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Archive for September, 2018

I returned to Oaxaca very late last night and just in the nick of time.  As I previously noted, chiles en nogada is prepared during the month of September — El Mes de la Patria celebrating Mexico’s independence from Spain — and I was keeping my fingers crossed that it would still be available.  Thus, today (the LAST day of September) on my way back from Mercado Benito Juárez (a necessary restocking the empty larder shopping trip), when I saw the prominent “chiles en nogada” sign in front of Restaurante Catedral and heard the hostess explain to a small group of tourists that today was the last day they would be serving it, I had to seize the opportunity.

Chile en nogada with Mexican flag

Just color me happily sated by the green, white, and red of the poblano chile stuffed with a special fruit and meat picadillo, blanketed with a smooth slightly sweet walnut sauce, and garnished with parsley and pomegranate seeds.  So, mis amig@s (you know who you are) you are off the hook!

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Four years and two days ago, 43 student teachers from Escuela Normal Rural Raúl Isidro Burgos in Ayotzinapa, Guerrero were disappeared in a violent attack on their bus in Iguala.  They still haven’t been found, their families still grieve, and anger surrounding the lack of truth, transparency, and justice continues.

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“For mothers who mourn empty graves for children who never returned”

In June of this year, a federal court ordered the creation of a truth and justice commission to undertake a new investigation but the current government has appealed the order.  However, two days ago, on the anniversary of their disappearance, Mexico’s new president-elect, Andrés Manuel López Obrador (AMLO), met with relatives and representatives of the missing students and vowed to discover the truth and implement the court order.  Expectations are high, but skepticism remains.

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I have returned to my hometown for my 50th high school reunion.  (How could I possibly be that old?!)  Whenever I come up to the USA, I make a point of bringing a little Oaxaca love with me.  So, this trip I brought my three newest textile treasures to wear.

First, a modern asymmetric take on a traditional huipil — designed, dyed, and woven on a backstrap loom by Moisés Martínez Velasco from San Pedro Cajonos in the Villa Alta region of the Sierra Norte.  Villagers cultivate and harvest the silk worms and spin the silk used in making this beautiful piece.

I also packed a recently purchased traditional blusa from the Mixtec village of San Pablo Tijaltepec.  The blouses from this village are made from cotton manta and hand-embroidered with images of birds, animals, plants, and elements of nature in geometric patterns.  The blouses take up to one and a half months to make.  I wore it to the reunion picnic on Sunday and it received several compliments.

And, last but not least, I brought this elegant silk huipil with cotton chain-stitch hand embroidery designed by celebrated poet, Natalia Toledo.  Honoring the traditional huipiles of her birthplace in Juchitán de Zaragoza in the Isthmus of Tehuantepec region of Oaxaca, yet bringing her own design esthetic to her label Teka, this woman of many talents works with seamstresses and embroiderers from the Isthmus and Central Valleys of Oaxaca to create one-of-a-kind pieces.  I wore this to Saturday night’s reunion at the base of the Golden Gate Bridge beside the San Francisco Bay — and it was perfect!

Besides the designs, colors (lately, I seem to be binging on burgundy), and handmade aspect of the work, I especially appreciate that I was able to meet and purchase each piece directly from its creator.

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The gods…

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and superheroes like El Chapulín Colorado have had their day.

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Today, the walls of Oaxaca remind us that it is journalists who are on the front lines — uncovering truth, advocating for justice, and often paying with their lives.

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“Cuando un pais tiene ganas de gritar hay personas que no pueden callar.”  (When a country wants to scream there are people who cannot remain silent.)  — the late Mexican journalist, Javier Valdez.

Journalists in the USA, are you listening?

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On September 16, Mexico celebrates Día de la Independencia — marking Father Hidalgo’s call to arms (Grito de Dolores) to begin the ten-year war for independence from Spain.  However, the entire month of September is El Mes de la Patria (the month of the homeland) and streets and vendor stalls are awash with the green, white, and red of the Mexican flag.

Last week, walking down to Mercado Benito Juárez to pick up a few last-minute regalitos (little gifts) to bring up to family and friends in el norte, within two blocks I saw…

There is even a very yummy green, white, and red patriotic dish that appears in restaurants in September — Chiles en nogada.  I’m hoping it will still be on the menu when I return at the end of the month from the el norte trip.

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The very dry rainy season continues and is the major topic of conversation among anyone who has any connection to la tierra (the land).  However, during today’s Fiesta a la Natividad de la Virgen María in Teotitlán del Valle, the Zapotec god Cosijo answered the prayers for rain.

The sky darkened over Templo de la Preciosa Sangre de Cristo

Moctezuma (Sergio Gutiérrez Bautista) danced the story of the Conquest.

Doña Marina (Elizabeth Hernández Gutiérrez) danced her part.

The rain began to seriously fall and the plastic penacho (headdress) covers came out in force, but the danzantes continued to dance.

Comida (lunch break) came just in time, the sun came out, and Malinche (Quetzali del Rayo Santiago Ruiz) graciously posed for photos.

And, Javier Gutiérrez Hernandez (dance master, choreographer, former danzante, and father of Moctezuma) posed with his son’s penacho.

A little means a lot, though probably not enough to salvage this season’s milpa (field of corn, beans, and squash).  But, when your culture dates back at least 2,500 years, you take a long view of history.

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A local’s guide to Mexico City: 10 tips describes a mural project by Aida Mulato and Jóvenes Artesanos to help rehabilitate her Roma neighborhood following the September 2017 earthquakes.  According to the article, “The colourful murals celebrate indigenous communities and women, who continue to suffer most from the earthquakes.  The project supports the larger goals of Jóvenes Artesanos and gives various support to about 150 artisans with whom Mulato works.  With 15 murals painted already, the goal is to create a circuit of 68, representing the country’s indigenous populations.”

What an enlightened and wonderful contrast to the game of cat and mouse, street mural artists have been facing here in Oaxaca for the past few years, where many (including me) have been asking, are Color and culture, unwelcome?  However, while they may be more ephemeral than we would wish, artists are still at work on the sides of our own crumbling buildings, and murals still can be found on the walls of Oaxaca.

Enjoy them while you can, they may be gone tomorrow.

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You know you are nearing a village when you see the bell tower(s) and dome of the Catholic church.  Checking out the church is always high on the agenda.  Many were originally constructed in the sixteenth century, though damage, restoration, and decoration have occurred over intervening centuries.  And, don’t forget the details…

So, while attending the Feria del Barro Rojo in San Marcos Tlapazola in mid-July, we peeked through the locked gates, to see the Templo San Marcos.

Then off to San Miguel del Valle on a Fundación En Vía microfinance tour in early August and another church through another locked gate.

The piéce de résistance… We headed to the first food feria in Santa Ana Zegache in mid August.  Alas, we arrived hours too early for the food, but we consoled ourselves with visiting their Baroque 17th century church (no locked gate) that was fabulously restored in the 1990s by the Rodolfo Morales Foundation.

All beautiful and unique.  So, the lesson for today is, whenever you find yourself in a village in Oaxaca, be sure to check out the church.

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