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Archive for the ‘Casita Colibrí’ Category

Poco a poco (little by little) my ofrenda has been constructed and composed.  A yellow (the color of death in prehispanic southern Mexico) cloth covers two chests and papel picado, signifying the union between life and death, has been added.

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Photos of departed loved ones have been placed, along with apples, oranges, and nuts to nourish the difuntos, sal to make sure the souls stay pure, cempasúchitl and veruche (domesticated and wild marigolds) — their scent to guide the spirits, cockscomb to symbolize mourning, the previously mentioned flor de muerto from the mountains above Díaz Ordaz, and copal incense to draw the spirits home and ward off evil.

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Sugar skulls, catrinas, and a few of the favorite things of my parents, grandparents, and in-laws have also been added.  Lest the spirits become thirsty, there is water, mezcal, cervesa, and a bottle of port (for my mom) to drink.

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Last night, the candles and copal incense were lit to guide my loved ones to my Oaxaca home and, just to make sure, I sprinkled some cempasúchitl petals outside to help them find their way.

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It may not be the house where they lived, but I’m hoping they too believe, When you live in your heart, you are always home.

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Returning to Casita Colibrí last Sunday afternoon, I unlocked the door, set down my way-too-heavy backback, and, having been away for a month, I savored the scene my Oaxaca home presented.  There was my new Tree of Life tapete hanging on the wall of my dining area looking like it had always been there; on the floor, separating living spaces, the beautiful mohair rug woven for me by Antonio Ruiz Gonzalez presided.

AND (drum roll, please), in front of the sofa, my most recent purchase — a stunning rug from Casa Cruz in Teotitlán del Valle.

Maria Luisa Mendoza, wife of weaver Fidel Cruz Lazo, displaying their wares in their taller in Teotitlán del Valle.

Maria Luisa Mendoza, wife and partner of weaver Fidel Cruz Lazo, displaying their wares in their taller in Teotitlán del Valle.

Metates at Casa Cruz used to hand grind cochineal and indigo dyes.

Metates leaning against the wall, waiting to to be used to hand grind the natural dyes.

Array of some of their brilliantly colored naturally dyed yarns.

An array of some of their brilliantly colored naturally dyed yarns.

After much indecision (they were all so beautiful!), Fidel Cruz Lazo displays my final choice.

After much indecision on my part (they were all SO beautiful), Fidel displays my final choice.

My rug in its new home here at Casita Colibrí.

My rug in its new home in the living room area of Casita Colibrí.

The book,

It wasn’t until I took this photo, that I realized the design on the cover of  the book, The Colors of Casa Cruz, is the same as my new rug.

The yarns of my new rug were dyed using indigo, cochinilla, nuez (walnuts), musgo (moss), achiote (annatto), and cempazuchil (marigolds) and the primary design element is the diamond, representing the four cardinal points, and symbolizing the continuity of life.

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It’s here!!!  Sam messaged me Saturday night to say that my Tree of Life tapete was finished.  So, my trusty blogger buddy Chris (he had an ulterior motive) and I drove out to Teotitlán del Valle to pick it up.

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This very unique Tree of Life was designed by Sam Bautista Lazo (above on the left) and I had been immediately drawn to the use of a corn stalk, instead of a tree.  After all, this is the valley where corn was thought to be first cultivated. Sam’s father, Mario Bautista Martínez chose the colors and, as I recounted in my Yagshī for my Tree of Life blog post, Sam’s mother Leonor Lazo González (above, second from right) dyed the wool.

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The plan had been for Sam’s father to weave the rug, but farm work was taking the bulk of his time, so he turned it over to Jacinto (above left), a weaver in the village who specializes in the Tree of Life.  Sam was incredulous that Jacinto didn’t draw the design on the warp and, instead, just did it “free hand” — weaving from a photo of the larger rug Sam had provided.  And, if you are wondering, it took 72 hours to complete.

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Here it is, up close.  As you know, the moss/celery green color came from the yagshī plant.  The brown was made from dried granada (pomegranate) skins and the yellow came from bejuco (dodder), a parasitic plant that can be seen draping itself over the branches of the Piru tree in Teotitlán.  Añil (indigo) supplied the blue and the reds came from cochinilla (cochineal).  While the other dyes can be gathered in the village, these latter two must be purchased and can be quite expensive.

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Here it is, hanging in its new home at Casita Colibrí.  I am SO grateful to Sam, Leonor, Mario, and Jacinto for their creativity, talent, and hard work in bringing my tapete to fruition and to Mother Nature for the resources she provides Teotitlán del Valle.  It takes a village to make a Tree of Life!!!

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Yesterday morning, as I made the rounds bidding each of my plants a “muy buenos días,” peeking out from the bottom of one of my garden pots…

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A star looked up and wished me a very good morning.

A Quaqua mammillaris flower for Cee’s photo challenge.

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Rainy season means wind, rain, and fallen Flor de Mayo flower petals.  What to do?

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Nothing like the scent of Plumeria to perfume the room.

My entry in Cee’s photo challenge.

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This year’s “like it used to be” rainy season has brought Morning Glories climbing their way to my doorstep and adding a little color to an otherwise grey morning.

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Obviously, I’m not the only one who enjoys the green of their heart-shaped leaves.

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This morning I was greeted by several flowers on my night blooming cereus, with one acting as a rich playground and dining room for a guest in the garden — a very welcome honey bee.

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I have no idea how long she had wiggled and wallowed before I saw her.  I stood mesmerized for a minute or two before running into my apartment to get a camera.

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I continued to be intrigued by her industry and pleasure for another five (plus) minutes before returning inside — letting her continue in privacy, while I turned to my morning cup of coffee and bowl of cereal.

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She may have been nourishing her body, but she was also nourishing my soul.

My entry in Cee’s photo challenge.

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Five or six months ago, I took multiple cuttings from my Stapelia gigantia and planted them in six planter boxes on top of my terrace wall.  I used them to fill in around agave that I’d planted in the middle of each box.

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Once the rains came, they began spreading their prehistoric-looking tentacles…

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And, the flowers have exploded in their carrion-smelling bloom, attracting green bottle flies, as designed.

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I think my stinky stapelia like their new homes!

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The rainy season has come and with it, the emergence of chicatanas (also known as, tzicatanas) — a pre hispanic insect delicacy in this corner of the world.  My first experience with these giant “flying ants” was at the Oaxaca airport five or six years ago, where I was greeted with, what can only be characterized as, an infestation.  They were flying through the terminal, crawling on the floor, and being chased by toddlers to teens, as adults watched in amusement.  Since then, I’ve come to know and even love these little critters — especially in salsas and mole.

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Two years ago, I awoke to my own infestation on the terrace.  However, yesterday morning only a lone female chicatana put in an appearance.  Darn, just when I’d actually considered gathering them up like these children and attempting to make chicatana salsa!

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I can’t resist.  It’s another day and another night blooming cereus flower greeted the dawn.  Ready for her close-up, she insisted on a profile…

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¡Muy buenos días a todos!

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A couple of mornings ago, as I made my terrace rounds wishing my plants a “muy buenos días,” I found my cereus had bloomed during the night.  A gift from the garden…

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By noon it was a shriveled skeleton of itself.  The flower may have been fleeting, but it was a lasting gift of beauty amid the unrelenting, energy-sapping heat and the daily ordeal of navigating Oaxaca’s blockades, marches, and a zócalo covered in tents.  In the two days since, my step has been a little lighter and my tolerance to life’s circumstantial complexities a little higher.

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Sitting in the morning sun…

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Watching my feathered friends find my new fountain.

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I know I promised that Talavera transformation, the end was the end of the talavera tile projects.  However, what can I say?   It’s been almost two years and the outdoor counter was too small to be functional, not to mention that the 25+ year old glass tiles kept loosening and falling off the sink area.

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Modeled after my kitchen sink project, two other kitchens in my apartment complex had recently received a facelift and had used up most of the tiles squirreled away in the bodega.   But, I was determined and the expansion project began.

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Despite the lack of tiles, the previously mentioned, Sebastián and Leonardo began framing the new counter top.  The first attempt at purchasing more tiles at Materiales Venecia (on the way to Tule) ended in a police bloqueo.  We (thank you, Chris) turned around and headed over to Home Depot.  No talavera tiles.  Then Romasa.  Also, no dice.

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Push came to shove, the tiling needed to begin!  So, the following day, we again set out for Materiales Venecia — this time, smooth sailing and success.  With dimensions, a design, and a calculator in hand, the math was done (while squatting on the sidewalk) and boxes of green and dark terracotta tiles were purchased.

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I’d bought the accent pieces years ago at a Oaxaca Lending Library bazaar, had planned the design around them, and was SO glad to finally see them being put to use.

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After two weeks of on again/off again work, depending on their work schedule and my ability to obtain materials, the counter was finished and I immediately went out in search of stools, so I could belly-up to the bar to sip my morning coffee and sunset glass of wine.

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I love it!  And, besides serving as a delightful place to eat breakfast and dinner, the added storage under the counter is fantastic.  No more looking at the plastic garbage cans holding dirt, stacks of buckets, and leftover paint cans — thanks to shower curtains.

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What’s next?  Who knows…

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This morning, I awoke to the familiar, if startling, sounds of cohetes (rockets).  Oh right, it’s Día de la Santa Cruz (Day of the Holy Cross).  Alas, no pilgrimage hike up Cerro Picacho for us this year; we are still in recovery from our island adventure AND, more importantly, even at 7:30 AM, it is too darn hot!  Have I mentioned Oaxaca has been experiencing 90º – 96º F temperatures for the past month?  That’s 10º F above average.  Exhausting it is and sweltering we are.

However, before the sun was directly overhead, I returned to Benito Juárez mercado hoping my coffee guy would be there.  He wasn’t, but many of the stalls had beautifully decorated alters, fragrant with the sweet scent of flor de mayo (plumeria) blossoms.

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In Mexico, it is also Día del Albañil, the feast day of the stonemason/bricklayer/builder because, according to this article (en español):

Before the Conquest, the indigenous Mesoamerican related to the cross with the cardinal directions of the Indian cosmography north, south, east, west and central graphically formed the cross.

With the arrival of the Spaniards, this evocation was eradicated and replaced by religious symbolism of the Holy Cross.

Since then the celebration of this feast with the construction of houses, churches, monasteries, and other buildings with Indian labor was established.

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However, Sebastián and Leonardo continued working on my new counter.  And, yes, there will be tile!

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Remember the pineapple growing in my rooftop container garden?  Upon returning from a week-long magical mystery trip (more about that to come) last night, I discovered mi piña was more than ready to harvest.

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The fragrance beckons… breakfast tomorrow!!!

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