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Let’s Dance!

Sunday, in the Plazuela de Carmen Alto, celebrations honoring the Christ of Esquipulas (Black Christ) were in full swing. I was awakened at 6 AM to the sound of fuegos artificiales (fireworks) and eventually drifted off to sleep after 11:30 PM, as fireworks’ explosions resumed.

Festivities lasted all day and I couldn’t resist heading up to the church courtyard to see what was happening.

When I arrived, seats in the shade were filled and a small crowd was gathered behind a barricade; a castillo, laying on its side in three parts, was being constructed; a teenage Oaxacan brass band, with the requisite tuba towering over the other instruments and their players, was waiting to play; and young dancers were performing with a combination of earnestness and joy.

Skirts flying

Dance always seems to be an integral part of celebrations both secular and religious, and, in reflecting on my love for this, at times, perplexing and contradictory place, dance is one of the things that resonates the most.

Piña Dancers

A small stage set up under the trees; dancers, their handmade and unique costumes; energetic music; choreographed steps passed down through generations spirited me back to my childhood…

Mom and me

Let’s dance!

Renewal…

Ahhh… back in the warm embrace of Casita Colibrí.

A few days before leaving the Bay Area to return to Oaxaca, I spent a chilly, but crystal clear day in San Francisco with two old friends attending the wonderful, but crowded, Japanesque: The Japanese Print in the Era of Impressionism exhibit at the Palace of the Legion of Honor and having a delicious lunch at the Mandalay, a Burmese restaurant. A picture perfect day, I took the scenic route, through the Presidio, back to Mill Valley

Golden Gate Bridge and Marin Headlands from the San Francisco Presidio

… and was overwhelmed with appreciation for the perfection of the scene before me; a much needed tonic to the relentless wet, gray days and multiple circumstantial challenges I’d been experiencing. And so, I boarded the plane on Saturday feeling refreshed, with a sense of renewal in the opening days of 2011.

Once in Houston for a five hour (ugh!) layover, I settled into a comfy seat in a quiet corner of an airport restaurant for a long lunch. And then, I glanced up at the TV and was confronted with breaking news of the Tucson shootings. I wish I could say I was surprised, but I wasn’t… just sickened and incredibly saddened.

Most reasonable, thinking people teach their children that words have consequences; that it is irresponsible to cry “fire” when there is no fire in a crowded auditorium. And Buddhism teaches that “right speech” is the first principle of ethical conduct. Venomous rhetoric, from people like Glenn Beck and Sarah Palin, incites irrational fear and inflames unwarranted passions, especially amongst those who feel disaffected. Thus, I say I wasn’t surprised.

At last, I boarded the little Embraer… even more eager for my return to southern Mexico. However, the news there wasn’t good, either. The friend who picked me up at the airport relayed the news of more political killings in Oaxaca. No escape.

However, geckos are chirping, the pinks and oranges of the setting and rising sun against the mountains paint a magnificent mural, hummingbirds are flitting from one succulent flower spike to another, and I’ve got a mariposa beginning the arduous task of emerging from its pupa.

Butterfly pupa on plumbago.

The words from a 1960s era poster come to mind, “You can’t stop the waves, but you can learn to surf.”

Renewal…

Feliz Año Nuevo a Todos

Every year for 20+ years, on Christmas Eve day, my older son and I would take the ferry across the San Francisco Bay for a day of soaking in the holiday sights of the City. No shopping was allowed, save for a new ornament for the tree, but there was lots of walking, and hot chocolate for him and cafe mocha for me… a much needed warm-up from that damp San Francisco cold.

This year, with son remaining on the East Coast with his wife’s family, I jumped at the opportunity to meet an old (long time, not aged!) friend in the City on Dec. 24. I didn’t even consider driving or taking the bus; the mode of transport was to be the Larkspur Ferry. The weather cooperated… a day’s break from the relentless gray and wet.

San Francisco Ferry Building

Nothing but blue skies do I see... at the San Francisco Ferry Building.

San Francisco Ferry Building ceiling

Looking up... San Francisco Ferry Building

Port of San Francisco

You are now leaving the Port of San Francisco

It really is a beautiful city…

Feliz Navidad

La Luna

I’m back in Mill Valley for a month-long holiday visit; loving all the festivities and spending time with family and Bay Area friends. The weather, on the other hand, has been a different story; it’s been gray, rainy, and winter high tides have brought intermittent flooding. I’m definitely no longer acclimated to this damp cold!

However, last night the rain stopped, the clouds parted, and I had iTunes shuffling through hundreds of “moon music” tunes, as I gazed up at the night’s celestial show; a total eclipse of a full moon on the Winter Solstice. It was the first total lunar eclipse to occur on the Winter Solstice since 1638! All was quiet, save for the occasional car heading up Mt. Tamalpais, as La Luna did her disappearing act. She started out big and bright, halo glowing, she then began turning orange, slowly going into hiding, and finally she went missing, not even a sliver of light in sight.

It was especially mystical, amazing, and wonderful because, as the moon was reaching total eclipse, I could hear the unmistakable gravelly voice of Bob Dylan, introducing the song, Mr. Moon ( I have lots of Theme Time Radio Hour music) by a band, in Dylan’s words, “you never heard of them probably, but should have.” The band, Clover, was composed of local guys I went to school (grammar and high school) with here in Mill Valley and… just as Alex Call (writer of 867-5309/Jenny) hit and held the final note, in his falsetto voice, the moon completely disappeared. A perfect moment!

Happy Winter Solstice to all!

… and then there was the “Exploring Oaxaca for Mammillaria and Echeveria” lecture, sponsored by the Oaxaca Garden and Nature Club.

The lecture was held at the Jardín Etnobotánico de Oaxaca. The gardens are part of the magnificent old monastery complex of Santo Domingo, and have a storied history. The Dominican Order began construction in 1570; during the revolution, the buildings were used to house the cavalry; at one time it was “made available” to the Universidad Autónoma Benito Juárez de Oaxaca; and in 1994 citizens protested plans to turn the grounds into a luxury hotel/convention center. Oaxacan artist and benefactor, Francisco Toledo and his foundation, Pro-Oax came to the rescue. The original impressive underground cistern system was uncovered and put into use and an (almost) 6-acre ethnobotanical garden was established to preserve, protect, and propagate Oaxaca’s rich biodiversity, that has nourished the people’s and their culture of this valley for thousands of years.

Garden at Jardín Etnobotánico de Oaxaca

The speaker, John Pilbeam, is from England and leads expeditions to Oaxaca every year in a quest to see various cactus and succulents in their natural habitat.  He is a 70-year-old man with that wonderfully dry British sense of humor that he used throughout the talk… definitely not boring! I learned a lot, even the name of one of my favorite rooftop garden plants:

Echeveria Pulvinata "Ruby" at Casita Colibrí

Echeveria Pulvinata "Ruby"

The icing on the day’s cake, was John sat next to me at the luncheon that followed at La Olla and we had several delightful conversations throughout the meal, including his stories of growing up in World War II, London.

November 5th was opening day of the inaugural Oaxaca International Independent Film and Video Festival. Having volunteered at the Mill Valley Film Festival for eight years and attending it for many more, I enthusiastically poured over the nine-day schedule and made sure to arrive at the newly reopened Auditorio Ariel for the first film a half an hour early. Of course, the theater wasn’t open, no line had formed, and the only other people not sporting official film festival badges or wearing official volunteer t-shirts, were other gringos. When will I ever learn?!!

Other days and films followed, including the wonderful documentary, Awakening From Sorrow: Buenos Aires 1997. The voices of the now grown children of the disappeared, tortured, and murdered during Argentina’s “dirty war” of the late 1970s and early 1980s, are woven, along with haunting artwork, music and archival film footage into an exquisite “tapestry of remembrance” in their quest for justice. And, come to find out, it screened at last year’s Mill Valley Film Festival.

In addition to the films, the festival also featured an English language and a Spanish language literature competition. The Oaxaca Lending Library, where I volunteer, underwrote the English competition, including bringing the winner, Charles Whipple, to Oaxaca from his home in Japan(!) and hosting a reception on Nov. 11. The evening temperatures were mild, perfect for gathering in the courtyard of the stately 17th century home of the Rufino Tamayo Museo de Arte Prehispanico de Mexico, savoring the delicious canapés created by Jean-Michel Thomas of ¿Donde esta el chef?, and listening to Charles Whipple read his awarding winning story, A Matter of Tea.

The evening closed with the Mexican premiere of, Twenty Five Hundred & One, a documentary chronicling Oaxacan-born artist, Alejandro Santiago’s sculptural tribute to the thousands of men and women who have left his pueblo almost deserted, in their search for jobs. Alejandro Santiago and several of his family members and the crew who help create the 2,501 sculptures were present, as was director, Director, Patricia Van Ryker. It was a lovely way to spend an evening…

Photos from the reception can be found in a photo album on the Oaxaca Lending Library’s website.

November has come and now is almost gone. Time accelerated.  Where did it go?  Retired life… I thought it would slow down… apparently not when one lives in Oaxaca. There’s too much to see and experience!

Los Días de Muertos

The month began with Los Días de Muertos. I signed-up to accompany my extraordinarily energetic Spanish teacher, Laura Olachea, on two “field trips.” About 30 of us (her students and their guests) boarded a bus the night of Oct. 31, bound for the old and new cemeteries of Xoxocotlán. Tens of thousands of tourists (overwhelmingly Mexican) seemed to have descended on this small village, the bus was forced to park 8-10 blocks away on a dirt side street, the sky was pitch black, and there were no street lights. Somehow, we all managed to keep up with our tiny maestra as she lead us through the crush of people and vendors (food, drink, sugar skulls, candles, you name it!) to the old cemetery.

Panteón de Xoxocotlán 2010

I plunged in. Heeding Laura’s advice to travel in groups of 3-4, I tagged along with a couple, chosen because he was at least 6 feet tall and I figured he would be easy to keep in eye range. The scene was like nothing I’ve ever seen before… a cornucopia of candles, by the thousands, flickering in the darkness; of color from the marigolds, cockscomb, and lilies; and of hundreds of families gathered around lopsided graves, drinking, sitting, laughing, and sharing in a ritual that recognizes that death is part of life. The scene was repeated at the new cemetery, before we stumbled our way back to the bus, which spirited us to the tiny pottery village of Atzompa and its panteón, well after midnight: Stage and dance floor, band playing, couples dancing, flowers, candles glowing in the darkness, families, few tourists, deeply personal, and magical… I felt like an intruder.

Panteón de Atzompa 2010

Though it was close to 1:30 AM when the bus dropped me off a block and a half from Casita Colibrí, I was up and back on the bus at 10 AM, for the ride to Mitla with Laura and our gang. We had the privilege of being guests of the García family, invited to participate in their Zapotec Day of the Dead traditions. We were welcomed to their home, a traditional family compound, with rooms surrounding an enormous dirt courtyard, with clotheslines holding newly dyed skeins of yarn (this is a family of weavers). Cervesas were offered, and then, in accordance with age-old custom, we followed the recently widowed family matriarch through the dusty streets to the Panteón Municipal. Here, holding the three-legged incense burner, the sweet and seductive smell of the burning copal perfuming the air, Doña Garcia performed a ceremony with words spoken in Zapotec.

Doña Garcia with copal burner

Mezcal and cigarettes were passed around. Joining the others, I drank the Mezcal and deposited my cigarette on the grave of the departed, where it joined several others — smoked and, like mine, un-smoked. With fireworks erupting periodically, we retraced our steps, following Doña Garcia and the smoke of the copal, as she brought the spirit of her late husband, Rutilio Garcia, back home to share the day with his family.

We returned to the lovingly assembled altar set-up by Doña Garcia. It was here, in front of this colorful altar, laden with flowers and food, including the intricately decorated pan de muertos that echoes the designs of the archeological ruins in Mitla, words were spoken in Zapotec and Spanish and tears traveled down many cheeks. Following this extremely moving ceremony, chairs were set up around several long tables where we joined the family in drinking Oaxacan hot chocolate, feasting on pan de muertos and mole negro, served, of course, with tortillas.

Satiated, it was probably a good thing that we were then led on a walking tour through this City of the Dead, to visit several other altars. Gracious families ushered our group through courtyards. At one, we paused to marvel at a woman, standing over an open fire (on this 80+ degree day), stirring a massive cauldron of mole,

Woman stirring cauldron of mole.

We gathered in modest homes where families “introduced” their departed and proudly explained the significance of items on their altars. Hot, exhausted and deeply moved, a much quieter crowd returned to the García home. We were offered a final shot of mezcal, said our heartfelt thank-yous, and boarded the bus for the trip back to the city.

I returned home in time to watch my San Francisco Giants win their first World Series crown since 1954, when they were the New York Giants. After my initial hurrahs, my head couldn’t help but turn from the TV to my small Day of the Dead altar; where, along with photos of my parents, mother and father-in-law, and departed friends, my eyes settled in the center of the altar, to a photo of my grandparents.

They had moved next door to my childhood home in Mill Valley about the same time the Giants moved to San Francisco, and it was then that Grandpa introduced me to baseball. We listened to Russ Hodges and Lon Simmons call the games and I put up a team photo (Willie Mays, Orlando Cepeda, Juan Marichal, Willie McCovey, Felipe Alou, Stu Miller, Mike McCormick, Jose Pagan, Jimmy Davenport, Hobie Landrith…) on the wall of my bedroom; grandfather and granddaughter cheering, agonizing, and bonding. I took my Giants cap off, walked over, and put it on the altar.

¡Mil gracias!  All 33 miners in Chile’s Atacama desert have, at long last, been rescued.  Fireworks have erupted over the zócalo… probably unrelated, but they express how I feel, as I’ve been riveted to the TV coverage for the past 22 hours.

Firewords over the basilica

My thoughts keep returning to the brief time I spent living in West Virginia many years ago… to the miners and United Mine Workers of America officials I got to know.  (Still have my Pic and Shovel bar T-shirt, thanks Joe!)  And, the words of the last miner rescued, mine foreman, Luis A. Urzua, spoken to Chilean President Pinera resonates, “We want the companies to put in a system such that this will not happen again.”

These mining “accidents” are mostly not accidental — they are the results of conscious decisions by greedy mine owners with government support, who worldwide, practice capitalism’s mantra of,  “profits before people.”

Let this be a clarion call to mineworkers everywhere to band together to demand safety regulations worldwide to counter the avarice of multinational and local mine owners.

A Truthout article exposes the hypocrisy of the Chilean government, including its smiling, made-for-TV, president:   Chile’s Ghosts Are Not Being Rescued.

Juan Cole asks, Top Ten Questions about Chile Mine Collapse: Was it Nixon-Kissinger’s Fault?

And, the following article appears in the Latin American Herald TribuneUnions Say Mining Becoming More Dangerous in Chile.

Raining Tears

Tears have  been falling on Oaxaca.  This season has brought historic rainfall courtesy of multiple hurricanes and tropical depressions in the Gulf and Pacific.  Ground is supersaturated, rivers have overflowed, fields and villages are flooded, bridges have collapsed, overpasses are closed and, in the city, water has been pouring down from hills, turning city streets into rushing streams and leaving streets potholed and sidewalks covered with a fine silt.  Twice in the past month a huge hole has opened up just a block away, closing a major bus route.

Hole in the road

The damage has been occurring daily for several months and, watching CNN International, I kept asking, “What about Oaxaca?  Why are they ignoring the unfolding tragedy here that has been devastating the homes and livelihoods of impoverished and mostly indigenous communities?”

Unfortunately, it took a lethal avalanche of mud and boulders tumbling down onto the remote mountain village of Santa María Tlahuitoltepec (50 miles east of Oaxaca City) in the early morning hours of Sept. 28 to bring rain-soaked Oaxaca to the world’s attention.  Thankfully, early estimates of the possible death toll proved to be exaggerated, but the destruction is catastrophic and the communities require an enormous amount of assistance.

Relief efforts have begun, collection stations have been set up throughout the city, and the Oaxaca Lending Library, where I volunteer, is spearheading its own drive to gather supplies and cash.  In addition, the Oaxaca Lending Library Foundation, a US tax exempt 501(c)3, is collecting financial contributions.  Dr. Alberto Zamacona, a Oaxaca Lending Library board member, runs medical missions to the Santa María Tlahuitoltepec area and will be overseeing the purchase and delivery of construction materials to help rebuild this extremely poor Mixe community.  If you would like to donate, please send a check to:

OLLF, c/o James Corrigan, 5443 Drover Drive, San Diego, CA 92115, USA

AND write “Flooding” in the memo portion of the check.  Donations will be transferred to Oaxaca and the Foundation’s treasurer will send you a receipt for tax purposes.  The need is great, so any donation you can make will be much appreciated and put to good use.

Unfortunately, this may have been another human-caused tragedy that could have been avoided.  Corruption And Deforestation Caused Oaxaca’s Mudslide Disaster, an informative and thought-provoking article by Kristen Bricker explores this issue.  And Oaxaca continues to weep….

Bread and Roses…

After a delightful but whirlwind (6 days is too short) visit, my stepson and his wife have come and gone; this year’s Guelaguetza festivities are over; life at Casita Colibrí is gradually resuming a more leisurely rhythm; and our current historic rain has gone on hiatus.  A quiet solo Sunday morning walk beckoned, as did the APPO banners, strung along the arches of the Palacio de Gobierno, that I wanted to photograph.

Oaxaca se levanta

The banners are a work of art, but ephemeral — here today, gone tomorrow — and I never seem to have my camera with me when I come across them.

"Respeto a la autonomia de San Juan Copala"

And, more importantly, they are a graphic reminder that behind the vitality, beauty, and quaint cosmetics of “new” cobblestone streets of this UNESCO World Heritage Site facade, class warfare lurks in the shadows.

Oaxaca’s contradictions are mine.  I turn the corner and walk over to puesto 80 at Mercado Juárez to see if they’ve gotten in the chocolate covered coffee beans.  No, maybe tomorrow…  I stop by the temporary pocket market in front of the Jesuit church on the corner and satisfy my sweet tooth by buying a bag of melt-in-your-mouth Merengue Sabor Cafe, instead.

The Zócalo has awakened during my 45 minutes of shopping; young and old strolling arm-in-arm, vendors selling their wares, shoes being shined, outside tables occupied with diners chatting or simple watching the scene before them.

People strolling; vendors selling

And, there is music — always, there is music — today an orchestra has set up under the laurels for the final day of the Festival Nacional de Danzón.  The dance, with its origins in Cuba, is stately and prescribed, with inexplicable pauses where dancers turn to face the orchestra, women move to the right side of their partners, fan themselves, and then several measures later dancing resumes.

Dancers in traditional Oaxacan dress

I’m captivated by the dancers who are at once, serious and joyful, and by their varied attire — once a costumer, always a costumer!

Dancers - woman in slacks

Most dancers are in the latter third of their life, though there are a few earnest young people.

Young dancers

It’s a prosperous crowd — a dance of the elite — but mesmerizing to watch.

dancers

After an hour of observing this very “civilized” scene under an intense sun, I headed to Independencia, the shady side of the street, and home, only to stop, reel around, and follow the sounds of a calenda coming into the Alameda; band, dancers, fireworks — celebrating Día del Comerciante!

Calinda

I leave feeling conflicted about my three hours on a sunny Sunday.  The lines from the song inspired by the 1912 Lawrence, Massachusetts textile strike come to mind…

As we come marching, marching, unnumbered women dead
Go crying through our singing their ancient cry for bread.
Small art and love and beauty their drudging spirits knew.
Yes, it is bread we fight for — but we fight for roses, too!

Lunch eaten, clouds gather, sky darkens, and Mother Nature reminds us who is in charge.

Church bells and scorpions; I must be back in my new home.

My return to Oaxaca was long and bumpy, with thunderstorms populating almost the entire trip.  A rocky ride was had by all.  The pint-size Embraer landed at 11 pm — pretty late for Oaxaca’s little airport.  However, as we alighted from the plane, the land crew provided welcoming umbrellas to protect us from the downpour, as we dashed across the blackened tarmac to the terminal.  With luggage retrieved, green light received, and boleto purchased, I jumped into the waiting and wonderful white airport van.

First to be dropped off, I pulled and dragged my suitcases up the two flights of stairs (trying not to awaken my sure-to-be sleeping neighbors along the way) and into the waiting embrace of Casita Colibrí, only to be greeted by carpenter’s tools strewn about and my bathroom door off its hinges — evidence of a project that was 2/3rds completed when I left six weeks before.  Not a problem, I told myself.  Then, my toilet wouldn’t flush.  No big deal, I told myself.  However (drum roll, please), when I came face-to-face with a scorpion in my bathroom sink, that WAS a problem!

I tried to be a “grownup” but it was my first real live scorpion and it totally freaked me out.   Eventually, I managed to send it on its way to the big alacrán casa in the sky.  I will spare you the details but suffice it to say, among other things, it involved saran wrap and duct tape.  Scorpions tend to carry on their scorpion business at night and, needless to say, sleep has not come easily since my close encounter.  However, like a good former reference librarian, I’ve done my research and discovered that the sting of the local variety of scorpion may be painful but is generally not deadly to healthy adults, lavender is used in France as a repellent, and people in the US Southwest report success using cedar oil to keep these creepy creatures out.  Now to find one or both…   In the interim, I reluctantly purchased and used one of several toxic sprays found on Soriana’s shelves — moderate peace of mind must be achieved if I am to get a good night’s sleep!

It took almost a week, but unpacking has finally been completed, suitcases stored, apartment has been tidied, carpenter has put my bathroom door back on, I’ve  fixed my toilet, and the pantry has been restocked.   I again awake to church bells chiming, geckos chirping, and colibrís zipping across my terrace.  My African Tulip trees are in bloom…

… and tonight I’m going to watch the Guerreros de Oaxaca play the Piratas de Campeche with my best friend in Oaxaca!  It’s good to be home…

En route to the U.S. for a 6-week visit with family and friends… sitting in the Houston airport and reflecting on traveling to and from Mexico.  As I’ve mentioned before, Oaxaca is a place of contradictions and this morning was a case in point:  The highly efficient airport shuttle service picked me up promptly at 6:45 am and we arrived at Oaxaca’s little airport 15 minutes later.  To take the shuttle, two days ago I’d walked down to their office just off the Zócalo, showed my flight departure time, paid my money, (48 pesos, approx. $3.75 U.S.), and they informed me what time the driver would pick me up.  It worked like… clockwork!

However, once at the airport, Continental had only 2 clerks working the check-in counter and the line moved excruciatingly slowly.  Apparently, there isn’t a supervisor to call in the event of a problem, and so the clerks patiently explain, check, explain, recheck, and explain again… as long as it takes, while the line gets longer and longer and time gets shorter and shorter.  And then there was my online boarding pass… all was fine with the Continental clerk but the gal at the security gate was thrown for a loop by the look of it and by my explanation that it really was valid and that I printed it at home on my computer.  Come to think of it, that sounds pretty bogus to me, too!   Oaxaca is one of the poorest states in Mexico and owning a personal computer is definitely not a given, let alone the wizardry of internet access.  She sought and received verification from two other security workers that my boarding pass was indeed valid.  But, it didn’t end there, when it came time to board, the Continental ticket taker was also perplexed and got on his walkie talkie to ask, where does one tear a pass without perforations?

I had to stand in line anyway, so I think next time I’ll skip printing my boarding pass!

If It’s Tuesday…

… it must be time to water Casita Colibrí’s growing garden!

Casita Colibri sign

The 112 containers, from 6″ to 24″ pots and 30″ x 8″ x 8″ planter boxes decorating my entry and terrace, are brimming with one to twelve succulents and cacti.  They are watered weekly with gray water — shower water, dish water, and rain water, the latter when and if it ever rains again!  Oh, and then there are the 2 bougainvillea, 1 plumbago, 1 gardenia, 1 geranium, and pot of herbs, which require watering two to three times per week in this 90+ degree heat.  Water is an especially precious resource here in Oaxaca and we tenants must pay for all water deliveries to our compound.  So, in order to nurture my garden, everyday I haul buckets and dish-pans out through the terrace gate to my collecting barrel, a 32-gallon (not so sweet-smelling) plastic garbage can.  The plants don’t seem to mind the hand-me-down, fetid, murky water — in fact, they appear to love it!

Water barrel

With a few exceptions, my original garden was propagated from slips lovingly cultivated by my neighbor G, from his own exuberant and thriving terrace garden — a garden so profuse that there is scarcely room to walk!  When I arrived ten months ago, I was a disbeliever, never imagining that my terrace, too, could become home to a lush riot of greens, grays, magenta, red, yellow, orange, white, and blue.

An added bonus, besides (hopefully) filtering at least some of the exhaust from the diesel buses that race each other up the hill, the vegetation attracts a host of critters — giant friendly bumbling black bumblebees zeroing in on blossoms; geckos skittering across the pottery and terrace walls in the morning and afternoon, catching their breakfast and dinner; large brown crickets that like hang out in my “greens” recycling basket, not minding or even moving when I add more spent flowers and cuttings; and birds, including my home’s namesake colibrí, flitting back and forth across the terrace, chasing insects and sipping nectar from cactus and succulent flowers.

Garden God presiding

My garden never ceases to inspire, reward, and delight.  And… the garden god watches over it all!