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Posts Tagged ‘urban art’

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Never silent and never dull.

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I walk past the Museo Belber Jimenez at least every other day and its brilliant blue walls always make me smile.  If you’re in the neighborhood, you can’t miss it!  In mid April, not long after undergoing a major renovation, a city bus lost control and crashed into the museum.  Fortunately no one was seriously injured, but the window, grating, and wall on the Tinoco y Palacio side of the museum were damaged.

By the time I left in mid May for the trip north, all had been repaired.  And then a few days before returning to Oaxaca, blog reader BJ wrote to tell me there was a “beautiful new mural” on the west wall of the museum.  She was right — it’s stunning and deeply moving.

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P1090808Muchisimas gracias to Museo Belber Jimenez for inviting Lapiztola to enhance the exterior of the museum and our lives with the beautiful mural and its message from Beti Cariño.

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Looking forward to tomorrow’s return to Oaxaca, though not sure what I will find.  So, in preparation, a little street art, apropos of nothing…

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… and everything.

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VW Beetles aren’t the only tricked out small vehicles on the road in Oaxaca.  While not allowed in the city, tuk-tuks (moto taxis) have become indispensible in ferrying passengers into the villages from bus and colectivo stops along the carreteras and up, down, and around the often narrow and dirt paved streets within villages where cars remain a luxury.  You haven’t lived until you’ve ridden one down a rocky embankment, forded a stream, and then climbed back up the bank on the other side — all without tipping over or getting one’s feet wet.  Talk about the little engine that could!

Most are utilitarian looking.  However, one day these tricked out tuk tuks appeared above the Plaza de la Danza.

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If you’ve got a little money and a large imagination, voilà!

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Situated metaphorically at the busy intersection of imagery and content—and informed by history, mass media, commerce, and pop culture—stickers address both the personal and the political.  — Street Art Graphics, The Richard F. Brush Art Gallery, St. Lawrence University.

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Stick-to-itiveness:  the quality that allows someone to continue trying to do something even though it is difficult or unpleasant.

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Street art stickers — a metaphor for Mexico, methinks.

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Just so you know…  The gods are watching you on Tinoco y Palacios, between Morelos and Matamoros.

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Hmmm…. sometime between January, when I first photographed the mural and a few days ago, when I returned, an airplane landed on the tongue.

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Recently, BBCtrending posted the video, Aztec to urban — Mexico’s street art explosion, highlighting the use of Mexico’s pre-Columbian imagery in contemporary street art.  I don’t know the name of the artist who painted the mural above, but seeing the “Dioses Urbanos” of Diego Alvarez (aka, Ocote) in the video, brought it to mind.

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Yesterday, the city of Oaxaca celebrated its 483rd birthday as a Spanish chartered city.  Early in the morning bells were rung, Las Mañanitas was sung, tamales and atole were served, an air force flyover buzzed the city several times, multiple musical events were held, a convite paraded through the streets, fireworks exploded from the Plaza de la Danza, and more, and it continues.  I was going to write about it, but…

Today a more urgent anniversary requires our attention:  Mexico Marks 7 Months Since 43 Ayotzinapa Students Disappeared.  Family, fellow classmates, friends, and supporters around the world keep their names alive and cry for justice.  And artists continue to reach into our minds and hearts through their music, artwork, and film making.

In the documentary, Ayotzinapa’s 43 Disappeared: Family & Friends Remember, we hear the voices of their classmates and relatives. They don’t trust the official story and are determined to find out what happened.

Near the end of the song, “La Patria Madrina,” from her new album, Balas y Chocolate (Bullets and Chocolat), Lila Downs chants the Ayotzinapa 43 mantra that can be seen and heard all over Mexico, ¡Vivos los llevaron, vivos los queremos!  (They were taken alive, and we want them back alive!)

And, on walls throughout Mexico, our attention is called to the missing 43 students from the Escuela Normal Rural Raúl Isidro Burgos, teachers’ college in Ayotzinapa, Guerrero.

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Love and adventure on Calle de Los Mártires de Tacubaya!!!

Before he plunges into the deep to do battle with the giant pulpo, one last kiss goodbye from the girl in the red car.

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Kiss the Girl Goodbye

Kiss the girl goodbye
It’s time for me to fly
Wipe the tears away
I’ll be home some day, baby
So baby, please wait for me
Don’t want no one to take my place
You’re the one for me
And that’s the way love should be We’ve been apart so many times before
One more time won’t change things
I’ll even love you more We’ve been apart so many times before
One more time won’t change things
I’ll even love you more (Kiss me) kiss the girl goodbye (goodbye) it’s time to fly
(Kiss me) wipe the tears away (goodbye)
(Kiss me) kiss the girl goodbye (goodbye) it’s time to fly
(Kiss me) wipe the tears away (bye)
(Kiss me) kiss the girl goodbye (goodbye) it’s time to fly
(Kiss me) wipe the tears away

Songwriters:  Peter Criss, S. Penridge
Kiss The Girl Goodbye lyrics © Reach Music Publishing-Digital Obo Rock Steady Music

(Not their typical fare, but still, I can’t believe I’ve posted a song from Kiss!!!)

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“What do you do all day?”  It’s a question I’ve been asked countless times since I began my retired life down Oaxaca way and I’m not alone.  Most expats here have heard those words — a query that hints at the notion that there couldn’t possibly enough to fill the day in a place where one isn’t fluent in the language, isn’t surrounded by family and old friends, and doesn’t have a job.  A large part of the answer is, doing most everything takes longer.  And that is not a bad thing!  Perhaps, a photo diary of this morning’s grocery shopping excursion might provide an illustration.

After morning coffee and breakfast, catching up on email and the news, washing dishes, showering and dressing, I grabbed a couple of shopping bags and headed out at 10 AM.  The initial plan had been to walk up to Niños Heroes (the Pan American highway) to photograph some new murals, cross the highway to the Organic Market, and then return home by way of Sánchez Pascuas mercado where I could get chicken, quesillo, and anything else that remained on my shopping list or struck my fancy.  However, for almost an hour, I’d been hearing Guelaguetza music coming from the Plaza de la Danza.  I decided a detour was in order and found kindergartners performing Oaxaca’s traditional folkloric dances, including this one  where couples take turns “dissing” each other in a rhythmic double-entendre laden dialogue.  It always gets laughs — wish I could understand the jokes!  Needless to say, I hung out watching the kids for awhile.

P1080705I finally tore myself away and resumed my original itinerary.  Some of the murals were east of the Pochimilco Organic Market so I decided to start at the end and work my way back — a route which took me up the Macedonio Alcalá where I saw a sidewalk vignette of hats and scarves lined up in front of Santo Domingo.  There was also a small marmota (cloth globe on a pole) laying on its side, so I’m guessing there was to be a calenda (parade) of some sort.

P1080715After stopping to take a few photos (how could I resist the juxtaposition with the Peña Nieto graffiti?) I found myself behind these vendors taking their merchandise up to Llano Park for its Friday market.

P1080717Deciding to speed up my slow progress on the errands I’d set forth for the morning, I passed the gals only to stop to watch Oaxaca’s version of the dog whisperer working with four Xoloitzcuintlis (Mexican Hairless Dogs).

P1080722 (1)Eventually continuing north, I arrived at Niños Heroes and the murals and street art I’d come to find and photograph.  They deserve their own blog post, so I will save those photos for another day.  However, I also ran across this wonderful wall!  P1080752Crossing the highway, I found the newly built and landscaped stairs (almost didn’t recognize them) leading up to Xochimilco and the Pochimilco Organic Market.  I wandered and lingered and tasted — including a few of these mezcals, as I’ve got a US trip coming up and a stepson who probably won’t speak to me if I don’t bring him a couple of bottles.

P1080755Popping some gum in my mouth (didn’t want my breath to smell like I’m a lush), I headed south on Tinoco y Palacios to catch a couple of new murals I’d had fleeting glimpses of when returning from last Sunday’s trip to Tlacolula.  This one had particularly caught my eye.

P1080788By the time I arrived at Sánchez Pascuas, it was after 12 noon.  I found my poultry guy, paid a visit to the cheese vendor, picked up some veggies from my favorite produce gal, and, on the way out, bought some homemade salsa verde.  Yummm…  As I descended the three stairs down to the sidewalk, I turned around to admire the beautiful color of the flamboyant and jacaranda trees and the tranquility of this setting in the middle of the state’s bustling capital city.

P1080815It was close to 1 PM when I unlocked the door to my apartment.  If I were in California, I would have jumped in the car, driven down to the local Friday organic market (with not a drop of mezcal in sight), browsed a bit, spent way too much money, climbed back in the car to finish shopping at Safeway, before returning to the house, probably by 11 AM.

Here in Oaxaca, I’d been gone almost three hours, walked close to fifty (often hilly) blocks, and seen some wonderful, creative, and life affirming sights.  And, that doesn’t even include the scattering of conversations with my neighbors and Luís and Luci, who work here.  Just another Friday.  Not a bad way to live one’s life!

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A nuevo vecino arrived in the neighborhood a few days ago…

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And, I’m guessing, he’s not happy.

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Ahhh, it feels good to be back in the warm and wonderful Oaxaca.  There are the sounds…  I awake to church bells, followed by the loudspeaker cry of “Gas de Oaxaca” from the propane vendor.  Last night, as I was heading to bed, rockets exploded and, just now, the camote man’s steam whistle sounded, announcing tooth-achingly sweetened hot sweet potatoes and bananas.  Then there are the sights…

The walls continue to talk…  On Thursday, I saw this on Calle Morelos as I walked to the Alcalá and comida with friends.  It remembers Leonel Castro Abarca, one of the 43 still-missing students from Escuela Normal Rural Raúl Isidro Burgos teachers’ college in Ayotzinapa, Guerrero.

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On the way home from comida, I detoured to see what was to be seen on the zócalo.  Teacher tents remain pitched around the bandstand, but the walkways were free of ambulantes, and, as always, the Cathedral presided over the scene.

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Thursday, the familiar sounds of protest were irresistible.  I grabbed my camera and headed out the front gate to see a massive march by healthcare workers on their way to the Plaza de la Danza.  To be honest, tubas and cohetes would have had me out the door, too!  It was way too quiet in el norte.

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And, what can I say about last night’s sunset from the terrace?

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Naturally, a marmota and pair of monos were waiting on the plaza in front of Santo Domingo this afternoon, awaiting a bride and groom to emerge.  After all, it is Saturday — wedding day in Oaxaca!

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I wonder what my ears will hear and my eyes will see, mañana…

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More of the mural from yesterday’s post

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“¡Solo Dios perdona!” (Only God forgives!)

Seen on the same wall in Tlacolula de Matamoros where we were stopped in our tracks by the Tlacolula never dies mural in August.  Both were conceived and created by the Tlacolulokos colective.

The artists are known for fusing iconic Mexican imagery with political and social commentary and can be found on Facebook.

These traditional religious standards voice today’s messages, “against all governments” and “alive we want them.”  The latter refers to the disappeared and murdered students from the Escuela Normal Rural Raúl Isidro Burgos, teachers’ college in Ayotzinapa, Guerrero, one of whom, Christian Tomás Colón Garnica, is from Tlacolula.

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Finally over the flu, I flew to the east coast, arriving along with an arctic cold front.  Brrr… it was -14ºF early yesterday morning!!!  However, here on a frigid New York Friday…

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And, there on a sunny Tlacolula Sunday…

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A splash of red to liven up the day.

* Mural by Tlacolulokos.

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Instead of writing this blog post, I should be rendezvousing with gal pals at the de Young Museum for the Keith Haring exhibition.  However, this season it is a more perfect world for the flu virus.  Grrrr…

Thus, in the spirit of public art and social commentary, images from EmBe seen on calle Tinoco y Palacios in Oaxaca:

And, words from Keith Haring:

“One day, riding the subway, I saw this empty black panel where an advertisement was supposed to go. I immediately realized that this was the perfect place to draw. I went back above ground to a card shop and bought a box of white chalk, went back down and did a drawing on it. It was perfect–soft black paper; chalk drew on it really easily.”

“I kept seeing more and more of these black spaces, and I drew on them whenever I saw one. Because they were so fragile, people left them alone and respected them; they didn’t rub them out or try to mess them up. It gave them this other power. It was this chalk-white fragile thing in the middle of all this power and tension and violence that the subway was. People were completely enthralled.”2

“I was always totally amazed that the people I would meet while I was doing them were really, really concerned with what they meant. The first thing anyone asked me, no matter how old, no matter who they were, was what does it mean?”3

“The context of where you do something is going to have an effect. The subway drawings were, as much as they were drawings, performances. It was where I learned how to draw in public. You draw in front of people. For me it was a whole sort of philosophical and sociological experiment. When I drew, I drew in the daytime which meant there were always people watching. There were always confrontations, whether it was with people that were interested in looking at it, or people that wanted to tell you you shouldn’t be drawing there…”

“I was learning, watching people’s reactions and interactions with the drawings and with me and looking at it as a phenomenon. Having this incredible feedback from people, which is one of the main things that kept me going so long, was the participation of the people that were watching me and the kinds of comments and questions and observations that were coming from every range of person you could imagine, from little kids to old ladies to art historians.

 

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What can I say?  I guess I have become a true Oaxaqueña — at least when it comes to temperatures below 70ºF.  Doors and windows have been closed all day, I’m wearing wool socks and a sweater, and space heater is on.  (Note to self:  Heater and toaster-oven cannot be turned on at the same time.)  Oaxaca is being visited by Tropical Depression Twenty-e (now, upgraded to Tropical Storm Trudy), the temperatures haven’t risen above 64ºF, and it’s been drizzling ALL day!!!  Trying to channel butterflies, blossoms, and sun flowers… even if they are blue!

Mural on the wall across from the mercado Sanchez Pascuas on Tinoco y Palacios.

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