One day there was a blank wall. By the next day, the wall had turned into a canvas for a gigantic mural. The story soon unfolded…
The piece was commissioned to celebrate the fiftieth anniversary of INFONAVIT (the federal government’s home loan institution). Ricardo Ángeles designed the mural and the work was carried out with the collaboration of the acclaimed, Taller Jacobo y María Ángeles.
That first day, after chatting with María, she scrambled up on the scaffolding to continue working along with the team of painters.
A couple of days later, there was Jacobo, in his signature white shirt, on his knees painting details on the image of the dog.
Despite late season rains, the work went quickly and I couldn’t believe my eyes at the progress by day five.
The team (listed above) did an amazing job. With pots of plants replacing caution cones and scaffolding, the finished mural was inaugurated yesterday. It is located on 5 de mayo, between Calle de la Noche Triste and Calle de la Alianza in Barrio de Jalatlaco.
By the way, the people in the mural sure look a lot like a young Jacobo, Ricardo, Sabina, and María — la familia Ángeles.
For two days following the previously mentioned convite inviting the villagers of Teotitlán del Valle and guests to the festival honoring the Virgen del Rosario (Virgin of the Rosary), the Danza de la Pluma was performed in the atrium of the church. The Danza de la Pluma is a ritual reenactment of the battles between the Aztec and the Spanish conquistadors. There are thirty nine dances that tell the story. This is the Chotis de 4 Reyes– a Schottische performed by the four kings allied with Moctezuma.
As you can see, the dance steps are complex and made all the more challenging by the wind, which comes up most late afternoons this time of year, catching the massive penachos (the headpieces) worn by the dancers. By the way, this day was the actual feast day so they danced for seven hours. I don’t know how they do it!
A BFF since age twelve (don’t ask how long ago that was) and her husband are visiting. I took them to the weaving village of Teotitlán del Valle for the Santísima Virgen del Rosario festival — three days of witnessing the weft of Spanish conquistador Catholicism woven onto the warp of indigenous Zapotec culture. The public festivities began with Friday evening’s convite — a formal 45 minute procession, through the streets of the village, that serves as an invitation to the festival.
Canastas, with images of Mary and Jesus, waiting to be carried on the heads of unmarried young women and girls.
Young boys waiting with marmotas on tall carrizo poles.
Band #1 leads off the convite with a giant Viva la Virgen marmota.
At least 100 young unmarried women and girls, in traditional festival dress, carry canastas on their heads through the cobblestone streets.
Band #2 provides the music for the danzantes who follow.
Danza de la Pluma danzantes, with rattles shaking, march and dance their way through the streets.
Several weeks ago, at the weekly Friday market on Calle del Refugio, I bought a hibiscus plant in a 6 inch pot. It had a single brilliant yellow with red highlights flower, but was filled with promise from multiple buds. I immediately transplanted it into a larger pot and it has proceeded to put on quite a show. As one flower folds up and falls off, another opens to take its place.
After a two year absence, thanks to the pandemic, Mexico’s Independence Day parade returned to the streets of Oaxaca’s capital. There were lots of drums that had me hearing snare drums in my sleep that night. But, note all the young women drummers! (Click on each image to enlarge.)
Being that this was a civic and military parade, there were the requisite scary guys and gals with guns and military hardware.
But there were also contingents of firefighters, federal disaster relief, and the Red Cross.
There were horses with stunningly dressed male and female riders.
And, there were the young riders… from toddlers to preteens. Did I mention there were lots of horses?
And, to end the parade, there was a patriotic float with beautiful young women, dressed in the green, white, and red of the Mexican flag, singing the national anthem, “Himno Nacional Mexicano.”
Barrio de Jalatlaco played host to an invasion of tunas a few weeks ago. No, not the smelly fish or succulent cactus fruit. These were of the 13th century strolling university musician variety. The tradition of Tuna bands originated in Spain and Portugal, spread to Latin American, and remains alive and well in Oaxaca. Thus, the Tunas from the Universidad Regional del Sureste (URSE), one of four groups participating in the Barrio’s first Callejoneada, gathered on my block.
They serenaded the neighborhood.
We followed these pied pipers.
How could we not, with exuberant ballads like this?
Adding some welcome color to these grey rainy season days, on the first of September my neighbors raised their ginormous flag marking the beginning of the Mes de la Patria — a month-long celebration of Mexico’s War of Independence from Spain.
The war lasted eleven years — from September 16, 1810, with Don Miguel Hidalgo y Costilla’s call to arms (Grito de Dolores), to September 27, 1821, when the Army of Three Guarantees triumphantly marched into Mexico City.
Merchandise in green, white, and red (colors of the Mexican flag) fill store shelves, vendors ply the streets selling flags and tchotchkes, and patriotic displays decorate public and private buildings.
As for me, I’m jonesing for the season’s traditional dish of chiles en nogada. It’s been four years since I savored its complex combination of flavors and textures at Restaurante Catedral (photo above).
Over the past several years, one can’t help but notice that Oaxaca has become much more pet friendly.
In place of the formerly ubiquitous roof dogs menacingly peering down and barking at pedestrians, images of silent dogs and cats look out from walls along the sidewalks.
Veterinary offices have sprung up all over the city, dog walkers have become a “thing,” many businesses are placing water bowls outside their entrances, and restaurants are welcoming pets — cat photos that follow are from the mural outside La Selva de los Gatos Cat Cafe vegetarian restaurant.
Thanks to the efforts of various sterilization clinics in the valley, one doesn’t encounter nearly as many street dogs and feral cats.
If you are so inclined, Huellas de Ayuda Oaxaca and Teo Tails are a couple of clinics that could use financial and volunteer assistance.
Just look at these faces. What’s not to love?
Of course there is the occasional big cat.
And, not to be overlooked, armadillos are known to appear.
No matter the species of animal, on August 31, in celebration of the feast day of San Ramón Nonato, they can accompany their humans to be blessed at Templo de Nuestra Señora de la Merced at 4:00 PM. If years past are any indication, it should be a colorful and lively event.
At long last, thunder is rumbling and rain is pouring down on the highways, byways, and rooftops of Oaxaca. If you look closely, you can see the buckets collecting the runoff from the new pergola.
View from the shelter of the new pergola.
Oaxaca, a largely agricultural state, desperately needs the rain. Let’s hope it lasts!
After four seasons of living with the blazing sun on the rooftop of the new Casita Colibrí, I decided the lone, albeit large, umbrella over the table was completely inadequate in making the terrace compatible with human occupation. Thus, a pergola project was begun. Much web surfing and consultation with friends with engineering and construction experience ensued — including Tom H. (thank you!) who designed and supervised the shade structure at the old Casita Colibrí.
August 1, 2022 – Construction of the pergola begins.
August 1, 2022 – With a crew of 5, the framing went up quickly.
August 1, 2022 – Lamina being attached to the framing.
August 1, 2022 – More welding of the frame (those are sparks in lower center of the photo).
August 2, 2022 – Installing the final lamina panels.
For those engineering folks, here is how the steel posts are bolted to the floor of the terrace.
August 4, 2022 – Tables, plants, and chiminea positioned and wind chimes finally hung.
A huge “muchisimas gracias” to Civil Engineer, Omar Rito and his crew of five for their wonderful work constructing a perfect rooftop pergola in two days!
In Teotitlán del Valle, the dancers of the Danza de la Pluma (Feather dance), make a solemn commitment to their faith and to their community to dance for three years at each of the four major annual religious festivals in their village. 2022 brings a new group and the festival honoring Preciosa Sangre de Nuestro Señor Jesucristo the first of their public performances for the residents of their village and visitors. They dance four times during this festival — two half days and two full (7 hours) days.
July 5, 2022…
La Malinche (Silvia Melissa González Pérez), Moctezuma (Emmanuel Ruiz Ruiz), and Doña Marina (Youshita Yamilet Vasquez Jim.)
Teotitlán de Valle, Danza de la Pluma promesa 2022-2024.
Danzantes dancing like puppets on a papel picado string.
Subalterno helping Rey 4, Luis Ángel Bazán Ruiz, with his penacho (headdress).
Subalterno taking a selfie with a “borrowed” phone.
July 6, 2022…
Capitán 2, Hugo Félix Santiago Jiménez.
Dancers of the Danza de la pluma promesa 2022-2024.
Moctezuma, Emmanuel Ruiz Ruiz.
Doña Marina, Youshita Yamilet Vasquez Jim.
La Malinche, Silvia Melissa González Pérez.
Danza de la pluma promesa 2022-2024, Teotitlán del Valle.
On the superficial level, the Danza relates the story of the Conquest — the Spanish, Moctezuma, his allies, and Malinche/Doña Maria. But, as is the genius of art, it reaches into our hearts and souls and explores and communicates the truths we know and feel.
In 2022, they will dance again for Natividad de la Virgen María in September, Rosario de la Virgen María in October, and the Fiesta a la Virgen de Guadalupe on December 12.
After a two-year hiatus, La Guelaguetza is back. Papel (actually, plastic) picado, in the colors of the rainbow, is draped over the streets, Tiliches (iconic participants at Carnaval in Putla de Guerrero and this year’s chosen image to represent Guelaguetza) are hanging around on sidewalks, walls, and rooftops, and the streets are filled with tourists, both foreign and domestic.
Decorations hanging above Calle de Miguel Hidalgo in Barrio de Jalatlaco.
Tiliche hanging around Barrio de Jalatlaco.
Principal Guelaguetza 2022 events.
This morning, the dancing will begin at the Guelaguetza Auditorium on Cerro del Fortín. The list of delegations by date, time, and the dance they will be performing follows.
July 25, 2022, 9:00 AM delegations and dances.
July 25, 2022, 5:00 PM list of delegations and dances.
August 1, 2022, 9:00 AM list of delegations and dances.
August 1, 2022, 5:00 PM list of delegations and dances.
Please note, next Monday evening’s performance will include the previously mentioned Teotitlán del Valle, Danza de la Pluma Promesa 2022-2024. If you are not in Oaxaca or, like me, don’t have tickets, you can watch courtesy of CORTV via television, their website, and Facebook live.
The annual convite at the beginning of July in Teotitlán del Valle has not only been an invitation to the village’s patronal festival honoring Preciosa Sangre de Cristo. For me, it has also served as an invitation to a month of non-stop celebrations and events — an excuse to set aside my daily routines and chores and, instead, revel in the color and culture on display in the streets of the city and the small towns dotting the valley of Oaxaca.
The church, Preciosa Sangre de Nuestro Señor Jesucristo, ready and waiting for the convite to begin.
Picacho, the sacred mountain envelops the community in its protective arms, as the canastas and unmarried young women and girls of the village take their place in line for the convite.
Boys clutching their mini marmotas patiently wait for the deafening sound of the cohetes (rockets) signaling the convite’s start.
Boys and their mini marmotas at the head of the convite — accompanied by a few dads, big brothers, uncles, and officials to keep them in line.
Two monos (new addition this year) and one of several gigantic marmotas follow close on the heels of the young boys.
Of course there is a band to set the tempo.
Arms raised, contingents of unmarried women and girls carry canastas decorated with religious imagery.
Most are dressed in the valley’s traditional enredos (wool wrap skirts) and colorfully embroidered white blusas from Oaxaca and Chiapas.
In this Zapotec villlage, the beauty of the faces and strength of their arms are a sight to behold — especially Beatriz (foreground), who is very dear to my heart.
A second band marks the approach of the danzantes.
Danzantes of the Danza de la Pluma Promesa 2022-2024 alternately march and dance their way along the cobblestone streets.
Picacho watches as the danzantes wend their way along the meandering streets of Teotitlán del Valle.
Villagers watch as danzantes Moctezuma, Malinche and Doña Marina, followed by another marmota, and town officials mark the last of the convite’s participants.
After almost an hour, the convite and its contingents returned to the church atrium. Their work, of extending an invitation to the festival, is finished — until next time!
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View From Casita Colibrí 