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Archive for the ‘Gardens’ Category

Listening to the rhythm of the falling rain.

Wet patio with water in buckets

Ahhh…  At long last, relief from weeks of energy sapping heat and a long very dry winter.

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Sparrow came by for a late breakfast on the bougainvilla this morning.  Guess, like my neighbor, (s)he didn’t realize Mexico “sprung ahead” last night to Daylight Saving Time.

Sparrow sitting on bougainvilla branch

Or, should I say, most of Mexico.  Teotitlán del Valle follows the sun and doesn’t set their clocks back.  Let the confusion begin!

Close-up of sparrow sitting in bougainvilla

So, maybe Sparrow is…

Living on Teo Time.
Living on Teo Time.
Gonna set my watch back to it
‘Cause you know that I’ve been through it.
Living on Teo Time.

(With apologies to Daniel W. Flowers, songwriter of Tulsa Time.)

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Do you remember December’s abandoned building that artist Mauricio Cervantes transformed into Hope amidst decay with his El Sueño de Elpis?  Bringing together artists, gardeners, and community members, he is again working his magic at Casa del SXIX.  Honoring sustainability and reuse, Matria, Jardín Arterapéutico is a year-long multidisciplinary installation that will grow and change with the seasons.

Appropriately, on the first day of Spring — the season of rebirth, resurrection, and renewal — I was invited to wander through the site and watch as life was emerging from the decay.

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Primavera, the beginning phase of Matria, Jardín Arterapéutico will be revealed to all on Saturday, March 23 at 2:00 PM.  The building can be found at Murguía 103 (between Macedonio Alcalá and 5 de mayo).

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One of the biggest challenges of the recent move was carrying 150+ potted plants down two flights of stairs, across the driveway, and up a flight of stairs.  They ranged in size from eight to eighteen inches across and ten to twenty-four inches tall.  Needless to say, major respect was given to the cactus and their perilous spikes.  However, I also gave special care to my two pots by the late potter, Dolores Porras.

P1040391

Growing up and spending her life in one of the villages of Oaxaca known for working in clay, Santa María Atzompa, her style was unique in the use of color and imagery — a touch of whimsy wherever her pots are found.

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If you will be in Oaxaca tomorrow (Feb. 11, 2013), be sure to stop by the Oaxaca Lending Library to see Michael Peed discuss and show his documentary, Dolores Porras: Artista Artesana de Barro.  And, if you’re not lucky enough to be there, check out the website for the film’s trailer.

Porras blurb

 

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Today, the truck arrived, the wheelbarrows were loaded, and the gardening crew began filling the flower beds of Oaxaca’s zócalo…

Truck filled with poinsettias

Workers with wheelbarrows filled with poinsettias

Worker digging up flower bed, with poinsettias in pots in background

Mass of red and one white poinsettias in flower bed.

Navidad is coming to Oaxaca!

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View from Casita Colibrí yesterday morning.  Ahhh…

Blue sky, African tulip trees in foreground, churches in mid-ground, mountains in distance.

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Fifteen hundred years may have passed since Monte Albán was in full bloom as the center of Zapotec civilization.  However, the flowering continues…

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Monte Albán on an early October morning.

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Instead of the coming of age novel, A Tree Grows in Brooklyn, we have the real life drama of a tree falls in Oaxaca.  Heading down to the mercado this morning, I was brought up short by this heartbreaking sight.

Large trunk of tree uprooted from ground.

According to reports, there were many present to hear and see one of the grand 130+ year old Indian laurels topple during a storm on Saturday night.  And, worst of all, ten people were injured, two seriously.  Trees in the city, including Indian laurels in the Zócalo, have been plagued by adversity.  A laurel in the Zócalo fell a few years ago, damaging a nearby building, and most recently in May 2011, I wrote about a laurel on the Alameda that toppled.  Resurrection was attempted and guy-wires remain to this day holding it upright.  I guess the experts decided this latest one was beyond rescue.

Large tree cut into pieces

Controversy reigns, as many assert that these trees should be able to withstand the rain and less-than gale force winds.  Thus speculation over the cause runs rampant.  Root rot appears to be the immediate culprit but the big question is, why?

Pile of massive wood logs

And, as Chris sadly noted a couple of months ago, regarding the diseased flamboyant trees in front of Santo Domingo de Guzmán, Any tree is hard to replace.

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What’s your internet connection like?

Wire and cactus on tile roof of INTER_NETJOLY

Do you think the cactus help?

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Monday morning, I went out onto the terrace to hang the wind chimes back up (too loud for sleeping), pick up spent African tulip tree blossoms (20 to 30), and say buenos días to Argiope (previously mentioned spider).

Hmmm… all was definitely not “as usual” in the spider’s web.  Argiope, what in the world is going on?

Argiope spider with dragonfly caught in her web.

Good grief, she had caught a dragonfly!  It must have been quite a battle, as her web was a mess and now she was trying to wrap it up.

Close-up of dragonfly caught in an Argiope orb weaver spider web.

This was serious business for her and she worked at it most of the day.  However I had to chuckle, as sayings from childhood rose up from the cobwebs in my brain  —  Your eyes bigger than your stomach.  Have you bitten off more than you can chew?  Pick on someone your own size!

Dragonfly hanging by a thread on the web as Argiope spider has moved away from her prey

Monday evening, she finally gave up and let it loose from her clutches.  When I retired for the night, the dragonfly was hanging by a thread.

Argiope spider sitting in middle of web with a wrapped up fly.

By the next morning, the remains of the dragonfly had fallen onto the patio and Argiope was sitting happily in her newly repaired web with a more appropriately sized breakfast.

Mother Nature is amazing!

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Warning:  If you are an arachnophobe, read no further!

Remember Argiope, one of the orb weaver spiders who hung around Casita Colibrí’s garden from September of last year through January of this year?  When last seen, she was laying eggs on my screen door.  Alas (or perhaps, thank goodness), a workman who was coming in and out of my apartment must have brushed her and her eggs away,  thus relieving me of answering the question, “Do I really want thousands of little spiders beginning to explore the world from my screen door?”

However, I suspect that wasn’t her first attempt at motherhood.   One day this past June, I was surprised to find…

Argiope spider in the center of her web

Argiope’s daughter?  That is what I would like to think!  And she is just as beautiful as her mother…

Close-up of back of Argiope

… both back (above) and front (below).

Close-up of back of Argiope

And, she is just as good as catching her lunch!  I watched as she finished wrapping up the unfortunate fly above.  I guess she needs all that nourishment…

Bright yellow tear-drop shaped egg sack attached to an agave cactus

Another generation of Argiopes in waiting!  And, as I write, the hunting continues…

Close-up of Argiope wrapping up fly

More to come?  La vida may be loca, but on it goes!

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Late yesterday afternoon; outdoor room (aka: my terrace) with a view.  Ahhhhh….

African Red-orange blossoms of African tulip tree in foreground, San Jose church bell towers, and cloud dotted blue sky in background.

And, despite the clouds above, this morning I can report, no rain for 36 hours!

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On my first visit to Oaxaca, I was introduced to Jardín Sócrates, part of the Templo de la Soledad/Plaza de la Danza complex, between Independencia and Morelos.  The original Jardín Sócrates was constructed as a public garden in 1881 and remodeled for its 100th birthday.

Pink and white iron chairs and umbrella in front of a neveria stand.

I have a weakness for ice cream, sherbet, and gelato and, thus, was completely “in heaven” being surrounded by stands selling the most amazing flavors of  milk and water based frozen desserts.

Green and yellow iron chairs and umbrellas in front of a neveria stand.

Everyone has their favorite vendor, my friend G was partial to Nevería Malena, and so we sat down at one of their yellow and white iron tables.

Yellow and white iron chairs and umbrellas in front of the Nevería Malena stand.

It was SO hard to decide what to order; being tempted by too many choices and being mystified by what many of the flavors actually were.

Nevería Malena sign listing 34 flavors

What in the world is Beso de Angel?  I settled on a scoop of Leche Quemada (burnt milk) with a scoop of Tuna (fruit of the nopal cactus NOT the fish) on top.  I was hooked!

Bowl of leche quemada and tuna nieve on yellow and white iron table.

As it worked out, two years later I moved into an apartment only a block away and I pass by Jardín Sócrates at least a couple of times a week.   However, in mid October 2011, carpenters began constructing wooden puestos along Independencía below the Jardín.  Ready for a feria?  I wondered.  Then they were painted!  These took on a semi-permanent character.  Hmmm…

Wooden puestos lining sidewalk.

Soon, a sign went up explaining the Jardín Sócrates was undergoing an “image enhancement,” courtesy of the federal and municipal governments.

Programa Habitat 2011; Gobierno Federal sign.

Demolition soon began, including the removal of the original green cantera (stone) pavement.

Pile of old paving stones

And, the neverías began moving down to the temporary puestos on Independencia.  I found Nevería Malena, ordered my usual, and asked how long the relocation was going to last.  “No sé.”  (“Don’t know.”) was the answer.

Iron tables, chairs, and puestos on sidewalk.

Eight new stalls were constructed, the cantera was replaced with red terracotta tile, and new tables, chairs, and umbrellas materialized.  After five months,  the newly “enhanced” Jardín Sócrates opened on March 29, 2012.

Fountain and green umbrellas on terracotta paved terrace.

It does look lovely — orderly and coordinated — but I kind of miss the color and funkiness of the old.

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Just before this afternoon’s rains came, Casita Colibrí’s first African tulip tree blossom of the season.Orange red African tulip tree blossom .

And that means, colibríes (hummingbirds) won’t be far behind!

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Be it looking down from the windows above, strolling through the gardens on a tour, or peeking through openings in the wall on Reforma or Berriozabal on the way to someplace else, Oaxaca’s Ethnobotanical Garden is always a soothing and uplifting sight.

Looking out from window above Ethnobotanical Garden

Check out this informative and enlightening article by Jeff Spurrier discussing the origins and vision of  Oaxaca’s Ethnobotanical Garden — from the Jan/Feb 2012 issue of Garden Design:

Oaxaca’s Ethnobotanical Garden

“I am not a gardener.” Francisco Toledo is sitting in the courtyard of the graphic art institute he founded in downtown Oaxaca City, Mexico, sipping on a glass of agua de jamaica. His fingers are paint-smudged, and he moves stiffly from a sore back. Toledo, 71, is one of Mexico’s best-known living artists; his paintings, sculptures, and textiles are in galleries and museums around the world. At home in Mexico, he is identified with a fierce and outspoken defense of the indigenous arts and culture of the southern state of Oaxaca. He also, as it turns out, helped to create one of the world’s most original public gardens.

“The professionals are the people who live in the country,” he says. “The campesinos and workers — I don’t have the patience.”

Nearly 20 years ago, the Mexican military moved out of a 16th-century Santo Domingo monastery complex it had used as a base for more than 120 years. Mexico’s president gave the exit order after being lobbied by Toledo and other leading artists and intellectuals belonging to Pro-Oax, an advocacy group urging the promotion and protection of art, culture, and the natural environment in Oaxaca. Soon, a great clamor began: The state government wanted the five-acre parcel in the heart of downtown Oaxaca City to create a hotel, convention center, and parking facility. A restoration team brought in by the National Institute of Anthropology and History wanted to establish a European garden in the 17th-century baroque style. Some of Toledo’s fellow artists wanted to use the grounds for workshops and exhibition space.

n 1993, when Toledo knew the army would be leaving, he asked Alejandro de Ávila B., who had family roots in Oaxaca and training in anthropology, biology, and linguistics, what he and other advocates would propose. De Ávila suggested making the space into a botanic garden — or, more precisely, an ethnobotanic garden, one that would “show the interaction of plants and people.”

I highly recommend reading the Full Article.

h/t  Norma and Roberta

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