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Posts Tagged ‘popular travel destinations’

October 30, 2016, around and about the valley of Oaxaca, preparations were underway for Día de Muertos.  Bread, fruit, chocolate, nuts, and flowers for sale spilled from mercados into the streets; the difuntos must be fed… and only the best!

Our first stop was Villa Díaz Ordaz for their first Expo Festival del Pan de Muerto.  It was day two of the 3-day festival and, of course, we were there early (around noon), but everyone was so warm and welcoming.  Hopefully, it will continue to grow in future years, as this is a sweet village in a picturesque setting at the base of the mountains.

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In Díaz Ordaz, they call these tiny, spicy-scented, lavender flowers “flor de muerto” and we were informed that they are even more important than cempasuchil (marigolds).

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After buying some surprisingly flavorful (whole grain!) pan de muerto for my ofrenda, we headed off to San Pablo Villa de Mitla.  Mitla has the most beautiful pan de muerto and two years ago we stumbled on their Pan de Muertos festival and competition.  A dazzling display of intricately decorated breads lined the sidewalks under the portales.  Alas, the festival was not continued, as their bread is in such demand, the bakers were too busy to take time out for an expo and competition.  So, like last year, we just enjoyed the sights and aromas of their bustling mercado.

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Have you ever seen so many varieties of bananas???  And, now for the famous  pan de muertos…

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Returning home, I added the bread and flor de muerto to my ofrenda.  Following a siesta, I ventured out into the streets of the city in search of a comparsa.  I never found it, but, as you could see from my previous post, the city was teeming with people and activity.  However, amid the merriment and mayhem, there were scenes of tranquility.

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A catrin ejecutivo?

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The copal incense beckoned the difuntos…  They began arriving this morning, seconds after midnight.

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Celebrations in Oaxaca surrounding Día de Muertos are beginning.  This past week, we, members of the Mexico Travel Photography Facebook group, were issued a 5-day “Day of the Dead” photo challenge by moderator, Norma Schafer.  There are always so many favorite images from so many events that I never get around to posting, so this was my opportunity.  My five…

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Panteón, Santa María Atzompa, Oaxaca on Oct. 31, 2015

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Offering on tomb in Panteón Municipal de Tlacolula de Matamoros, Oaxaca on Nov. 1, 2015

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Muerteada, morning after the night before, Nov. 2, 2014, San Agustín Etla, Oaxaca

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Sun sets on Santa María Atzompa panteón, Oct. 31, 2014

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On the Alcalá in Oaxaca City, Oct. 31, 2014

And, five more, just because…

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Santa María Atzompa, Oct. 31, 2015

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San Pablo Villa de Mitla, ofrenda with pan de muertos, Nov. 1, 2014

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Chocolate calaveras at Villa de Etla, Oct. 31, 2014

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Cempasuchil (marigold) vendor at Villa de Etla, Oct. 31, 2014

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Casa de las Artesanías de Oaxaca, Oct. 31, 2015

That’s all folks, for now.  Stay tuned for more to come from this year.

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Back in the land of putting TP in the wastebasket and non-potable tap water.  However, grocery shopping at my local mercado more than makes up for it with warm greetings from my favorite vendors and its rich bounty of fruits, vegetables, tortillas, salsas, tamales, and cheeses.

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The larder has been restocked with the above high quality essentials, all for only 230 pesos — that’s $12.18 (US) at the current exchange rate.  It’s good to be back!

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It’s been two years since that tragic night in Iguala, Guerrero when busloads of students (normalistas) from the Ayotzinapa Rural Teachers College were violently attacked.  Six students were killed, 25 were injured, and 43 disappeared.  It’s been two years of agony for families and friends.  It’s been two years of questions and discredited answers for the people of Mexico.  And, it’s been two years of artists around the world doing their part to not let us forget.

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Images of some of the missing by Asamblea de Artistas Revolucionarios de Oaxaca (ASARO) seen June 18, 2016 on Av. Morelos in Oaxaca, including 18-year old Cristian Tomás Colón Garnica from Tlacolula de Matamoros, Oaxaca.

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I know, it’s been a week since a new post has appeared on this blog.  My excuse is that I flew up to the San Francisco Bay Area last Saturday — an all day event that, under the easiest of circumstances (and this was), is exhausting.  However, an email this morning from Margie Barclay (formerly of Oaxaca Calendar) alerted me to the next Waje dinner.

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What is Waje, you ask?  It is a monthly pop-up dining experience created by two young (early 20s) Oaxacan chefs, José Daniel López Delgado and Maday Alexander Luis Garfias — both recent graduates of Universidad Anáhuac.

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With an appreciation of, and dedication to, the bounty and traditions of Oaxaca, they create themed dinners that fill the senses, educate, and encourage communication.

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Traditional ingredients are married in new and innovative ways and artfully presented.

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With amazing energy and pride, both chefs emerge from the kitchen to describe the ingredients, preparation, and thought behind each course.

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Their creativity and attention to flavors extends to the beverage pairings.  For the July dinner, a different flavored pulque was presented with each course and in August, mezcal cocktails were served.

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The venue for the dinners was a secret and, in both instances, we were picked up at a pre-arranged location and taken to the final destination.  The photos are from the July dinner, which was held on the front lawn of a stunning private home in San Andrés Huayapam.

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Their next offering, September 24, 2016 at 7 PM, is to be a cena of six desserts paired with coffee cocktails in a collaboration with Axiom Coffee Ventures and Viajero Café Arte.  Seating is limited and prepayment is required.  Reservations can be made by calling 951 236-868 or 951-124-9090 or sending a message from the Waje Facebook page.

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By the way, both times, my friend and I were the only gringos and oldest people in attendance.  You will definitely meet some young hip and very eloquent Oaxaqueños.  I wish I could be there…  Alas, I’ll still be in el norte.  ¡Buen provecho!

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Mexico’s El Mes de la Patria (the month of the homeland) is upon us and overnight, as August turned to September, the streets erupted in green, white, and red.

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Mexico celebrates September 16, 1810 as the beginning of its fight for independence from Spain.

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Flags are flying everywhere and are for sale on every other street corner, along with all manner of patriotic tchotkes.

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From buses in the city to moto-taxis in the villages, everything is decked out in the green, white, and red of the Mexican flag.

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As for Oaxaca?  The five-month renovation project at Mercado Benito Juárez has been completed and vendors have moved from their temporary stalls on the surrounding streets back into the market; Sección 22 teachers have returned to their classrooms and 80% of the encampment in the zócalo has been disassembled; the governor will give his final Grito de DoloresGrito de Dolores at 11:00 PM on September 15th; and the annual patriotic parade will fill the streets of the Historic District with participants and observers on the 16th.

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For ten years, since the 2006 teacher uprising in Oaxaca, with scissors, paper, paint, and talent, the Lapiztola collective has been cutting through propaganda and meaningless phrases to lead, provoke, and inspire with their art.  Looking across the Alcalá from Santo Domingo, a new stenciled mural in front the Instituto de Artes Gráficas de Oaxaca (IAGO) caught my eye…

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There she was, beckoning, much like the beautiful and haunting mural, We sow dreams and harvest hope on the Tinoco y Palacios wall of Museo Belber Jimenez (before it, along with others, was unceremoniously ordered removed by the city government).  Another mural by Colectivo Lapiztola.

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The symbolism of the corn, the bandana, and a young indigenous girl is rich in the layers of rebellion and resistance of modern-day Oaxaca.  And so I went up the stairs of IAGO and into the courtyard where Benito Juárez presided over the entrance to the exhibit, Corte Aquí (Cut Here), by the Lapiztola collective.

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Lapiztola consists of three artists:  Rosario Martínez, Yankel Balderas, and Roberto Vega.  This small exhibit (3 stencils and 7 graphic works), with its larger-than-life images, covers three rooms and stimulates our hearts and our minds.

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Over the past ten years, as the exhibition demonstrates, Lapiztola has taken on the issues of social protest, disappearances, the protection of natural resources, and drug-trafficking — the latter, as evidenced below.

Also included, is one of the first Lapiztola images that fascinated me.  It covered the front of the Espacio Zapata in 2012 and speaks volumes about modern society.

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If you go to the exhibition, don’t miss the third room; in it hangs the three massive stencils (below) used to produce the brilliant mural I named the Art of Agave, celebrating the human face of agave cultivation.  It once educated and enlivened the wall of Piedra Lumbre on Tinoco y Palacios, before it, too, was painted over.

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I’m not sure how long the exhibition will last.  However, if you are in Oaxaca, I encourage you to pay it a visit and to all, when you are in Oaxaca, make sure to pay attention to the walls — they have something tell you.

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Five days ago, Norma Schafer blogger at Oaxaca Cultural Navigator and moderator of the Facebook group, Mexico Travel Photography, issued a 5-day “Mexico Colors” photo challenge to the Facebook group — one photo a day for five consecutive days.  I think she was giving us a gentle prod, because up until then, most of us had been pretty lax about posting photos.  However, with her challenge, the floodgates opened.  Unsurprisingly, my five entries were all about the colors of Oaxaca.

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Day 1:  Naturally dyed yarn hanging to dry at the family home of Porfirio Gutiérrez and his sister, Juana Gutiérrez Contreras.

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Day 2:  My empty wine bottles hand painted by Isabel in San Antonio Arrazola, Oaxaca — waiting to be filled with mezcal!

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Day 3:  Danza de la Pluma in Teotitlán del Valle, Oaxaca — during this year’s patronal festival honoring Preciosa Sangre de Cristo.

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Day 4:  The “only in Oaxaca” celebration of Día de la Samaritana in Oaxaca city.

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Day 5:  Flor de Piña dancers from San Juan Bautista Tuxtepec at this year’s second Guelaguetza desfile in Oaxaca city.

Norma has hinted that there may be more challenges to come.  We shall see!

 

 

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Murals seen in mid July on Garcia Vigil, between Independencia and Morelos.  A month later, they have been painted over, but in Oaxaca, god and resistance never die…

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The public school fall semester is scheduled to start Monday, August 22 and, as you can see from the Oaxaca-The Year After blog post, for good reason, no one is holding their breath.

So, while we wait, take a deep breath, exhale, and watch Lila Downs performing Dios Nunca Muere live HERE.

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Rainy season means wind, rain, and fallen Flor de Mayo flower petals.  What to do?

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Nothing like the scent of Plumeria to perfume the room.

My entry in Cee’s photo challenge.

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The morning of August 12:  Almost continuous explosions of cohetes (rockets), shrill incessant traffic whistles, honking horns, and the distant sounds of a band (or two or three).  What in the world?  I had errands to run, so out into the cacophony to confront the unknown, I went.  It only took walking to the end of my block to realize what I’d forgotten.

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It’s Día del Taxista, the day when cab drivers and their families decorate their taxicabs and process en mass through the streets of the city, accompanied by bands, monos, and pirotecnicos (hence the booms and bangs).

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I not only forgot what day it was, but I also forgot my never-leave-home-without-it little Lumix, so the above were taken with my iPhone — something I almost never do and which explains the “creative” image below.

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I have NO idea how it happened, but I’ve got to say, it does illustrate what riding in a taxi in Oaxaca often feels like!

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The reports are in regarding tourism during the Guelaguetza and, unfortunately, they confirm our observations and discussions with merchants, restaurateurs, and hoteliers.  Hotel occupancy was only at 53% and tourism was 37 points below estimates for the period, July 22 to August 1.  Artisans had to pay 2,600 pesos (US$138.00) for a stall at the state sponsored, Encuentro Artesanal Guelaguetza (exposition and sale), which ran from July 16 to August 1, and many said they barely broke even, especially when taking into consideration expenses getting to and from the site and having to purchase meals.

However, I tried my very best to help the local economy throughout Guelaguetza.  As regular readers know, I love the textiles of Oaxaca and thus I have a few new treasures hanging in my closet.  First, this modern take by Muchitos on the traditional huipil.

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I purchased it at Letra Capital, a 4-day contemporary design market, held in the courtyards of the Biblioteca Pública Central de Oaxaca.

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And, then there was this traditional huipil woven by Juana Reyes García from San Juan Colorado, Oaxaca, and purchased at the 4-day Tianguis Artesanal at the Centro Cultural San Pablo.

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Juana has been recognized for her work using natural dyes and has won several prizes.

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Then there was the tunic-length (at least on me) blusa from one of the extraordinary embroiderers of San Antonino Castillo Velasco — bought at the above-mentioned Encuentro Artesanal Guelaguetza.

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I have been wanting one for years and years.  However, whenever I’m in San Antonino, it’s usually for a festival or during Día de los Muertos and, while there are stalls upon stalls selling blouses and dresses,  I’m distracted by the event at hand — never mind, that I don’t usually carry enough money to pay for one of these treasures.  Isn’t the work exquisite?

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I’ve already worn all three of my new textile treasures several times.  And, that wasn’t the end of my shopping spree.  My other big splurge was commissioning a tapete from my friend, Samuel Bautista Lazo’s family business, Dixza Rugs.  They had a stall at the Encuentro Artesanal Guelaguetza and a rug I fell in love with.  Alas, it was too big, so they are making me a smaller one.  Sam has promised it will be done within a month.  Blog post to follow!

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Unlike last Saturday, there was no rain on yesterday’s Guelaguetza parade.  There was music, mezcal, and tepache. (Click on photos for full image.)

There were headdresses and bling.

There was awesome pride and joy.

And, there were kids to carry on the traditions.

Muchisimas gracias to the extended family of Hotel Casa Catrina who allowed me to seek shelter from last Monday’s rain and yesterday, saw me across the street and invited me for a shot of mezcal and to watch the desfile with them.  That’s Oaxaca — warm, welcoming, and wonderful!!!

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A pause in the Guelaguetza action…

I was last on Callejón de Hidalgo about a month and a half ago and a new (to me) mural charmed me.  I’ve been meaning to post photos, but there has been way too much going on and they got lost in the pictures shuffle.

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Murals are usually a “no-go-zone” for graffiti.  However, yesterday, walking with friends, I again found myself on that lovely little lane, but was dismayed to discover someone(s) had tagged Peter Cottontail and his tree-lined neighborhood with graffiti.

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I don’t know who you are, Mainy-Dauer, but I want you to know your mural made be smile.

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I’m glad I have the above photos to remember it by.

 

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As regular readers know, I have a huge soft spot in my heart for the people and cultural traditions of the Zapotec village, Teotitlán del Valle.  Blogger buddy Chris and I go out there often, especially for their major festivals where the Danza de la Pluma is performed.  Earlier this month, a new group of danzantes de promesa assumed the sacred 3-year commitment to perform the Danza de la Pluma and, for the first time in recent memory, they were selected to dance in this year’s official Guelaguetza.  As you can see from the Vive Oaxaca video below, their 17-minute performance Monday evening was spectacular!

¡Felicidades! to the band, Los Reformistas, led by Maestro Antonio Servando Bautista González; to the breathtaking dancing of Sergio Gutiérrez Bautista (Moctezuma), who was front and center and flawless during the entire performance; and to all the Danzantes, who impressively executed the complicated and visually stunning choreography of Maestro Javier Gutiérrez Hernandez.  While I may only be a (albeit, frequent) visitor to Teotitlán del Valle, I couldn’t help but feel incredibly proud of the dancers and the way they represented their strong, vibrant, and historic community.

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