For someone who grew up in California and now lives in Mexico, the new exhibition at the Museo de los Pintores Oaxaqueños (MUPO), “Construyendo Puentes en Épocas de Muros Arte chicano/mexicano de Los Ángeles a México” (Building Bridges in the Epoch of Walls Chicano/Mexican art from Los Angeles to Mexico), was a must see.
The 53 works, by a multigenerational group of twenty-nine artists of Mexican ancestry from Southern California, explore the themes, “Rebel Diamonds from the Sun,” “Imagining Paradise,” “Outsiders in their Own Home,” “Mapping Identity,” and “Cruising the Hyphenate.”
According to the introductory essay by the exhibition’s curator, Julian Bermudez, “In over 50 years of existence, the ever-evolving Chicano art has shaped itself into one of the main currents of the American creative canon.”
“Sitting among four cultures – the Pre-Columbian, the invasive Hispanic, Mexico itself, and the United States of America – Chicano art draws on all four and evolves out of both its roots and the decades of oppression its practitioners and their families have sustained.”
“These artists have expanded their creative expression, demonstrating an agility to develop and refine their own mythologies, methodologies and philosophies. They have introduced a remarkable, original school of art into the history of art itself.”
If you are in Oaxaca, I highly recommend checking out, “Construyendo Puentes en Épocas de Muros.” The exhibition will run until November 10, after which it will travel to the Museo de las Artes de la Universidad de Guadalajara (Musa) and conclude its tour at the Centro Cultural Tijuana (CECUT).