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Archive for the ‘Exhibitions’ Category

The walls of Oaxaca remind me of words sung by Taj Mahal…

Part of mural in Jalatlaco on Callejón Hidalgo at corner of Aldama.

Excerpt from mural in Jalatlaco on Callejón de Hidalgo at Aldama

From Consolamentum installation by Jason Pfohl at Matria Arterapéutico.

From Consolamentum installation by Jason Pfohl at Matria Arterapéutico.

Remember the feeling as a child
When you woke up and morning smiled
It’s time, it’s time, it’s time you felt like that again

There is just no percentage in remembering the past
It’s time you learned to live again and love at last

Come with me, leave your yesterday, your yesterday behind
And take a giant step outside your mind

Listen to Taj Mahal’s version of Take a Giant Step by Gerry Goffin and Carole King.

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Around this time of year, the gringo and Canadian (they are adamant they are NOT gringos) population in Oaxaca begins to grow — an increase that will last for the duration of winter.  Called “snowbirds” by the resident ex-pats, they are an eclectic and interesting crowd.  Among them are a couple of talented people with whom I have become acquainted —  San Francisco Bay Area based writer, Robert Adler (who, along with Jo Ann Wexler, publishes the invaluable, Viva Oaxaca) and Seattle photographer, Tom Feher.

Robert and Tom have embarked on an ambitious project interviewing and photographing undocumented immigrants on their arduous and dangerous journey from Mexico and Central America, en-route to El Norte.  The result is to be a traveling exhibition of 24 to 30 of near life-size images on narrow aluminum sheets designed to be hung from the ceiling and accompanied by a booklet with the biography of each immigrant.  The exhibition will be called, I Have a Name — the title coming from a neighbor of Tom’s, “who, having hired a Latino man to do some work, refused to call him by his right name and referred to him only as “the Mexican”, even though he was from Guatemala. ”

The decision to leave all that is known and loved for distant country and alien culture is not undertaken lightly.  The creators of this project hope, in the words of Robert, that the exhibit, “will convey what we’ve been learning firsthand–that it’s one thing to have a concept such as ‘migrant,’ ‘migrant worker,’ ‘undocumented worker,’ or ‘illegal alien,’ and quite another to know people as individuals with their own names, faces, life stories and dreams.”

This is an expensive project and Robert and Tom need your help to bring I Have a Name to fruition.  They have mounted a fundraising campaign on the crowd-finding site, Indiegogo.  Please consider helping them raise $25,000 before their November 25, 2013 deadline.

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More from the Hecho en Oaxaca exhibit…

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The courtyard at the Museo de Arte Contemporáneo de Oaxaca (MACO)…

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Art is the tree of life.  — William Blake


					

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Another wall, courtesy of the Hecho en Oaxaca urban art project of the Museo de Arte Contemporáneo de Oaxaca (MACO).  It reminds me of the John Mayer song,

Waiting on the World To Change

Me and all my friends
We’re all misunderstood
They say we stand for nothing and
There’s no way we ever could

Now we see everything that’s going wrong
With the world and those who lead it
We just feel like we don’t have the means
To rise above and beat it

Wall art of boy sitting

So we keep waiting
Waiting on the world to change
We keep on waiting
Waiting on the world to change

It’s hard to beat the system
When we’re standing at a distance
So we keep waiting
Waiting on the world to change

Now if we had the power
To bring our neighbors home from war
They would have never missed a Christmas
No more ribbons on their door
And when you trust your television
What you get is what you got
Cause when they own the information, oh
They can bend it all they want

That’s why we’re waiting
Waiting on the world to change
We keep on waiting
Waiting on the world to change

It’s not that we don’t care,
We just know that the fight ain’t fair
So we keep on waiting
Waiting on the world to change

And we’re still waiting
Waiting on the world to change
We keep on waiting waiting on the world to change
One day our generation
Is gonna rule the population
So we keep on waiting
Waiting on the world to change

We keep on waiting
Waiting on the world to change

~~~

But, then again, maybe he’s waiting to join the struggle to make the change…

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I think I’ve mentioned several times before, Oaxaca is filled with art — in the streets, museums, and galleries.  New venues crop up regularly and exhibit openings, replete with mezcal, cervesa, and botanas, seem to occur a couple of times a week.  I can’t keep track!

A few days ago, on our way to La Popular for tortas, my friend (and artist) Laurie Fisher and I stopped by the Galería Noel Cayetano Arte Contemporaneo to see the current exhibit, Los Apóstoles (The Apostles).  Male and female, they are all self portraits by Nayarit born sculpture and painter, Vladimir Cora.

Cora dedicated the exhibition to all all those who do their job well have not been corrupted.  “Todos tenemos un apostolado y si lo haces honestamente, esta exposición es para ti.” — Vladimir Cora (Noticias, 10 agosto 2013)

The Cayetano gallery is upstairs at the Plaza Santo Domingo, M. Alcalá 405-30 in Oaxaca city.

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Yesterday, in the midst of Guelaguetza festivities, Oaxaca learned of the death of one of her beloved artists.   A sculpture and painter, Alejandro Santiago was only 49 years old when he succumbed to a massive hear attack.

Image of Alejandro Santiago projected on screen at Homage

Image of Alejandro Santiago projected on the screen at today’s Homage

Perhaps his most important work resulted from a return to the Zapotec village of his birth, San Pedro Teococuilco, after many years away.  He was moved by the large numbers of men and women who had left, leaving it almost deserted.  Inspired and feeling the need to make a statement about what had happened to his pueblo, and countless others in Mexico, he created a massive exhibition of 2501 sculptures, an homage to those who had left, plus one — those who are yet to make the journey northward.

One of his 2501 Migrants from a 2012 exhibit along Macedonio Alcalá,

One of his 2501 Migrants from a 2012 exhibit along Macedonio Alcalá,

There was an Homage to Maestro Alejandro Santiago this morning at the Teatro Macedonio Alcalá.

Casket of Alejandro Santiago on the stage of Teatro Macedonio Alcalá

Casket of Alejandro Santiago on the stage of Teatro Macedonio Alcalá

And, according to Think Mexican, there will be a memorial “in the coming days at La Calera.”

For more photos from the 2501 Migrants exhibit, see my blog post The path of the migrant.

Update:  Valerie J. Nelson has written a lengthy tribute to Alejandro Santiago for the Los Angeles Times.

RIP, Maestro.

 

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Oaxaca is alive with street art these days — even more than usual and that’s saying a lot!  As part of their Hecho en Oaxaca (Made in Oaxaca) exhibition, the Museo de Arte Contemporáneo de Oaxaca (Museum of Contemporary Art of Oaxaca) invited a dozen well-known and accomplished urban artists to transform the walls of the museum and the Historic District of the city.

A lifetime ago, prior to becoming a librarian, I was a registered nurse, first working in a hospital and then as a visiting nurse.  The current MACO exhibit reminded me of one of the primary reasons why I much preferred the latter — it was the creativity needed in creating treatment plans to provide care in a patient’s often-times challenging home environment.

The imagination and inventiveness required to create art on crumbling walls with windows, doors, meters, and electrical boxes, never ceases to amaze me.  As you can see below, even in MACO, that same vision is evident in the use of the museum’s many rooms and courtyards — including incorporating doorways, window sills, and colonial era frescos.

 Yescka

Retna

Dr Lakra

Swoon

Saner

If you love Oaxaca’s street art, get yourself to MACO.  The exhibition runs through the first week of October 2013.

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3 straw hats on concrete wall

Still life at Matria, Jardín Arterapéutico.

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Several days ago, my previously mentioned, indomitable, and always adventurous neighbor Marga brought me a bag of small reddish-orange flowers.  She waxed lyrical about their flavor (somewhat peppery) and crunchy texture, never mind the color they add to any dish.  The street vendor from whom she had purchased these delectable delights even hinted at their medicinal qualities.  Marga, what’s the name of the plant?  (The librarian planning to do a little research before consuming.)  Alas, she didn’t catch the name.

Small red flowers in a clay bowl

Anyone have an answer?  By the way, even without a name, they were a delicious addition to 3-days worth of salads.  I think I’ll show the photo to some of the chefs-in-training at today’s Feria Gastronómica…

Feria Gastronómica poster

Yummm….

Breaking news:   They are black bean blossoms (flor de frijol).  Mil gracias to Margie Barclay of the invaluable Oaxaca Calendar fame.  That was fast.  I love my readers!

Update, this just in:  They are scarlet runner bean flowers, according to another longtime Oaxaca resident.

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Do you remember December’s abandoned building that artist Mauricio Cervantes transformed into Hope amidst decay with his El Sueño de Elpis?  Bringing together artists, gardeners, and community members, he is again working his magic at Casa del SXIX.  Honoring sustainability and reuse, Matria, Jardín Arterapéutico is a year-long multidisciplinary installation that will grow and change with the seasons.

Appropriately, on the first day of Spring — the season of rebirth, resurrection, and renewal — I was invited to wander through the site and watch as life was emerging from the decay.

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Primavera, the beginning phase of Matria, Jardín Arterapéutico will be revealed to all on Saturday, March 23 at 2:00 PM.  The building can be found at Murguía 103 (between Macedonio Alcalá and 5 de mayo).

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The sun is shining, but it’s cold.  With snow on the ground, I’m living inside.  I’m definitely not in Oaxaca anymore!  I’m outside of Saratoga Springs, New York.  Yes, I traded the land of blue skies, brilliant colors, warm temps, and open doors and windows, for ten days in the frigid, fifty shades of gray, northeast — but for the best of reasons, my grandson’s first birthday. However, I need my Oaxaca fix!  So, with a little time on my hands (nap time for baby) I am going through Noche de Rabanos photos.  And, these little devils, jumped out at me.  (Gosh, I have no idea why!) P1030666 These dancers portray La Danza de los diablos, a dance that is the result of a fascinating fusion of African and Sonoran rituals. P1030669 They are made of dried corn husks P1030668 and were created by Moisés Ruiz Sosa.  The detail is amazing! P1030667 La Danza de los Diablos de Santiago Juxtlahuaca won second prize in the 2012 Totomoxtle Decorado division. P1030670 Ooops!  The adorable little devil who melts this heart just woke up.  Time to do the crawling-around-on-the-floor dance.

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Oaxaca is mourning the loss of painter, Juan Alcázar Méndez, who succumbed to complications related to diabetes yesterday.

Juan Alcázar Méndez.  Photo from Consejo Nacional para la Cultura y las Artes

Juan Alcázar Méndez. Photo from Consejo Nacional para la Cultura y las Artes

Alcázar was born in Guadalupe Etla, Oaxaca in 1955 and entered the School of Fine Arts at the University Benito Juarez of Oaxaca at the age of 13.   He became known for his unique magic realism style.

Painting from fundraising auction by the Oaxaca Lending Library, 2010.

Painting from fundraising auction by the Oaxaca Lending Library, 2010

He was the founder of the Taller Rufino Tamayo, el Taller de Gráfica en la Casa de la Cultura, and the Taller Libre de Gráfica Oaxaqueña.  He was also one of the artists exhibited in the at the Mexican Consulate in San Francisco in 2012.

"El Rapto" at the The Magic Surrealists of Oaxaca exhibition 2012, San Francisco, CA.

“El Rapto” from the The Magic Surrealists of Oaxaca exhibition 2012, San Francisco, CA.

RIP, Juan Alcázar Méndez.  You will be missed but your magic will live on.

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I’m moving in a few weeks… not far… just across the driveway… so much to do… so many details to deal with.  And, how in the world did I accumulate SO much “stuff” in such a small apartment in only 3-1/2 years??!!!

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My sentiments, exactly!

*** Photos are of an art installation on the sidewalk of M. Bravo during the Ma(yo) en Oaxaca 2012.

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On Saturday, thanks to MexicoRetold, I stepped through the doorway and entered El Sueño de Elpis (the dream of Elpis), an art installation by Mauricio Cervantes in one of the many abandoned buildings in the city center.

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In Greek mythology, Elpis was usually depicted carrying flowers and was the spirit of hope.  She alone chose to remain when Pandora opened the lid of her infamous box.

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I arrived a little after 10 AM.  The glow of morning light on the colors and textures of this crumbling beauty and her furnishings was captivating — and I was reluctant to leave.

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Elpis and her dream will continue to offer hope for another 3-1/2 weeks at Murguía 103 (between Macedonio Alcalá and 5 de mayo).  There were candles — and according to the docent, it is especially magical at dusk.

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I will return.  Keep dreaming…

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From Sangre de Cristo to Santo Domingo, along the Alcalá, one is now able to “have a seat.”

Wooden bench with a curved seat.

As part of the inauguration of the Me Siento Bien en Oaxaca (I Feel Good in Oaxaca) and to celebrate, International Youth Day, 13 pieces were created by students of the Faculty of Architecture Cinco de Mayo, the Free School of Art and Design, and the Urban Contingency B_root studio.

Slats of curved pieces of wood forming a bench

The theme was Evolution and the young people were charged with using recycled materials and innovative design.

Bench with metal seat with punched design, which is mirrored in the shadow on the paving stones.

I think they succeeded!

Brass looking metal bench reflecting paving stones, building, and lamp

Alas, it is only temporary; August 18 is the last day.

 

Circular double bench - metal and plastic.

However, according to a newspaper report, as a more permanent part of Me Siento Bien en Oaxaca program, benches “rescued by the City” will be put in public spaces.

Wooden boxes

 

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