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Posts Tagged ‘street art’

These creatures began materializing around town a couple of months ago.  I wonder…

Creatures painted on wall

Who are they?

Creature painted on wall

Where did they come from?

Creatures painted on wall

What do they want?

Creatures painted on wall

Perhaps, I should ask here!

Creature painted on wall

The walls of Oaxaca… you have questions, they have answers.

Update:  The monsters sprang forth from the mind of SCOM.

h/t Jason Pfohl of Gorilla Glass.

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No, not a newly discovered mutant killer variety — only one of the sculptures currently hanging out along the Alcalá.  It is part of a public art exhibit, “El migrante,” by Oaxaqueño artisit, Fernando Andriacci.

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The walls of Oaxaca continue to talk.

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Meet the new gals in town…

Virgin of Guadalupe painted on yellow wall

Skeleton on swing painted on orange wall

Life and death in Oaxaca.

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Maybe it’s the recent trip to the US — staying in my childhood home, rearranging boxes of old LPs in the garage, looking at framed Fillmore and Winterland concert tickets from shows I attended “back in the day.”  Another sixties-era song came to mind when I ran across this photo I’d taken in January of some street art on Rio Papaloapam in Santa Rosa, Oaxaca (not California).  Ahhh…  the beautiful harmonies of Buffalo Springfield singing Bluebird by Stephen Stills.

On top of an meter box, a painted bluebird

Listen to my bluebird laugh
She can’t tell you why
Deep within her heart, you see
She knows only crying, just crying

There she sits, aloft a perch
Strangest color blue
Flying is forgotten now
Thinks only of you, just you, oh yeah

So get all those blues
Must be a thousand hues
And be just differently used
You just know

You sit there mesmerized
By the depth of her eyes
That you can’t categorize
She got soul, she got soul
She got soul, she got soul

Do you think she loves you?
Do you think at all?

Soon she’s going to fly away
Sadness is her own
Give herself a bath of tears
And go home and go home

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I’m still in recovery and catching-up mode and a nagging cold (caught in el norte) hasn’t helped.  While I’ve only ventured out of Casita Colibrí a few times, I’m loving being back in the land of color.

Colorful street art on wall

And, after my recent sojourn to points north, where Mother Nature is a drama queen when it comes to seasons, I’m savoring one of the subtle signs of spring in Oaxaca.

Lavender blossoms on jacaranda against blue sky

The jacarandas are beginning to bloom.

Lavender jacaranda blossoms against blue ski

Purple haze all in my eyes…

Street art:  lips painted on a wall

Excuse me while I kiss the sky!

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Monday’s headline from the Huffington Post read, “Enrique Peña Nieto’s TIME Cover Sparks Outrage In Mexico.”  The Time Magazine cover (to be published February 24, 2014) shows an imperious looking Peña Nieto, with the bold-face headline, “Saving Mexico.”  Judging from personal conversations, numerous articles, and marches throughout the country, that is definitely not the way most Mexicans see their president.

Mural on wall of giant man holding small Peña Nieto head by his hair

Elected in 2012, Peña Nieto has proposed sweeping reforms, including a previously mentioned education package modeled after the disastrous US, “No Child Left Behind Act.”  These unpopular reforms have citizens marching in the streets and calling for Peña Nieto’s head.  One of the reforms that Mexicans find most egregious is the proposal to open Mexico’s state-run oil industry, PEMEX, to foreign investment.  This is one that strikes at the heart of Mexican pride.

Poster of oil rig spewing oil from on top of a heart

A little background:  In 1938, in support of oil workers striking against foreign-owned oil companies, Mexico’s president, Lázaro Cárdenas, citing the 27th article of the 1917 constitution, expropriated the Mexican facilities of the United States and Anglo–Dutch oil companies, nationalized the oil reserves, and created the state-owned Petróleos Mexicanos (aka, PEMEX).  Mexico now owned and controlled this valuable resource.

Banner, "Frente en defensa del petroleo.  Por el derecho a la consulta ciudadana."

Back to the present:  According to the Huffington Post article, “The energy bill, however, faced massive protests when it passed through Congress in December. Demonstrators shouted ‘The homeland is not for sale!‘ as officials voted to allow private companies to exploit oil and gas reserves in the country, according to the Associated Press.”

Poster, "A la defensa del petroleo"

In true Oaxacan fashion, marches have been held and banners, posters, and murals have gone up throughout the city to express the outrage and indignation felt by a majority of Mexicans at what they see as an attempt by the Peña Nieto government to sell-off their patrimony.

Of course, as the Time Magazine article illustrates, the US is applauding Peña Nieto and the actions of his ruling party.

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In 2014, don’t…

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or do, what feels good.

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(In Oaxaca, on Berriozábal at the corner of Reforma.)

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It may be the Winter Solstice, but here in Oaxaca my doors and windows are already open and I’m looking at a clear blue sky and an 85° F  temperature forecast.  Ahhh…

This is about as close as we get to Old Man Winter…

Winter mural

Mural on a wall along Niños Heroes, Oaxaca

Happy Winter Solstice to all in the northern latitudes and happy Summer Solstice to those south of the equator.

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The walls of Oaxaca remind me of words sung by Taj Mahal…

Part of mural in Jalatlaco on Callejón Hidalgo at corner of Aldama.

Excerpt from mural in Jalatlaco on Callejón de Hidalgo at Aldama

From Consolamentum installation by Jason Pfohl at Matria Arterapéutico.

From Consolamentum installation by Jason Pfohl at Matria Arterapéutico.

Remember the feeling as a child
When you woke up and morning smiled
It’s time, it’s time, it’s time you felt like that again

There is just no percentage in remembering the past
It’s time you learned to live again and love at last

Come with me, leave your yesterday, your yesterday behind
And take a giant step outside your mind

Listen to Taj Mahal’s version of Take a Giant Step by Gerry Goffin and Carole King.

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Are you willing

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to stick your neck out?

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Currently sticking her neck out on Matamoros, between Tinoco y Palacios and Crespo.

 

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A neighbor and I were standing on the upper terrace of our apartment complex, watching the guys paint the dome of Iglesia de San José (a future blog post), when I looked to the south…  Hmmm, I’d never noticed the art on the side of that tall yellow building — and neither had she.  I whipped out my little Lumix and took this photo at 12:25 PM.

12:25 PM

At 12:26 PM, I was about to take a second shot when the guy, his staff, and the little church at his feet, began climbing up the side of the building.  Whoa!!!

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By 12:27 PM, they were gone…

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At 4:02, while composing this blog post, I got up from my desk to take a look at the building again — trying to figure out where exactly this banana yellow 3+ story building is located.  Imagine my surprise when I saw the guy and his staff back on the side of the building AND his twin on the far right.

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What the @#$% ???  Unable to curb my curiosity, I took off in search of my on/off/on again friend.  At 4:34 PM, walking south on Tinoco y Palacios (which becomes, J. P. García),  I found him at 308 J. P. García (almost to Las Casas), hanging out above Veana (one of my “go to” shops for kitchen ware).

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At 4:35 PM, from across the street, I stood on the sidewalk gazing up at this reappearing painting on the side of the building.  ¡Un milagro!

P1000118At 4:36 PM, I still don’t understand…  What was it we saw earlier today?  A stencil?  Artists, can you enlighten me?  All I can say is, I am VERY glad this painter is fastened to a harness.  Of course, I’m hoping it’s not just being hand-held by the two guys on top of the building!

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People often ask, “What do you DO all day?”  This is as good an answer as I can come up with!

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Expats and Mexicans alike, are watching in amazement at the nonsense (as in, making NO sense) taking place in the hallowed halls of Washington DC.  And, since many of the expats are retired, we are holding our collective breath over the possibility social security checks will not be forthcoming in November and a tanking stock market that flushes our nest eggs away.  Of course, Mexico is in the middle of its own mess, “educational reforms” and economic proposals that will hurt Mexico’s working class and rural populations the most.

Wall in Oaxaca city.

Wall in Oaxaca city.

In a New York Times article two days ago, Carlos Puig explains the reality of the material conditions that have forced the teachers of Oaxaca to take the drastic action of abandoning their classrooms to lead massive and extremely disruptive protests in Mexico City against the “No Child Left Behind” style reforms that the Peña Nieto led government has proposed and passed.  (Read a critique of the US education “reform” by Diane Ravitch, former “No Child Left Behind” proponent, here.)

Oaxaca is 500 kilometers from Mexico City, yet the real distance is much bigger. The state’s G.N.P. per capita is one-quarter the average for the country. Oaxaca ranks second-to-last among all states in infrastructure. More than half its population lives in towns of fewer than 2,500 people.

Being a teacher in Oaxaca means sometimes having to travel for an entire day to reach your school in a tiny community, teach for three days — to children of all grades — and travel back home for the weekend. It means having to deal with children who speak more than 20 different dialects.

Being a teacher in Oaxaca means operating in a different universe — and under different rules.

Banner hanging in front of a school in Oaxaca city

Banner hanging in front of a school in Oaxaca city

However, as in the USA, the incomprehensible words coming out of the mouths of the 1% and their elected representatives are mind-boggling in their obliviousness to the adverse consequences their behavior and policies cause.  And, we scratch our heads in amazement…  McClatchy journalist, Tim Johnson, has repeatedly blogged about the exceedingly “bad” behavior exhibited by Mexico City’s rich and powerful directed at those they consider “below” them — most recently, Las Ladies, episode 7.  And, just last week in Oaxaca, most were aghast to read that an indigenous woman, in the advanced stage of labor, was turned away from a hospital and forced to give birth on the hospital lawn.

Daniel Goleman had a revealing piece in the New York Times a few days ago that helps explain where this lack of empathy the ruling elite exhibit, that results in callous social policy, comes from.  He explains in Rich People Just Care Less that, by necessity, “the poor, compared with the wealthy, have keenly attuned interpersonal attention in all directions…”  And that, “A growing body of recent research shows that people with the most social power pay scant attention to those with little such power” and, “In politics, readily dismissing inconvenient people can easily extend to dismissing inconvenient truths about them.”

Okay, now we know why the rich care less, so what are we going to do about it?

Part of a mural on Niños Heroes in Oaxaca city.

Part of a mural on Niños Heroes in Oaxaca city.

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Remember the childhood riddle, “What’s black and white and red all over?”

Old answer:  A newspaper.  New answer:  The walls of Oaxaca.

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Ahh, young love…  On the walls of Oaxaca, among the extraordinary art and pithy political statements, there are declarations of love.

In red heart on wall: Angel y Edna

People speak of love don’t know what they’re thinking of
Wait around for the one who fits just like a glove
Speak in terms of belief and belonging
Try to fit some name to their longing
People speak of love

—  In the Shape of a Heart by Jackson Browne

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