Feeds:
Posts
Comments

Posts Tagged ‘Sheri Brautigam’

A mile or two from the city are fields of corn; a recurring reminder of where the masa used to make tortillas, tamales, and other mealtime staples, comes from.  Livestock roam the hills and are often seen being herded down the streets of local villages.

Goats being herded down dirt road

And, at the foot of the stairs of my new apartment is a coyuche bush — the brown cotton plant that has been cultivated in this part of the world for thousands of years.

P1050618

The ripe buds of the coyuche have been harvested, cleaned, spun, and woven into huipiles and cotones (men’s shirts) by countless generations.  However, like many textile traditions, industrialization has taken its toll.  The cultivation and use of coyuche is literally hanging by a thread, mostly confined to the Mixteca and Costa Chica regions of Oaxaca.  As a result, besides just liking the design and color, I have a profound appreciation for and treasure this old huipil that was given to me a couple of years ago.

Embroidery detail of huipil made of coyuche

It’s in desperate need of repair.  My friend and Mexican textile collector and chronicler, Sheri Brautigam, advised me to take it to Odilon Merino Morales, who is from San Juan Amuzgo and leads an effort to revive the use of coyuche.  I will ask him if he knows of someone who could give my huipil some tender loving mending.

Living close to the source — there is something wonderful about the coyuche plant’s daily reminder of the origin of one of my favorite huipiles.

Read Full Post »

For lovers of textiles and Mexico, the latest online issue of the magazine, HAND/EYE (love the title!), has a terrific interview with friend and textile designer/collector/researcher, Sheri Brautigam.  The article, Documenting the Lives of Textiles, covers a wide range of topics, including preservation and revival of traditions and concerns re traditional versus modern designs.  As would be expected, given the subject matter, it includes lots of photos!

 

Documenting the Lives of Textiles

BY Annie Waterman | October 10, 2012

Close-up of traditional shawl

Courtesy of Sheri Brautigam

An Interview with Sheri Brautigam

Textile expert, Sheri Brautigam, shares with HAND/EYE Online, her experience as a documenter of “living” indigenous textiles. 

HAND/EYE: How did you first find yourself in Mexico and documenting “living” indigenous textiles?

Sheri Brautigam: I went to the university in Mexico City in the 60’s and that was the beginning of my lifelong relationship and many in-depth experiences with Mexico. This time, I was training Mexican English teachers through the English Language fellowship with the U.S. State Department—sort of like the English Teachers’ Peace Corps. My location was in a small town in the State of Mexico—Atlacomulco, surrounded by many different indigenous villages. When I went to a nearby village Mazahua ‘Saints Day’ festival and saw the amazing garments the ladies were wearing, I started my documentation.

H/E: How did you first get into becoming a researcher/ textile collector?

SB: I had a textiles design studio (surface design textiles) in San Francisco for about 18 years, so I had been collecting world textiles since the 1960s. That was when they were readily available from world travelers. I have loved and been involved with textiles most of my life and always want to know how these beautiful things are made … and now in Mexico, it’s even more exciting to see them in context. 

H/E: What sort of future do you predict for the world of traditional textiles? What changes have you noticed over the years? 

SB: I’m very hopeful that many traditional Mexican textiles will survive and become even finer. This I have seen in Oaxaca and Chiapas. When appreciation comes from the outside world and the artisans can earn money, they have an incentive to keep producing. The more money they can earn from superior work also encourages some artisans with higher skills to train their children. The more affluent indigenous people become, the more pride they have in their own culture and the continuation of their textile traditions.

Certainly some of the indigenous will leave their village and go to the towns and cities to work and wear jeans and t-shirts—but when they come home they will wear a huipil for the feast day. It’s their cultural identity.

Click HERE to read full article.

Read Full Post »

%d bloggers like this: