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Posts Tagged ‘San Jerónimo Tlacochahuaya’

Next Monday, the the 83rd annual modern Guelaguetza will commence on Cerro Fortín.  And so, the last of my photos from last year’s evening performance…

I’ll resume my coverage with the San Paliluú of San Antonio Huitepec a village from the Valles Centrales region.

IMG_4882IMG_4884IMG_4895San Pedro Comitancillo performed the Danzas y Sones de Mi Tierra from the Istmo de Tehuantepec region.

IMG_4908IMG_4918P1010316IMG_4920And then there was the Danza de la Pluma.  Moctezuma, Danzantes, Malinche, and Doña Marina from San Jerónimo Tlacochahuaya, in the Valles Centrales region, performed one of the dances that reenacts the story of the Conquest.

IMG_4943IMG_4966IMG_4961Loma Bonita in the Tuxtepec region, very near the the state of Veracruz, then took the stage with its rousing Rinconcito Oaxaqueño.

IMG_4983IMG_4997IMG_5018The sun began to set as 36 beautiful women from San Juan Bautista Tuxtepec in the Papaloapam region, wearing their with brightly colored huipiles, took to the stage for the crowd pleasing Flor de Piña.

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Darkness began to fall (making for challenging photography from 1/3rd of the way up from the Guelaguetza Auditorium stage), as the lively Sones and Chilenos danced by the delagation from the Costa region village of San Juan Cacahuatepec kept the energy flowing.

P1010363La Dote y el Tercel Día e Fandango from the dancers of San Antonino Castillo Velasco in the Valles Centrales region closed the evening’s performances.

P1010371As fireworks exploded over the Guelaguetza Auditorium, the band played, the audience took to its feet, and delegations reclaimed the stage to dance the evening’s Guelaguetza performance to a close.

Now on to La Guelaguetza 2015!

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It didn’t start that way; I awoke to horrifying news from Colorado.  Thank goodness blogger buddy Chris called and the heart that beats in Oaxaca beckoned.

First stop was the “Al Son del Valle,” an exhibition of canastas from 17  villages in the central valleys of Oaxaca.  These are baskets that are carried on the heads of women during calendas (parades); you may remember them from previous posts on the convites in Teotitlán del Valle.  The art of crafting canastas and the traditions and culture they represent have been proudly and lovingly passed down through the generations.

San Antonino Castillo Velasco canasta decorated with Flor Inmortal, the flower that never dies.

Canasta from San Mateo Macuilxóchitl

From San Jerónimo Tlacochahuaya, these canastas are lit and become pinwheels of fireworks at the end of a calenda.

Canasta of Las Chinas Oaxaqueñas of the city of Oaxaca

Canasta from Tlacolula de Matamoros.

Canasta from Zimatlán de Álvarez made of crepe paper.

Muchas gracias, Oaxaca, I needed that!

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