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Archive for the ‘Culture’ Category

News of this discovery was posted on Facebook this morning by Sam, my young Zapotec friend from Teotitlán del Valle, who is currently getting his Ph.D. in Sustainable Manufacturing at the University of Liverpool.  A global village, it is!

By the way, Santa María Atzompa (mentioned below) is where I experienced a Magical and Mystical October 31st.  The article and photo are from today’s, Hispanically Speaking News.

1,300 Year Old Kiln Used by Ancient Zapotecs Discovered in Mexico

Mexican archaeologists have discovered in the southern part of the country a kiln used by the ancient Zapotecs to make ceramics more than 1,300 years ago, the National Anthropology and History Institute, or INAH, said.

Clay pot in ancient kiln

The pre-Columbian kiln was discovered in the Atzompa Archaeological Zone in Oaxaca state, which will be opened to the public this year, INAH said in a communique.

It added that this is one of the best preserved ceramic kilns ever found in the Zapotec area, and noted Oaxaca’s long tradition in making pottery.

According to Wednesday’s communique, the kiln “is a link between the pre-Columbian pottery tradition and the artisanal ceramics currently made in the community of Santa Maria Atzompa, establishing the connection between today’s inhabitants and their ancestors.”

Archaeologist Jaime Vera, head of the excavation, said the kiln “is thought to date back to the first years of the pre-Columbian settlement of the area, in other words, more than 1,300 years ago, which is deduced from the ceramics found with it.”

Another element that allows the kiln to be dated is the depth at which it was found – 2.2 meters (7 feet 2 1/2 inches) – “far below the layer of stucco that covered it, and which corresponds to that era, the archaeologist said, adding that further studies will be made to confirm its antiquity.

It was in the excavation period between March and December 2011 that the kiln was completely uncovered allowing its principal characteristics to be observed: a cylindrical adobe wall and shelves for placing the objects to be fired.

The kiln consists of a cylindrical adobe wall measuring 2.1 meters (6 feet 11 inches) from the surface to the firing shelves arranged in convergent lines toward the center, and a downdraft vent in the lower part approximately 20 centimeters (8 inches) wide,” Vera said.

He said that “while today’s kilns are not identical in dimensions or shelf arrangement, they do perserve certain basic elements and the function as a space for firing ceramics.”

The Atzompa Archaeological Zone, approximately 4 square kilometers (1 1/2 square miles), existed as a small satellite village of the Zapotec city of Monte Alban during the Late Classic period (650 B.C.to 900 B.C.) when the latter’s growing population expanded beyond its boundaries.

The work to provide the Atzompa Archaeological Zone with the necessary infrastructure will continue, since it is one of the pre-Columbian sites that will be opened to the public this year, INAH said.

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As you may have gathered, one of the things I love about living down here is the pervasiveness of public art.  So, on a recent trip up to Mexico City, it should have come as no surprise to see the city is filled with heroic sculptures and abstract modern pieces, both serious and whimsical, for all to see, contemplate, and enjoy.

Even benches are an excuse to let the creativity flow.  (S)he is ready and willing to talk or just listen…

Vertigris ostrich bench

He will provide shelter from the storm OR scorching sun, as the case may be!

Aluminum bench topped with a whimsical red chair with lounging figure.

When it’s been an upside down kind of day, have a seat here.

Green metal bench with bottom of torso with legs "seated" on top.

Or, on a Sunday, when the Paseo de la Reforma is closed to traffic, you can park your bike and put a song in your heart!

Smiling young woman sitting on a black iron bench with musical notations; her lavender bike in front.

¡Buen día!

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Wall art from here…

Multicolor mountain lion wall art.

Wall of 142 Throckmorton theatre on Madrona,  Mill Valley, CA by Zio Ziegler

to there.

Wall of Espacio Zapata on Porfirio Díaz, Oaxaca de Juárez, OAX

And, sacred mountains from here…

Mt. Tamalpais

to there.

Green rocky top mountain against white cloud and blue sky

Transition time… Mill Valley back to Oaxaca.

Save

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A little craziness from the November 2, 2011 comparsa in Vista Hermosa…

Muchisimas gracias to all my readers.  Thank you for stopping by, your perceptive comments, and your encouragement.  Peace and joy in 2012, if not in the world, at least in your heart!

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Fascinating and revealing… from Upside Down World.  I encourage you to read the full article.

Defying the Myth of Native Desolation: Cultural Continuity in Oaxaca
Written by Kathleen Melville
Friday, 09 December 2011 15:56

Woman grinding masa on stone matate

“There is no remedy, and the Indians are coming to an end.” – Don Felipe Huamán Poma de Ayala, 1615 (quoted in Restall, 100)

Despite the passage of nearly four hundred years, Huamán Poma’s dismal pronouncement remains the sad ending to many popular narratives of the conquest. In classrooms throughout the United States, students learn that the arrival of Columbus spelled the end of Native American civilization and that the Spanish conquest obliterated indigenous culture and society in the Americas. As Matthew Restall notes in “The Seven Myths of the Conquest”, this pervasive “myth of native desolation” (102) obscures the strength and vitality of indigenous people throughout history and into the present.

In Oaxaca, Mexico, the lives and work of indigenous people belie the myth of native desolation and attest to thousands of years of continuous, evolving culture. In July, over 30 educators from the United States convened in Oaxaca for a summer institute funded by the National Endowment of the Humanities. Our goal was to better understand the histories and cultures of indigenous people in the region so that we might help illuminate and preserve them through our teaching. With unit plans that we designed and shared, we hope to disturb and diminish the myth of native desolation and to enrich our students’ perspectives on native culture.

<snip>

Globalization and transnational corporations also pose a significant threat to indigenous cultural continuity. Artisans in Oaxaca complained that Asian companies have been mass-producing textiles and wood carvings abroad and then undercutting the tourist market locally. As documented in several articles on this site, the agricultural corporation Monsanto aims to expand its reign into Oaxaca and eliminate small maize farms like the Vicente family’s. Drug cartels, their own breed of transnational organization, also jeopardize indigenous culture by increasingly luring young people into lives of violence far from home. These giants make for formidable foes in the fight for cultural survival, but the indigenous communities of Oaxaca have faced formidable foes in the past. From the Aztec conquest to the Spanish conquest to the present day, indigenous communities in Oaxaca have endured and evolved, defying the myth of native desolation and defining a culturally sustainable future for themselves.  [Full article]

(FYI:  I just had first-hand experience with the threat cheap imports pose to the livelihoods of Oaxaca’s artisans.  I do all my Christmas shopping in Oaxaca (so much more enjoyable than hitting the malls in the USA) and purchased backscratchers for stocking-stuffers that “looked” like they were made from the ubiquitous carrizo found anywhere a trickle of water is found in Oaxaca.  However, there they were in a bin at one of the chain drug stores here in el norte!  I’m thinking they were made in China.  Wood carvers, potters, and weavers, the conversation is the same; business is down and these creative and talented folks are being forced to return to work in the fields.)  — casitacolibrí

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Apparently, I’m not the only one who has made the journey from Oaxaca to California.  The San Francisco Bay Area has been basking in sun and Oaxacan-blue-skies.  Even though the temps don’t match-up, the coast beckoned…

Wall art on sea wall

And, wall art greeted us in Bolinas.

Wall art of surfer in wetsuit carrying surfboard

Gosh, except for the subject matter, I felt like I was in Oaxaca!

Wall art of whale on seawall

Wait!  Who is that I see?

Wall art of Benito Juárez on seawall

None other than Oaxaca’s favorite son, Benito Juárez.  The subject matter IS the same!!!

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And the juxtapositions continue; the annual nativity scene set up on the zócalo in Oaxaca across from the Government Palace and the ongoing occupation by the women of San Juan Copala, not to mention the ubiquitous banners of  Section 22 of the Teachers’ Union.

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Then there were the impossibly cute kids and a rapid request from them.  “Mas despacio, por favor,” sez I.  A slow motion reply followed, “To-ma nu-es-tra fo-to,” sez the older girl.  And, so I did!

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As promised…

And, there is SO much more!!!

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… in all manner of ways; there’s a lot of that here.  Successful meetings between old and new are a matter of debate.  The newly renovated Centro Académico y Cultural San Pablo is no exception.  It was acquired, designed by architect Mauricio Rocha, renovated, and repurposed by the Alfredo Harp Helú Foundation.

Located in the heart of the historic district, between the Museo Textil and the Teatro Macedonio Alcalá, this former Dominican convent, originally established in 1529, has been one of those ubiquitous crumbling and peligrosos buildings for a long time.  In addition, to the features of the original cloister, archeological remains from 2,500 years ago were uncovered and have been preserved.

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The buildings will house a research center (including a library), dedicated to the study of the languages and cultures of the indigenous of Oaxaca, serve as a venue for cultural presentations, and provide exhibit space for the philanthropic endeavors of the Alfredo Harp Helú Foundation, which (among several others) includes the Textile Museum, Museum of Philately (stamps), Institute of Oaxacan Historic , and Children’s Library.

The grand opening, with all the requisite fanfare and dignitaries, was November 26.  Alas, I missed it!  However, the courtyard provided the setting for several performances during the Instrumenta Oaxaca 2011, a 2-week long chamber music festival that ran from November 3rd to the 18th; two of which I attended.  I was dazzled by the setting (and the acoustics weren’t bad, either) and was especially gratified that the library, which the seating faced, presented a prominent and dramatic architectural feature.

Written on the wall of the building housing a small collection from the BS: Biblioteca Infantil (Children’s Library), a quote from Dostoyevsky (of all people):  Los libros son mi aliento, mi vida y mi futuro.  In English:  Books are my breath, my life and my future.

For more (in English) about the Centro Académico y Cultural San Pablo, see Norma Hawthorne’s article, Oaxaca Center Promotes Indigenous Language and Culture, Opens November 26, 2011.

Update:  Read how this cultural and historical gem, lost in plain sight.

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In August 2011, Vive Oaxaca launched a campaign to showcase the best of the state through a series of video shorts.  Two have already been released online:

Esto es Zaachila

and, Esto es Guelaguetza

I’m looking forward to Monday night’s online release of, Esto es Oaxaca de Juárez.  I guess you know what my Tuesday morning blog post will be!

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… equals public art on Calzada Niños Héroes de Chapultepec, a section of the legendary Pan-American Highway in Oaxaca’s capital city.

On October 27, 2011, representatives from the groups Espantapájaros, Asaro, Bouler, Viyegax, Arte Jaguar, Lapiztola, and Uriel Marín set to work transforming a long drab wall into a work of art representing the social, cultural, and political life of Oaxaca and Mexico.  The wall of graffiti was part of the Puntos de Encuentro, Primer Festival de Artes Visuales Oaxaca 2011, previously mentioned in my mid-October blog post, Meeting Points….

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As of a few days ago, the artwork remains to catch the eye of drivers (yikes!), passengers, and pedestrians.

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Being serenaded on the bus from Zaachila back to Oaxaca…

Two guitarists on bus.

What’s not to love???

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… in Zaachila

Wall mural: magenta skull with writing: Mr. Weto; Oaxaca; Reedie

and Zimatlán de Lázaro Cárdenas.

Woman's head with 3/4 white mask with large red flower

I have no idea what they mean…  But, who cares?

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Today is Thanksgiving in los Estados Unidos de América… and besides my wonderful family and friends, I am so grateful to see and experience places like San Antonino Castillo Velasco during los Días de Muertos.

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¡Feliz Acción de Gracias a todos!

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San Antonino Castillo Velasco, a Zapotec community near Ocotlán, is a village known for its flowers.  They are, no doubt, the inspiration for beautifully embroidered linens and clothing sold in the mercados and found in museum collections.  And, a specialty is the “flor inmortal” (immortal flower), so named because, even when dried, it retains its brilliant colors.  They are used to create intricately designed figures on display December 23 in the city of Oaxaca, during Noche de Rábanos and to decorate the graves of  loved ones during Días de Muertos in San Antonino.

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As I’ve previously mentioned, each village seems to have its own unique traditions for the Days of the Dead.  Villagers here mix the area’s very fine dirt with water, cover the graves, use a trowel to smooth it, outline designs and religious imagery into the dried coating, and then use flowers (fresh and dried), to paint the scene.  Entire families are involved, young and old, and the atmosphere is filled with joy, purpose, and most of all… Love.

For a very special moment, that is a metaphor the two days spent at San Antonino, see Chris’s post, Moments make a life..

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