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Posts Tagged ‘Day of the Dead’

an offering.

Apples, corn, beans, pinecone turkeys, marigolds

an integral part of the Day(s) of the Dead celebration.

Sand painting surrounded with apples

filled with meaning.

Carved owl and garlands

a beacon to the departed.

fruits, photos, flowers

an ephemeral work of art.

Marigolds, photos, fruit, vegetables, skulls, drum, baskets of nuts

the sum of its lovingly chosen parts.

Day of the Dead altarThis is another ofrenda from the previously mentioned “altar decorating” competition on the plaza in front of Santo Tomás in Oaxaca’s Xochimilco barrio.

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Living and being in Oaxaca during the Días de los Muertos is hard to put into words.  There is so much to experience and to think about.  Sensory overload challenges the limits of heart and mind and my emotions are running the gamut from extreme exhilaration to a quiet joy to being moved to tears.

The latter occurred a few days ago, when I walked up to the Templo de Santo Tomás in Oaxaca’s Xochimilco barrio (neighborhood) where an “altar decorating” contest was in progress.  Altars were to be judged on authenticity, originality, and creativity.  When I arrived, friends and relatives were in the midst of putting the final touches on their altars.  Some were elaborate and some exhibited real artistry, but one really touched my heart.

He was alone — no one to help, no playful banter.  When I first arrived, he was carefully etching a cross with a piece of charred wood on a stone.

He worked silently and with purpose, pulling items out of a well-worn sugar bag and carefully placing them on his altar.

When the bag was empty, he walked over to a cart and pulled out another one.

Slowly, his vision emerged, with symbology I have only a cursory grasp of and won’t presume to explain.

I don’t know who won the 5000 peso first prize or second or third place purses, and I don’t know if he was doing it for the money (he certainly looked like he could use it).

All I do know is he and his ofrenda moved me deeply.

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Last night we went to my favorite panteon (cemetery) at Atzompa, today we visited six villages, and tonight I went with out-of-town guests to the Panteon General here in Oaxaca.   First thing tomorrow morning a comparsa (parade) and then probably off to Teotitlán del Valle.  I’ve already taken hundreds and hundreds of photos, but there has been no time to even look at them!

So, in the meantime…  My pan de muerto (Day of the Dead bread) from Sunday’s trip to Tlacolula.

Four small loaves of decorated bread

Very special pan de muerto from Restaurante La Abeja just a few blocks from Casita Colibrí.  This one will eventually get two coats of shellac and join her sister (purchased last year) hanging on the wall.

Bread in the shape of the profile of a woman's face

Last, but not least, my altar where photos of departed family and friends join apples, tangerines, pan de muerto, sugar skulls, candles, and incense of copal.

Day of Dead home altar with fruit, candles, bread, calaveras, sugar skulls, etc.

This is a magical time to be in Oaxaca.

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Lighting, costumes, music, and dance combined to envelop last night’s audience at the Teatro Macedonio Alcalá in an other worldly experience.  Catrina is a magical tale where the world of the living converges with the world of the dead and the central theme is the pain of a mother losing her daughter.

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The show is a celebration of the pre-Columbian traditions and culture of Oaxaca, especially the ritual and meaning surrounding Día de los Muertos.  Much of the music was traditional Oaxacan and most performers were Oaxaqueños, including Alejandra Robles, singing the title role.

At 48% (that’s over 1.6 million people), the state of Oaxaca has the second highest indigenous population in Mexico.  Perhaps that is why the belief systems of the ancient Mexicans Octavio Paz, cites in The Labyrinth of Solitude, remain strong today.  He writes, “Life extended into death, and vice-versa.  Death was not the natural end of life but one phase of an infinite cycle.”  Healthier, more realistic, and more comforting, I think…

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Sunday, blogger buddy Chris and I drove out to Tlacolula for market day.  It didn’t take long to realize this wasn’t your usual Sunday market — there seemed to be twice the number vendors and twice as many shoppers.  It was the Sunday before the Días de los Muertos and this mega mercado was providing those who live in the surrounding area with everything they could possible need for their ofrendas (Day of the Dead altars).

Mounds of apples, tangerines, and other fruit.

mounds of bananas and tangerines

Rows upon rows of pan de muerto (the special Day of the Dead bread).

Pan de muerto

Wheelbarrows full of peanuts and pecans.

Wheelbarrow full of nuts

And, in the city of Oaxaca, special Muertos vendor stalls have been set up between the Benito Juárez Mercado and 5 de Mayo Mercado for city dwellers to stock up.  Intricately decorated sugar and chocolate skulls (calaveras) to satisfy the sweet tooth of Mictlantecuhtli (Goddess of Death).

Shelves of sweet calaveras

Decorated clay incense burners…

Clay three-legged incense burners

waited to burn copal resin and perfume the air with its wonderful, and now familiar, scent.

Bags and piles of copal resin

Doll house size tables were filled with miniature clay food and beverages (favorites of the departed) …

Tiny tables with miniature clay foods and beverages

and included these diminutive plates of mole and arroz (rice) — which I couldn’t resist buying for my altar!

Tiny plates of ceramic mole and arroz

And, of course, there were mounds and mounds of Cempazuchitl (marigolds), the flower of the dead, that grows wild in Oaxaca at this time of year.

Pile of marigolds

All the necessary purchases have been made, now to build my ofrenda.

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This Catrina arrived styling and ready to party.

Stylish Catrina posing in front of stone wall

Manicured fingers and toes, flower in her hair, and umbrella drink in hand, all she needs is a guy (or gal).

Seated Catrina in Tehuana traje holding cocktail glass with umbrellas.

Young man beware — she has her eye on you!

Ghoulish Catrina standing next to head shot of handsome young man

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And, guess who’s coming to dinner?  Catrinas, pinkies up!

Catrina in lavender dress sitting at table

Dahling, don’t start the party without me!

Close-up of face of a Catrina with lavender hat

Lo siento mis amigas, sending regrets from Juchitán.

Close-up of Tehuana Catrina with hand raised

Decisions, decisions, decisions… Shall I take the Jetta, Crossfox, Suburban, or Express Van???

Close-up of face of Catrina standing next to a sign with a list of autos

As for these two…

Male calavera and female calavera facing each other in a doorway

I’m not sure they are coming.

Male calavera and female calavera facing away from each other in a doorway

Hmmm… a lover’s quarrel?  Sheesh, even in the afterlife??!!!

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I’ve got my eye on you…

Decorated skeleton on top of building.

I’m praying for you…

Virgin of Guadalupe image stenciled on a wall

You just never know who might be looking over your shoulder.

Skeleton perched on rooftop above a stencil of the Virgen of Guadalupe

Días de los Muertos are coming…

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A little craziness from the November 2, 2011 comparsa in Vista Hermosa…

Muchisimas gracias to all my readers.  Thank you for stopping by, your perceptive comments, and your encouragement.  Peace and joy in 2012, if not in the world, at least in your heart!

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Today is Thanksgiving in los Estados Unidos de América… and besides my wonderful family and friends, I am so grateful to see and experience places like San Antonino Castillo Velasco during los Días de Muertos.

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¡Feliz Acción de Gracias a todos!

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San Antonino Castillo Velasco, a Zapotec community near Ocotlán, is a village known for its flowers.  They are, no doubt, the inspiration for beautifully embroidered linens and clothing sold in the mercados and found in museum collections.  And, a specialty is the “flor inmortal” (immortal flower), so named because, even when dried, it retains its brilliant colors.  They are used to create intricately designed figures on display December 23 in the city of Oaxaca, during Noche de Rábanos and to decorate the graves of  loved ones during Días de Muertos in San Antonino.

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As I’ve previously mentioned, each village seems to have its own unique traditions for the Days of the Dead.  Villagers here mix the area’s very fine dirt with water, cover the graves, use a trowel to smooth it, outline designs and religious imagery into the dried coating, and then use flowers (fresh and dried), to paint the scene.  Entire families are involved, young and old, and the atmosphere is filled with joy, purpose, and most of all… Love.

For a very special moment, that is a metaphor the two days spent at San Antonino, see Chris’s post, Moments make a life..

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San Antonino Castillo Velasco, to be precise. Young and old converged on the municipal cemetery to decorate the graves with the magenta of cockscomb and yellow to orange to rust of marigolds (cempazúchil or zempoalxochitl) grown in nearby fields.

Field of marigolds with mountains in background

They came by car and truck…

Blue pick-up truck piled high with empty crates and baskets

By horse (note wooden saddle)…

Horse with saddle tied to a tree

By pedal-powered cart…

Green cart powered by a bicycle

By horse-powered cart.

Young girl riding in a horse pulled cart.

And, on foot…

Elderly woman walking with cane and carrying a bundle of flowers

Laughter, artistry, and pride followed.  Stay tuned for images of their meticulous labors of love.

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On the eleventh day of the eleventh month at the eleventh hour, I attended a press conference for the official unveiling of the website for a new play.  The play, La [medio] diezmada (the half-decimated), will have its world premiere on December 22 at the Teatro Juárez in Oaxaca.

4 cast members and writer/director/producer standing in front of a projection of the home page of the website.

Cast members:  Hugo Alberto Díaz Reyes, Mariela Blanco López, Esmeralda Aragón Zárate, and Fortunato Chávez, with Kurt Hackbarth (middle)

One of the inspirations for writer/director/producer, Kurt Hackbarth, was a photo he had seen of a half-alive/half-dead face in a sand painting.  In one of those amazing coincidences, I’d actually photographed the very same tapete de arena laid out on the Alameda in Oaxaca during Los días de muertos in 2009.

Sand painting with skulls on left and arm and leg of skeleton in middle.

Here is my close-up of the half living/half-dead face from the tapete above; the same face that triggered Kurt’s imagination…

Sand painting close-up of half and half face.

… and I cropped and used for the website banner.

Three half alive/half skull faces

If you find yourself in Oaxaca on December 22, I encourage you to attend this world premiere!  By the way, it’s a comedy!

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On the road during los Días de muertos led us to Santiago Apóstol in the municipality of Ocotlán de Morelos…

Profusion of flowers against whitewashed graves

Entering their Panteón, the play of light and shadow and explosion of greens, reds, oranges, yellows, and magentas against whitewashed graves was stunning.

Multicolored flowers surrounding whitewashed tomb

Unique artistry was evident in each of the cemeteries we visited.

Multicolored flowers surrounding a grave

One of the special and fragrant features here was the rose petals scattered atop graves.

Pink and red rose petals covering a grave

Have I mentioned…  No matter where one seems to go in Oaxaca, the senses are filled!

Over view of whitewashed graves and the profusion of flowers

More to come…

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And then there were the impossibly cute kids taking part in the comparsa…

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