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Though rain began falling, clutching camera, umbrella, and my ten peso bag of pan bendito (blessed bread), I left the cozy dry confines of my apartment to join the faithful in a ritual promenade.  It’s Jueves Santo (Holy Thursday, Maundy Thursday), commemorating the Last Supper of Jesus, the washing of feet,  and the apprehension and imprisonment of Jesus.

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San José de Gracia, Oaxaca de Juárez

Tradition in Oaxaca calls for visiting seven churches (la visita de las siete casas) with one’s pan bendito and palm leaves.  The faithful use the latter to touch images of Jesús and María.  This year, I again committed myself to the mission.  My first stop was just around the corner at Templo de San José and the second was even easier — the Basilica de Nuestra Señora de la Soledad, just across the Plaza de la Danza from the former.

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Watery entrance to the Basilica de Nuestra Señora de la Soledad, Oaxaca de Juárez

While inside, attempting (unsuccessfully) to get a good shot of Nuestra Señora, the heavens opened up in a downpour.  Needless to say, I hung out with Soledad until the torrential rain calmed to only a steady drizzle.

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Neverías at the Jardín Sócrates, Oaxaca de Juárez

However, the rain didn’t stop the faithful and tourists, alike, from stopping to enjoy a nieve (iced dessert) right outside the Basilica, before continuing on.  I kept on moving — down the steps to Calle Independencia, on my way to the Templo de San Felipe Neri.

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Exit sign at Templo de San Felipe Neri, Oaxaca de Juárez

By the way, Jueves Santo is such a big deal, to avoid gridlock from those coming and going, the churches designate one door as the “entrance” and another as the “exit.”  It’s a great idea in theory but in practice, especially on a rainy night, it was almost meaningless.

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Catedral de Nuestra Señora de la Asunción, Oaxaca de Juárez

Next stop was across the street at the inconspicuous Iglesia San Cosme y Damián, then on to the very prominent Catedral de Nuestra Señora de la Asunción, where the three front entrances were providing tourists, vendors, and believers shelter from the storm.

After navigating my way through the Cathedral, I exited stage right, dashed across the zócalo and into La Compañía (the Jesuit church).  On my way out the side door, I stopped briefly to buy a bag of homemade gingersnaps and, with umbrella raised, headed to my seventh and final church of the night, El Carmen de Abajo.  Though tempted by the aroma of some yummy looking food several “church ladies” were selling in the side foyer, I didn’t have enough hands to hold a paper plate, my camera, and my umbrella.  So, home I went, basking in the warm feelings I always have after being with my Oaxaqueño neighbors.

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Lunes Santo (Holy Monday), at least here in Oaxaca, brings the Festividad del Señor del Rescate (Festival of the Lord of the Redemption).  I was clueless, until I ran into my neighbor Juan as he was returning from work.  He recommended that I and my camera check out the action in the vicinity of the Basílica de la Soledad.  I grabbed my keys and little Lumix and off I went.

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I heard the rhythmic beat of the tambor and chanted prayers before I saw El Señor and his followers paused in front of the bunker at the entrance to the Comisión de Seguridad Pública, Vialidad y Protección Civil headquarters on Av. Morelos.  An ironic or fitting (?) site for the handcuffed Jesus to stop on the Víacrucis por la Reconciliación y la Paz (Way of the Cross for Reconciliation and Peace).

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On this Lunes Santo, the (almost) full moon watched standard bearers navigate the maze of overhead wires as the procession continued to wind its way through the city’s streets.  As for me, I returned home to eat dinner — there is so much going on, one has to pace oneself.

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While technically Semana Santa (Holy Week) doesn’t begin until Sunday, the six weeks of Lent has gently ushered us toward it.  Tourists, a majority from other parts of Mexico, have begun filling the streets, purple and white papel picado flutters from on high, and an artisan market has been set up on the Alcala, above Santo Domingo.

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Salvia Hispanica (aka, chia) sprouting from terracotta clay animals decorates altars — seeds which were blessed on February 2 (Feast of Candelaria).  According to an article in MexConnect, “Growing greens remind the viewer of the resurrection and renewal of life.” By the way, this is where the US entrepreneur who borrowed (stole) the idea and, in the late 1970s, gave the world “chia pets.”

P1170511And yesterday, the 6th Friday of Lent, El Día de la Virgen de Dolores (the Virgin of the Sorrows) was celebrated.  Her tearful eyes looking to the heavens in anguished sorrow.P1170513

Tomorrow is Domingo de Ramos (Palm Sunday) and El Señor del Burrito in San Antonino Castillo Velasco beckons.

FYI:  Vive Oaxaca is posting Semana Santa events on their website.

 

 

 

 

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If it’s the fourth Friday of Lent and you are in Oaxaca, it must be Día de la Samaritana — a wonderful “only in Oaxaca” celebration.  From bougainvillea decorated stands in doorways throughout the city and banquet tables lining the Alcalá in front of Templo de la Preciosa Sangre de Cristo…

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… divinely flavored aguas frescas made with fresh fruits and flowers — jamaica, horchata, chilacayota, tamarindo, among other colorful and refreshing beverages — were offered.

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Día de la Samaritana is inspired by the Gospel of John story in the New Testament:  At noon, a tired and, apparently, thirsty Jesus, on his way to Galilee, asks a Samaritan woman at Jacob’s Well in Sychar for some water.  His request was highly unusual because, according to the Old Testament, “Jews regarded the Samaritans as foreigners and their attitude was often hostile.”  The woman complied with his request and the rest is history.

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For me, the day embodies the warm, welcoming, and generous spirit of the people of Oaxaca.  It’s just another reason why I love living in Oaxaca.

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A jester comes to San Martín Tilcajete…

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The Maladjusted Jester
by Danny Kaye

Your majesty, I have a confession
My secret I must now betray
I was not a born fool
It took work to get this way

When I was a lad I was gloomy and sad
And I was from the day I was born
When other lads giggled and gurgled and wiggled
I proudly was loudly forlorn
My friends and my family looked at me clammily
Thought there was something amiss
When others found various antics hilarious
All I could manage was this? ho ho
Or this? ho waahhh

My father he shouted he needs to be clouted
His teeth on a wreath I’ll hand him
My mother she cried as she rushed to my side
You’re a brute and you don’t understand him
So they send for a witch with a terrible twitch
To ask how my future impressed her
She took one look at me and cried hehehehehe, he?
What else could he be but a jester?
A jester a jester, a funny idea a jester
No butcher no baker no candlestick maker
And me with the look of a fine undertaker
Impressed her as a jester?

Now where could I learn any comical turn
That was not in a book on the shelf
No teacher to take me and mold me and make me
A merryman fool or an elf
But I’m proud to recall that in no time at all
With no other recourses but my own resources
With firm application and determination
I made a fool of myself!

I bought a little gun and I learned to shoot
I bought a little a horn and I learned to toot
Now I can shoot and toot ain’t that cute?  Plbbt!

I started to travel to try to unravel
My mind and to find a new chance

When I got to Spain it was suddenly plain
That the field that appealed was the dance
The Spanish were clannish but I wouldn’t vanish
I learned every step they had planned
The first step of all isn’t hard to recall
Cause the first step of all is to stand
And stand
And stand, and stand, and stand, and stand, and
They sometimes stand this way for days

Then they get very mad at the floor and start to stomp on it

[Smash! Ow!]

After all of my practice the terrible fact is
I made a fool of myself

I sadly decided that dancing as I did
To sing was a thing that was sure
I found me a teacher a crotchety creature
Who used to sing coloratura
She twisted my chin pushed my diaphragm in
With a poker she vocalized me
When she said it was best that I threw out my chest
You may gather that rather surprised me

I was on solid ground till I suddenly found
That in Venice I was to appear
The gala locale was a choppy canal
And me, a high sea gondolier
I nervously perched as the gondola lurched
Before the King’s palazzo
As I started my song my voice it was strong
But my stomach I fear was not so

Oh solo mio, oh
Oh solo ooh  Help!

When I fell overboard how his majesty roared
And before a siesta he made me his jester
And I found out soon that to be a buffoon
Was a serious thing as a rule
For a jester’s chief employment
Is to kill himself for your enjoyment
And a jester unemployed is nobody’s fool

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Fat Tuesday (aka, Shrove Tuesday and Mardi Gras), the day before the 6+ weeks of Lent begins, means Carnaval in scattered parts of Mexico.  I was supposed to be spending it on the Costa Chica — where Spanish Catholicism meets Mixtec meets Amuzgo meets Chatino meets Chontal meets Zapotec meets Afro-Mexicano — a region with some pretty unique ways of celebrating Carnaval.  Alas, illness (not me) has postponed that trip until next year.

In the meantime, the show must go on!  Thus, we returned to San Martín Tilcajete, one of the villages in the valley of Oaxaca, known for fantastical wood carving and surreal decorative painting, that result in alebrije and masks.

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And, it’s the masks that take center stage during Carnaval.

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The day before Lent in San Martín Tilcajete, Oaxaca.

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Stay tuned… More masks and mayhem to come!

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The bells, bands, and booms have been soundtrack of the city for a week — the virgins are being celebrated!  First in line, on December 8, for chiming church bells, processions, and fireworks was the Virgen de Juquila and third will be Oaxaca’s patron saint, the Virgen de la Soledad on Dec. 18.  However, in between the eighth and eighteenth, all of Mexico honors the Virgin of Guadalupe.   Today, December 12 is her day but, like the others, the festivities began days in advance.

Scenes from last night in front of the Iglesia de Guadalupe in Oaxaca city…

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Now on to Teotitlán de Valle for this afternoon’s Día de Guadalupe performance of the Danza de la Pluma.  We have been told the festivities will last all night, as the community will also be saying “adios” to this group of dancers — their three-year commitment is at an end.  It will be a miracle of the Virgin if we can party hardy until even midnight, but we will give it the old college try!

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I love going into Oaxaca’s cathedral at this time of year, when the fragrance of thousands of flowers, especially lilies, perfumes the air.

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The Catedral de Nuestra Señora de la Asunción is being readied for October 23, the day Oaxaca celebrates Señor del Rayo.

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Like Guelaguetza, Noche de Rabanós (Night of the Radishes), and Día de la Samaritana (Good Samaritan Day), this is an “only in Oaxaca” celebration.

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This carving of Christ on the Cross was brought to Oaxaca during the 16th century and was placed in the temple of San Juan de Dios, a church which had adobe walls and a straw (or possibly wood) roof.

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Legend has it that lightning struck the church and everything was destroyed, save for this figurine.  A miracle!

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The statue became known as Señor del Rayo (Lord of Lightning), was placed in his own chapel (the furthest capilla from the main entrance on the left) in the newly built cathedral, and has been much venerated ever since.

P1140855October 21, in anticipation of his special day, the cathedral is festooned with lilies and Señor del Rayo is moved out of the glass case in his chapel, to the main altar of the cathedral.

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October 22 will be filled with religious and cultural events and at midnight, when the calendar day changes, the cathedral bells will peal and cohetes (rockets) will announce the arrival of Señor del Rayo’s special day.

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In honor of His day, on October 23, there will more spiritual and cultural festivities, culminating in a castillo and fireworks.

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As the color and scent of the lilies fade, on October 24 Señor del Rayo will be returned to his chapel.

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The end of eleven days of festivities celebrating Señor del Rayo.

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Festival fireworks in Oaxaca are usually 3-part affairs, consisting of toritos (little bulls) and/or canastas (baskets) wired with fireworks and worn on top of the head by daring-do guys (toritos) and gals (canastas).  This is followed by a castillo (castle) and then the more familiar rockets-exploding-in-the-sky fireworks most of us have craned our necks and oooh-ed and ahhh-ed over since childhood.  Sometimes the order of the latter two is reversed.

The subject of today’s blog post is the castillo that was constructed and executed this past Saturday by “los maestros pirotécnicos los C. Rigoberto y Dagoberto Morales” for the festival in honor of the  Santisima Virgen del Rosario (Sainted Virgin of the Rosary) in Teotitlán del Valle.  They and their crew went about the business of constructing and wiring this “Erector Set” type castillo out of wood and carrizo in the church courtyard.

I couldn’t resist playing with the saturation on this photo.  In my mind’s eye, this is the way it looked.IMG_9957satAnd, de-saturating this one against the backdrop of El Picacho, the sacred mountain that watches over the village.IMG_9994b&wThe result of the work by these maestros and their crew?  A spectacular castillo, accompanied by the band, Herencia Musical.  It was quite a show!!!

And, if you want to see some inside action from a torito, check out the video Chris made, Torito Danza – Dancing with Fireworks.  He actually attached a POV (Point of View) camera to the torito!!!

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Yesterday, we slowly but surely wound our way around a major blockade and made our way 20 miles southeast of the city to Tlacolula de Matamoros.  The reason for our tenacity?  Their calenda (parade) in honor of la Virgen del Rosario (Virgin of the Rosary) was happening.  A major feature, not to mention highlight, of Tlacolula festivals are the marmotas.IMG_9781

Little boys begin by carrying little marmotas; big boys carry big marmotas; and men carry gigantic marmotas.  As for the latter, the guys definitely must rely on a little help from their friends.

IMG_9824Time for change of shift…

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IMG_9827That didn’t last long…

IMG_9829Time for another shift change.

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Yesterday, we returned to Teotitlán del Valle for the convite in honor of La Santísima Virgen María de la Natividad (the Sainted Virgin Mary of the Nativity).  Alas, from our point of view, the gods were not cooperating and it threatened to rain on the parade.  The sky surrounding the Templo de la Preciosa Sangre de Jesucristo was getting grayer and darker by the minute and professional and amateur photographers alike were challenged to some up with good shots.

Bell towerThe lovely and accomplished photographer, Luvia Lazo was going to march in the procession this time, but couldn’t resist pulling out her cell phone for a shot or two.  By the way, I recently learned that the earrings she is wearing are traditional and unique to Oaxaca and the design is known as, gusano (worm)!Luvia LazoSome of the Danzantes also whipped out their phones for some photos.  Their 3-year commitment ends in December and I suspect most want to savor these last performances.

P1130823And, then there was the daughter of friends and budding photographer, 12-year old Beatriz Ruiz.  Here she is setting up a shot.

P1130788Doesn’t she look professional?  She’s been traveling from Teoti into the city to take classes at the Centro Fotográfico Manuel Álvarez Bravo for almost two years.  A photograph she took of her two kittens is currently part of a student exhibition at the museum and is included in the slideshow of photos on their website.  Blogger buddy Chris, who has known her since she was very young, has a very sweet blog post about Beatriz and her interest in photography.

Plastic covered canastasGiven the state of the corn crop, due to lack of rain during this rainy season, there have probably been many offerings and much praying to the gods Cocijo (lightning and rain) and Pitao Cozobi (maiz).  They won the day and the rains did come.  And we, being fair-weather fans, departed.  However, according to one of the Teotitlán del Valle Facebook sites, the show did go on!  We are returning today for the Danza de la Pluma and tonight’s fuegos artificiales (fireworks) and castillo.  Needless to say, we are keeping our fingers crossed!

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Storm clouds were gathering on Tuesday afternoon, as we drove out to Teotitlán del Valle for this year’s first performance of the Danza de la Pluma.  However, the clouds were chased away and the plaza in front of Templo de la Preciosa Sangre de Jesucristo was bathed and blessed with the light and shadows of the golden hour.

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(ps)  For a Moctezuma eye view of the dance, check out Chris’s Moctezuma Cam post.

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If you want an up close and personal fireworks experience, come to Oaxaca.  Of course, there are no guarantees you won’t find yourself in the line of fire.  No barricades, no yellow caution tape, no police!  I’ve seen hair singed, had a friend get pinhole burns on the inside of his glasses, and last night a projectile came careening toward us and had me ducking for cover.  However, as the saying goes, “no harm, no foul” and the spectacle was espectacular!

P1100852 cropIt began with 45+ minutes of the quema de toritos and angelitos.

They were followed by a spectacular castillo, a “firefall,” and traditional fireworks exploding against a clear black sky.

P1100930Late Tuesday night during this week’s fiesta honoring la Preciosa Sangre de Nuestro Señor Jesucristo.  It was a fabulous — well worth spending the night in Teotitlán and staying up way past my bedtime!

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Last night, all was in readiness in Teotitlán del Valle for most important fiesta of the year — honoring la Preciosa Sangre de Nuestro Señor Jesucristo (the Precious Blood of Our Lord Jesus Christ).

Specially cut papel picado fluttered from the church.

P1100456Marmotos waited in the wings.

P1100467And canastas, lovingly decorated by their owners stood ready to be carried through the streets of Teotitlán del Valle.

IMG_7677Next up, the most important ingredient…

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