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Archive for September, 2021

Feliz Día Nacional del Maíz (Happy National Day of Corn).

Mi orgullo es mi raiz, el maíz (My pride is my root, the corn).

But what would corn be without the hands that have cared for it for hundreds of years.CONABIO (National Commission for the Knowledge and Use of Biodiversity)

Sin Maíz No Hay País (Without corn there is no country)!

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If it’s Saturday, it must be boda (wedding) day in Oaxaca. I caught this one as it was leaving Templo de San Matías Jalatlaco in the requisite post-ceremony procession that would stop traffic as it wended its way through the streets of the neighborhood.

While the wedding party may not have been as grand as the Saturday weddings at the over-the-top ornate Templo Santo Domingo de Guzmán, this one had all the festive elements of a boda in Oaxaca.

A brass band setting the tempo.
Chinas Oaxaqueñas dancers.
A bride and groom boogieing on down the street.
Bride and groom monos.
Giant marmota spinning the names of the bride and groom — Carolina and Alfredo.
And the real life bride and groom cracking each other up as they begin their married life together.

What’s not to love about a Oaxaca wedding?!!!

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Under the shade of the 361 year old Coquito de la Iglesia de Jalatlaco tree, onlookers (and bloggers like yours truly), dignitaries, media, and the artists of the Tlacolulokos collective gathered for the inauguration of the previously mentioned new mural in Jalatlaco.

“Nuestro sol se ha ido” mural in Barrio de Jalatlaco.

The mural, “Nuestro sol se ha ido” (Our sun has gone) is a collaboration between Rolande Souliere of the “Anishinaabe” people in Canada and the Zapotec Tlacolulokos urban art collective from Oaxaca’s central valley.

Indigenous Encounter Canada/Mexico, “Our sun has gone” by Tlacolulokos and Rolande Souliere.

The mural’s inauguration was live streamed on Facebook on the Secretaría de las Culturas y Artes de Oaxaca page.

Media and dignitaries gathered in the atrium of the Templo de San Matías Jalatlaco.

Unfortunately, Rolande Souliere could not travel to Oaxaca. However she described some of the symbolism of the mural: “We decided to portray the mythological beings of the Canadian thunderbird and the Zapotec deity of the Cosijo throne, these fantastic beings are responsible for the thunder and rain that the world experiences and that come together thanks to the clouds…. symbolic imageries such as Zapotec patterns, the route of thunder and the four directions of the first nations represented by the colors red, black, yellow and white… important signifiers in both communities since they represent the continuation of indigenous culture in contemporary society.”

Inaugural ribbon cutting (Canadian Ambassador wearing white shirt in center and artist Dario Canul on the far right) for the “Nuestro sol se ha ido” mural.

Dario Canul, representative of the Tlacolulokos colective further explained, “The mural, ‘Our sun has gone,’ is a representation of celebration, life, rain, thunder, and tears that all indigenous peoples have shed over time.”

Drone filming the inauguration of the “Nuestro sol se ha ido” mural.

The inauguration launched the 2-1/2 week long Encuentros indígenas: Canadá-Oaxaca 2021 (Indigenous encounters: Canada-Oaxaca 2021) — a series of activities in Oaxaca city and surrounding villages — that runs from September 20 to October 8, 2021.

Tlacolulokos artists in front of the mural, “Nuestro sol se ha ido” mural.. Dario Canul (center).

In remarks by Graeme C. Clark, the Canadian Ambassador, at the inaugural event and reports from this article, the collaboration seems to be an expression of the mea culpa by the Canadian government with regard to their historic treatment of the first peoples of the territory that is now called Canada. Better late than never. The indigenous peoples of the USA are still waiting.

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Today, I decided to change up what has become my Friday shopping routine. Instead of walking north to the fruit and veggie vendor, I headed south to explore the Friday tianguis — relocated from Llano Park a couple of years ago and now residing near the Polideportivo.

And, what an excellent decision it was! Only blocks from home, I came across a massive mural in progress on Calle de la Noche Triste at the corner of Calle Ignacio Aldama.

With scaffolding and tools of the trade in place, men were at work.

The style looked familiar, so I stopped to ask, and discovered they were the Tlacolulokos – my favorite artist collective from Tlacolula de Matamoros!

I think the guy I spoke to was a bit taken aback to find that this gringa was quite familiar with their work — including the murals for the Downtown Central Library in Los Angeles, California. Stay tuned…

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Pink sky at night, sailors’ delight.
Pink sky in the morning, sailors take warning.

What about a weird sky at dusk?

View from the rooftop — looking northwest, not so weird.
View from the rooftop — looking east was ominous.
View from the rooftop — looking southeast was seriously eerie and beautiful.

Last night’s sky over Oaxaca was the talk of locals on Facebook. Rain came an hour later.

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Decorations in green, white, and red began going up the first of September.

Papel picado flying above calle Ignacio Aldama in Barrio de Jalatlaco.

No, it’s not beginning to look a lot like Christmas.

Window of a school in Barrio de Jalatlaco.

The entire month of September is designated the Mes de la Patria — a month celebrating Mexico’s independence from Spain — a war which began on September 16 1810 and finally ended 200 years ago on September 27, 1821.

Mexican flag flying in the yard of one of my neighbors in Barrio de Jalatlaco.

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Yesterday’s view from my front door…

A late afternoon deluge. This is the rainy season in Oaxaca!

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