Feeds:
Posts
Comments

Posts Tagged ‘cultural appropriation’

Blogger buddy Chris and I have been talking about returning to Santa María Tlahuitoltepec since our first visit in May 2013.  Time flies when you’re having fun and it took the current Theft of a cultural kind controversy to motivate us to hit the long and winding road up into the Mixe.  To reach our our journey’s end in the Sierre Norte, our road trip took a little over two and a half hours from the city — on a much improved route 179, I might add.

179 to Tlahui

Reaching the center of town, known for its musical literacy and textiles, Tejas, a youth band, was warming up on the multipurpose municipal basketball court.

P1090928

Their performance was part of the Domingos de Concierto (concert Sundays).  We joined villagers to watch and listen.

P1090961

Most all of the women “of a certain age” were wearing the traditional dress that is a symbol of this community.

P1090942

However, our stomachs began grumbling and led us in search of comida.  The comedor we had been directed to wasn’t open but there were women sitting under the portales selling tamales.  This gal’s amarillo tamales (3 for 10 pesos) were muy sabrosos!

P1090940 copy

Once we had eaten, fed a couple of street dogs the crumbs (until a woman walking softly and carrying a big stick, chased them away), and our energy levels were restored, we walked across the street to the sextagonal textile kiosk — the day’s destination.

P1090969

We headed to Artesanias Kojpk Okp, the tiendita of Doña Honorina Gómez Martínez, the embroiderer we had met on our previous visit to Tlahuitoltepec.  Ahhh, yes, she was well aware of the Inspiration or plagiarism dispute with French designer, Isabel Marant, that even Vogue UK has covered.  As I later discovered, she spoke for the embroiderers at the press conference held at Oaxaca’s Textile Museum ten days ago.

P1090975

This spirited, strong, and delightful woman has been embroidering for 46 years and, as she explained at the press conference, “my heart tells me what I’m going to embroider because I have it in memory, born with that idea or feeling, experience, it is the daily life as Mixe.  It is a representation of blood, food, and nature. ” [translated from the original Spanish]

P1090984 copy

She recognized us and she and her assistant (husband? son?) were more than willing to plunge into piles of her creations, pull down blusas hanging on the walls, and dismantle displays.  Here is the blusa and ceñidore I came home with…

P1100022

Should you be inclined to go to the source, but can’t manage a trip up into the Mixe, as always, she will have a stall in July at the special artisan market in Oaxaca city during La Guelaguetza.  She can also be contacted by telephone:  01 283 596 26 05 and cell:  951 198 79 42.

Stay tuned for a blog post on Oaxaca-The Year After…  (Chris has a lot more photos to weed through!)

Read Full Post »

High in the mountains of the Sierra Norte, the village of Santa María Tlahuitoltepec sits perched on a ridge top in Oaxaca’s Mixe region.  The terrain is rugged and unforgiving; it took rescue crews ten hours, much of it on foot, to reach the municipality following a lethal mudslide at the end of an extremely wet 2012 rainy season.  Eight months later, in May of 2013, when blogger buddy Chris and I ventured up there for their Fiesta de Mayo, we still had to detour around the remains of the slide.

P1080538 copy

Santa María Tlahuitoltepec, May 11, 2013.

Despite the harsh conditions and its remote location, Santa María Tlahuitoltepec is home to the Center for Musical Training and Development of Mixe Culture and it is estimated that 70% of the population can read music and many who can’t, play by ear — a source of great pride.

Guelaguetza desfile, July 28, 2012

Guelaguetza desfile, July 28, 2012

In addition to the musical talents of its residents, the village is known for the intricately embroidered blouses the women make and wear.  The design of both the cut of the blouse and the patterns of embroidery are uniquely Santa María Tlahuitoltepec.  If you see someone wearing one on the streets of Oaxaca, you know immediately where it came from.  I have a blouse and Chris bought a couple to decorate the walls of his house.

Santa María Tlahuitoltepec, May 2013.

Santa María Tlahuitoltepec, May 11, 2013.

However, in January of this year Oaxaqueña singer Susana Harp raised the alarm when she tweeted her outrage that the exclusive US department store Neiman Marcus was selling identical copies of the blouses of Santa María Tlahuitoltepec for $290 US dollars (six times what the originals cost in Oaxaca) — without even an acknowledgement of the origin of the designs.  And, last week ReMezcla (a digital publisher, creative agency, and entertainment company targeting Latino millenials) took up the issue of this kind of cultural appropriation with it’s article, The $290 Isabel Marant Huipil Rip Off That Pissed Off Oaxaca’s Mixe Community noting that, “In the case of Isabel Marant’s new ‘bohemian’ Étoile line, however, it’s hard to even muster a flimsy cultural inspiration defense, since the Oaxacan Mixe culture the clothes were ‘inspired’ by have been completely erased from the narrative.”

Dancers in action from Santa María Tlahuitoltepec

I urge you to forgo these and other high-priced knock-offs.  Instead, go to the source and buy originals from the talented artisans who created them.  And, a note to ReMezcla, especially given the subject of your article, I would have appreciated credit for your use of my photograph (above) from the Guelaguetza desfile, that I originally posted July 22, 2013.

Update:  A press conference by municipal authorities and embroiderers from Santa María Tlahuitoltepec was held on June 3 at at the Textile Museum of Oaxaca protesting the lack of respect by Isabel Marant for the creativity and work by the women of Tlahuitoltepec and the history and worldview that gave birth to their designs.

Read Full Post »

%d bloggers like this: