In Oaxaca, at any time of year, images of la Virgen de Guadalupe (Our Lady of Guadalupe) are never far away.
April 8, 2022 – Wall of a building on Calz. de la República, Oaxaca city.
March 24, 2022 – Wall inside Casa Ocho Regiones, Oaxaca city.
November 2, 2022 – Cemetery in Tlacolula de Matamoros.
February 3, 2022 – Guadalupe (on the right) at the restaurant Almú in San Martín Tilcajete.
However, today, December 12, is Día de la Virgen de Guadalupe and she and her image are being celebrated — including by the danzantes of Danza de la Pluma Promesa 2022-2024 in Teotitlán del Valle.
The legend of La Virgen de Guadalupe is known to every Mexican, every person of Mexican descent, and probably every foreigner who calls Mexico home. The image of this dark-skinned Virgin Mary who spoke Náhuatl is as imprinted on the national consciousness as she was on Juan Diego’s legendary tilma (cloak).
This morning, before dawn broke, the booms of cohetes celebrating Día de la Virgen de Juquila woke me from a dreamy sleep. A rude awakening? Not really. After all these years, the sound makes me smile. The all-bang-no-bling rockets mean something is being celebrated. Since mid November, pilgrims from all over Latin America have been traveling to Santa Catarina Juquila, Oaxaca, Mexico. They arrive by bus, bicycle, motorcycle, on foot, and on their knees to pay homage, give thanks, and ask for blessings in front of the tiny image of la Virgen de Juquila. According to this article, they will continue to make the pilgrimage until December 28.
Image of the Virgin of Juquila on display in the booth of Santa Catarina Juquila at an exposition of Mexico’s Pueblos Mágicos held in Oaxaca.
Why do they come? According to legend, in 1633, when a fire burned the Chatino village of Amialtepec to the ground, a small wooden statue of the Virgin Mary was rescued amidst the ashes. She was undamaged, save for her light skin color, which was permanently darkened by the smoke, causing her to more closely resemble the Chatino people, who live in this remote mountainous region between Oaxaca city and the Pacific coast. Local priests declared her survival a miracle and her veneration commenced. However, that wasn’t the end of the story; the priest in the village of Santa Catarina Juquila convinced the “powers that be” that she should be moved to the bigger and better church in Juquila. She, however, had other ideas and returned to Amialtepec. This back and forth continued another three times. Finally, in 1719, La Morenita (the dear dark one), as she had come to be known, gave up her traveling ways and agreed to call Santa Catarina Juquila her permanent home.
Image of the Virgin of Juquila nestled on an altar in the garden of the restaurant Almú in San Martín Tilcajete.
She “is a symbol of love, of protection, of justice, of peace, of respect for human dignity.” And, because of her indigenous roots, “the homage to the Virgin of Juquila is similar to that rendered to the Virgin of Guadalupe, not only in Oaxaca, but also in Puebla, Tlaxcala, State of Mexico, Veracruz and Chiapas, as well as in the United States, for the religiosity of migrants.”
Image of the Virgen of Juquila on the home altar of a family in Teotitlán del Valle.
On October 8, 2014, la Virgen de Juquila received a papal coronation — hence the crown seen in images one, two, and four. And, on October 26, 2022, a delegation from Oaxaca traveled to Rome to present Pope Francis with a very special image of la Virgen de Juquila. It was a collaborative work carved and painted in the Jacobo and María Ángeles Workshop in San Martín Tilcajete, with metalwork by Conrado Villegas Alcázar and filigree work by the jeweler José Jorge García García, both from Oaxaca city. Her vestments were made by Elsa Abigail Mendoza Antonio from Santo Tomás Jalietza.
Why I love Oaxaca, reason number 2,022 — music is heard everywhere and seemingly all the time. November 22 is Día de Santa Cecilia who, among other things, is the patron saint of musicians.
July 4, 2022 – Convite for the Preciosa Sangre de Cristo patronal festival in Teotitlán del Valle
July 23, 2022 – Guelaguetza Desfile Magesterial in Barrio de Jalatlaco
July 9, 2022 – Calenda celebrating the anniversary of La Mano Magica Galería in Oaxaca de Juárez
September 16, 2022 – Independence Day parade in Oaxaca de Juárez
August 25, 2022 – 35th birthday celebration in Barrio de Jalatlaco
August 20, 2022 – Strolling Tuna Band from URSE in Barrio de Jalatlaco
And, since this post honors musicians, how about a little music…
Traditional teponaxtles and chirimía played outside the panteón of San Antonino Castillo Velasco on Palm Sunday 2022 and brass band in Barrio de Jalatlaco, Oaxaca de Juárez on the 6th Friday of Lent, Viernes de Dolores 2022.
A big muchisimas gracias to musicians all over the world who provide the soundtrack of our lives.
Every Día de Muertos, I love seeing the artistry of public ofrendas, feel honored being welcomed into the homes of friends and placing pan de muertos on their very personal ofrendas, and enjoy assembling my own ofrenda to departed loved ones. (Click on each image to see the details.)
Mitla – Ofrenda in the home of master weaver Arturo Hernandez Quero.
Mitla – Public ofrenda in the main plaza. Note the intricately decorated pan de muertos.
Teotitlán del Valle – Ofrenda of the weaver Pedro Montaño and cocinera Carina Santiago family in the Tierra Antigua restaurant and gallery.
Teotitlán del Valle – Ofrenda in the family home of weaver Zacarias Ruiz and Emilia Gonzalez.
Barrio de Jalatlaco – Private ofrenda open for public viewing at the corner of 5 de mayo and La Alianza.
Barrio de Jalatlaco – Family adding the finishing touches to their ofrenda. (They graciously gave me permission to take the photo.)
Casita Colibrí – My ofrenda in the daylight.
Casita Colibrí – My ofrenda at night awaiting the arrival of my departed.
I love the spicy and welcoming scents of cempasúchitl (marigolds), lacy flor de muerto from the Sierra Norte, pan de muertos, and incense of copal.
One day there was a blank wall. By the next day, the wall had turned into a canvas for a gigantic mural. The story soon unfolded…
The piece was commissioned to celebrate the fiftieth anniversary of INFONAVIT (the federal government’s home loan institution). Ricardo Ángeles designed the mural and the work was carried out with the collaboration of the acclaimed, Taller Jacobo y María Ángeles.
That first day, after chatting with María, she scrambled up on the scaffolding to continue working along with the team of painters.
A couple of days later, there was Jacobo, in his signature white shirt, on his knees painting details on the image of the dog.
Despite late season rains, the work went quickly and I couldn’t believe my eyes at the progress by day five.
The team (listed above) did an amazing job. With pots of plants replacing caution cones and scaffolding, the finished mural was inaugurated yesterday. It is located on 5 de mayo, between Calle de la Noche Triste and Calle de la Alianza in Barrio de Jalatlaco.
By the way, the people in the mural sure look a lot like a young Jacobo, Ricardo, Sabina, and María — la familia Ángeles.
A BFF since age twelve (don’t ask how long ago that was) and her husband are visiting. I took them to the weaving village of Teotitlán del Valle for the Santísima Virgen del Rosario festival — three days of witnessing the weft of Spanish conquistador Catholicism woven onto the warp of indigenous Zapotec culture. The public festivities began with Friday evening’s convite — a formal 45 minute procession, through the streets of the village, that serves as an invitation to the festival.
Canastas, with images of Mary and Jesus, waiting to be carried on the heads of unmarried young women and girls.
Young boys waiting with marmotas on tall carrizo poles.
Band #1 leads off the convite with a giant Viva la Virgen marmota.
At least 100 young unmarried women and girls, in traditional festival dress, carry canastas on their heads through the cobblestone streets.
Band #2 provides the music for the danzantes who follow.
Danza de la Pluma danzantes, with rattles shaking, march and dance their way through the streets.
Several weeks ago, at the weekly Friday market on Calle del Refugio, I bought a hibiscus plant in a 6 inch pot. It had a single brilliant yellow with red highlights flower, but was filled with promise from multiple buds. I immediately transplanted it into a larger pot and it has proceeded to put on quite a show. As one flower folds up and falls off, another opens to take its place.
After a two year absence, thanks to the pandemic, Mexico’s Independence Day parade returned to the streets of Oaxaca’s capital. There were lots of drums that had me hearing snare drums in my sleep that night. But, note all the young women drummers! (Click on each image to enlarge.)
Being that this was a civic and military parade, there were the requisite scary guys and gals with guns and military hardware.
But there were also contingents of firefighters, federal disaster relief, and the Red Cross.
There were horses with stunningly dressed male and female riders.
And, there were the young riders… from toddlers to preteens. Did I mention there were lots of horses?
And, to end the parade, there was a patriotic float with beautiful young women, dressed in the green, white, and red of the Mexican flag, singing the national anthem, “Himno Nacional Mexicano.”
Barrio de Jalatlaco played host to an invasion of tunas a few weeks ago. No, not the smelly fish or succulent cactus fruit. These were of the 13th century strolling university musician variety. The tradition of Tuna bands originated in Spain and Portugal, spread to Latin American, and remains alive and well in Oaxaca. Thus, the Tunas from the Universidad Regional del Sureste (URSE), one of four groups participating in the Barrio’s first Callejoneada, gathered on my block.
They serenaded the neighborhood.
We followed these pied pipers.
How could we not, with exuberant ballads like this?
Adding some welcome color to these grey rainy season days, on the first of September my neighbors raised their ginormous flag marking the beginning of the Mes de la Patria — a month-long celebration of Mexico’s War of Independence from Spain.
The war lasted eleven years — from September 16, 1810, with Don Miguel Hidalgo y Costilla’s call to arms (Grito de Dolores), to September 27, 1821, when the Army of Three Guarantees triumphantly marched into Mexico City.
Merchandise in green, white, and red (colors of the Mexican flag) fill store shelves, vendors ply the streets selling flags and tchotchkes, and patriotic displays decorate public and private buildings.
As for me, I’m jonesing for the season’s traditional dish of chiles en nogada. It’s been four years since I savored its complex combination of flavors and textures at Restaurante Catedral (photo above).
Mexican Peso Converter
View From Casita Colibrí 