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Posts Tagged ‘art’

A beautiful photo montage and song by Arturo Leyva honoring the 43 students of the Escuela Normal Rural Raúl Isidro Burgos, teachers’ college in Ayotzinapa, Guerrero.

The video uses some of the #IlustradoresConAyotzinapa illustrations, paintings, and embroidery by Mexican designers, artists, and artisans of the faces of the 43 student teachers of Ayotzinapa. 

In addition, journalist París Martínez has developed profiles of the 43 disappeared students by talking with their families and friends.

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Many of you may remember Juan Martinez, mi amigo and carpenter extraordinaire of Adios mosquitos and A terrace transformed fame.  Well, he is a man of many talents — and one of them is building kaleidoscopes.  Given that his “day job” is working in the office of Gorilla Glass, he has come into contact with many of the hip, young, and talented artists currently creating in Oaxaca.  Thus, a natural collaboration ensued.   Juan + Gorilla Glass + Lapiztola stencil = an exhibition of the Lapiztola Collective’s artistry at Gorilla Gallery.

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Looking into the eye of the kaleidoscope.

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What do you see?

There is the second kaleidoscope — this one a hand-crank.  Come by Gorilla Gallery on one of the next couple of Thursdays from 2 PM to 8 PM, to give it a try.

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And, be forewarned, they are working on a special Día de los Muertos kaleidoscopic project.  Prepare to be amazed!

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Mexico has a long and important place in the history of communication through murals — from stories related by pre-Hispanic civilizations…

Maya fresco circa 790 C.E. - Bonampak, Chiapas

Maya fresco circa 790 C.E. – Bonampak, Chiapas.

through the world-renowned and influential Mexican muralists of the twentieth century:  Orozco, Rivera, Siqueiros, and others.

History of Mexico by Diego Rivera, 1931 - National Palace, Mexico City.

History of Mexico by Diego Rivera, 1931 – National Palace, Mexico City.

And, as many of you know, murals on the walls of Oaxaca are part of the urban landscape, authorized or not, like them or not, they celebrate…

One of the murals in the pedestrian tunnel to the Guelaguetza auditorium.

One of several murals in the pedestrian tunnel to the Guelaguetza auditorium in Oaxaca city.

educate…

San Antonino Castillo Velasco, Oaxaca.

San Antonino Castillo Velasco, Oaxaca.

reveal past and present — and hopes and fears for the future.

Calle Tinoco y Palacios, between Vasconcelos and Niños Héroes.

Calle Tinoco y Palacios, between Vasconcelos and Niños Héroes, Oaxaca city.

Those found on the streets we expect to be ephemeral, but commissioned work, both inside and outside of buildings, we hope would have a longer and more permanent lifespan.  Of course, the Rockefeller family’s destruction of Diego Rivera’s Rockefeller Center mural showed differently.  And, more recently, my friend and artist, Mike Alewitz experienced the obliteration of his mural on the side of the Pathfinder Building, also in New York.  Both were instances of political differences and, while distressing, perhaps not too surprising.

However, today Mike is leading a battle in defense of his students’ murals.  According to NBC Connecticut:

Central Connecticut State University (CCSU) has built up one of the largest mural collections in the country since the program started in 2001. But Professor Mike Alewitz, who oversees CCSU’s mural painting program, said that collection is at risk.

The school has painted over six of the murals without notice and plans to do the same with another 12, Alewitz said Richard Bachoo, director of operations, confirmed. He said he hopes an appeal to the university and community support will protect the remaining murals.

“It made them feel part of the larger world, that they weren’t looking at blank walls inside an institution, but they were looking at the hopes and dreams of young people,” Alewitz said. “We found out that 18 murals were scheduled to be destroyed.”

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He says in the 14 years the mural program has existed, the policy has never been implemented in this way. Alewitz said in a statement that this is “the largest destruction of public art in recent history.” While administrators have removed murals in the past, they normally consult with the art department first, he said.

“The real policy has been that people love the murals, so when they’ve been painted, they’ve stayed up,” Alewitz said.

Oaxaca would lose much of her character and lessons would be lost, if we were to wake one morning and find all her murals disappeared.  The story is the same at CCSU.  For the full article, click HERETo send messages of protest and to see some of the amazing student murals that enliven the walls and stimulate thinking at CCSU but are slated for destruction, click HERE.  And, Why Bureaucrats Fear Art, is a letter to students and fellow artists, by Mike Alewitz.

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These creatures began materializing around town a couple of months ago.  I wonder…

Creatures painted on wall

Who are they?

Creature painted on wall

Where did they come from?

Creatures painted on wall

What do they want?

Creatures painted on wall

Perhaps, I should ask here!

Creature painted on wall

The walls of Oaxaca… you have questions, they have answers.

Update:  The monsters sprang forth from the mind of SCOM.

h/t Jason Pfohl of Gorilla Glass.

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On Saturday, we drove to San Bartolo Coyotepec for the opening of the exhibition, Colorum, an exhibit of art by the children of Oaxaca, mounted as part of tomorrow’s el Día del Niño (Children’s Day) celebrations.  We went primarily to support my friend Juan, as his son Allan was one of the young artists participating in the show.  However, we stayed because it was a wonderfully inspiring and uplifting experience and I applaud the Museo Estatal de Arte Popular Oaxaca (MEAPO) for encouraging and showcasing the imagination and creativity of the children of Oaxaca.

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What is given to children, the children will give to society.

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Children are the most important resource in the world and the best hope for the future.

The free imagination transforms the world and makes things fly.

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The Colorum exhibition lasts until May 20, 2014.  It is open from 10:00 AM to 6:00 PM, Tuesday through Sunday.

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No, not a newly discovered mutant killer variety — only one of the sculptures currently hanging out along the Alcalá.  It is part of a public art exhibit, “El migrante,” by Oaxaqueño artisit, Fernando Andriacci.

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Urban artist, Yescka, at work on December 20, 2013 at Gorilla Gallery in Oaxaca…

Live action painting from the back of the glass, a devilish Virgen de Guadalupe emerges…

From the back and from the front, La Virgen is finished.

Yescka then turned to one of the gallery’s windows; outside looking in and inside looking out.

Like street art, these works are not forever.  In a month (or so), the virgin will be disappeared and another artist will come to Gorilla Gallery to create another ephemeral masterpiece.

Gorilla Gallery is at Crespo 213 and is open on Thursdays, from 2:00 – 8:0 PM.

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A neighbor and I were standing on the upper terrace of our apartment complex, watching the guys paint the dome of Iglesia de San José (a future blog post), when I looked to the south…  Hmmm, I’d never noticed the art on the side of that tall yellow building — and neither had she.  I whipped out my little Lumix and took this photo at 12:25 PM.

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At 12:26 PM, I was about to take a second shot when the guy, his staff, and the little church at his feet, began climbing up the side of the building.  Whoa!!!

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By 12:27 PM, they were gone…

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At 4:02, while composing this blog post, I got up from my desk to take a look at the building again — trying to figure out where exactly this banana yellow 3+ story building is located.  Imagine my surprise when I saw the guy and his staff back on the side of the building AND his twin on the far right.

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What the @#$% ???  Unable to curb my curiosity, I took off in search of my on/off/on again friend.  At 4:34 PM, walking south on Tinoco y Palacios (which becomes, J. P. García),  I found him at 308 J. P. García (almost to Las Casas), hanging out above Veana (one of my “go to” shops for kitchen ware).

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At 4:35 PM, from across the street, I stood on the sidewalk gazing up at this reappearing painting on the side of the building.  ¡Un milagro!

P1000118At 4:36 PM, I still don’t understand…  What was it we saw earlier today?  A stencil?  Artists, can you enlighten me?  All I can say is, I am VERY glad this painter is fastened to a harness.  Of course, I’m hoping it’s not just being hand-held by the two guys on top of the building!

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People often ask, “What do you DO all day?”  This is as good an answer as I can come up with!

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Work in progress on Tinoco y Palacios by Jorel and the Rhu Crew…

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Up close and personal…

All finished!

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I think I’ve mentioned several times before, Oaxaca is filled with art — in the streets, museums, and galleries.  New venues crop up regularly and exhibit openings, replete with mezcal, cervesa, and botanas, seem to occur a couple of times a week.  I can’t keep track!

A few days ago, on our way to La Popular for tortas, my friend (and artist) Laurie Fisher and I stopped by the Galería Noel Cayetano Arte Contemporaneo to see the current exhibit, Los Apóstoles (The Apostles).  Male and female, they are all self portraits by Nayarit born sculpture and painter, Vladimir Cora.

Cora dedicated the exhibition to all all those who do their job well have not been corrupted.  “Todos tenemos un apostolado y si lo haces honestamente, esta exposición es para ti.” — Vladimir Cora (Noticias, 10 agosto 2013)

The Cayetano gallery is upstairs at the Plaza Santo Domingo, M. Alcalá 405-30 in Oaxaca city.

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Yesterday, in the midst of Guelaguetza festivities, Oaxaca learned of the death of one of her beloved artists.   A sculpture and painter, Alejandro Santiago was only 49 years old when he succumbed to a massive hear attack.

Image of Alejandro Santiago projected on screen at Homage

Image of Alejandro Santiago projected on the screen at today’s Homage

Perhaps his most important work resulted from a return to the Zapotec village of his birth, San Pedro Teococuilco, after many years away.  He was moved by the large numbers of men and women who had left, leaving it almost deserted.  Inspired and feeling the need to make a statement about what had happened to his pueblo, and countless others in Mexico, he created a massive exhibition of 2501 sculptures, an homage to those who had left, plus one — those who are yet to make the journey northward.

One of his 2501 Migrants from a 2012 exhibit along Macedonio Alcalá,

One of his 2501 Migrants from a 2012 exhibit along Macedonio Alcalá,

There was an Homage to Maestro Alejandro Santiago this morning at the Teatro Macedonio Alcalá.

Casket of Alejandro Santiago on the stage of Teatro Macedonio Alcalá

Casket of Alejandro Santiago on the stage of Teatro Macedonio Alcalá

And, according to Think Mexican, there will be a memorial “in the coming days at La Calera.”

For more photos from the 2501 Migrants exhibit, see my blog post The path of the migrant.

Update:  Valerie J. Nelson has written a lengthy tribute to Alejandro Santiago for the Los Angeles Times.

RIP, Maestro.

 

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Oaxaca is alive with street art these days — even more than usual and that’s saying a lot!  As part of their Hecho en Oaxaca (Made in Oaxaca) exhibition, the Museo de Arte Contemporáneo de Oaxaca (Museum of Contemporary Art of Oaxaca) invited a dozen well-known and accomplished urban artists to transform the walls of the museum and the Historic District of the city.

A lifetime ago, prior to becoming a librarian, I was a registered nurse, first working in a hospital and then as a visiting nurse.  The current MACO exhibit reminded me of one of the primary reasons why I much preferred the latter — it was the creativity needed in creating treatment plans to provide care in a patient’s often-times challenging home environment.

The imagination and inventiveness required to create art on crumbling walls with windows, doors, meters, and electrical boxes, never ceases to amaze me.  As you can see below, even in MACO, that same vision is evident in the use of the museum’s many rooms and courtyards — including incorporating doorways, window sills, and colonial era frescos.

 Yescka

Retna

Dr Lakra

Swoon

Saner

If you love Oaxaca’s street art, get yourself to MACO.  The exhibition runs through the first week of October 2013.

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This wall in Oaxaca says it all.  Have I mentioned, I’m counting the days until my return?!!

Small at top of big wave.

Here’s hoping Cameron Conaway is right and this is, “The storm before the calm.” (Caged: Memoirs of a Cage-Fighting Poet)

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One can see his art all over the city.  I’d first been wowed by the scale, symbolism, and style of his work early last year, when walking up Matamoros to meet a friend who was staying at Hotel Azucenas.  At Calle Prof. M. Aranda, I was stopped dead in my tracks — the entire front of the building next to the hotel had been transformed. Using a roller, not brush or spray can, the artist known as Sanez turned it into a work of art.

In September 2012, Sanez again worked his magic on this tired old building — this time creating “El Canto del Agua” (The Song of Water).  According to the article, Mesoamerican Peoples Express their Solidarity by Jonathan Treat, using “symbols of the Aztec god of rain, fertility and water—Tláloc, and corn, forests, animals, campesinos and campesinos and traditional Oaxaca fiestas… Sánez honors indigenous peoples struggling to defend their territories:  [The mural is] ‘Dedicated to the peoples who organize to defend their commons and the common good—Mexico and Canada.’”

Another close encounter with the work of Sanez occurred last month when I ventured across Republica into Barrio de Jalatlaco.  Besides its un-city-like tranquility and quaint tree-lined, but treacherous, cobblestone streets, this bucolic neighborhood always has great street art.  However, I didn’t expect to find the restaurant, Fuego y Sazón, playing host to the unmistakeable style of Sanez.  Wow!

And then…  Just a few days before this current trip to California, I was at Gorilla Gallery (Crespo 213) talking to Jason Pfohl (glass artist and guiding spirit behind Gorilla Glass) when Sanez came in.  He came to discuss plans for his live painting on glass event at the gallery.  Alas, I was already in the US on May 31, when it occurred.  However, if you are currently in Oaxaca, you can see the finished piece at the gallery on Thursdays between 2 and 8 PM.  Besides the immense glass canvas, the gallery is featuring prints by Sanez — and I’m sure Jason would be happy to discuss the distinctive tattoo work of Sanez.

In addition, you might want to slow down when driving along Constituyentes behind Mercado de Abastos — that giant billboard mural towering above the weeds and refuse is another of Sanez’s masterpieces.

 

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3 straw hats on concrete wall

Still life at Matria, Jardín Arterapéutico.

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