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Posts Tagged ‘urban art’

It’s the morning after the day and night before — and I don’t even know where to begin.

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The very short and immediate version is:  Yesterday afternoon about 50 miles north of the city in Nochixtlán, six demonstrators were killed when federal police moved in to breakup a 5-day long blockade by Sección 22 of the teachers union on the main highway between here and Puebla.  As the police moved toward the city, there was another battle about 8 miles north near San Pablo Etla, and then last night about 7:30 a helicopter began flying over the city, smoke rose from near the teachers’ encampment in the zócalo (about 4 blocks away), and shouting and explosions were heard.  It was still going on when I fell asleep around midnight.

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It’s Monday morning, but all was eerily quiet when I awoke.  Very little traffic on my usually busy street and almost no buses to be seen or heard.  Television news and local papers are hopeless, so I began monitoring five Facebook groups dedicated to blockades, demonstrations, traffic, etc. and Twitter for news.

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Needing a few groceries (I know that seems to be a constant theme, but I don’t have a car here, so can only buy what I can carry) and wanting to see what went on last night, my neighbor and I ventured out onto the streets.  The acrid smell of smoke was still evident and, at almost every intersection, beginning with the one half a block down our street, tires were still smoldering.  The closer we got to the zócalo, the more graffiti and damage we saw.

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Oxxo on Morelos at Garcia Vigil had been vandalized and was closed, the windows of Catedral had been broken but the restaurant was open, and all the ATMs in BanNorte had been damaged, but the tellers were in place and banking was being done.  However, it’s like a Sunday morning, with few people on the streets.

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The teachers’ plantón (encampment) on and surrounding the zócalo remains, but it was dirty and depressing and there were a couple of drunk guys, so we opted not to venture further.  Instead, we continued east on Independencia, passing more broken windows, scrawled messages on walls denouncing the federal and state governments and warning all that it has only just begun.

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If you want background and more detailed reports, you can check out posts from Oaxaca at http://elenemigocomun.net/.  Yes, I know, it’s from the perspective of the teachers and protestors — I figure the “mainstream” media has got the government’s point of view covered.

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Stencil photos were taken a few days ago on Garcia Vigil, between Independencia and Morelos.  Yes, I did take photos this morning of the remnants of last night’s events, but I just can’t bring myself to post them.  The mood is sad and wary — no one knows how and when this will end — and the ghosts of 2006 hang over the city.

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Today is Sunday, no alcohol can be purchased in Oaxaca, and a federal helicopter has made a pass or two over the city.   It’s election day in Oaxaca and 12 other states, plus the Mexico City.  Polls don’t close until 6:00 PM, but rumor has it, a PRI victory party is already being set up in the Plaza de la Danza.  Hmmm…

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Yesterday, on the way to dinner, we stopped to watch the take down of the newly installed sculpture of Jesús in front of Santo Domingo.  This shot seems to be a metaphor for today’s election.

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Day after day, alone on the [wall]
The man with the foolish grin is keeping perfectly still…

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The Fool On The Hill
by Paul McCartney and John Lennon

Day after day, alone on the hill
The man with the foolish grin is keeping perfectly still
But nobody wants to know him
They can see that he’s just a fool
And he never gives an answer

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning around

Well on the way, head in a cloud
The man of a thousand voices talking perfectly loud
But nobody ever hears him
Or the sound he appears to make
And he never seems to notice

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning around

And nobody seems to like him
They can tell what he wants to do
And he never shows his feelings

But the fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning around

He never listens to them
He knows that they’re the fools
They don’t like him

The fool on the hill
Sees the sun going down
And the eyes in his head
See the world spinning around

 

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Back in Oaxaca… I don’t know the story of this mural that recently appeared at the corner of Allende and Tinoco y Palacios.  However, on this Mother’s Day (in the US), it seems appropriate.

A mother’s eye is always watching…

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A pause in the Cuba coverage to echo Dorothy, “There’s no place like home” — especially if that home is Oaxaca.  I needed (yes, needed!) chocolate and coffee and, thus, headed toward the Benito Juárez and 20 de noviembre mercados.  As always, even just a grocery shopping trip is a feast for the senses.

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First, a calenda on Calle Independencia of students, academics, and workers to launch the registration of candidates for rector of Universidad Autónoma Benito Juárez de Oaxaca (UAJBO).

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A peek into el pasillo de las carnes asadas (ahhh, the smells) in 20 de noviembre mercado, while waiting for my chocolate guy to finish with other customers.

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A look at the finished murals (and merchandise) in a newly opened shop at Calle Macedonia Alcalá 100.

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Stopping to gaze up at the “Aves Sin Paraíso” exhibition above the Alcalá.

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Almost back to Casita Colibrí, a new stencil at the corner of Morelos and Tinoco y Palacios.

By the way, I got the chocolate, but couldn’t find my coffee guy in the maze of temporary stalls set up on the streets surrounding the Benito Juárez mercado (it’s undergoing a much-needed renovation).  There’s always mañana — I’m not completely out, yet.

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The murals may be disappearing, but the walls of Oaxaca continue to radiate with messages.

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2016_04_26 Blog Walls of Oaxaca

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Oaxaca, never a dull moment and never a dull wall.

 

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Because today is Valentine’s Day and International Mother Language Day is coming up on February 21, learn to say “I love you” in 7 of the 69 indigenous languages spoken in Mexico — including Zapoteco, Mixteco, and a couple of other languages of Oaxaca.

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¡Feliz Día del Amor y Amistad!  Happy Day of Love and Friendship!

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Unfortunately, not Cuba.  (One of these days…)

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Saw it yesterday walking down Tinoco y Palacios, on my way home from Mercado Sanchez Pascuas.

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Leather upholstery, wood steering wheel, and paneled dashboard — it’s one very cool vocho.

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However, when it comes to telling a color story, wish it had been parked a couple of blocks down the hill, in front of this wall. 😉

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In Oaxaca city…

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In Tlacolula de Matamoros…

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They are seen and they are watching.

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In the category of “your just never know,” the two-block long Callejón Hidalgo is a treasure-trove of murals.

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And, there are more!  Located between Tinoco y Palacios and Porfirio Diaz above Calle Jesus Carranza, it’s well worth the trek up the hill.

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“Telephones” on the street in Oaxaca.  Call me, maybe.   😉

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Pretty in pink on the streets of Oaxaca…P1140835

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And, this doesn’t even include the pink and lime green of Correos de México (Mexican post office).

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She’s gone…

P1090814_copyAs feared, by order of the government, the beautiful and moving mural by Lapiztola, on the side of Museo Belber Jimenez, has been erased.

P1140922copyOnly her ghost remains.

P1140920 copyI miss her, too.  Color and culture, indeed, seem to be unwelcome.

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Before a “suspendida” order is slapped on this stunning piece by the Lapiztola collective celebrating the human face of agave cultivation, here is another moving work of art for the people, seen on Tinoco y Palacio on the wall of Piedra Lumbre, near the Sanchez Pascuas mercado.  It tells a story…

P1140381The wisdom of cultivation handed down from generation to generation.

P1140382From the agave comes mezcal.

P1140382lgThere are 199 “recognized” species of agave.  How many can be used to make mezcal?  The Mezcal PhD explores the answer.  And, for an illustrated guide to many of the more popular varietals, click The Many Varieties of Mezcal.

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As many of you already know, one of my favorite things about living and being in Oaxaca is, you just never know what you will stumble across.  Rounding a corner, one might come upon a calenda (parade) with band, marmotas, monos, and dancers; a street artist or payaso (clown) entertaining a gathering of nin@s to abuel@s; street art; or a newly opened store.

So (no surprise), a few months ago, walking up Tinoco y Palacios enroute to the Sanchez Pascuas mercado (in need of a few staples like quesillo, aguacates, and tamales), a stunning new mural caught my eye.P1120515Positioned to entice potential customers into Color y Cultura, a newly opened artisan community shop, the mural is the work of Chiquitraca Colectivo from Juchitán.  It worked, I was hooked, and later returned to browse and eventually buy a pair of earrings carved from a gourd.  However, during a return trip to the mercado, I was rather shocked to see unsightly papers defacing the mural.

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Usually, street murals are “hands off” zones for vandalism.  However, closer inspection revealed official notices declaring, “Suspendida” (suspended) and going on to say that the mural violates regulations on the conservation of the historic district.

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And, if this weren’t egregious enough, remember the stunning We sow dreams and harvest hope mural on the side of Museo Belber Jimenez?

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It too now has appalling “Suspendida” notices plastered on it.  WTF is going on???  A little research revealed that a law was recently passed to “criminalize” wall art.  Yes, yes, yes… I understand that the “powers that be” and even ordinary residents are sick of graffiti on historic buildings.  BUT to lump the anarchist “A” spray-painted on the side of the Cathedral with magnificent murals painted on ugly decaying walls and beautiful works of art privately commissioned by businesses and museums to decorate their buildings, is the height of absurdity, never mind assigning a “criminal” aspect to it.  Believe me, Oaxaca has a laundry list of more important issues that it needs to address.

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If in their “infinite wisdom” they are attempting to “clean up” the city to better appeal to tourist dollars, euros, yen, etc., then I think they are barking up the wrong tree — we extranjeros (foreigners) love the street art!  To that end, below is a copy of a letter I sent to the president of Central Connecticut State University (CCSU) last year, when officially authorized murals painted by art students as part of their course work were ordered removed by the university administration.

Dear President Miller:

I am writing to you from the city of Oaxaca de Juárez in southern Mexico, nestled in the valley where corn was first cultivated.  I have the privilege of living in culture that has a deep respect for, and appreciation of, communication through all forms of art.

Oaxaca is filled with museums and public art.  In addition, her walls are covered with murals, both officially sanctioned and unauthorized.  An example of the latter:  My current neighbor, previously lived next to a concrete bench built into a wall along her street.  It’s primary function seemed to serve as a gathering place for garbage and graffiti.  Being an artist, she painted a living room scene around the bench, replete with, a lamp, bouquets of flowers, pillows on the sofa/bench, and a framed painting with the image of a smiling creature holding a sign that quotes Oaxaca’s favorite son and former Mexican president, Benito Juárez:  “El respecto al derecho ajeno es la paz.”  (Respect for the rights of others is peace.)  It is a quote that every Mexican school child learns and in the eighteen years since the bench and mural were first painted, it has become a beloved icon of the street and very little graffiti and garbage have reappeared.

Oaxaca would lose much of her character and lessons would be lost, if we were to wake one morning and find all her murals disappeared.  The story is the same at CCSU and it would be shameful if the beautiful and thought-provoking student murals at CCSU were to be needlessly destroyed.

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