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Posts Tagged ‘Abigail Mendoza’

Saturday saw the inauguration of the long awaited Centro Cultural Comunitario de Teotitlán del Valle (CCCTV).  We, along with the citizens of this Zapotec community, have been wondering and watching the progress of the building, located between the municipal building and tapete (rug) vendor stalls, for 3+ years.

To begin the celebration, a desfile departed from the plaza in front of the new center, wound its way through the streets of Teotitlán, and returned to its starting point almost an hour later.  Parading through town, there were kids and abuelas…

 

Community leaders and villagers…

And neighboring municipality, Tlacolula de Matamoros, participating with one of their gigantic marmotas and dancers.

There were two bands supplying a marching rhythm and soundtrack — the first to lead the procession and, at the tail, Los Reformistas, accompanying the Danza de la Pluma Promesa 2016-2018.

The danzantes danced their way onto the plaza and performed.

Then villagers and visitors settled down for words of welcome by community leaders and the new cultural center director Abigail Mendoza (yes, the world famous cocinera), food and drink prepared by the women of Teotitlán, and a moving song by Lila Downs, a madrina of the inauguration.

By the way, several times during the event, Teotitecos proudly informed me that besides the CCCTV’s newly elected director, all the members of the cultural center’s governing committee are women.

Centro Cultural Comunitario director Abigail Mendoza (far left) and her committee.

There were musical performances and then a ribbon cutting to formally open the CCCTV — a building that was awarded the 2017 Cemex first place in the category of Collective Space, Gold Medal in the 3rd edition of the Architecture Biennial of Mexico City 2017, and the Silver Medal in the 15th edition of the National and International Biennial of Mexican Architecture 2018 (Centro Cultural de Teotitlán del Valle, Oaxaca).

At long last, the Centro Cultural Comunitario de Teotitlán del Valle was open to the public — and they poured in to view the spaces, exhibits, and Pablo Picasso community library.

However, that was far from the end of the celebration!  A mini Guelaguetza began with the (above mentioned) delegation from Tlacolula, followed by the folkloric group, Grupo Dancistico Ritmo de Mi Raza, showcasing dances from the eight regions of the state of Oaxaca, and finished with an encore performance by Teotitlán’s Danza de la Pluma Promesa.

The celebration ended 10+ hours after it began, with the abuelas (seen above), village leaders, and the Cultural Center Committee dancing the jarabe in front of the municipal building, accompanied by the exploding sights and sounds of toritos dancing in the plaza, a few steps below.

In addition to permanent exhibits and library, the CCCTV also includes gardens, a store, meeting spaces, and will host temporary exhibitions, along with ongoing cultural and educational activities for children, youth, and adults.

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He had words.  I don’t.

“Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonalds? Or do we want to eat without fear, tearing into the local stew, the humble taqueria’s mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once.”Anthony Bourdain, Kitchen Confidential: Adventures in the Culinary Underbelly

I will miss your intelligence, honesty, passion, and respect for cultures different from your own.  Thank you.  Rest in peace, Anthony Bourdain.

How to get help: In the US, call the National Suicide Prevention Lifeline at 1-800-273-8255. The International Association for Suicide Prevention and Befrienders Worldwide also can provide contact information for crisis centers around the world.

 

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From the outdoor kitchens of Fidel Cruz and María Luisa Mendoza of Casa Cruz and Bulmaro Perez Mendoza, a three-day feast came forth to celebrate the mayordomía (stewardship) of La Virgen de Guadalupe in Teotitlán del Valle.

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The roles are set in the stones of the metates…

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But, it’s the hands of generations of women…

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who continue to shape traditions and nourish bodies and souls.

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With apron strings tied, the women of Teotitlán del Valle, from celebrated cocinera Abigail Mendoza…

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to her sister, María Luisa Mendoza…

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to the abuelas…

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and their hijas, nueras, nietas, and sobrinas.

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It takes a village of women to make feast.

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Orgullo is the Spanish word for pride and you hear it a lot in Oaxaca.  But, rather than just the personal, it encompasses the dignity, honor, and respect felt for one’s community’s history and cultural heritage.  Remember, there are 16 indigenous groups in the state of Oaxaca – each with its own language, dress, culinary traditions, music and dance, celebrations, and crafts.  While the modern Guelaguetza is an invention to attract tourism, it doesn’t detract from the pride expressed by its participants in their unique contributions to what makes Oaxaca.  Thus, a few scenes from Friday…

Fresh handmade tortillas accompanied the mole at the Festival de los Moles luncheon. Chefs from all over the state, presented their moles — I lost count at twenty different kinds — which were served by culinary students from the Universidad Tecnológica de los Valles Centrales de Oaxaca.

 

Diosa Centéotl (Corn Goddess) competition to reign over the Guelaguetza.  Young women representing the regions of Oaxaca showcased and explained the costumes and traditions of their communities, as well as, speak a few lines of their materna lengua (mother tongue).

 

Calenda (procession) on the Alcalá by people from the Gulf of Tehuantepec region.  They were heading toward Santo Domingo — and yes there were a few Muxes among the participants.

 

During Guelaguetza, orgullo wraps you in its presence.

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