Instead of writing this blog post, I should be rendezvousing with gal pals at the de Young Museum for the Keith Haring exhibition. However, this season it is a more perfect world for the flu virus. Grrrr…
Thus, in the spirit of public art and social commentary, images from EmBe seen on calle Tinoco y Palacios in Oaxaca:
And, words from Keith Haring:
“One day, riding the subway, I saw this empty black panel where an advertisement was supposed to go. I immediately realized that this was the perfect place to draw. I went back above ground to a card shop and bought a box of white chalk, went back down and did a drawing on it. It was perfect–soft black paper; chalk drew on it really easily.”
“I kept seeing more and more of these black spaces, and I drew on them whenever I saw one. Because they were so fragile, people left them alone and respected them; they didn’t rub them out or try to mess them up. It gave them this other power. It was this chalk-white fragile thing in the middle of all this power and tension and violence that the subway was. People were completely enthralled.”2
“I was always totally amazed that the people I would meet while I was doing them were really, really concerned with what they meant. The first thing anyone asked me, no matter how old, no matter who they were, was what does it mean?”3
“The context of where you do something is going to have an effect. The subway drawings were, as much as they were drawings, performances. It was where I learned how to draw in public. You draw in front of people. For me it was a whole sort of philosophical and sociological experiment. When I drew, I drew in the daytime which meant there were always people watching. There were always confrontations, whether it was with people that were interested in looking at it, or people that wanted to tell you you shouldn’t be drawing there…”
“I was learning, watching people’s reactions and interactions with the drawings and with me and looking at it as a phenomenon. Having this incredible feedback from people, which is one of the main things that kept me going so long, was the participation of the people that were watching me and the kinds of comments and questions and observations that were coming from every range of person you could imagine, from little kids to old ladies to art historians.“
Mexican Peso Converter
View From Casita Colibrí 
Heart and soul
Posted in Creativity, Culture, Economics, Politics, Protests, Sports & Recreation, tagged Copa Mundial 2014, El Tri, fútbol, Francisco Goldman, graffiti, Mexico, Oaxaca, photographs, photos, political commentary, soccer, street art, urban art, World Cup 2014 on June 23, 2014| 4 Comments »
What a game; three goals in 10 minutes in the second half!!! Another thrilling win by El Tri advances Mexico to the next stage in World Cup 2014. They struggled and needed a little help from their “friends” in el norte to even play in Brazil. However, against all odds, this team exhibits a gutsy and tenacious heart and soul that can’t help but have people rooting for them — much like the country of Mexico, itself.
Mural under fútbol stadium in Oaxaca – Dec. 2012
Francisco Goldman wrote an op-ed in yesterday’s New York Times. His article, “Fooling Mexican Fans,” relates the current politics of Mexico, the “bread and circuses” diversion of the World Cup, and the notion that El Tri might exemplify all that is inspiring and hopeful in the Mexican national character.
Goldman’s op-ed begins…
The day before the Mexican soccer team’s thrilling underdog tie with the World Cup favorite, Brazil, last week, the lead editorial of the news site SinEmbargo was titled, “Ready for your Clamato and Gatorade?” — common hangover remedies. “In about three weeks, when you wake from your World Cup dreams,” the editors wrote, “remember that when the soccer fest began, the country was on the verge of monumental decisions. If upon waking, you realize that the country’s energy reserves have been cheaply sold off or whatever else, don’t bother protesting because this is a chronicle foretold.”
To debate and pass laws that could open Pemex, the nationalized oil company, to foreign investment, the Mexican Congress scheduled legislative sessions from June 10 to 23, dates precisely coinciding with you know what. Final passage might be pushed back, but it originally looked like it was supposed to happen on Monday, when Mexico plays Croatia to decide which country advances to the elimination rounds.
As I wrote previously, Mexicans have been Expressing the outrage since last year, when Mexico’s newly elected president Enrique Peña Nieto (initials EPN), from the PRI party, first made the Pemex energy “reform” proposal.
Graffiti seen on a wall south of Oaxaca’s zócalo, May 23, 2014.
Goldman goes on to discuss this and other “reforms,” the role of the PRI, and the current overall political climate in Mexico. However, as dismal as it all sounds, he ends on a hopeful note…
There has been much talk lately about the way the style of soccer teams manifests national characters. I don’t know if that’s true. But when I look at the Mexican team which, after barely even qualifying for the World Cup, has been playing so well, I see a team without stars — a gritty, hard-working, pretty humble, resourceful, creative, disciplined, joyous, friendly-seeming group of players who seem to be learning to play the game as it is meant to be played.
These are values that we see enacted and re-enacted all over Mexico, and in Mexican communities elsewhere, every day. Someday Mexico will get another chance to vote the PRI away and to restart the long process of building the country from the ground up. It could do worse than take some inspiration from its national team.
Absolutely, those are the values I, too, see exhibited in Mexican communities both in Mexico and the US. There is hope for the future — and not just on the pitch! I encourage you to read Goldman’s op-ed in full. In the meantime, Mexico vs. Netherlands on Sunday at Estadio Castelao Forteleza. ¡¡¡ VAMOS EL TRI !!!
h/t K Hackbarth for the article
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