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Posts Tagged ‘Day of the Dead’

… to the fabulously fabulous and ridiculous; a traditional comparsa on the morning of November 2, 2011.  After hiking up to the top of the hill in Vista Hermosa (beautiful view), Etla, following the sound of music, a surreal sight unfolded…

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We tagged along with the band, dancers, and their friends and neighbors, up and down the hills, navigating steep dirt paths, as they played, danced, drank mezcal, and stopped in front yards for much-needed rest and refreshments of caldo de pollo (chicken soup), pan de muerto (Days of the Dead bread), and mezcal… of course!

By the way, did I mention, these guys and (one) gal, had been playing and dancing all night long?!!

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I’m still trying to wrap my mind around the last 48 hours.  It’s been a profusion of sensations… sights, sounds, smells, and tastes.  Today in Teotitlán del Valle…

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Much more to come!

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I don’t have words to express “being” last night in the Panteón of Santa María Atzompa…

Marigolds and tall candles grave

Elderly man and woman in cemetary with candles

Tall candles and flowers in cemetary

Mother holding child, illuminated by candles

Elderly woman bending over grave with tall candles and marigolds

Feeling so incredibly privileged.

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Pan de muerto is the traditional Days of the Dead sweet yeast bread.  It is decorated and placed on ofrendas (altars), along with candles, flowers, fruit, pictures, mementos, other foodstuffs, and beverages, as offerings to the departed.

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The intricately decorated pan de muerto are from the Tlacolula Valley, and reference the geometric designs and mosaic fretwork found in the archeological sites in and around Mitla, a photo of which I’m using as browser background on this blog.

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The tapetes de arena are finished and cover the stone flooring of the Plaza de la Danza.  Always difficult to photograph, the following are an experiment in cropping.

Centro de Educación Artística Miguel Cabrera

Casa de Cultura de Tlacolula de Matamoros

Escuela de Bellas Artes de la Universidad Autónoma Benito Juárez de Oaxaca

Several other organizations participated and among the unsigned are tapetes de arena from Casa de las Artesanías de Oaxaca, Sociedad Civil de Maestros Oaxaqueños del Arte Popular, and Grupo Colectivo Camaleón.

Walk with us…

And for those in el norte…

A happy and safe Halloween!

 

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Work on the Días de Muerto tapetes de arena (sand paintings) began this morning…

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By the way, this year they are in the Plaza de la Danza and, as I write, the music of the Orchestra Infantil Libertad (a children’s orchestra) is serenading the completed tapetes de arena, the audience gathered at the Plaza de la Danza, and yours truly, sitting comfortably at her desk.

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Decorations have begun going up around town and, at this time of year, La Olla offers the complete dining experience…

Skeleton in pink skirt and feather boa seated on a bench

A warm welcome from the hostess.

Skeleton with sombrero hanging on wall.

Waiters standing ready to take your order.

Day-glo orange butterfly skeleton hanging in a tree.

And, una mariposa hanging out, ready to wish you “¡buen provecho!”

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November has come and now is almost gone. Time accelerated.  Where did it go?  Retired life… I thought it would slow down… apparently not when one lives in Oaxaca. There’s too much to see and experience!

Los Días de Muertos

The month began with Los Días de Muertos. I signed-up to accompany my extraordinarily energetic Spanish teacher, Laura Olachea, on two “field trips.” About 30 of us (her students and their guests) boarded a bus the night of Oct. 31, bound for the old and new cemeteries of Xoxocotlán. Tens of thousands of tourists (overwhelmingly Mexican) seemed to have descended on this small village, the bus was forced to park 8-10 blocks away on a dirt side street, the sky was pitch black, and there were no street lights. Somehow, we all managed to keep up with our tiny maestra as she lead us through the crush of people and vendors (food, drink, sugar skulls, candles, you name it!) to the old cemetery.

Panteón de Xoxocotlán 2010

I plunged in. Heeding Laura’s advice to travel in groups of 3-4, I tagged along with a couple, chosen because he was at least 6 feet tall and I figured he would be easy to keep in eye range. The scene was like nothing I’ve ever seen before… a cornucopia of candles, by the thousands, flickering in the darkness; of color from the marigolds, cockscomb, and lilies; and of hundreds of families gathered around lopsided graves, drinking, sitting, laughing, and sharing in a ritual that recognizes that death is part of life. The scene was repeated at the new cemetery, before we stumbled our way back to the bus, which spirited us to the tiny pottery village of Atzompa and its panteón, well after midnight: Stage and dance floor, band playing, couples dancing, flowers, candles glowing in the darkness, families, few tourists, deeply personal, and magical… I felt like an intruder.

Panteón de Atzompa 2010

Though it was close to 1:30 AM when the bus dropped me off a block and a half from Casita Colibrí, I was up and back on the bus at 10 AM, for the ride to Mitla with Laura and our gang. We had the privilege of being guests of the García family, invited to participate in their Zapotec Day of the Dead traditions. We were welcomed to their home, a traditional family compound, with rooms surrounding an enormous dirt courtyard, with clotheslines holding newly dyed skeins of yarn (this is a family of weavers). Cervesas were offered, and then, in accordance with age-old custom, we followed the recently widowed family matriarch through the dusty streets to the Panteón Municipal. Here, holding the three-legged incense burner, the sweet and seductive smell of the burning copal perfuming the air, Doña Garcia performed a ceremony with words spoken in Zapotec.

Doña Garcia with copal burner

Mezcal and cigarettes were passed around. Joining the others, I drank the Mezcal and deposited my cigarette on the grave of the departed, where it joined several others — smoked and, like mine, un-smoked. With fireworks erupting periodically, we retraced our steps, following Doña Garcia and the smoke of the copal, as she brought the spirit of her late husband, Rutilio Garcia, back home to share the day with his family.

We returned to the lovingly assembled altar set-up by Doña Garcia. It was here, in front of this colorful altar, laden with flowers and food, including the intricately decorated pan de muertos that echoes the designs of the archeological ruins in Mitla, words were spoken in Zapotec and Spanish and tears traveled down many cheeks. Following this extremely moving ceremony, chairs were set up around several long tables where we joined the family in drinking Oaxacan hot chocolate, feasting on pan de muertos and mole negro, served, of course, with tortillas.

Satiated, it was probably a good thing that we were then led on a walking tour through this City of the Dead, to visit several other altars. Gracious families ushered our group through courtyards. At one, we paused to marvel at a woman, standing over an open fire (on this 80+ degree day), stirring a massive cauldron of mole,

Woman stirring cauldron of mole.

We gathered in modest homes where families “introduced” their departed and proudly explained the significance of items on their altars. Hot, exhausted and deeply moved, a much quieter crowd returned to the García home. We were offered a final shot of mezcal, said our heartfelt thank-yous, and boarded the bus for the trip back to the city.

I returned home in time to watch my San Francisco Giants win their first World Series crown since 1954, when they were the New York Giants. After my initial hurrahs, my head couldn’t help but turn from the TV to my small Day of the Dead altar; where, along with photos of my parents, mother and father-in-law, and departed friends, my eyes settled in the center of the altar, to a photo of my grandparents.

They had moved next door to my childhood home in Mill Valley about the same time the Giants moved to San Francisco, and it was then that Grandpa introduced me to baseball. We listened to Russ Hodges and Lon Simmons call the games and I put up a team photo (Willie Mays, Orlando Cepeda, Juan Marichal, Willie McCovey, Felipe Alou, Stu Miller, Mike McCormick, Jose Pagan, Jimmy Davenport, Hobie Landrith…) on the wall of my bedroom; grandfather and granddaughter cheering, agonizing, and bonding. I took my Giants cap off, walked over, and put it on the altar.

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