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Archive for the ‘Culture’ Category

Today’s Google Doodle solves a little mystery leftover from my brief March visit to Mexico City.  Staying in Colonia Cuauhtemoc, making my way to Insurgentes metro stop took me across Paseo de la Reforma and past this beguiling sculpture.

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I circumnavigated the sculpture on several occasions in an unsuccessful attempt at finding a plaque identifying the artist.  Thanks to today’s Google Doodle, now I know.  Titled, How Doth the Little Crocodile (also known simply as, Crocodile), it is by the late surrealist artist, writer, expat, and women’s liberation activist, Leonora Carrington, whose 98th birthday is being honored today.  The sculpture’s title comes from the Lewis Carroll poem by the same name.

Carrington led an extraordinary and fascinating life that was touched by many of the most important events and influential people of the twentieth century.  In 2000, she donated the sculpture to Mexico City, her adopted home for the latter part of her life, and it was moved to its current location in 2006.  How lucky for all whose paths cross this whimsical creation with its smiling jaws!

How Doth the Little Crocodile
by Lewis Carroll

How doth the little crocodile
Improve his shining tail,
And pour the waters of the Nile
On every golden scale!

How cheerfully he seems to grin,
How neatly spreads his claws,
And welcomes little fishes in
With gently smiling jaws!

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I wasn’t brought up in the Virgin and crucified Christ tradition.  No baggage, no boredom — perhaps that is why I find the multiplicity of María and Jesús images so fascinating.  Thus, I can’t resist a little “up close and personal” at the Procession of Silence.

Señor de Esquipulas

Señor de Esquipulas – Parroquia de Nuestra Señora del Carmen Alto

Nuestra Señora de Los Dolores - Parroquia de Santo Tomas Xochimilco

Nuestra Señora de Los Dolores – Parroquia de Santo Tomas Xochimilco

Señor de Las Tres Caídas - Parroquia de Santo Tomás Xochimilco

Señor de Las Tres Caídas – Parroquia de Santo Tomás Xochimilco

La Piedad

La Piedad

Jesús con la Cruz a Cuestas - Capellanía de Nuestra Señora del Patracinio

Jesús con la Cruz a Cuestas – Capellanía de Nuestra Señora del Patracinio

Nuestra Señora de los Dolores -  Capellanía de Nuestra Señora del Patrocinio

Nuestra Señora de los Dolores – Capellanía de Nuestra Señora del Patrocinio

Señor de La Columna - Templo de Santo Domingo de Guzmán

Señor de La Columna (front) – Templo de Santo Domingo de Guzmán

Señor de La Columna (back) - Templo de Santo Domingo de Guzmán

Señor de La Columna (back) – Templo de Santo Domingo de Guzmán

The rituals and images continue to remain alien to me, but I can’t help but appreciate them as cultural expressions.

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Good Friday morning, the streets of Oaxaca are quiet, and solitude seems to be the order of the day.  The only sounds that could be heard coming from the streets in my ‘hood were prayers being sung as Our Lady of Solitude left her eponymous home at the Basílica de Nuestra Señora de la Soledad.

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As you can see, alone, Oaxaca’s patron saint was not; acolytes carried and accompanied her on her morning stroll.

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A crystal clear, brilliant blue sky provided a backdrop for her sojourn.

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Slowly she made her way down Independencia en-route to the Cathedral.

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She was one of the first to arrive at this ritual Viernes Santo gathering.

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The guys took over and maneuvered her into position at the side of the Cathedral, as the faithful awaited.

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There, she would soon be joined by other images of the Santísima Virgen and Jesús from many of the numerous churches in the Historic District.

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After at least two hours of prayers and songs and more prayers, Soledad returned to the Basilica, perhaps to rest (like me) before again taking to the streets for this evening’s Procession of Silence.

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Another magical Domingo de Ramos spent in San Antonino Castillo Velasco.  Experiencing Palm Sunday in this small Zapotec village never fails to nourish the soul.

A band played outside the panteón as villagers, from niños and niñas to abuelas and abuelos, arrived bringing their biggest and most beautiful fruits and vegetables, breads and baked goods, carved wooden toys and embroidered clothing, not to mention, goats, chickens, rabbits, and even a pig or two.  Three silver-haired abuelas inspected each donation; their faces expressing gratitude and appreciation for each offering, as they affixed a price tag.  Following the procession to the templo and a mass, all would be sold to raise money for the work of the church.

These were offerings to San Salvador, who sat proudly atop el Señor del Burrito, who was up to his ears in produce and bread.

At 11:00 AM, after prayers were offered in gratitude and for continued abundance in this fertile valley, led by the beat of two tambors and the high-pitched lilt of a chirimía, a procession to the church began.  Palm crosses were distributed to villagers and visitors, alike, and many carried (or led, in the case of the livestock) the offerings that had been collected.

Once secured, it took twenty men to hoist and carry the bounty-laden anda, with San Salvador and the burro, a ritual reenactment of the Biblical story of Jesus entering Jerusalem riding on a burro to celebrate the Passover.  As the procession made its way to the church, the rhythmic sounds were occasionally overpowered by shouts warning the men of topes (speed bumps) and low hanging telephone wires that must be navigated, and then there were the stairs leading up to the church atrium.

I cannot begin to express how warm and welcoming the people of San Antonino Castillo Velasco were.  Countless times, as I was taking photos, officials encouraged me to come closer and villagers ushered me to the front.  How many magical experiences can one person have?

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It’s been one year since the passing of maestro Arnulfo Mendoza Ruíz.

Tejedor de los sueños by Charles Barth

Tejedor de los sueños by Charles Barth (alas, with reflections from other pieces)

To honor his life, an exhibit of works by his friends, colleagues, and family was inaugurated at La Mano Mágica on March 13, 2015.

ManoMagica exhibit

His older son, Gabriel Mendoza Gagnier, curated this amazing collection of paintings, weaving, and artesanía.

Assisted by Arnulfo’s companion, Yukiko, the opening featured, not only amazing art, but also mezcal, tamales, and surprise entertainment by Carnaval dancers from San Martín Tilcajete, wearing masks carved by some of the well-known carvers from the village, including Inocenio Vásquez and Jésus Sosa Calvo.

Jésus Sosa Calvo had carved the signature entry sign for La Mano Mágica and recently, unasked, came by to freshen up the paint that had faded over the years under the intense Oaxaca sun.

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While, in the words of Manuel Matus Manzo,  Arnulfo Mendoza may have gone on “to meet the Jaguar and the god Murcielago,” the dreams of his magical hands remain.

Finally, this beautiful poem by Alberto Blanco from the exhibit’s catalog…

Mitades a Arnulfo

I
La mitad de la tierra
no sueña con la luna.
La mitad de la luna
no sueña con el sol.

Si la luna es la trama,
y si el sol es la urdimbre,
esa tierra es la tela
donde acaso se vive.

II
La vida es la comedia
ya la muerte es el drama,
pero el textil de siempre
es la urdimbre y la trama.

La mitad de la vida,
la mitad de la muerte:
una tela tejida
con un hilo de suerte.

 

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Last week, while in Mexico City, I paid my respects to Tláloc, the Aztec rain deity, both at the Templo Mayor and Museo Nacional de Antropología (National Anthropology Museum).

Templo Mayor, Mexico City

Tláloc — Templo Mayor, Mexico City

I’m now back in Oaxaca and, for the third day in a row, Tláloc is making his presence known.  And, rain is in the forecast for the next several days.

Fragments of a Tláloc brazier - Museo Nacional de Antropología, Mexico City

Fragments of a Tláloc brazier — Museo Nacional de Antropología, Mexico City

Thunder is rumbling and, out of the corner of my eye, I see flashes of lightning to the east.  It may be the “dry season,” but Tláloc is speaking and we are listening.

Pot with image of Tláloc -- Museo Nacional de Antropología, Mexico City

Pot with image of Tláloc — Museo Nacional de Antropología, Mexico City

Perhaps drought-stricken California might want to build a temple to this supreme god of the rains — not to mention, institute mandatory water rationing!

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Unlike many places on our planet, bees were plentiful on the streets of Oaxaca this morning…

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They were a little apprehensive, but moms, dads, and teachers were there to hold their hands and dry the occasional tear.

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There were other sweet cuddly critters…

P1080075and, even princesses.

P1080074Oaxaca opens her arms and welcomes spring with a parade of children.  How could one not smile and be happy?!!

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Yesterday was the fourth Friday of Lent and, if you are in Oaxaca, that means Día de la Samaritana, where, believer or not, you will be offered aguas from doorways and street-side tables set up in front of churches, restaurants, hotels, government agencies, and private homes.

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I got a late start; unseasonable rain was threatening and the grey sky had made it hard to leave my cozy apartment. 

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But, what can I say?  Horchata, sandia, guayaba, coco, chilacayota, chía con limón, and even tejate and nieves were offered with smiles, free of charge, to all passersby.

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Within a block, I happily and gratefully accepted a large plastic cup of horchata; another one followed, and later, a styrofoam cup of chilacayota.

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It had begun at noon, but by 2 PM, all that remained were branches of Bougainvillea, empty ollas (pots), ladles with nothing to dip into…

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and empty cups.

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Two weeks ago, we returned to San Juan Guelavía to pick up my new custom-made lampshades.  Again, Teresa and her family welcomed us with open arms.  A couple of plastic chairs were positioned in the shade under the tree and Dulce, Teresa’s daughter, snuggled up beside me, as abuela and abuelo continued working.

Teresa briefly disappeared, but soon re-emerged, from the gate hidden in the carrizo fence, carrying my new hand-woven carrizo lampshades!  After many oohs and aahs, expressions of “muchisimas gracias” by me over and over, and big smiles all around, blogger buddy Chris posed us for the requisite photo-op.

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After paying for my new treasures and many more “many thanks,” shades were put in the trunk and we slid into the front seats of the car, and headed back to the city.  Once home, I called Cristian, my electrician and scheduled the installation of the lampshades.  The smaller was hung outside my front door…

and the larger beneath the pergola on the terrace.

I love how the light glows through the finely woven carrizo.  I’m a very satisfied customer!

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Pick a color, any color, and you will find it in Oaxaca, be it people…

Places or things…

Today, I choose orange.  Tomorrow, who knows???

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March 8 is International Women’s Day — established by V. I. Lenin in 1922 (I’ll wager this is news to most), revived by women in the USA in 1968, and recognized by the United Nations in 1975.  We may have come a long way, but the struggle for equal rights, respect, freedom from violence, and control of our own bodies continues.

However, the hard work, warmth, strength, creativity, and dignity of the women of Oaxaca continues to inspire me.

¡Feliz día internacional de la mujer!  But, as news around the world and the Inequality in Charts reminds us, LA LUCHA CONTINÚA…

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Tuesday morning, from the plaza in front of the Basilica de la Soledad, the sound of speeches, music, and explosions announced Día del Barrendero — a day celebrating the founding of the Sindicato Independiente 3 de Marzo.  These are the street sweepers, garbage collectors, and laborers of Oaxaca.

Earlier in the morning, a procession brought union members, their families, and friends from Cinco Señores to the Basílica, where a special mass was celebrated to honor the patron saint of Oaxaca, la Virgen de la Soledad.  Raul, a lifelong street sweeper whose work day begins at 3 AM, is quoted as explaining, “We have to thank our mother, the Virgin of Soledad, for the blessings every day gives us.”

March 3rd — brought to you by the gals and guys who keep the city clean.

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Sunrise brings a warm glow to the denizens of Casita Colibrí…

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Buenos días, world!

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Fridays during Lent must mean the “only in Oaxaca,” Paseos Florales del Llano or Viernes del Llano, the Friday pageant through Llano Park by young female preparatoria (high school) students and their spear, oops, I mean flower, carriers.

Some will teeter on spiky heels (tacones, en español); others will opt for the less sexy, safer, maybe even edgy, and definitely more comfortable “flats” look.

According to this article, there was a tradition in Oaxaca to pay homage to women — to honor them for the important role they play in the support of the family.  The ritual died out, but was resurrected in the seventies by the Universidad Autónoma Benito Juárez de Oaxaca (UABJO) to recover religious and family values.  And so, for five Friday mornings during Lent, action in Oaxaca centers in Llano Park.  Along with the young women, there will be fans…

and bands…

Monos and clowns.

But the stars of the show are the young women; this Friday from Preparatoria 6.  They ranged from the natural to the glamorous.

There are winners — I think based on the number of flowers they collect from their friends, families, and fans.  However, in what seems to be a popularity contest, there is joy and sisterhood expressed by all; that is where their beauty shines through.

If you are in Oaxaca, or will be in Oaxaca in the next few weeks, check it out for yourself.

viernes del llano 2015 ciudad de Oaxaca

Please note, the early start!  I arrived around 8:15 AM and, unlike previous years, couldn’t get close to the paseo.  Chris at Oaxaca-The Year After rolled in at 9 AM and it was all over but the posing, departures, and detritus.

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It’s been five months since 43 students from the Escuela Normal Rural Raúl Isidro Burgos teachers’ college in Ayotzinapa, Guerrero went missing.  Their parents, the people of Mexico, and growing numbers around the world continue to ask, Who is Really Responsible?

A mural recently appeared along a very long wall at the entrance to Tlacolula de Matamoros.

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As I’ve previously mentioned, one of missing is Cristian Tomás Colón Garnica from Tlacolula de Matamoros.

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I realized, as I was processing the photos, each panel of the mural incorporates a letter.  One has to stand back (in the street) to see words materialize.  However, when we went back to Tlacolula on Sunday, there were cars and trucks parked in front of most of the mural and all we could see was, “Vivos 43.”  I would love to hear from you, if you know the full text.

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