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Posts Tagged ‘wall art’

Mexico has a long and important place in the history of communication through murals — from stories related by pre-Hispanic civilizations…

Maya fresco circa 790 C.E. - Bonampak, Chiapas

Maya fresco circa 790 C.E. – Bonampak, Chiapas.

through the world-renowned and influential Mexican muralists of the twentieth century:  Orozco, Rivera, Siqueiros, and others.

History of Mexico by Diego Rivera, 1931 - National Palace, Mexico City.

History of Mexico by Diego Rivera, 1931 – National Palace, Mexico City.

And, as many of you know, murals on the walls of Oaxaca are part of the urban landscape, authorized or not, like them or not, they celebrate…

One of the murals in the pedestrian tunnel to the Guelaguetza auditorium.

One of several murals in the pedestrian tunnel to the Guelaguetza auditorium in Oaxaca city.

educate…

San Antonino Castillo Velasco, Oaxaca.

San Antonino Castillo Velasco, Oaxaca.

reveal past and present — and hopes and fears for the future.

Calle Tinoco y Palacios, between Vasconcelos and Niños Héroes.

Calle Tinoco y Palacios, between Vasconcelos and Niños Héroes, Oaxaca city.

Those found on the streets we expect to be ephemeral, but commissioned work, both inside and outside of buildings, we hope would have a longer and more permanent lifespan.  Of course, the Rockefeller family’s destruction of Diego Rivera’s Rockefeller Center mural showed differently.  And, more recently, my friend and artist, Mike Alewitz experienced the obliteration of his mural on the side of the Pathfinder Building, also in New York.  Both were instances of political differences and, while distressing, perhaps not too surprising.

However, today Mike is leading a battle in defense of his students’ murals.  According to NBC Connecticut:

Central Connecticut State University (CCSU) has built up one of the largest mural collections in the country since the program started in 2001. But Professor Mike Alewitz, who oversees CCSU’s mural painting program, said that collection is at risk.

The school has painted over six of the murals without notice and plans to do the same with another 12, Alewitz said Richard Bachoo, director of operations, confirmed. He said he hopes an appeal to the university and community support will protect the remaining murals.

“It made them feel part of the larger world, that they weren’t looking at blank walls inside an institution, but they were looking at the hopes and dreams of young people,” Alewitz said. “We found out that 18 murals were scheduled to be destroyed.”

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He says in the 14 years the mural program has existed, the policy has never been implemented in this way. Alewitz said in a statement that this is “the largest destruction of public art in recent history.” While administrators have removed murals in the past, they normally consult with the art department first, he said.

“The real policy has been that people love the murals, so when they’ve been painted, they’ve stayed up,” Alewitz said.

Oaxaca would lose much of her character and lessons would be lost, if we were to wake one morning and find all her murals disappeared.  The story is the same at CCSU.  For the full article, click HERETo send messages of protest and to see some of the amazing student murals that enliven the walls and stimulate thinking at CCSU but are slated for destruction, click HERE.  And, Why Bureaucrats Fear Art, is a letter to students and fellow artists, by Mike Alewitz.

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The walls of Oaxaca continue to talk.

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Meet the new gals in town…

Virgin of Guadalupe painted on yellow wall

Skeleton on swing painted on orange wall

Life and death in Oaxaca.

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Expats and Mexicans alike, are watching in amazement at the nonsense (as in, making NO sense) taking place in the hallowed halls of Washington DC.  And, since many of the expats are retired, we are holding our collective breath over the possibility social security checks will not be forthcoming in November and a tanking stock market that flushes our nest eggs away.  Of course, Mexico is in the middle of its own mess, “educational reforms” and economic proposals that will hurt Mexico’s working class and rural populations the most.

Wall in Oaxaca city.

Wall in Oaxaca city.

In a New York Times article two days ago, Carlos Puig explains the reality of the material conditions that have forced the teachers of Oaxaca to take the drastic action of abandoning their classrooms to lead massive and extremely disruptive protests in Mexico City against the “No Child Left Behind” style reforms that the Peña Nieto led government has proposed and passed.  (Read a critique of the US education “reform” by Diane Ravitch, former “No Child Left Behind” proponent, here.)

Oaxaca is 500 kilometers from Mexico City, yet the real distance is much bigger. The state’s G.N.P. per capita is one-quarter the average for the country. Oaxaca ranks second-to-last among all states in infrastructure. More than half its population lives in towns of fewer than 2,500 people.

Being a teacher in Oaxaca means sometimes having to travel for an entire day to reach your school in a tiny community, teach for three days — to children of all grades — and travel back home for the weekend. It means having to deal with children who speak more than 20 different dialects.

Being a teacher in Oaxaca means operating in a different universe — and under different rules.

Banner hanging in front of a school in Oaxaca city

Banner hanging in front of a school in Oaxaca city

However, as in the USA, the incomprehensible words coming out of the mouths of the 1% and their elected representatives are mind-boggling in their obliviousness to the adverse consequences their behavior and policies cause.  And, we scratch our heads in amazement…  McClatchy journalist, Tim Johnson, has repeatedly blogged about the exceedingly “bad” behavior exhibited by Mexico City’s rich and powerful directed at those they consider “below” them — most recently, Las Ladies, episode 7.  And, just last week in Oaxaca, most were aghast to read that an indigenous woman, in the advanced stage of labor, was turned away from a hospital and forced to give birth on the hospital lawn.

Daniel Goleman had a revealing piece in the New York Times a few days ago that helps explain where this lack of empathy the ruling elite exhibit, that results in callous social policy, comes from.  He explains in Rich People Just Care Less that, by necessity, “the poor, compared with the wealthy, have keenly attuned interpersonal attention in all directions…”  And that, “A growing body of recent research shows that people with the most social power pay scant attention to those with little such power” and, “In politics, readily dismissing inconvenient people can easily extend to dismissing inconvenient truths about them.”

Okay, now we know why the rich care less, so what are we going to do about it?

Part of a mural on Niños Heroes in Oaxaca city.

Part of a mural on Niños Heroes in Oaxaca city.

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Remember the childhood riddle, “What’s black and white and red all over?”

Old answer:  A newspaper.  New answer:  The walls of Oaxaca.

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Ahh, young love…  On the walls of Oaxaca, among the extraordinary art and pithy political statements, there are declarations of love.

In red heart on wall: Angel y Edna

People speak of love don’t know what they’re thinking of
Wait around for the one who fits just like a glove
Speak in terms of belief and belonging
Try to fit some name to their longing
People speak of love

—  In the Shape of a Heart by Jackson Browne

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Work in progress on Tinoco y Palacios by Jorel and the Rhu Crew…

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Up close and personal…

All finished!

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Oaxaca is alive with street art these days — even more than usual and that’s saying a lot!  As part of their Hecho en Oaxaca (Made in Oaxaca) exhibition, the Museo de Arte Contemporáneo de Oaxaca (Museum of Contemporary Art of Oaxaca) invited a dozen well-known and accomplished urban artists to transform the walls of the museum and the Historic District of the city.

A lifetime ago, prior to becoming a librarian, I was a registered nurse, first working in a hospital and then as a visiting nurse.  The current MACO exhibit reminded me of one of the primary reasons why I much preferred the latter — it was the creativity needed in creating treatment plans to provide care in a patient’s often-times challenging home environment.

The imagination and inventiveness required to create art on crumbling walls with windows, doors, meters, and electrical boxes, never ceases to amaze me.  As you can see below, even in MACO, that same vision is evident in the use of the museum’s many rooms and courtyards — including incorporating doorways, window sills, and colonial era frescos.

 Yescka

Retna

Dr Lakra

Swoon

Saner

If you love Oaxaca’s street art, get yourself to MACO.  The exhibition runs through the first week of October 2013.

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Colibríes?  I can’t resist!

Hummingbird from a wall in San Cristóbal de las Casas in Chiapas…

Hummingbird painted on wall

Hummingbird from a NASA’s Hubble Space Telescope photo…

Hubble image looks like the profile of a hummingbird

Separated at birth?  Cool article from Slate about this photo…

The Hummingbird Galaxy

I was pondering writing a longish post about the picture above, talking about what galaxies are, how they can physically collide, how their gravity can twist and distort their shapes into all sorts of weird things …

But seriously. That galaxy looks like a hummingbird.* What more do you need?

OK, you need a little more. For one, I’ve written quite a bit about how galaxy collisions happen, so you can read about how these work here and here. The two galaxies in this collision are called NGC 2936 (the blue birdie one) and NGC 2937 (the smaller cottonball one). Together they are known as Arp 142, named for an astronomer who observed weird, distorted galaxy pairs.They’re located about 300 million light-years from Earth.

Two things really stand out to me in this picture (besides a galaxy that looks like a flippin’ hummingbird). One is the long, delicate tendril of dark reddish dust exhumed from the previously spiral-shaped galaxy NGC 2936, flung into a long arc across tens of thousands of light-years of space. I wish we had more three-dimensional data here; I’d love to know what this structure really looks like from different angles. Since dust is very dark, it blocks light coming from behind it, so this tendril is in front of the hummingbird galaxy, or perhaps embedded in it.

The other thing is that the smaller galaxy seems to have survived this collision pretty well. The shape is only mildly distorted; you can see a bit of off-centered nature to the glow of stars around the core. I suspect its more compact nature has a lot to do with that; the stars are closer together, perhaps, and the overall gravity of all those stars helped it retain its shape.

And there is one other thing. These are two very different galaxies colliding! The ex-spiral galaxy is very blue, indicating lots of star formation happened recently. Young, massive stars are blue, and when galaxies collide, the gravitational interaction can cause huge clouds of gas to collapse and furiously form stars.

The other galaxy is yellower, indicating an older, more stable population—blue stars don’t live long, so a galaxy this color must not have formed stars in a long, long time. Billions of years, for sure. You can tell by looking that it doesn’t have much gas and dust in it, which fits; if it had, the collision would have stirred them up, and we’d see more blue stars there as well.

Note too that you can see a handful of far more distant galaxies in the picture. The ones to the lower right are red, which is most likely due to having their light absorbed and reddened by the dust in the hummingbird galaxy; that’s another thing interstellar dust does, much like dust and haze in the air can make a sunset look red.

All in all, there’s a lot going on in this image! The hummingbird shape makes me smile, and don’t get me wrong, it’s cool. But what you’re seeing here is far more than just a shape in the clouds; you are seeing a massive collision on a cosmic scale, the collective might of 100 billion suns, their gravity reaching out and twisting the shapes of these galaxies, stretching them like taffy, molding them like clay.

The Universe operates on the grandest of all scales, manipulating forces and energies far too large for us to grasp in our puny brains. Yet when it does so, it generates beauty and perhaps even amusement in those same brains. It helps us appreciate it and gives us another reason to want to. And, after a while, we really can begin to grasp what the Universe is telling us.

Maybe our brains aren’t so puny after all.

*Some folks say it looks like a penguin. I can see that, but it’s silly. I mean, c’mon, a galaxy shaped like a penguin? Ridiculous.

h/t Chris

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Oaxaca’s annual Guelaguetza festival honoring the traditions of costume, dance, and sharing of the eight regions of the state of Oaxaca is less than a month away.  There will be competitions leading up to the choosing of Goddess Centeotl to preside over the festival and parades by the delegations through the city on the two Saturdays that precede the July 22 and 29 programs at the Guelaguetza Auditorium on Cerro Fortín.

There will official and alternative celebrations in the city and surrounding villages.  According to yesterday’s press conference, more than 70 events are scheduled and Lila Downs will be the official Guelaguetza 2013 ambassador.  Hmmm… I wonder what that means?  Surprise Lila Downs performances?  It’s Oaxaca, so you just never know!

To get everyone in the spirit, here’s a few photos from another of Oaxaca’s wonderful urban art covered walls.  It celebrates the heritage of Oaxaca and can be found at José López Alavez 1406, in the Xochimilco neighborhood of the city.

By the way, this past Sunday, San Francisco’s North Bay residents got an early and small flavor of Guelaguetza.  Oaxacan dances, dishes and costumes in Santa Rosa entertained over 1,000 spectators and, no doubt, the hearts of the Oaxaqueños participating and in the audience swelled with pride.  If I’d only known about it in advance, I would have gladly extricated myself from the complexities and minutiae of getting my grandparents’ house ready to sell and driven up there for a taste of Oaxaca.  They were even serving tlayudas!

Oh well, this time next month I will be happily back in Oaxaca and, no doubt, be exhausted, exhilarated, and pouring through hundreds of photos from the first week of Guelaguetza activities.

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This wall in Oaxaca says it all.  Have I mentioned, I’m counting the days until my return?!!

Small at top of big wave.

Here’s hoping Cameron Conaway is right and this is, “The storm before the calm.” (Caged: Memoirs of a Cage-Fighting Poet)

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How about exchanging guns for guitars?

Woman pointing rifle

Man pointing guitar at TV

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From the walls of Oaxaca.

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Wall art demonstrating "reduce, separa, recicla"

Sign "deposita solo botes reciclables with 3 plastic bottles nailed to it

Sign "deposita solo botes reciclables" and basket 1/3 filled with plastic bottles underneath

Chicken wire bin 1/3 full of plastic bottles

Educating the public in Teotitlán del Valle.

 

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And now a return to the amazing street art from the walls near Calle de Melchor Ocampo and Calle de La Noria…

Never a dull moment or wall in Oaxaca!

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More from the wall art at Calle Melchor Ocampo and La Noria.  I can’t help thinking of Leonard Cohen’s, Bird on a Wire.

Wall with painting of birds sitting on a wire

Like a bird on a wire,
Like a drunk in a midnight choir
I have tried in my way to be free.

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