Thursday is market day in Villa de Zaachila. Thus, once we turned off the carretera, we crawled our way into town joining scores of other cars, trucks, tuk tuks, motorcycles, bicycles, pedestrians, dogs, and the occasional goat. The scenes were pure country village. Once parked, we meandered our way along the street stalls, stopping to examine their wares and chat with vendors.
However, our stomachs were grumbling and our trajectory was set — Zaachila’s mouthwatering barbacoa de chivo (goat) beckoned!
Once sated, we went in search of Zaachila’s beautifully decorated pan de muerto (Day of the Dead bread). It was still a little early in the season but, zigzagging up and down the bread aisles, we eventually found a couple of vendors and bought a few to be placed on our ofrendas.
Being members of the “clean plate club” and needing to walk off our very filling lunch, we walked toward the Templo de Santa Maria de la Natividad to begin the Muertos mural walk to the Panteón. However, before even reaching the church, we were stopped in our tracks by this massive and incredibly moving mural dedicated to the victims of Covid-19.
New Day of the Dead murals had been painted along calle Coquiza since I was last in Zaachila two years ago and I will post pictures later. In the meantime, next stop — a mezcal palenque in Zimatlán de Álvarez.
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View From Casita Colibrí 
Mighty women of Oaxaca’s walls
Posted in Celebrations, Creativity, Culture, Politics, Travel & Tourism, tagged art, Día Internacional de la Mujer, International Women's Day, Mexico, Oaxaca, political commentary, stencil art, street art, urban art, wall art, women's faces, women's rights on March 7, 2021| Leave a Comment »
March 8 is International Women’s Day. In the words of a recent article by Nancy Rosenstock, a woman I knew back in the day, “In these challenging times, all women — from those of us who were involved in second-wave feminism to those just entering the struggle — need to come together as equal fighters and chart a course forward.”
We may have come a long way, but the struggle for equal rights, respect, freedom from violence, and control of our own bodies continues and the women of the walls of Oaxaca are not silent.
Many of the images also carry a written messages. Below, Nuestros sueños no caben en sus urnas / Our dreams do not fit in their ballot boxes carries an indictment against the capitalist political parties.
The next one lets the symbols of the ancestors speak.
From a women’s graphic campaign that seeks to express “what our bodies go through every day and what we are seeking when we scream: Vivas Nos Queremos / We Want Ourselves Alive.”
And, a promise that women will not be silenced and will march forward Sin miedo / Without fear.
Then there is the mural, La Patria / The Homeland, which adorns the wall of a school in Barrio de Jalatlaco. La Patria, originally a painting by Jorge González Camarena of an indigenous woman surrounded by patriotic imagery, graced the covers of textbooks from the 1960s into the 1970s.
To honor and celebrate International Women’s Day, on March 8, La Mano Magica Gallery/Galería inaugurates an exhibit of women artists, Exposición de Arte Colectiva Mujeres Artistas, curated by Mary Jane Gagnier, at their gallery in Oaxaca and online on their Facebook page.
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