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Archive for the ‘Celebrations’ Category

More than one norte americano has asked, “What’s up with the KKK-like hoods?”  Ahh… a reference question for the librarian!

Purple hooded men carry a Jesus statue

They date back to 15th or 16th century Europe.  Members of lay religious charitable organizations (cofradías) would don the masks and hoods to guarantee anonymity and promote humility in their service. The Spanish brought the tradition to Mexico.

References:

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The Procesión del Silencio departed from the Iglesia de la Preciosa Sangre de Cristo and proceeded up the Alcalá to Gómez Farias, where it turned left and left again and down García Vigil to Independencia and then back up the Alcalá. Once the procession began, fellow blogger Chris (Oaxaca-The Year After) and I left the masses on the Alcalá and positioned ourselves on a wall overlooking García Vigil, for an unobstructed view.

Out of respect for what is being commemorated, tradition calls for participants and spectators to remain silent, save for the solemn drum beat and haunting sounds of a chirimia that herald the procession’s arrival and continue to play as the faithful from various neighborhoods and churches carry banners, crosses, and images of the crucified Jesus and his grieving mother through the streets of the city.

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Spectators, participants, and the ever-present vendors waiting for the Procesión del Silencio…

Dad holding baby girl

2 red hooded participants waiting.

Participants and spectators

Altar kids lined up
White hood participants waiting

Woman vendor holding basket of candy.

More to come…

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I opened the front gate this morning to find the sidewalk had morphed into an Estación de la Cruz.

Station of the cross on the sidewalk with Jesus and Nuestra Señora de la Soledad.

Worshipers prayed, recited the appropriate devotions, and then slowly moved on.

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Today was Jueves Santo (aka: Holy Thursday or Maundy Thursday).

Believers gathered to commemorate the Last Supper of Jesus.  Tables are set up in church doorways selling pan bendito (3 buns for 5 pesos of blessed bread).  And, where there are more than ten people, vendors gather….

Woman dulce vendor outside Sangre de Cristo

Outside Iglesia de la Preciosa Sangre de Cristo — I suspect her life hasn’t been half as sweet as the dulces she was selling.

Angelic looking altar boy

A little sweetheart on his best behavior and waiting to process.

Seated nun

Would you buy pickled carrots or peppers from this woman?

Plastic rain capes vendor

The rains came and the capas del agua vendors miraculously appeared outside Santo Domingo.

Vendor making empanadas, memelas, tortas, and tlayudas on a comal.

After visiting the prescribed 7 churches, I rewarded myself with my (hopefully, not last) supper — a flor de calabaza and quesillo empanada, cooked to order.  Yummm….

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Yesterday, Oaxaca’s faithful celebrated el día de la Virgen de Dolores… commemorating the pain and suffering of the Virgin Mary upon the death of her son.  I may not be a believer, but there is something appealing about the religious celebrations here.  Special altars were constructed in courtyards and businesses… and benedictions and bands were heard in various parts of the city.
The 5-star ex-convento hotel, Camino Real invited the public to a program, replete with a benediction, speeches by local dignitaries, poetry, and a concert of sacred music by Coro de la Ciudad (Chorus of the City) and Sexteto de Cuerdas Wolfgang Amadeus Mozart (Wolfgang Amadeus Mozart String Sextet).
Sorry about the abrupt ending.  The learning continues…

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Today, the fourth Friday of Lent, is Día de la Samaritana, also known as el Día de las Aguas, and a uniquely Oaxacan celebration.  It is inspired by the Biblical story of the woman at the well who offered water to Jesus.  And so, here in Oaxaca churches, schools, and businesses offer passersby free cups of  horchata, aguas frescas, and some, even ice cream.

Decorations began going up around town yesterday…

window decoration: purple tule, tin heart, and flowers

Sidewalk stands are set up,  some more elaborate…

Purple decorations hanging from lona

than others…Small agua fresca stand

And, what does one do with the empty (and not-so-empty) cups?

Empty cups on window sill

Decorate a window sill, of course!

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Saturday night’s full moon wasn’t the only activity in the night sky.

Major celebrating had been going on in the Plaza de la Danza since early morning… flinchers (all boom, no sparkle), bells of Templo de San José clanging every hour, and live music.

At 9 PM, I heard the unmistakable hisses and pops from a castillo.  Turning my attention from looking east at the moon, I turned west and saw…

Castillo at Plaza de la Danza

Debris began raining down on Casita Colibrí and I retreated under the tin roof.  Sunday morning’s evidence on the terrace told the story…

Debris from castillo

… and sheesh, it was plastic!!!

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Sunday, in the Plazuela de Carmen Alto, celebrations honoring the Christ of Esquipulas (Black Christ) were in full swing. I was awakened at 6 AM to the sound of fuegos artificiales (fireworks) and eventually drifted off to sleep after 11:30 PM, as fireworks’ explosions resumed.

Festivities lasted all day and I couldn’t resist heading up to the church courtyard to see what was happening.

When I arrived, seats in the shade were filled and a small crowd was gathered behind a barricade; a castillo, laying on its side in three parts, was being constructed; a teenage Oaxacan brass band, with the requisite tuba towering over the other instruments and their players, was waiting to play; and young dancers were performing with a combination of earnestness and joy.

Skirts flying

Dance always seems to be an integral part of celebrations both secular and religious, and, in reflecting on my love for this, at times, perplexing and contradictory place, dance is one of the things that resonates the most.

Piña Dancers

A small stage set up under the trees; dancers, their handmade and unique costumes; energetic music; choreographed steps passed down through generations spirited me back to my childhood…

Mom and me

Let’s dance!

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After a delightful but whirlwind (6 days is too short) visit, my stepson and his wife have come and gone; this year’s Guelaguetza festivities are over; life at Casita Colibrí is gradually resuming a more leisurely rhythm; and our current historic rain has gone on hiatus.  A quiet solo Sunday morning walk beckoned, as did the APPO banners, strung along the arches of the Palacio de Gobierno, that I wanted to photograph.

Oaxaca se levanta

The banners are a work of art, but ephemeral — here today, gone tomorrow — and I never seem to have my camera with me when I come across them.

"Respeto a la autonomia de San Juan Copala"

And, more importantly, they are a graphic reminder that behind the vitality, beauty, and quaint cosmetics of “new” cobblestone streets of this UNESCO World Heritage Site facade, class warfare lurks in the shadows.

Oaxaca’s contradictions are mine.  I turn the corner and walk over to puesto 80 at Mercado Juárez to see if they’ve gotten in the chocolate covered coffee beans.  No, maybe tomorrow…  I stop by the temporary pocket market in front of the Jesuit church on the corner and satisfy my sweet tooth by buying a bag of melt-in-your-mouth Merengue Sabor Cafe, instead.

The Zócalo has awakened during my 45 minutes of shopping; young and old strolling arm-in-arm, vendors selling their wares, shoes being shined, outside tables occupied with diners chatting or simple watching the scene before them.

People strolling; vendors selling

And, there is music — always, there is music — today an orchestra has set up under the laurels for the final day of the Festival Nacional de Danzón.  The dance, with its origins in Cuba, is stately and prescribed, with inexplicable pauses where dancers turn to face the orchestra, women move to the right side of their partners, fan themselves, and then several measures later dancing resumes.

Dancers in traditional Oaxacan dress

I’m captivated by the dancers who are at once, serious and joyful, and by their varied attire — once a costumer, always a costumer!

Dancers - woman in slacks

Most dancers are in the latter third of their life, though there are a few earnest young people.

Young dancers

It’s a prosperous crowd — a dance of the elite — but mesmerizing to watch.

dancers

After an hour of observing this very “civilized” scene under an intense sun, I headed to Independencia, the shady side of the street, and home, only to stop, reel around, and follow the sounds of a calenda coming into the Alameda; band, dancers, fireworks — celebrating Día del Comerciante!

Calinda

I leave feeling conflicted about my three hours on a sunny Sunday.  The lines from the song inspired by the 1912 Lawrence, Massachusetts textile strike come to mind…

As we come marching, marching, unnumbered women dead
Go crying through our singing their ancient cry for bread.
Small art and love and beauty their drudging spirits knew.
Yes, it is bread we fight for — but we fight for roses, too!

Lunch eaten, clouds gather, sky darkens, and Mother Nature reminds us who is in charge.

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