are fabulous (as always) and guest artist Carlos Reyes shreds it on violin.  Check out Carlos playing  with Glass Brick Boulevard at the CD release party.  What a great regalo I received!

 

 

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In the category of “your just never know,” the two-block long Callejón Hidalgo is a treasure-trove of murals.

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And, there are more!  Located between Tinoco y Palacios and Porfirio Diaz above Calle Jesus Carranza, it’s well worth the trek up the hill.

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This is how I feel today…

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Actually, I took this a few weeks ago on Matamoros (at Tinoco y Palacios) with the intention of writing a blog post lamenting Christmas traditions (Christmas trees, Santa Claus, consumerism, etc.) migrating down from el norte.  But, I think I’ll just let the image speak for itself.

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The “only in Oaxaca” Noche de Rábanos is coming!  If you are in Oaxaca, the zócalo is the place to be on December 23 to watch radishes being carved into familiar and fantastical creations.  Among the former, dancers from Oaxaca’s eight regions are a favorite.

Danza de la Pluma dancer in Rábanos Tradicional category 2012

Danza de la Pluma dancer in Rábanos Tradicional category 2012

Baile del Guajolote dancer in Rábanos Libre category 2013

Baile del Guajolote dancer in Rábanos Libre category 2013

Despite of the name, it isn’t just about carved radishes.  The artists of Oaxaca work their creative magic in several other categories, including dried flowers…

Chinas Oaxaqueñas in Flor Inmortal category 2012

Chinas Oaxaqueñas in Flor Inmortal category 2012

… and corn husks.

Chinas Oaxaqueñas entry in Totomoxtle Natural category 2012

Chinas Oaxaqueñas entry in Totomoxtle Natural category 2012

Jarabe Mixteco dancer in Totomoxtle Decorado category 2012

Jarabe Mixteco dancer in Totomoxtle Decorado category 2012

Danza de los Huenches Viejos de Yalalag in Totomoxtle Decorado category 2012

Danza de los Huenches Viejos de Yalalag in Totomoxtle Decorado category 2012

I wish I could be in two places at one time, so I could experience this year’s Night of the Radishes.  If you are lucky enough to be there, enjoy and take lots of photos!

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Yesterday was SO much fun!!!  I’m spending Christmas with family in New York and was invited by my daughter-in-law to speak to her special education class. Wearing one of my huipiles from the Papaloapan region of Oaxaca, I filled them in on “life in Oaxaca.”

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We looked at a map of Mexico and I pointed to where the state of Oaxaca is located.

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We spoke a little Spanish and discovered that some familiar foods, like chocolate, gum (chicle), corn (maíz), and turkey (pavo), originated in Mexico.  They learned that there are many artisan crafts made in Oaxaca and I showed them a tapete (rug) that was woven in Teotitlán del Valle.

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We talked about festivals with processions, bands, marmotas, monos, and dancing.  And, to illustrate the diversity of the indigenous peoples of Oaxaca, I created a short video from La Guelaguetza 2014.

We discussed the differences between Christmas traditions in Mexico and the USA — that Christmas trees aren’t as common, but most everyone sets up a nacimiento (nativity scene) in their home.

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Of course, they loved the idea of breaking open a piñata filled with candy and trinkets.

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I concluded with a video I’d made and previously posted of the castillo in Teotitlán del Valle during the festival honoring the Virgen del Rosario.  Needless to say, they were awestruck by the fireworks.  And then I gave them each a woven palm leaf piñata ornament.  Alas, no candy inside!

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I was very touched that my daughter-in-law returned home later in the afternoon bringing individualized thank-you notes from the students.  However, I would like to give a big “muchisimas gracias” to her for inviting me and to her students for being such an attentive, engaged, and delightful audience!

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