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Posts Tagged ‘Día de los Muertos’

On the eleventh day of the eleventh month at the eleventh hour, I attended a press conference for the official unveiling of the website for a new play.  The play, La [medio] diezmada (the half-decimated), will have its world premiere on December 22 at the Teatro Juárez in Oaxaca.

4 cast members and writer/director/producer standing in front of a projection of the home page of the website.

Cast members:  Hugo Alberto Díaz Reyes, Mariela Blanco López, Esmeralda Aragón Zárate, and Fortunato Chávez, with Kurt Hackbarth (middle)

One of the inspirations for writer/director/producer, Kurt Hackbarth, was a photo he had seen of a half-alive/half-dead face in a sand painting.  In one of those amazing coincidences, I’d actually photographed the very same tapete de arena laid out on the Alameda in Oaxaca during Los días de muertos in 2009.

Sand painting with skulls on left and arm and leg of skeleton in middle.

Here is my close-up of the half living/half-dead face from the tapete above; the same face that triggered Kurt’s imagination…

Sand painting close-up of half and half face.

… and I cropped and used for the website banner.

Three half alive/half skull faces

If you find yourself in Oaxaca on December 22, I encourage you to attend this world premiere!  By the way, it’s a comedy!

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On the road during los Días de muertos led us to Santiago Apóstol in the municipality of Ocotlán de Morelos…

Profusion of flowers against whitewashed graves

Entering their Panteón, the play of light and shadow and explosion of greens, reds, oranges, yellows, and magentas against whitewashed graves was stunning.

Multicolored flowers surrounding whitewashed tomb

Unique artistry was evident in each of the cemeteries we visited.

Multicolored flowers surrounding a grave

One of the special and fragrant features here was the rose petals scattered atop graves.

Pink and red rose petals covering a grave

Have I mentioned…  No matter where one seems to go in Oaxaca, the senses are filled!

Over view of whitewashed graves and the profusion of flowers

More to come…

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Pan de muerto is the traditional Days of the Dead sweet yeast bread.  It is decorated and placed on ofrendas (altars), along with candles, flowers, fruit, pictures, mementos, other foodstuffs, and beverages, as offerings to the departed.

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The intricately decorated pan de muerto are from the Tlacolula Valley, and reference the geometric designs and mosaic fretwork found in the archeological sites in and around Mitla, a photo of which I’m using as browser background on this blog.

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Decorations have begun going up around town and, at this time of year, La Olla offers the complete dining experience…

Skeleton in pink skirt and feather boa seated on a bench

A warm welcome from the hostess.

Skeleton with sombrero hanging on wall.

Waiters standing ready to take your order.

Day-glo orange butterfly skeleton hanging in a tree.

And, una mariposa hanging out, ready to wish you “¡buen provecho!”

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November has come and now is almost gone. Time accelerated.  Where did it go?  Retired life… I thought it would slow down… apparently not when one lives in Oaxaca. There’s too much to see and experience!

Los Días de Muertos

The month began with Los Días de Muertos. I signed-up to accompany my extraordinarily energetic Spanish teacher, Laura Olachea, on two “field trips.” About 30 of us (her students and their guests) boarded a bus the night of Oct. 31, bound for the old and new cemeteries of Xoxocotlán. Tens of thousands of tourists (overwhelmingly Mexican) seemed to have descended on this small village, the bus was forced to park 8-10 blocks away on a dirt side street, the sky was pitch black, and there were no street lights. Somehow, we all managed to keep up with our tiny maestra as she lead us through the crush of people and vendors (food, drink, sugar skulls, candles, you name it!) to the old cemetery.

Panteón de Xoxocotlán 2010

I plunged in. Heeding Laura’s advice to travel in groups of 3-4, I tagged along with a couple, chosen because he was at least 6 feet tall and I figured he would be easy to keep in eye range. The scene was like nothing I’ve ever seen before… a cornucopia of candles, by the thousands, flickering in the darkness; of color from the marigolds, cockscomb, and lilies; and of hundreds of families gathered around lopsided graves, drinking, sitting, laughing, and sharing in a ritual that recognizes that death is part of life. The scene was repeated at the new cemetery, before we stumbled our way back to the bus, which spirited us to the tiny pottery village of Atzompa and its panteón, well after midnight: Stage and dance floor, band playing, couples dancing, flowers, candles glowing in the darkness, families, few tourists, deeply personal, and magical… I felt like an intruder.

Panteón de Atzompa 2010

Though it was close to 1:30 AM when the bus dropped me off a block and a half from Casita Colibrí, I was up and back on the bus at 10 AM, for the ride to Mitla with Laura and our gang. We had the privilege of being guests of the García family, invited to participate in their Zapotec Day of the Dead traditions. We were welcomed to their home, a traditional family compound, with rooms surrounding an enormous dirt courtyard, with clotheslines holding newly dyed skeins of yarn (this is a family of weavers). Cervesas were offered, and then, in accordance with age-old custom, we followed the recently widowed family matriarch through the dusty streets to the Panteón Municipal. Here, holding the three-legged incense burner, the sweet and seductive smell of the burning copal perfuming the air, Doña Garcia performed a ceremony with words spoken in Zapotec.

Doña Garcia with copal burner

Mezcal and cigarettes were passed around. Joining the others, I drank the Mezcal and deposited my cigarette on the grave of the departed, where it joined several others — smoked and, like mine, un-smoked. With fireworks erupting periodically, we retraced our steps, following Doña Garcia and the smoke of the copal, as she brought the spirit of her late husband, Rutilio Garcia, back home to share the day with his family.

We returned to the lovingly assembled altar set-up by Doña Garcia. It was here, in front of this colorful altar, laden with flowers and food, including the intricately decorated pan de muertos that echoes the designs of the archeological ruins in Mitla, words were spoken in Zapotec and Spanish and tears traveled down many cheeks. Following this extremely moving ceremony, chairs were set up around several long tables where we joined the family in drinking Oaxacan hot chocolate, feasting on pan de muertos and mole negro, served, of course, with tortillas.

Satiated, it was probably a good thing that we were then led on a walking tour through this City of the Dead, to visit several other altars. Gracious families ushered our group through courtyards. At one, we paused to marvel at a woman, standing over an open fire (on this 80+ degree day), stirring a massive cauldron of mole,

Woman stirring cauldron of mole.

We gathered in modest homes where families “introduced” their departed and proudly explained the significance of items on their altars. Hot, exhausted and deeply moved, a much quieter crowd returned to the García home. We were offered a final shot of mezcal, said our heartfelt thank-yous, and boarded the bus for the trip back to the city.

I returned home in time to watch my San Francisco Giants win their first World Series crown since 1954, when they were the New York Giants. After my initial hurrahs, my head couldn’t help but turn from the TV to my small Day of the Dead altar; where, along with photos of my parents, mother and father-in-law, and departed friends, my eyes settled in the center of the altar, to a photo of my grandparents.

They had moved next door to my childhood home in Mill Valley about the same time the Giants moved to San Francisco, and it was then that Grandpa introduced me to baseball. We listened to Russ Hodges and Lon Simmons call the games and I put up a team photo (Willie Mays, Orlando Cepeda, Juan Marichal, Willie McCovey, Felipe Alou, Stu Miller, Mike McCormick, Jose Pagan, Jimmy Davenport, Hobie Landrith…) on the wall of my bedroom; grandfather and granddaughter cheering, agonizing, and bonding. I took my Giants cap off, walked over, and put it on the altar.

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